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Home > Postgraduate study > Postgraduate courses > Creative Writing MFA

Creative Writing MFA

Why choose this course.

The first Master of Fine Arts in Creative Writing in the UK, this course offers talented and aspiring writers the chance to refine their craft under the tutelage of acclaimed professionals and develop a unique combination of creative and practical skills on this course, in preparation for a career as a published writer.

You will learn in workshops, one-to-one or in small groups, with support from practising and published writers, and fellow students. Our award-winning former creative writing students include Booker-shortlisted Oyinkan Braithwaite, Joe Pierson, who won the Bridport Prize, Stefan Mohammed, awarded the Dylan Thomas Prize, Bafta-winner, Sarah Woolner, the acclaimed poet Dom Bury and celebrated novelist Faiqa Mansab.

Our external examiner has rated this course highly:

• 'This course has developed a strong identity in terms of encouraging students to fuse disparate, varied influences in their work.'
• 'I'm a fan of this course - well done!'

Curtis Brown Agent's Choice competition

All successful applicants who take up their place with us in September will be entered into our competition to have a consultation with Annabel White , an agent at top London literary agency Curtis Brown.

So make sure the creative work you submit with your application is your very best - it might win you a meeting with a literary agent.

Reasons to choose Kingston

• The Creative Writing MFA (Master of Fine Arts) is designed for serious writers who would like to build upon their publishing record or become a published writer.
• You will become part of Kingston's thriving community, with events such as readings, lectures from published authors, editors and agents, masterclasses and enriching discussions.
• You will have the opportunity to contribute to Kingston University's publication, Ripple, which includes fiction, poetry, reviews and creative non-fiction and is edited by students on the course.
• It uses a practical approach to develop your writing skills and is ideal if your writing is already of a good standard but you want to progress towards producing potentially publishable material.
• You also have the chance to learn more about professional elements of writing, such as working with agents/publishers and presenting proposals.
• You can enrol on the MFA at the beginning of your postgraduate degree at Kingston or after completing an MA in Creative Writing (or related subject).

The Art School Experience

As part of  Kingston School of Art , students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.

Our  workshops and studios  are open to all disciplines, enabling students and staff to work together, share ideas and explore multi-disciplinary making.

What our students say

In this video, one of our creative writing alumna and a current student discuss why they chose the course, what they enjoyed about it and why they'd recommend it to future applicants.

What you will study

You'll attend writing workshops; examine literary genre and texts; take a module designed to prepare you for the world of publishing; and write a 15,000-word dissertation on a topic of your choice in the first year of the course. In the second year you progress to smaller group writing workshops. The extensive one-to-one supervision for the dissertation leading to the MFA (no less than 40,000 words) will be provided by one of the course's permanent staff, one of our distinguished professors.

MFA students need to complete all four MA modules (120 credits) before they can progress to the MFA (second) year. The MFA dissertation has 120 credits. The option modules and dissertation give you the chance to further specialise and pursue an area of interest in depth.

Core modules

Mfa dissertation.

120 credits

This module provides students with one-to-one supervision over an extended period of time (approximately one year for full time students and two years for part time students). The module is assessed in two ways: firstly, by a creative dissertation of 40,000 words that may take the form of a single sustained piece of writing or a collection of pieces from a suitable range of genres; and secondly, by a critical reading log of approximately 4,500 words.

Special Study: Workshop in Popular Genre Writing

This module offers a regular and intensive review of your writing in one of the following genres: poetry, crime writing, prose fiction, biography, drama, scriptwriting or writing for children. You will be advised on how to strengthen your knowledge of the codes and conventions of your chosen genre to produce a substantial piece or collection of work that will reflect your knowledge of and engagement with your chosen genre. You will apply detailed feedback on your work to your writing as well as using your increased knowledge of your chosen genre to make your writing more effective. These elements will help you improve the key transferable skills of analysis and implementation that will feed forward into your dissertation module and into all analytical/practical tasks you subsequently undertake.

Writing the Contemporary

This module provides the opportunity to examine ways in which reading is essential to writing practice and teaches you to apply literary techniques and strategies from contemporary fiction, life writing and poetry texts to your own work. You will develop the concept of 'reading as a writer' in order to explore how contemporary concerns are brought to the fore by artistic strategies, and examine how an understanding of these can provide models for your own creative practice. You will submit work including a reflective reading journal as well as a creative piece in a genre of your choice.

Ten Critical Challenges for Creative Writers

The module is designed to introduce students to some issues of critical and literary theory. The module is also designed to make students more aware of how their work impacts upon wider literary, cultural, political and philosophical issues. Awareness of these theories and of some of the issues surrounding the production and reception of literary texts will stimulate them, encouraging creative and conceptual thinking.  The module will explore debates about literature and the practice of creative writing through readings of essays and texts that are relevant to criticism and theory.  The academic component of the assessment will support the creative work with the objective that students will also have to demonstrate critical, academic, analytical skills.

Writers' Workshop

In this module you will present and discuss your own and each other's work in a weekly workshop. The draft work presented may include several genres and forms, such as crime writing, fantasy fiction, children's literature, historical fiction, science fiction, romance and autobiography. Practical criticism of student writing will be accompanied by discussion of the scope or constraints of the various genres, as well as the implications of particular forms. Attention will be paid to the transferable components of good writing: appropriate use of language, narrative pace, dialogue, expression, characterisation and mood.

Entry requirements

Typical offer.

A 2:2 or above honours degree, or equivalent, in creative writing, English literature, literature and language, drama or theatre studies or a humanities subject.

International

All non-UK applicants must meet our English language requirements. For this course it is Academic IELTS of 6.5 overall, with 5.5 in all elements. Please make sure you read our full guidance about  English language requirements , which includes details of other qualifications we'll consider.

Applicants from one of the recognised  majority English speaking countries (MESCs)  do not need to meet these requirements.

Country-specific information

You will find more information on country specific entry requirements in the International section of our website.

Find your country:

• Middle East

Teaching and assessment

Book-length creative dissertation; critical reading log of approximately 4,500 words.

Guided independent study (self-managed time)

When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.

Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.

Support for postgraduate students

At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.

Your workload

Year 1: 7% of your time is spent in timetabled learning and teaching activity.

Contact hours may vary depending on your modules.

Type of learning and teaching

• Scheduled learning and teaching: 88 hours
• Guided independent study (self-managed time): 1112 hours

How you will be assessed

Assessment typically comprises exams (e.g. test or exam), practical (e.g. presentations, performance) and coursework (e.g. essays, reports, self-assessment, portfolios, dissertation).

The approximate percentage for how you will be assessed on this course is as follows, though depends to some extent on the optional modules you choose:

Type of assessment

• Coursework: 100%

The MFA dissertation is a 45,000-word creative project plus a 4,500-word critical essay.

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Class sizes

To give you an indication of class sizes, this course normally enrols 10-12 students and lecture sizes are normally 8-15. However, this can vary by module and academic year.

Who teaches this course?

As a student on this course, you will benefit from a lively study environment, thanks to the wide range of postgraduate courses on offer. The combination of academics and practitioners makes it a unique environment in which to further your studies and your career.

The University provides a vibrant and forward-thinking environment for study with:

• committed and enthusiastic staff – many of whom are published authors and expert practitioners as well as leading academics and researchers;
• courses designed in collaboration with industry professionals – keeping you up to date with the latest developments;
• established connections with the London arts and media scene – with a range of guest speakers, professors and lecturers visiting the University; and
• a range of opportunities to take part and attend author events, including readings, poetry festivals, industry masterclasses.

Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.

Dr James Miller

Course director.

Mr Oludiran Adebayo

Dr Adam Baron

Dr Martin Dines

Mr Steven J. Fowler

Dr Meg Jensen

Dr Wendy Vaizey

Fees for this course, 2024/25 fees for this course, home 2024/25.

• MFA full time £9,900
• MFA part time £5,445

International 2024/25

• MFA full time £16,900
• MFA part time £9,295

2023/24 fees for this course

Home 2023/24.

• MFA full time £9,860
• MFA part time £5,423

International 2023/24

• MFA full time £16,200
• MFA part time £8,910

Tuition fee information for future course years

This is a two year full time course with the published full time fee payable in each year of study.

If you start your second year straight after Year 1, you will pay the same fee for both years.

If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.

Postgraduate loans

If you are a UK student, resident in England and are aged under the age of 60, you will be able to apply for a loan to study for a postgraduate degree. For more information, read the postgraduate loan information on the government's website .

Scholarships and bursaries

Kingston University offers a range of postgraduate scholarships, including:

• Inspire the Future scholarship
• Postgraduate scholarships for international students

If you are an international student, find out more about  scholarships and bursaries .

We also offer the following discounts for Kingston University alumni:

• Alumni discount
• Progression Scholarship

Additional costs

Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees. 

Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.

Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan . You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free WiFi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.

Photocopying and printing

In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.

Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.

There is a wide range of facilities at our Penrhyn Road campus, where this course is based. You will have access to a modern environment with the latest equipment, including the Learning Resources Centre. This offers:

• subject libraries, plus a free inter-library loan scheme to other libraries in the Greater London area
• online database subscriptions
• a growing selection of resource materials.

The Iris Murdoch Archives

Kingston University has two major archives relating to Iris Murdoch, a significant philosopher and one of the 20th century's greatest novelists. These archives currently comprise:

• Iris Murdoch's Oxford library (more than 1,000 volumes, many of them heavily annotated by Murdoch)
• the papers, tapes, interviews and manuscripts collected by Peter Conradi, Iris Murdoch's official biographer and Murdoch scholar
• various letter runs and documents donated by well-wishers.

Resources in London

Kingston is just a 30-minute train journey from central London. Here you can access a wealth of additional libraries and archives, including the British Library.

After you graduate

Former graduates have achieved multi-book publishing deals or gone on to work in the publishing industry; others have progressed in careers in translating, writing, journalism, advertising and film.

Research areas

Research in English literature and creative writing at Kingston University covers the following areas:

• 19th and 20th century British and American fiction;
• fictions of globalisation;
• gothic writing;
• travel writing;
• narratives of slavery;
• women's writing from the 18th century to the present;
• New Woman and fin de siècle fictions;
• Shakespeare;
• literature of the English Reformation period;
• English women's religious poetry during the seventeenth century; and
• postcolonial studies.

It focuses around the following research initiatives:

• Centre for Iris Murdoch Studies – established in 2004 to oversee research on the Iris Murdoch archives acquired by Kingston University in 2003/04).
• Centre for Life Narratives – bringing together best practice from all genres of life narrative work.
• Cultural Histories at Kingston – centred around the concept of the 'cultural text', the group includes scholars from the fields of literature, film, media, history, music, dance, performance, and journalism.
• Writers' Centre Kingston – a literary cultural centre dedicated to creative writing in all its forms, with an annual programme of events, talks, workshops and festivals.
• Race/Gender Matters – captures and concentrates research on theoretical, critical and creative engagements with the materiality of race, gender and language.

We also hold regular seminars and host presentations by visiting speakers.

Course changes and regulations

The information on this page reflects the currently intended course structure and module details. To improve your student experience and the quality of your degree, we may review and change the material information of this course.  Course changes explained .

Programme Specifications for the course are published ahead of each academic year.

Regulations governing this course  can be found on our website.

Related courses

Creative Writing and Publishing MA

Creative Writing MA

Publishing MA

Secondary Teaching leading to Qualified Teacher Status (QTS) PGCE English

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• Creative Writing

Creative Writing MFA

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Postgraduate Course

Develop your creative practice alongside an inspiring group of writers. Further your literary abilities and create a full-length manuscript.

If you have already completed a taught master's degree, the Master of Fine Arts in Creative Writing could be the next step for you, allowing you to pursue a project that you are passionate about. The academic team will work closely with you to develop your writing, and you will approach projects in ways that best suit your individual learning style while you work towards an original and engaging manuscript.

Course location York campus

• Duration – 1 year full time, 2 years part time
• Start date – February 2025
• School – School of Humanities

Minimum entry requirements

MA at Merit/60/B

Tuition fees

UK 2024-25 £4,500 full time --> full time

International 2024-25 £14,000 full time --> full time

Course overview

On this course you will work independently with an expert supervision team to produce a 40,000 to 70,000 (book length) work, such as a novel, poetry collection, script or biography. You will write for publication, performance or dissemination, and your reflective commentary of 6,000 to 10,000 words will focus on this piece. Your creative submission can be in any genre or style. The MFA also includes an opportunity for a one to one meeting with an agent, editor or publisher.

York Centre for Writing

York Centre for Writing is a space for York St John's creative writing community to thrive. We compose 2 annual publications:

• Beyond the Walls , an anthology written by students
• The York Literary Review , a creative writing journal featuring international contributions

The Centre has welcomed celebrated authors, who have given talks that inspired students in their work and beyond. This includes Daljit Nagra, Michel Faber, Margaret Atwood and more.

Course structure

How you will study.

The MFA is taught over 3 semesters, starting in February, and can be studied either  full time (over 1 year) or part time (over 2 years). If you choose to study full time the course will take 1 year to complete.

You can find out which modules are available in each term in the Course Specifications .

Please note that while one to one meetings can be held online, the group workshops are in person only and are a compulsory element of the MFA. This is not an online course.

Credits: 20

Compulsory module

This assessment is an opportunity for you to present the development of your work so far, reflecting on challenges, context and inspirations. You will be presenting your progress and critically reflecting on your research as you are working towards a final draft. This is a moment for peer review and analysis of your work, looking at inspirations, changes and context.

Credits: 160

During your final module you will create a full-length manuscript intended for publication/dissemination. During the module, you will go through the entire development and editing process for your final piece. This work may be:

• Collection of short stories
• Poetry collection
• Screenplay or script for radio or stage
• Non-fiction monograph

Your 1 on 1 tuition for this final piece is modelled on the professional relationship that successful writers forge with their editors, agents and publishers.

Teaching and assessment

Teaching and learning.

The MFA in Creative Writing is taught on a mainly one to one basis with an expert writer on the team guiding your unique project. One to one meetings can be arranged flexibly to suit your needs. We also provide group workshop time. Workshops are in person and take place twice per term for 3 hours during the day. Workshops are an opportunity to share writing in progress with a group of like-minded peers and receive inspiring masterclasses from the Creative Writing team on all aspects of writing craft. 

You will also have the opportunity for a one to one meeting with an agent or publisher.

In your final year, you will be invited on a mini writing retreat in a scenic York location. The retreat is run by your tutors and can take place in a number of different locations. The only requirement is that the places be beautiful and inspiring.

We encourage you to attend the variety of events provided by the York Centre for Writing. These include visits from agents, publishers, editors and writers. This allows you to network and develop professional relationships within the literary community.

Our teaching draws on both our research and professional experience. This means your learning is informed by the most current thinking in the subject area. You can find out more about our research and backgrounds by visiting our staff pages.

Your final manuscript will be a piece of written work that will comprise of 40,000 to 70,000 words of prose or approximately 1,200 lines of poetry. If you are aiming to produce a script, it must be an equivalent length. Your final manuscript will be accompanied by a critical commentary of 6,000 words which reflects on the writing process. You will submit your final manuscript in January of the final year.

Entry requirements

Qualifications.

MA at Merit/60/B See full entry requirements including GCSEs

You will also need to include a writing proposal and writing sample with your application.

We normally consider applicants who have a Master's in Creative Writing or a related subject, such as:

• MA in Poetry
• MA in Fiction
• MA in Life Writing
• MA in Script Writing
• MA in Literature /English Literature/ Literature Studies
• MA in Publishing

However, we will consider applicants with any Master's qualification, and assess your application based on your personal statement, writing proposal and writing sample.

International students

If you are an international student you will need to show that your qualifications match our entry requirements.

Information about international qualifications and entry requirements can be found on our International pages.

If English is not your first language you will need to show that you have English Language competence at IELTS level 6.0 (with no skill below 5.5) or equivalent.

International entry requirements

Additional requirements

For entry onto this course, you will also need:

• A sample of creative writing, either in prose, script or poetry of at least 1,000 to 2,000 words, or 3 to 4 poems
• A completed MFA Creative Writing Proposal Form (doc, 24.3KB)

Accreditation of Prior Experiential Learning (APEL)

If you do not have traditional qualifications, you might be able to provide evidence of professional experience in the subject as an alternative way to meet the entry requirements. This is called Accreditation of Prior Experiential Learning (APEL). Appropriate references and records of employment would need to be presented to support your case for admission. 

Terms and conditions

Our terms and conditions, policies and procedures contain important information about studying at York St John University. You can read them on our Admissions page .

Fees and funding

Uk 2024 - 2025 entry.

• £4,500 for full time study
• £2,250 per year for part time study

This cost applies to all UK, Jersey, Guernsey and Isle of Man students.

Postgraduate loans are available to help you pay for your master’s course. Find out more about funding your postgraduate studies.

Funding opportunities

International 2024 - 2025 entry

• £14,000 for 1 year of full time study

This price applies to all students living outside the UK.

Due to immigration laws, if you are an international student on a student visa, you must study full time. For more information about visa requirements and short-term study visas, please visit the International Visa and Immigration pages.

Find out more about funding your postgraduate studies.

International Fees and Funding

UK 2024-25 £4,500 full time --> full time

Alumni Scholarships

If you are alumni of York St John University we have scholarships available to help you continue your studies.

Scholarships for alumni

Additional costs and financial support

Course-related costs.

While studying for your degree, there may be additional costs related to your course. This may include purchasing personal equipment and stationery, books and optional field trips.

Accommodation and living costs

View our accommodation pages for detailed information on accommodation and living costs.

Career outcomes

Where could creative writing take you.

By developing your writing and creative process, you will be well positions to enter into a various careers. Your skills in critical analysis, working to deadlines and both independent and collaborative work will can be applied in industries such as:

• Copywriting
• Political analysis

Stand out from the crowd with postgraduate study.

Far fewer people have postgraduate degrees than undergraduate qualifications. This gives you something extra to set yourself apart in a competitive graduate job market. Those with a postgraduate qualification will earn an average of £6,500 a year more than those with only an undergraduate degree. (Department For Education Graduate Labour Market Report 2022).

Our careers service, LaunchPad, provides career support tailored to your ambitions. Through this service you can access:

• Employer events
• LinkedIn, CV and cover letter sessions
• Workshops on application writing and interview skills
• Work experience and volunteering opportunities
• Personalised career advice

This support does not end when you graduate. You can access our expert career advice for the rest of your life. We will help you gain the experience and confidence you need to succeed.

Apply for this course

For postgraduate degrees you must apply directly to York St John University using the application links. This will take you to the application form you will need to fill out for this specific course.

To complete the online application form you will need to create login details.

Please contact 2 referees before submitting your application. An automated request for a reference will be emailed to them as soon as you submit. Your application will not be reviewed until both references are in place.

Additional application documents

To complete your application for this course you will also need to attach:

• Your completed MFA Creative Writing Proposal Form (doc, 24.3KB)
• A writing sample of 1,000 to 2,000 words or 3 to 4 poems

Fees and key information

Course highlights

Develop as a writer

Further your abilities and engage with other literary practitioners to create work you will be proud of.

Engage with an exciting community

Join our network of writers, editors, publishers and figures in York's literary community. Engage with them and develop your own network.

Experience unique forms of study

Journey with us during a writers' retreat, which will allow you to get away from the everyday and fully indulge in your creative process and practice.

Learn from professionals

In addition to regular supervisions, you can meet one to one with an industry professional, such as an agent or editor.

More to explore

Discover postgraduate study

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Why choose York St John?

Get in touch, discover more courses.

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Master of Fine Arts

An MFA is a higher credential than the MLitt , and is the internationally recognized standard for teachers of Creative Writing in secondary and tertiary higher education; most consider the MFA the qualification required to teach creative writing in North America and Europe.

St Andrews is one of the first universities in the UK to confer an MFA degree. Within the programme, students will be able to focus on producing a substantial piece of creative work under the supervision of a world-class writing faculty, and on preparing themselves as teachers of writing in a variety of instructional contexts. Since our MFA Year 1 students complete the same taught classes as our  MLitt  students, there is a far stronger emphasis placed on contact time than in other universities.

The School offers two Master of Fine Arts degrees:

• Creative Writing
• Playwriting & Screenwriting. 

About the MFAs

Both Masters of Fine Arts degrees are two-year postgraduate degrees, and consist of two distinct phases of study.  In addition, there are two career skills modules – in MFA Year 1, ‘Research Skills for Creative Writers’; in MFA Year 2, ‘Practical Pedagogy for Creative Writers’.

• MFA Year 1 is taught through technical seminars, workshops and individual tuition.
• MFA Year 2 consists of two semesters of postgraduate supervision, at the end of which students will submit a substantial piece of creative work.

MLitt students will have the option to transfer into the MFA programme upon successful completion of the taught element of their course, where their MLitt year will count as MFA Year 1.

The MFA in Creative Writing has two separate streams: Poetry and Prose, and prospective students should apply for one stream only. For their final submission, students on the prose track will submit a thesis of publishable quality of around 40,000 words; for poetry, a thesis of about 40 pages of verse.

Students taking the MFA in Playwriting & Screenwriting will submit a thesis of approximately 90 minutes performance time.

MFA applications

Mfa entry requirements.

MFA entrants will normally be required to hold a good honours level undergraduate degree or equivalent.

How to apply

MFA study Applications should be submitted via the research degree option of the fully automated  online application system  and you should ensure that you have all additional documents required available for upload at point of application.

The writing samples provided within your application are incredibly important in the assessment process. Ideally, this should be a piece of distinction-grade writing which you have recently completed, and must be on a theme related to your programme intention.

Application document requirements

• CV or resume
• 2 academic references (directly from referees via the automated system)
• An academic critical writing sample of approximately 2,000 words which should be on an English literature topic.
• A portfolio of original verse, prose, playwriting or screenwriting (approximately 10 poems or around 10-15 pages of prose, playwriting or screenwriting). Please add this sample as a section of your academic writing sample and upload as one document.
• Certified academic transcripts of study, including modular grades (interim UG level transcripts are permitted at this stage where final results are not yet known)
• MFA research proposal: you should merely state the strand and year of the programme that you are applying for, and confirm that your intended project will be relevant for that genre
• Statement of Purpose
• IELTS/CPE/TOEFL certificate (if applicable) with an IELTS 8.0 grade minimum or equivalent in each sub-category

Application deadline

Application deadlines for receipt of complete study application:

• 15 January  for students also applying for internal scholarships
• 31 May  for all other applicants

Overseas applicants should apply as early as possible for international visa purposes.

In the first year, students pay the equivalent fee for taught postgraduate students. Taught tuition fee information can be found on the University's Fees and Funding page . This page also includes links to other relevant information, such as residence fees etc.

In the second year, fees will be charged in line with the equivalent research fee for the relevant academic year. Please see  tuition fees for research postgraduate programmes  for current fee levels.

Following submission of a study application, students should apply separately through the scholarships and funding catalogue for any available awards. Awards can be viewed on the scholarships and funding pages . Deadline dates and eligibility are separately listed for named individual awards within the catalogue, and students normally do not require to hold a study offer prior to application.

For general information about any aspect of funding, please contact the Scholarships Office at [email protected]

Staff teaching on the MFAs

Year one entrants are not required to contact a prospective supervisor prior to application submission since one will be allocated during their studies automatically, but for Year 2 direct entrants this is a crucial step in the process. The following members of staff may be available to supervise research topics:

Ms Anne Boyer

Anne Boyer welcomes enquiries from students working in poetry and poetics, autotheory, and experimental literature. Of particular interest are the intersections of literature with critical theory or philosophy, social movements, and the visual arts. 

Professor Zinnie Harris

Professor Harris is a playwright and screenwriter, and she hopes to supervise students who are interested in writing for stage or screen. She has also adapted novels and classic texts for both theatre and television, and has written for radio.

Mrs Jillian Mannion

Jillian Mannion welcomes enquiries from postgraduate students who are interested in writing for film and television or in studying script and story analysis. She has a particular interest in script structure, character construction and the design of the TV pilot episode. Jillian is happy to supervise projects across a number of genres including drama, comedy, action, thriller, crime and period.

Ms Dina Nayeri

Ms Nayeri would be happy to supervise fiction or non-fiction, in a range of narrative forms, relating to displacement and movement of all kinds: not only across borders or in language and culture (though the middle east is one of her own focal points), but stories that reflect upon and dramatize moments of profound change, undoings, and times of estrangement and otherness in a variety of lives.

Ms Karen Solie

Karen Solie is interested in supervising students working with 20th-century and contemporary poetry. Particular interests include writing about work and place, ecopoetics, form and the potential of hybrid genres, epistemology and the influence of philosophy, research methods, and Canadian poetry.

Testimonials

The Creative Writing community cultivated at St Andrews is necessary for growth as writers. The people that I have met and write with have confirmed to me that St Andrews is a special place to work on my novel.

Jenna Rogers 2018

The quality of the poets who teach at St Andrews is still very difficult to fully appreciate. I could spend the next decade learning from them, and probably will keep doing so through their poetry, once I’ve left. Second best thing I’ve done in my life, taking my MFA in poetry here.

Sean Robinson 2018

I LOVE St Andrews. Living in this small stone town by the sea is the best thing that ever happened to me. The town practically begs you to write poetry to it. Professors are totally available and classmates are some of the best advocates. People here are rooting for you. There is something so magical– the berries in fall, icy dips in the sea in winter, sunsets all year round. And the English department has the best community for postgraduates by far. We take care of each other!

Lily Clarke 2017

I initially came to St Andrews as an MLitt student to study abroad, learn in a global context, and meet new people. I stayed on for the MFA to continue writing alongside my cohort and gleaning from accomplished professors. I also wasn’t ready to give up the view of the North Sea from Castle House steps..

Rachel Hall 2017

The benefits of postgraduate study at St Andrews stretch far beyond graduation. As well as joining a long line of notable alumni and academics, postgraduate students are supported in their next steps by both the Careers Centre and the University alumni relations team. See the University's page on Using your English degree .

The University also provides an extensive and award-winning generic skills development programme – GRADskills – for all of its early career researchers, including MFA students.

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• MFA Creative Writing

Creative Writing

Join our community of internationally renowned, award-winning writers at the Manchester Writing School, where collaboration and experimentation are at the heart of what we do.

Course overview

On our Master of Fine Arts (MFA) programme, you will explore and practice techniques and styles of modern and contemporary writing and apply these through the development of your own full-length book or script. 

MFA students undertake all of the elements of our MA Creative Writing programme (a taught element blending writing workshops with reading units, option units, and a dissertation), then take an additional unit about the publishing, literary and arts industries and submit a full-length manuscript: a completed novel or short story collection, poetry collection, book for children or young adults, script for stage, screen or radio, or book of creative non-fiction.

You will be introduced to professionals from the publishing industries, which may include literary agents, publishers...

What you need to know

• When does the course start? September 2024 January 2025

2 years full-time (campus) 3 years part-time (campus or online)

Students can begin studying in January or September.

• Where will I study this course? Manchester , Online

Features and benefits

"One of the greatest pleasures of my working life continues to be the Manchester Writing School at Manchester Metropolitan University, a department with a real sense of family, achievement and celebration, and an ethos of nurturing and innovation." Professor Carol Ann Duffy DBE – Creative Director of the Manchester Writing School

Course Information

At the heart of the Manchester Writing School are our masters programmes in Creative Writing, available to study on campus in Manchester, and also from anywhere in the world via online distance learning. 

MFA Creative Writing can be tailored to suit your writing preferences by following a specialist route in Novel (including Short Fiction), Poetry, Writing for Children & Young Adults, Scriptwriting (for stage, screen or radio) or Creative Non-Fiction. Watch our playlist to find out more about each route.

This MFA blends writing workshops, where you produce and develop your own work-in-progress, with regular feedback from tutors and fellow students, with reading courses, which look at the techniques, forms and styles used by a range of writers in modern and contemporary literature. All students also take 30 credits of optional units and can choose from a range of creative writing units or options from courses across arts and humanities subjects. MFA students also take a unit about the publishing, literary and arts industries, introducing you to a range of professional opportunities. The final piece of work for the MFA is the Manuscript – a full-length book or script completed with one-to-one supervision from a Manuscript Mentor. 

The MFA is available to complete in two years full-time or three years part-time. The novel and poetry routes are available to study on campus (full-time or part-time) or online (part-time only). The writing for children and creative non-fiction routes are online (part-time) only. The scriptwriting route is available to study on campus only. We have intakes to the programme in September and January each year. 

Visit the Manchester Writing School website for more information, including profiles of staff and published students, news, events and projects.

Please visit our scholarships page for information on funding opportunities .

The programme leader for this course is James Draper . 

Classes for core Workshop and Reading units take place in the evenings (6-8pm UK time) during the autumn and spring semesters. Full-time students take all of these units in a single year and usually have classes two evenings per week. Part-time students spread these units over two years (running order may vary depending on specialist route) and usually have classes one evening per week. All students take 30 credits of option units, which run in the spring semester; delivery models and scheduling vary depending on choice and availability. This part of the MFA concludes with the submission of the Creative Dissertation, completed through independent study with one-to-one support from a Dissertation Supervisor. 

Creative Dissertation

This unit will build on and progress material produced during the Workshop units. You will compile and edit your creative writing into a substantial, continuous extract from a proposed longer work-in-progress and provide a Genesis Document: an account of the origins of and inspirations for your writing.

Reading Unit 1

This route-specific unit looks at the forms, themes, styles and techniques used by a range of writers in literature. Outstanding writing is considered in terms of composition, process and presentation, and its relevance to your own work-in-progress. 

The Workshop

Workshops are led by established practitioners in the specialist literary field (Novel, Poetry, Writing for Children/Young Adults, Scriptwriting or Creative Non-Fiction), giving student writers a committed editorial readership of professionals and peers, and generating and developing material for a proposed full-length book or script. It is expected that the creative work generated will eventually contribute to your Dissertation and Manuscript.

Option units

Creative project.

On this unit, you will be asked to devise, scope, plan, conduct, report and reflect on a creative project of your own choosing. The project should involve a significant stretch from your core work on the programme and explore a new practice. This can be either working in a writing discipline different to your main route through the course, or by adapting or applying your work in a new context.

Green Writing

This unit will explore how creative writers can engage with ecological emergency during a time of crisis. The unit will examine different approaches to writing about nature, ecology and the environment, and demonstrate ways to respond creatively to contemporary climate science. You will study key texts in the field and produce your own original creative work using techniques drawn from those materials, learning how to bring traditionally ‘non-fiction’ perspectives into the realm of fiction.

Reading Unit 2 (30 credits)

Remaking games: creativity, play and communication.

This unit explores the theory and practice of hacking and making games as a research method and mode of creative practice. It considers the intersection between creative writing and game design. In the unit we introduce students to reading and making games as a new methodology that combines creative and critical thinking with public engagement and impact at the point of research. For creative writers, the unit helps develop new ways to explore narrative and storytelling through interactive fiction, videogames and analogue games. You will develop new communication skills as part of the research process, creating games to share with other students and wider audiences as a way of engaging the public with your research.  

Teaching Creative Writing

This unit introduces techniques for developing and delivering creative writing workshops in a range of settings and considers how to encourage would-be participants to produce original writing in a variety of styles and genres. Consideration of key pedagogic theories and analyses of demonstrations will offer background context and enable critical reflection on workshop practice.

Writing About Relationships

This course unit explores writing about love and partnership and is designed to help you gain confidence, avoid cliché and improve the quality of your prose style as you write about human relationships and intimacy. 

Study and assessment breakdown

10 credits equates to 100 hours of study, which is a combination of lectures, seminars and practical sessions, and independent study. A masters qualification typically comprises of 180 credits, a PGDip 120 credits, a PGCert 60 credits and an MFA 300 credits. The exact composition of your study time and assessments for the course will vary according to your option choices and style of learning, but it could be:

• Full-time 34% lectures, seminars or similar; 0% placement; 66% independent study
• Part-time 34% lectures, seminars or similar; 0% placement; 66% independent study
• Full-time 100% coursework; 0% practical; 0% examination
• Part-time 100% coursework; 0% practical; 0% examination

Placement options

The Manchester Writing School is one of the UK's leading schools of creative writing. It is also home to ground-breaking outreach activities, international writing competitions, a series of city-wide literary events, innovative publishing projects, the Manchester Children's Book Festival , and Manchester Poetry Library . These activities will provide you with many opportunities to get involved and develop your experience in a number of exciting directions.

Year two of our MFA includes the development of a manuscript for a full-length book or script within your specialist route, completed through independent study with one-to-one support from a Manuscript Mentor. This is usually a continuation of the Creative Dissertation, but can be a new project. The year also includes a series of seminars and Q&A sessions with experts from the publishing, literary and arts industries in the spring semester. These units take place in year three for those studying the MFA part-time. 

The Industry (30 credits)

You will learn and acquire practical information about various aspects of the publishing, literary, arts and related industries through seminars and Q&A sessions with guest speakers. These may include agents, editors, publishers, publicists, booksellers, directors, producers, broadcasters, filmmakers, freelancers, performers, artists and illustrators. This unit is designed to give you a broad overview of the state of the industry, as well as some specialist knowledge about opportunities available for those working in your specialist area, as you complete your manuscript.

Manuscript (90 credits)

On this practice-driven unit, you will complete a full-length manuscript for a book or script within your chosen MFA route: Novel (or Short Fiction), Poetry, Writing for Children/Young Adults, Scriptwriting (for stage, screen or radio), or Creative Non-Fiction. The unit is completed over a full year and involves ongoing independent writing with regular one-to-one editorial input from a dedicated Manuscript Mentor. The final submission will consolidate your learning, research and writing to-date into a fully-realised and complete body of work.

Whether you've already made your decision about what you want to study, or you're just considering whether postgraduate study is right for you, there are lots of ways you can meet us and find out more about postgraduate student life at Manchester Met.

• a virtual experience campus tour
• chats with current students

Taught by Experts

Your studies are supported by a department of committed and enthusiastic teachers and researchers, experts in their chosen field.

We often link up with external professionals too, helping to enhance your learning and build valuable connections to the working world.

Entry Requirements

Application is by submission of an online form including a personal statement, and a sample of your own creative work. Your application should be tailored to one of our specialist routes: Novel, Poetry, Writing for Children & YA, Scriptwriting or Creative Non-Fiction. You can apply online here: mmu.ac.uk/study/postgraduate/apply/postgraduate-taught-course .

Please indicate at the top of your personal statement which specialist route you are applying for. You should use the rest of the statement to tell us a bit about yourself, give a good overview of your reading and writing interests, and a sense of what has led you to apply for our course and any ideas you have for what you’d like to write with us. Personal statements should be approximately 500 words long.

For the creative sample, applicants to the Novel, Children's & YA and Creative Non-Fiction routes should submit up to 2,000 words of prose; poetry applicants should submit up to 15 poems; and scriptwriting applicants should submit up to 15 minutes running time of script. The work submitted can be a complete piece, or an extract, or a number of extracts from a longer work or works, but must all be within the chosen specialist route.

We have intakes into the programme in September and January each year. For application deadlines, and links to apply, please see the 'How to Apply section'. 

In each application assessed we will be looking for evidence of:

A very high standard of written English;  Control of form, style and technique;  Substantial reading of contemporary work within the relevant field;  Commitment to the craft of writing and willingness to engage with the editorial process of receiving feedback and redrafting work-in-progress;   Experience of the development of writing skills through workshops, supervision, mentoring or previous study.    

Applicants whose first language is not English are required to produce evidence of English Language proficiency. Overseas applicants will require IELTS with an overall score of 6.5, with no sub-component below 5.5, or an equivalent accepted English qualification. 

 Accepted English qualifications can be viewed  here .

Fees and Funding

Uk and channel island students.

Full-time fee: £1584 per 30 credits per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Part-time fee: £1584 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Distance learning fee: £1584 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

EU and Non-EU International Students

Full-time fee: £3084 per 30 credits per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Part-time fee: £3084 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Distance learning fee: £3084 per 30 credits studied per year. Tuition fees will remain the same for each year of your course providing you complete it in the normal timeframe (no repeat years or breaks in study).

Additional Information

A masters qualification typically comprises 180 credits, a PGDip 120 credits, a PGCert 60 credits, and an MFA 300 credits. Tuition fees will remain the same for each year of study provided the course is completed in the normal timeframe (no repeat years or breaks in study).

Additional Costs

Specialist costs.

Compulsory estimate : £300

Optional estimate : £2200

Books (novels, poetry collections, children/young adult books, scripts in print, or books of creative non-fiction depending on the specialist route of study) for study on Reading units (up to 10 books per unit for two units). Costs spread across years one and two for part-time students. There is also a list of additional, optional recommended reading for each unit students can access much of this via the Manchester Met library (either by loaning books or via the e-book system). All students will require access to a computer in order to undertake their studies (accessing online resources, forums and communication systems). Students can use loan laptops on campus. Students will also need access to broadband internet. While most students choose to purchase these for home use, computers with internet access are available to use on campus.

placement Costs

Compulsory estimate : £100

There is an optional summer school each year, where students are invited to spend two full days on campus for a suite of masterclass workshops, talks and social activities. Attendance at the school is free of charge, but students are asked to make their own arrangements for travel, accommodation and food. Students undertaking units which involve creating artwork, producing objects, or travelling to conduct research or interviews, etc. will need to cover the costs of any materials used and also make arrangements for accommodation, travel and food. Students based outside of Manchester, including distance learners, who wish to attend on-campus or in-person events, activities or classes are asked to cover the costs of accommodation, food, travel and additional fees for these.

other Costs

Optional estimate : £500

Students may be invited to take part in optional public events (e.g. reading from their own work) and are expected to cover the costs of travel, accommodation and food.

Career Prospects

More than 100 of our students and graduates have embarked upon publishing careers, launching first books, with many more achieving publication in journals and magazines, winning writing awards and prizes, and setting up small presses and anthologies. Our alumni include winners of the Costa First Novel Award, Forward Poetry Prize and Yale Windham-Campell Prize, and a long-listing for the Man Booker Prize. 

Our School plays a leading role in establishing Manchester as a city of writers with a commitment to finding diverse new voices and creating opportunities for writer development, enabling new writing and building audiences for the next generation of talent. Manchester has been designated a UNESCO City of Literature in recognition of its thriving live literature scene, with a year-round programme of author events, writers’ forums, networking opportunities and open mic nights. 

We are home to a suite of ground-breaking outreach projects including the Manchester Children’s Book Festival and Mother Tongue Other Tongue , an international multilingual poetry competition that celebrates cultural diversity and the many languages spoken in schools in the UK. Our Manchester Poetry Library holds over 12,000 books and recordings that can be explored through our online catalogue, in person and through our annual events programme. Our School has a strong Manchester presence, with links to many of the city’s major cultural and arts organisations, and also a global reach with students and alumni based across the UK and continental Europe, and in the Americas, Africa, Asia and Australasia. 

Our strong partnerships and innovative projects mean that you will have plenty of opportunities to develop your industry experience and network. 

On completion of this course you may decide to pursue PhD study, or to develop a career in bookselling, agenting, publishing, editing, the media, or in teaching creative writing. Students have access to the  Careers and Employability Hub located in the Business School, offering a host of information resources, one-to-one careers support and employability events throughout the year. This service is also available for up to three years after you graduate. 

The Power of Words Led by Professor Carol Ann Duffy DBE (UK Poet Laureate 2009-2019), the Manchester Writing School is the beating literary heart of a city alive with culture. Find out more about its prestigious past, present and future by watching our video, 'The Power of Words'.   Watch the video Manchester Writing School

Want to know more

Register your interest, got a question.

Please contact our course enquiries team.

Please remember to tailor your application to one of our specialist routes (Novel, Poetry, Writing for Children, Scriptwriting or Creative Non-Fiction) and to include a creative sample relevant to that chosen route.

Please upload your creative sample under the 'Degree Transcript' section of the application portal. 

The novel and poetry routes are available to study on campus (full-time or part-time) or online (part-time only). The writing for children and creative non-fiction routes are online (part-time) only. The scriptwriting route is available to study on campus only.

Get advice and support on making a successful application.

You can review our current Terms and Conditions before you make your application. If you are successful with your application, we will send you up to date information alongside your offer letter.

Manchester is your city, be part of it

Your new home, your new city, why university, related courses, english studies.

Programme Review Our programmes undergo an annual review and major review (normally at 6 year intervals) to ensure an up-to-date curriculum supported by the latest online learning technology. For further information on when we may make changes to our programmes, please see the changes section of our Terms and Conditions .

Important Notice This online prospectus provides an overview of our programmes of study and the University. We regularly update our online prospectus so that our published course information is accurate. Please check back to the online prospectus before making an application to us to access the most up to date information for your chosen course of study.

Confirmation of Regulator The Manchester Metropolitan University is regulated by the Office for Students (OfS). The OfS is the independent regulator of higher education in England. More information on the role of the OfS and its regulatory framework can be found at officeforstudents.org.uk .

All higher education providers registered with the OfS must have a student protection plan in place. The student protection plan sets out what students can expect to happen should a course, campus, or institution close. Access our current Student Protection Plan .

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Best UK universities for creative writing – league table

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Illustration: Yukai Du

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UK universities ranked by subject area: creative writing

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Creative Writing MSc

Awards: MSc

Study modes: Full-time

Funding opportunities

Programme website: Creative Writing

The community has been one of my favourite parts. The department has very warm and encouraging staff. Some of my classmates are now close friends, and we still workshop stories across time zones, and complain to each other about writing - and not writing! Bhavika Govil, prize-winning fiction writer MSc in Creative Writing, 2020

Upcoming Introduction to Postgraduate Study and Research events

Join us online on the 19th June or 26th June to learn more about studying and researching at Edinburgh.

Choose your event and register

Programme description

Based in the first UNESCO World City of Literature, this one-year, full-time taught Masters programme is tailored towards your practice in either fiction or poetry.

There is a strong practical element to the programme, helping you develop your creative skills through:

• presenting your work for peer discussion
• hearing from guest writers and other professionals on the practicalities of life as a writer

You will also sharpen your critical skills through:

• seminars exploring the particulars of your chosen form
• option courses in literature, helping you move from theoretical considerations to practical applications

The programme culminates with the publication of ‘From Arthur’s Seat,’ an anthology of student work.

Why Edinburgh

Literature has been taught here for over 250 years, and today Edinburgh thrives on its designation as the first UNESCO World City of Literature. The city is home to the National Library of Scotland and the Scottish Poetry Library, and a number of celebrated publishing outlets, from Canongate and Polygon, to Luath Press, Birlinn and Mariscat. The University hosts the prestigious James Tait Black Awards, established in 1919 and one of the oldest literary prizes in Britain.

There are lots of opportunities to write and share your work, from ‘The Student,’ the UK’s oldest student newspaper (founded in 1887 by Robert Louis Stevenson), to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you will find:

• library readings and bookshop launches
• spoken word gigs
• cabaret nights
• poetry slams

Edinburgh isn’t just historic – it’s a modern hub for literature. That’s part of what makes the city great for writing.

Austin Crowley, MSc in Creative Writing, 2023

We team teach our programme so that you benefit from the input of a range of tutors, as well as your fellow students and our Writer in Residence, the poet and author Michael Pedersen, who also co-ordinates a range of student writing prizes and our annual industry and networking event.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose fiction and drama. They include:

• Dr Jane Alexander - Fiction
• Dr Lynda Clark
• Dr Patrick Errington - Poetry/Fiction
• Dr Miriam Gamble - Poetry
• Professor Alan Gillis - Poetry
• Dr Jane McKie - Poetry
• Dr Allyson Stack - Fiction
• Kim Sherwood - Fiction
• Alice Thompson - Fiction

Programme structure

Over the duration of the programme, you will:

• take two core courses, both worth 40 credits
• two optional courses chosen from a wide range of subjects, both worth 20 credits

The core activities in Creative Writing are:

• tutor-led workshops, in which you will present your work-in-progress and critique the work of your fellow students
• regular seminars exploring techniques and issues specific to your practice (either fiction or poetry) and the statements and theories of practitioners

Optional courses

We have a large number of option courses to choose from, including preferred courses for fiction and poetry (which will be offered to Creative Writing students in the first instance), and courses from across the Department of English Literature and the School of Literatures, Languages and Cultures.

Visiting speakers

Throughout the programme, you will be expected to attend readings and talks by visiting speakers. Early on, these will be from published writers and, later, advisors from the writing business: literary agents, magazine editors and publishers.

Dissertation

The final element of the programme is your dissertation, a piece of creative writing (worth 60 credits) written with the advice and support of a designated supervisor.

Fiction dissertations are between 15,000 words and 20,000 words, and poetry dissertations between 25 and 30 pages.

Find out more about compulsory and optional courses

We link to the latest information available. Please note that this may be for a previous academic year and should be considered indicative.

Learning outcomes

On successful completion of this course, you should be able to:

• identify, conceptualise and define formal elements of craft in your chosen field (poetry or fiction) within published works and within works by your peers
• remain open to criticism and respond effectively and creatively to feedback on your own creative work
• work from initial conception through multiple drafts to the final version of a creative piece within your chosen field (fiction or poetry)
• transfer editorial skills and creative abilities from one context to another
• analyse creative works within your chosen field (fiction or poetry), work with a focus on craft effectiveness, and articulate strengths and weaknesses in a piece of writing in a constructive manner

Career opportunities

Over the course of this programme, you will complete a body of creative work that has been rigorously peer reviewed.

Our students go on to careers in a wide variety of fields, including:

• arts administration
• web and audio book editing
• script and ghost writing
• gaming narrative design

Some decide to extend their studies and take a PhD with us.

Many of our alumni go on to achieve literary success, publishing novels and short story and poetry collections, and winning awards. Our graduates’ recent successes include:

debut novels from:

• Amanda Block (The Lost Storyteller, published by Hodder Studio)
• Karin Nordin (Where Ravens Roost, published by Harper Collins)
• Marielle Thompson (Where Ivy Dares to Grow, published by Kensington Books)
• August Thomas (Liar’s Candle, published by Simon and Schuster)
• Rosie Walker (Secrets of a Serial Killer, published by One More Chapter)
• Mark Wightman (Waking the Tiger, published by Hobeck Books and shortlisted for Scottish Crime Debut of the Year 2021)

debut short story collections from:

• Dayle Furlong (Lake Effect, published by Cormorant Books)
• Dima Alzayat (Alligator and Other Stories, shortlisted for the James Tait Black Award for Fiction)
• a non-fiction debut from Sonali Misra (21 Fantastic Failures, published by Rupa Publications India)

debut poetry collections from:

• Rebecca Tamás (WITCH, published by Penned in the Margins)
• Naomi Morris (Hyperlove, published by Makina Books)
• Aileen Ballantyne (Taking Flight, published by Luath Press)
• the 2022 Edwin Morgan Poetry Award, won by Alyson Kissner
• the 2021 Brotherton Poetry Prize, won by Lauren Pope
• the 2021 Pontas & JJ Bola Emerging Writers Prize, won by Bhavika Govil

Meet our graduates

From Arthur’s Seat – stories from the heart of Edinburgh

Tim Tim Cheng

• Bhavika Govil
• Dima Alzayat

What's the best type of masters programme for you?

Entry requirements.

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK 2:1 honours degree, or its international equivalent, in any discipline. This will often be in a directly related subject like English Literature/Creative Writing, but we welcome applicants from all academic backgrounds.

Applicants who are entered into selection will be asked to provide a sample of written work to enable their suitability for the programme to be assessed.

Students from China

This degree is Band C.

• Postgraduate entry requirements for students from China

International qualifications

Check whether your international qualifications meet our general entry requirements:

• Entry requirements by country
• English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

• IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
• TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
• C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
• Trinity ISE : ISE III with passes in all four components.
• PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

• UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

• Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

Fees and costs

Scholarships and funding, featured funding.

If you are intending to study full time on this Creative Writing programme, you are eligible for a William Hunter Sharpe Memorial Scholarship which will contribute towards your tuition fees.

You do not need to apply for this scholarship – all eligible candidates who apply for the programme by Monday 6 May 2024 will be considered for them and contacted if successful.

• Find out more about the William Hunter Sharpe Memorial Scholarship and other scholarships in literatures, languages and cultures

UK government postgraduate loans

If you live in the UK, you may be able to apply for a postgraduate loan from one of the UK’s governments.

The type and amount of financial support you are eligible for will depend on:

• your programme
• the duration of your studies
• your tuition fee status

Programmes studied on a part-time intermittent basis are not eligible.

• UK government and other external funding

Other funding opportunities

Search for scholarships and funding opportunities:

• Search for funding

Further information

• Phone: +44 (0)131 650 4086
• Contact: College of Arts, Humanities & Social Sciences Admissions Office
• School of Literatures, Languages & Cultures
• 50 George Square
• Central Campus
• Programme: Creative Writing
• School: Literatures, Languages & Cultures
• College: Arts, Humanities & Social Sciences

Select your programme and preferred start date to begin your application.

MSc Creative Writing - 1 Year (Full-time)

Application deadlines.

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Please be aware that applications must be submitted and complete, i.e. all required documents uploaded, by the relevant application deadline in order to be considered in that round. Your application will still be considered if you have not yet met the English language requirement for the programme.

Deadlines for applicants applying to study in 2024/25:

(Revised 27 March 2024 to extend Round 3 application deadline)

• How to apply

You must submit one reference with your application.

The online application process involves the completion of a web form and the submission of supporting documents.

You should supply a portfolio of writing.

• For poetry, this should be six (6) pages of poetry, starting a new page for each new poem of 14 lines or over.
• For fiction, this should be a complete story or stories, or an equivalent amount from a longer work (between 2,500 and 3,500 words).

These are firm limits.

If you are undecided about whether to apply for fiction or poetry, you should send a sample of both, i.e. six (6) pages of poetry and 2,500-3,500 words of fiction (if offered a place it will be for one or the other).

Work in other forms (for example journalism, life writing or advertising) will not be considered.

Personal statement

When writing your personal statement, consider the following questions:

• What do you most hope to learn/gain from a Creative Writing degree, and why is ours the programme for you?
• Tell us about your writing: what are you interested in and why? Are there aspects of your current practice you're particularly proud of? Things you know you need to work on?

What (if any) prior experience do you have of studying Creative Writing?

Guidance on the application process and supporting documents

All supporting documents, including references, must be uploaded to the online application system by the deadline date.

Find out more about the general application process for postgraduate programmes:

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• Postgraduate study

Postgraduate research opportunities A-Z

• Creative Writing
• Staff research interests search

Postgraduate research  

Creative Writing DFA/MFA

Our Creative Writing Research degrees are unique and intense programmes for practising writers who wish to complete an ambitious creative project.

Our new research Master of Fine Arts (MFA) and Doctor of Fine Arts (DFA) build on a long history of offering Masters and Doctoral options in the study and practice of Creative Writing. 

Our research degrees incorporate hybrid taught elements (literary and practical seminars; workshops; and practical pedagogy) within a supervised research context that best support your creative and critical work. 

Both programmes give you dedicated, supported time to complete a substantial creative work, include opportunities to teach writing to undergraduates and apply to be a graduate teaching assistant for other literature courses, and the DFA additionally allows you to undertake an extended academic research, informed by your work and practice, leading to a significant critical essay or output. 

Our students enjoy the guidance of writers including Carolyn Jess-Cooke, Colin Herd, Laura Marney, Elizabeth Reeder, Zoë Strachan and Louise Welsh, and critics such as John Coyle, Jane Goldman, Rob Maslen, Alan Riach, and Helen Stoddart. 

Across all our postgraduate provision, both taught and by research, students have access to the best of the new and also develop a sense of the origins and histories.

Creative Writing at the University of Glasgow is based in the Edwin Morgan Writing Room with its book, periodical and audio-visual library.  There is an ambitious programme of visiting speakers, masterclasses and public events.  The University Library with its modern collections and archives is a crucial resource, including the archive for Edwin Morgan’s Papers. We also collaborate with the Mitchell Library, one of the great civic libraries of Europe.  And our popular Creative Conversations bring a carefully curated range of visiting speakers to campus every week during the semester.

We have strong links with literary agents and an impressive history of published graduates.

Study options

DFA: 3 years full-time; 5 years part-time. Thesis length 70,000-100,000*

MFA: 2 years full-time; 4 years part-time. Thesis length 40,000-60,000*

* or approved equivalencies for poetry or cross-genre work

Both the MFA and DFA run as Low Residency options, where students must attend at least two intense weeks of seminars, visiting speakers, workshop and practical elements (including teaching creative writing in the second year).  One week will take place during the first week of the autumn semester in first year; the other will take place in the spring or early in the summer semester of second year.

Entry requirements

This is a popular and selective programme.

All applications must follow the standard entry requirements for the College of Arts & Humanities:

• First or Upper Second Class Honours Degree or equivalent qualification (2:1 in the case of UK Research Council supported students)
• A Masters qualification or equivalent

In addition, for both our MFA and DFA we are looking for writers to have a preparatory one-year, postgraduate masters in Creative Writing with either Merit or Distinction (MA, MLitt or MPhil) or three publications in respected literary journals or magazines, in the intended genre of study. Compelling equivalencies will be considered. We also require a 20-30 page portfolio of your writing. This portfolio must include a one-page proposal for the project you intend to undertake on our courses and a short sample (5-6 pages) of critical work, if you are applying to the DFA. As with standard entry requirements we require two letters of reference. Your referees should include an academic and a creative referee where possible. Where this is not possible, you can provide referees from other areas who can vouch that you are who you say you are and that your work and achievements are your own. It is particularly helpful if these referees are familiar with your writing and can provide references on that basis.

Application deadlines

• 1 November 2023 : to receive a decision on your application by 1 December 2023 (If applying for AHRC funding, this deadline must be met. Please state this on your application.)
• 1 March 2024 : to receive a decision on your application by 1 April 2024.
• 1 June 2024 : to receive a decision on your application by 1 July 2024.

English language requirements

For applicants whose first language is not English, the University sets a minimum English Language proficiency level.

International English Language Testing System (IELTS) Academic module (not General Training)

• International English Language Testing System (IELTS) Academic module (not General Training) 7.0 with no subtests under 7.0
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements using a single test.

Common equivalent English language qualifications

Toefl (ibt, my best or athome).

• 94; with Reading 24; Listening 24; Speaking 23; Writing 27
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements , this includes TOEFL mybest.

Pearsons PTE Academic

• 66 with no subtest less than: Listening 66;Reading 68; Speaking 65; Writing 82

Cambridge Proficiency in English (CPE) and Cambridge Advanced English (CAE)

• 185 overall, no subtest less than 185

Oxford English Test

• Oxford ELLT 8
• R&L: OIDI level no less than 8 with Reading: 27-28 and Listening: 20
• W&S: OIDI level no less than 8

Trinity College Tests

Integrated Skills in English II & III & IV: ISEII Pass with Pass in all sub-tests.

University of Glasgow Pre-sessional courses

Tests are accepted for 2 years following date of successful completion.

Alternatives to English Language qualification

• students must have studied for a minimum of 2 years at Undergraduate level, or 9 months at Master's level, and must have complete their degree in that majority-English speaking country  and  within the last 6 years
• students must have completed their final two years study in that majority-English speaking country  and  within the last 6 years

For international students, the Home Office has confirmed that the University can choose to use these tests to make its own assessment of English language ability for visa applications to degree level programmes. The University is also able to accept UKVI approved Secure English Language Tests (SELT) but we do not require a specific UKVI SELT for degree level programmes. We therefore still accept any of the English tests listed for admission to this programme.

Fees and funding

• UK: £4,786
• International & EU: £25,290

Prices are based on the annual fee for full-time study. Fees for part-time study are half the full-time fee.

Irish nationals who are living in the Common Travel Area of the UK, EU nationals with settled or pre-settled status, and Internationals with Indefinite Leave to remain status can also qualify for home fee status.

• Fee status and policies

Alumni discount

We offer a 20% discount to our alumni on all Postgraduate Research and full Postgraduate Taught Masters programmes. This includes University of Glasgow graduates and those who have completed Junior Year Abroad, Exchange programme or International Summer School with us. The discount is applied at registration for students who are not in receipt of another discount or scholarship funded by the University. No additional application is required.

Possible additional fees

• Re-submission by a research student £540
• Submission for a higher degree by published work £1,355
• Submission of thesis after deadline lapsed £350
• Submission by staff in receipt of staff scholarship £790

Depending on the nature of the research project, some students will be expected to pay a bench fee (also known as research support costs) to cover additional costs. The exact amount will be provided in the offer letter.

Teaching and research in the Arts and Humanities is supported by the outstanding resources of our  University Library  with its special collections and our on-campus  Hunterian Museum and Art Gallery .

Our close links and partnerships with  Glasgow Life , and the city’s many museums, art galleries, performing arts and music venues, international festivals and creative industry organisations make the University of Glasgow the ideal place for postgraduate study of the arts.

Graduate School

Our Graduate School creates a productive and interdisciplinary collegiate environment for all of our research students. We offer a range of services, courses and skills development opportunities for research students.

The College of Arts & Humanities is home to a vibrant and diverse community of students enrolled on taught masters and research programmes within a stimulating intellectual and cultural environment. Across every school and subject area the college is home to world-leading and agenda-setting research.

Find out more about what is happening in the community by following us: 

• Twitter: #UofGArts
• facebook.com/UofGArts

You will also be part of the wider Scottish Graduate School for Arts and Humanities , the world's first national graduate school in the Arts & Humanities. Membership includes 16   Scottish universities, four art schools & the national conservatoire, with support from the arts, culture, creative & heritage sectors. 

How to apply

Identify potential supervisors.

All Postgraduate Research Students are allocated a supervisor who will act as the main source of academic support and research mentoring. You may want to identify a potential supervisor and contact them to discuss your research proposal before you apply. Please note, even if you have spoken to an academic staff member about your proposal you still need to submit an online application form.

You can find relevant academic staff members with our staff research interests search .

Gather your documents

Before applying please make sure you gather the following supporting documentation:

• Final or current degree transcripts including grades (and an official translation, if needed) – scanned copy in colour of the original document.
• Degree certificates (and an official translation, if needed): scanned copy in colour of the original document.
• Two references on headed paper and signed by the referee. One must be academic, the other can be academic or professional. References may be uploaded   as part of the application form or you may enter your referees contact details on the application form. We will then email your referee and notify you when we receive the reference.  We can also accept confidential references direct to  [email protected] , from the referee’s university or business email account.
• Research proposal, CV, samples of written work as per requirements for each subject area.
• If you have any questions about your application  before  you apply:  contact The School of Critical Studies ( [email protected] )
• If you have any questions  after  you have submitted your application:  contact our Admissions team
• Any  references  may be submitted by email to:  [email protected]

International Students

• Visa and immigration
• Academic Technology Approval Scheme (ATAS)

More information

• 13-minute read
• 24th February 2023

A creative writing degree can unlock your potential and give you access to a world of career and writing opportunities. So if you’re an avid writer looking to develop your skills , a university-level degree might be the perfect next step.

But with so many options for studying creative writing in the UK, you might be wondering where (and how) to start. Your course and university choice could impact the skills you develop, the connections you make, and the direction in which your career takes off.

That’s why, in this post, we break down what a creative writing degree is, explain what you need to look out for when choosing a university, and finally, offer an overview of some of the best UK universities for creative writing degrees.

When you’re done reading, we hope you’ll be one step closer to starting your ideal creative writing degree.

What Is a Creative Writing Degree?

A creative writing degree is an undergraduate or postgraduate qualification in creative writing. The degree may focus on creative writing alone, or an institution may combine creative writing with related subjects, such as English language and literature, film studies, or journalism.

The purpose of a creative writing degree is to help students develop their writing skills, establish their authorial voice, and equip themselves with an understanding of different writing styles and techniques. Degree material may also cover practical concerns, such as how the publishing industry works.

Entry requirements for a creative writing course vary, but most institutions will ask for an A-level or the equivalent in English language and/or literature. Creative writing programs cover many forms of writing and can include modules in:

●  Prose

●  Nonfiction

●  Poetry

●  Scriptwriting

●  Writing for an online audience

●  Narrative theory

●  The creative process

●  Getting published

●  Teaching creative writing

As they progress through the course, creative writing students will produce essays alongside a portfolio of creative work, which they will then submit for assessment.

The Benefits of a Creative Writing Degree

While you don’t need a creative writing degree to publish your work, having one can provide you with unique benefits and career opportunities. Creative writing students can expect to:

●  Work with published authors and literary professionals

●  Develop contacts within the publishing industry

●  Experience dealing with and responding to feedback

●  Encounter opportunities to publish their work and establish a reputation as a writer

●  Explore the theory behind writing in depth

You will also develop transferable talents such as time management, communication skills, and self-discipline. These will help you develop your career and stand out to potential employers.

Career Opportunities for Creative Writing Graduates

Becoming an author might be the most obvious career path for creative writing graduates, but you can access plenty of other career choices with your degree. Potential careers include:

●  Editorial assistant

●  Copy editor

●  Publisher

●  Literary agent

●  Copywriter

●  Marketing assistant

●  Journalist

●  Teacher

●  English or creative writing lecturer

Things to Consider When Choosing a University

When you choose a creative writing degree, you’re also choosing the university where you will study. Each institution has its own benefits and approaches, so to make sure you select the right university for you, consider the following factors.

Location and Campus Culture

Some universities are campus-based; that is, lecture halls, accommodations, entertainment, and other facilities are all located in one place. Other institutions are spread across the town or city where they are based.

Each location will have its own atmosphere, so visiting for an open day will help you get a better idea of what attending that university would be like. You should also consider how far away from home you want to study and how easily you can travel between your university and your hometown.

The faculty members of different universities will have their own specialist subjects, research interests, and writing experience. Look for a university where the faculty members specialize in areas of writing you’re interested in. Doing so is especially important if you’re pursuing a PhD in creative writing, as you’ll need to find an appropriate PhD supervisor .

Available Resources and Facilities

While most universities are equipped with a well-stocked library, some may be more suited than others to your subject. A university library that specializes in the humanities, for example, will complement a creative writing degree well.

A university publishing press can also be a useful resource that provides work and publishing opportunities for creative writing students. University publications and magazines are good places to submit writing as well.

Professional Connections and Internships

Some universities incorporate internships into their creative writing degrees. The internships are work placements that will provide you with on-the-job skills and experience and can help you develop professional connections within the publishing industry.

1. University of East Anglia

The University of East Anglia (or UEA) was the first university in the UK to offer degree-level courses in creative writing, introducing an MA in creative writing in 1970, then following suit with the first creative writing PhD in 1987.

UEA’s courses combine creative writing with the study of literature or drama at an undergraduate level. Each of the university’s postgraduate courses focuses on a particular form of writing, such as fiction, poetry, or creative nonfiction.

Based in Norwich, a UNESCO City of Literature , UEA is able to provide a variety of resources and opportunities for creative writing students, including:

●  The National Centre for Writing and the British Archive for Contemporary Writing

●  The UEA Publishing Project , which runs three publishing presses and publishes student writing in an annual anthology

●  The UEA Award , which helps employers recognize students’ achievements

●  A variety of writing fellowships

●  Year-round literary events and festivals for students and published authors, such as UEA Live and the Norwich Crime Fiction Festival

Notable UEA alumni include Nobel Prize winner Kazuo Ishiguro and Booker Prize winner Anne Enright .

2. University of Leeds

The University of Leeds is one of the UK’s largest universities and belongs to the Russell Group . Leeds is a campus university, but it’s close to the center of the city.

Leeds offers an interdisciplinary BA in English Literature with Creative Writing , an MA in Creative Writing or Writing for Performance and Digital Media , and research degrees within the School of English or the School of Performance and Cultural Industries.

At the undergraduate level, Leeds offers a diverse range of creative writing modules (including science fiction, crime fiction, nature writing, and travel writing). Published writers and expert researchers teach all these modules.

The university has connections with a variety of creative writing projects, institutions, and festivals, including:

●  Ilkley Literature Festival

●  Leeds Playhouse

●  Leeds Grand Theatre

●  Leeds Poetry Centre

●  The School of Night , a fortnightly poetry seminar

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●  Brotherton Library, which features extensive archives and a collection of period printing presses

Leeds also has its own theater space, stage@leeds , and publishes the literary magazine Stand , both of which showcase students’ creative work. Notable Leeds alumni include playwright Wole Syonka and poet Geoffrey Hill . The university was also home to author J.R.R. Tolkien, who was a professor in the School of English and contributed poetry to the university’s newsletter.

3. University of Birmingham

Established in the West Midlands in 1900, the University of Birmingham is another campus-based Russell Group university.

Birmingham ranked first for creative writing in the Guardian University Guide 2023 . The university offers a BA in English Literature and Creative Writing or in Film and Creative Writing and an MA in Creative Writing.

The university’s creative writing modules and courses focus on exposing students to a broad range of writing styles and genres while offering workshops and professional skills training aimed at preparing students for the publishing industry.

The university also works closely with the local creative community to provide students with a range of opportunities, including:

●  The Cultural Intern Scheme

●  The Birmingham Project

●  Publishing opportunities with Nine Arches Press and Tindal Street Press

In addition, Birmingham runs the world-renowned Shakespeare Institute in Stratford-upon-Avon, where students can experience unique writing workshops and a residential trip featuring seminars, theater visits, and other events.

For graduating students, the university currently boasts a 90% employment rate within 15 months. Birmingham is the UK’s fourth-most targeted university among the top employers of graduates.

4. University of Warwick

The University of Warwick is a slightly newer university, first offering courses in 1965. Based just outside the city of Coventry, the University of Warwick is a campus university. It is home to the Warwick Arts Centre , a purpose-built facility for cinema, theater, and the visual arts.

The Warwick Writing Program provides the creative writing courses at Warwick. Established in 1996, the project aims to inspire and develop writers internationally. Published authors, poets, and literary translators make up the staff.

Within the program, students can pursue a BA in English and Creative Writing or an MA in Writing . Students can pursue the MA as either a taught degree or a long project, with the aim of producing a long-form piece of writing.

The University of Warwick provides opportunities for students and graduates, such as:

●  The Warwick Prize for Women in Translation

●  The Sunday Times Young Writer Award

●  Workshops at the Warwick Arts Centre

●  Warwick Thursdays (weekly events hosted by publishing industry experts)

●  The option to study abroad for one year

Warwick’s alumni include novelist Sophie Mackintosh , as well as Gboyega Odubanjo and Michael Askew, winners of the Eric Gregory Award.

5. University of Reading

The University of Reading is a 100-year-old institution spread across multiple campuses. It ranks in the top 30 British universities.

Reading offers one of the most diverse and flexible ranges of undergraduate creative writing degrees in the UK. Prospective students can choose to pursue the following BAs:

●  English Literature with Creative Writing

●  Creative Writing and Film

●  Creative Writing and Theatre

●  Creative Writing and Film & Theatre

●  Art and Creative Writing

An MA in Creative Writing is also available and includes modules in the publishing industry and persuasive writing to help students find careers in publishing and journalism.

Reading is home to the Archive of British Publishing and Printing and provides access to collections of rare books and manuscripts that enable students to explore the creative process of famous authors, such as Thomas Hardy. Students also have the opportunity to publish their work in The Canvas , Reading’s online magazine.

6. University of Strathclyde

Based in the center of Glasgow, Scotland’s largest city, the University of Strathclyde is a multi-award-winning university. And when it comes to creative writing, Strathclyde offers some unique areas of study for undergraduates , including Scottish literature and the Glasgow novel.

Strathclyde also offers postgraduate courses. As the university is Scottish, it offers a Master of Letters ( MLitt ) and a Master of Research ( M. Res .) in place of the more common MA in creative writing. MLitt creative writing students can choose to specialize in a research area and placement of their choice or take a module from other subjects within the School of Humanities.

The University of Strathclyde offers students numerous resources, opportunities, and connections across Glasgow. These include:

●  The Aye Right! Book Festival

●  Blaze , the university’s online creative writing classes

●  Creative Scotland

Strathclyde’s alumni include authors Ali Smith and Andrew O’Hagan . Among the current faculty members are screenwriter Andrew Meehan and poet David Kinloch .

To recap the main points of this post:

●  A creative writing degree will help you develop your writing skills, often in tandem with cultivating critical reading skills.

●  Creative writing degrees offer a variety of modules and allow you to specialize in a particular form or genre.

●  A creative writing degree can open many potential career paths.

●  The most important things to consider when choosing a university at which to study creative writing are location, staff, resources, and professional opportunities.

●  Six of the best universities for creative writing degrees in the UK are the University of East Anglia, the University of Leeds, the University of Birmingham, the University of Warwick, the University of Reading, and the University of Strathclyde.

●  Many of these universities offer lectures, workshops, and seminars delivered by published authors.

Whichever university you decide to attend, make sure it’s the right one for you. Look for modules you’re interested in, writing forms you’d like to explore, opportunities you want to make the most of, and a university atmosphere you’ll thrive in.

And if you’re looking for more options, take a look at the Complete University Guide’s 2023 rankings for creative writing .

What types of degrees can I receive in creative writing?

As an undergraduate, you can earn a Bachelor of Arts (BA) degree in creative writing. As a postgraduate, you can earn a Master of Arts (MA) degree or a Doctorate in Philosophy (PhD).

If you’re studying in Scotland, the types of degrees may differ slightly.

How do I know whether I have what it takes to pursue a degree in creative writing?

Before accepting you for a creative writing degree, most universities will require that you have certain A-level or equivalent grades. But academic achievements aren’t everything. If you’re looking to pursue a degree in creative writing, it’s helpful to have:

●  An avid interest in reading (and, of course, writing!)

●  A portfolio to demonstrate your writing

●  The ability to meet deadlines

Be prepared to work hard, but remember, the point of a creative writing degree is to help develop your writing skills and style. You don’t have to be a perfect, polished writer to be a creative writing student!

Can I pursue a creative writing degree online?

Yes, many universities now offer online versions of creative writing degrees. This means you will be able to earn the same qualification by studying online as you would if you studied in person.

However, be careful to choose a properly accredited online creative writing degree.

Where can I get feedback on my university application?

A professional proofreader or editor is the best choice for getting feedback on your application .

Our team here at Proofed can help make sure your university application is clear and correct and meets the appropriate academic standards so that you can focus on preparing for university life.

We can even proofread the first 500 words for free – so why not submit a document ?

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College of Arts and Sciences

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Lexington KY 40506-0027

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Other programs from the College of Arts & Sciences:

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Situated in historic Lexington and surrounded by the awesomeness of thoroughbred horse farms and bourbon distilleries, the University enjoys a rich literary heritage dating back to 1947, when Pulitzer Prize-winning novelist A.B. Guthrie first offered courses in fiction. Graduates of the English Department include Gurney Norman, Frank X Walker, Bobbie Ann Mason, Rebecca Gayle Howell, Wendell Berry, Kayla Rae Whitaker, Maurice Manning, Bianca Spriggs, Patrick O’Keefe, Holly Goddard Jones, and James Baker Hall. The MFA Program in Creative Writing builds upon that rich history by offering students access to a diverse faculty in fiction, poetry, and creative non-fiction.          

Master's Program Description

The MFA in Creative Writing is a two-year program with a flexible and interdisciplinary approach, combining a studio/research curriculum. The UK MFA in Creative Writing places equal emphasis on fostering the artistic process of the MFA student, as well as his or her literary study and related creative or scholarly work. 

Master's Application Requirements

• The statement of purpose should discuss your creative interest, the specific genre(s) you would like to pursue, and how your interests and goals fit with the department. It should be 1-2 pages, single spaced.
• ​The writing sample should be creative work, not analytical prose, 15-20 pages, double-spaced.
• Three letters of recommendation

Assistantship application   (optional - you may upload a blank document, if you do not intend to apply for assistance)

The GRE is not required for admission to this program.

Applicants must meet the Graduate School admission requirements .

Application Deadlines

• Fall: January 15

Master of Fine Art (MFA)

• Entry requirements
• Funding and Costs

College preference

• How to Apply

About this course

The Ruskin Master of Fine Art (MFA) degree is an intensive one year studio-based programme in the practice of contemporary art. You will be part of a small cohort on a course designed to direct and develop your artistic practice and theoretical knowledge in a supportive environment. The MFA provides an outstanding artistic environment for developing your practice in the context of a postgraduate, arts research culture. 

The tutorial system is at the heart of teaching on the MFA and you will be supported by tutors of the highest calibre, with a student-to-staff ratio and contact time that are exceptional in UK art schools. The light and spacious MFA studios are located on the first floor of Ruskin's Bullingdon Road building, with easy access to workshops and media facilities downstairs.

The programme encompasses a diversity of disciplines including painting, sculpture, printmaking, photography, writing, installation, video, sound, performance, and other expanded forms in contemporary art. It aims to encourage experimentation and nurture a critical focus for your work.

Your artistic interests and those of your peers will be embedded in tutorials, seminars, and presentations, determining the direction of your creative development. You will engage with what it means to work as an artist today, considering how an artist’s work and ideas register in different social, artistic, historical, and theoretical contexts. You will be guided and supported by tutors in regular one-to-one tutorials and weekly seminars, focused on your making, key concerns, ideas, and their interdependent development.

Studio-based learning is facilitated through regular group reflection, which is characterised by collective participation in generous and robust discussion. A programme of dedicated masterclasses and skills workshops is designed specifically for the MFA. Facilities, such as the media lab and editing suites, printmaking workshop, casting, metal, and wood workshops, are on site in the Bullingdon Road building (https://www.rsa.ox.ac.uk/study/resources).

Ruskin students benefit from being part of a large University, with access to lectures and seminars in other departments and colleges and to specialist libraries and collections. The city’s varied cultural organisations include the Ashmolean Museum, Pitt Rivers Museum, and Modern Art Oxford, and students can freely access the Botanical Gardens and many other green spaces in and around Oxford.

The MFA is built around three compact eight-week terms, with students expected to continue working through the winter and spring breaks. A typical week on the MFA during the first two terms (Michaelmas and Hilary) includes: a half day research or practice seminar, an individual tutorial, and a skills workshop or masterclass.

The rest of your time on the course is dedicated to independent study: artistic practice and research in the studio, utilising Ruskin’s workshops and facilities and using the libraries. At the end of second term (Hilary), you will submit an Extended Text in support of the studio project. The last term (Trinity) is focused on the preparation of artwork for the final exhibition and a digital portfolio of studio practice for examination. MFA students and staff work together to curate and install the degree show in the MFA space at Bullingdon Road, which opens at the end of term.

Supervision

The allocation of graduate supervision for this course is the responsibility of the Ruskin School of Art and it is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff.

MFA students see their allocated Studio Practice tutor and their allocated Extended Text tutor regularly for individual and group tutorials throughout the year. Meetings with tutors happen three times a term at the minimum.

The MFA has three main modes of assessment:

Final Exhibition

A presentation of fully realised artwork, or body of works, made during the MFA programme. This requires students to develop, create and present a coherent, thoughtful installation of work within a group exhibition.

Portfolio of Studio Practice

A digital portfolio of studio practice documented by photographic or other means. Throughout the programme, students are encouraged to construct approaches to documentation appropriate to their practice and research.

Extended Text

A written text of 4-6,000 words in support of the studio project. Students are encouraged to take an experimental approach to writing as they develop an account of the methodology used in the final project, an exposition of its theoretical framework, or an essay on a topic of direct relevance to their practice.

Graduate destinations

Many alumni from the Ruskin have pursued careers as practising artists, teachers, curators and gallery professionals in both public and private galleries. Others have gone on to pursue careers in diverse areas such as education, architecture and the film industry.

Changes to this course and your supervision

The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. The safety of students, staff and visitors is paramount and major changes to delivery or services may have to be made in circumstances of a pandemic, epidemic or local health emergency. In addition, in certain circumstances, for example due to visa difficulties or because the health needs of students cannot be met, it may be necessary to make adjustments to course requirements for international study.

Where possible your academic supervisor will not change for the duration of your course. However, it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include illness, sabbatical leave, parental leave or change in employment.

For further information please see our page on changes to courses and the provisions of the student contract regarding changes to courses.

Entry requirements for entry in 2024-25

Proven and potential academic excellence.

The requirements described below are specific to this course and apply only in the year of entry that is shown. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

Please be aware that any studentships that are linked to this course may have different or additional requirements and you should read any studentship information carefully before applying. 

Degree-level qualifications

As a minimum, applicants should hold or be predicted to achieve the following UK qualifications or their equivalent:

• a first-class or strong upper second-class undergraduate degree with honours in fine art or a related subject. 

For applicants with a degree from the USA, the minimum GPA generally sought is 3.75 out of 4.0.

If your degree is not from the UK or another country specified above, visit our International Qualifications page for guidance on the qualifications and grades that would usually be considered to meet the University’s minimum entry requirements.

GRE General Test scores

No Graduate Record Examination (GRE) or GMAT scores are sought.

Other qualifications, evidence of excellence and relevant experience 

Details of any exhibitions, publications, awards, or residencies you have held that would be of interest to the assessors should be included in the application.

English language proficiency

This course requires proficiency in English at the University's  higher level . If your first language is not English, you may need to provide evidence that you meet this requirement. The minimum scores required to meet the University's higher level are detailed in the table below.

*Previously known as the Cambridge Certificate of Advanced English or Cambridge English: Advanced (CAE) † Previously known as the Cambridge Certificate of Proficiency in English or Cambridge English: Proficiency (CPE)

Your test must have been taken no more than two years before the start date of your course. Our Application Guide provides  further information about the English language test requirement .

Declaring extenuating circumstances

If your ability to meet the entry requirements has been affected by the COVID-19 pandemic (eg you were awarded an unclassified/ungraded degree) or any other exceptional personal circumstance (eg other illness or bereavement), please refer to the guidance on extenuating circumstances in the Application Guide for information about how to declare this so that your application can be considered appropriately.

You will need to register three referees who can give an informed view of your academic ability and suitability for the course. The  How to apply  section of this page provides details of the types of reference that are required in support of your application for this course and how these will be assessed.

Supporting documents

You will be required to supply supporting documents with your application. The  How to apply  section of this page provides details of the supporting documents that are required as part of your application for this course and how these will be assessed.

Performance at interview

Shortlisted candidates are invited to a fifteen-minute interview, conducted by a panel of Academic staff and MFA tutors. Interviews are held online on Microsoft Teams as part of the admissions process.

At the interview candidates will initially be asked to speak about work from the portfolio they have already submitted and then respond to questions from the panel. We strongly suggest that candidates do not read prepared notes during the interview so that they can engage freely and responsively in discussion. 

How your application is assessed

Your application will be assessed purely on your proven and potential academic excellence and other entry requirements described under that heading.

References  and  supporting documents  submitted as part of your application, and your performance at interview (if interviews are held) will be considered as part of the assessment process. Whether or not you have secured funding will not be taken into consideration when your application is assessed.

An overview of the shortlisting and selection process is provided below. Our ' After you apply ' pages provide  more information about how applications are assessed . 

Shortlisting and selection

Students are considered for shortlisting and selected for admission without regard to age, disability, gender reassignment, marital or civil partnership status, pregnancy and maternity, race (including colour, nationality and ethnic or national origins), religion or belief (including lack of belief), sex, sexual orientation, as well as other relevant circumstances including parental or caring responsibilities or social background. However, please note the following:

• socio-economic information may be taken into account in the selection of applicants and award of scholarships for courses that are part of  the University’s pilot selection procedure  and for  scholarships aimed at under-represented groups ;
• country of ordinary residence may be taken into account in the awarding of certain scholarships; and
• protected characteristics may be taken into account during shortlisting for interview or the award of scholarships where the University has approved a positive action case under the Equality Act 2010.

Processing your data for shortlisting and selection

Information about  processing special category data for the purposes of positive action  and  using your data to assess your eligibility for funding , can be found in our Postgraduate Applicant Privacy Policy.

Admissions panels and assessors

All recommendations to admit a student involve the judgement of at least two members of the academic staff with relevant experience and expertise, and must also be approved by the Director of Graduate Studies or Admissions Committee (or equivalent within the department).

Admissions panels or committees will always include at least one member of academic staff who has undertaken appropriate training.

Other factors governing whether places can be offered

The following factors will also govern whether candidates can be offered places:

• the ability of the University to provide the appropriate supervision for your studies, as outlined under the 'Supervision' heading in the  About  section of this page;
• the ability of the University to provide appropriate support for your studies (eg through the provision of facilities, resources, teaching and/or research opportunities); and
• minimum and maximum limits to the numbers of students who may be admitted to the University's taught and research programmes.

Offer conditions for successful applications

If you receive an offer of a place at Oxford, your offer will outline any conditions that you need to satisfy and any actions you need to take, together with any associated deadlines. These may include academic conditions, such as achieving a specific final grade in your current degree course. These conditions will usually depend on your individual academic circumstances and may vary between applicants. Our ' After you apply ' pages provide more information about offers and conditions . 

In addition to any academic conditions which are set, you will also be required to meet the following requirements:

Financial Declaration

If you are offered a place, you will be required to complete a  Financial Declaration  in order to meet your financial condition of admission.

Disclosure of criminal convictions

In accordance with the University’s obligations towards students and staff, we will ask you to declare any  relevant, unspent criminal convictions  before you can take up a place at Oxford.

Intellectual life and community

The Ruskin School of Art is home to a closely-integrated creative and intellectual culture between graduate and undergraduate programmes, students and staff. Its intimate scale fosters highly productive, informal collaborations across all parts of the school, allowing you to work closely with some of the UK's leading contemporary artists, writers and art historians.

Studio and technical resources

The Ruskin has dedicated studio space for all students to work together or individually, as well as workshops for specialist training in digital, 2D and 3D media. The project space at the Ruskin’s Bullingdon Road site is equipped for contemporary art practices, from performance and digital installations to painting and sculptural work. There is also a communal kitchen, shared by all Ruskin programmes, which has facilities for some food preparation. More information about the Ruskin's facilities is available on the department's website. 

Museums and galleries

The Ashmolean, Pitt Rivers Museum and Museum of Natural History are important centres for the research and display of artefacts and artworks, Modern Art Oxford has a national and international reputation for the quality of its exhibitions of contemporary art, and for its accompanying community and education programmes. Ruskin students and staff have participated in exhibitions and public presentations at Modern Art Oxford.

Libraries and archives

The University of Oxford's libraries, centred on the Bodleian , are the UK’s largest academic collection. The University's integrated library service comprises nearly 40 libraries, many offering borrowing rights. The Ruskin has its own specialised library of more than 7,000 volumes, including lending and reference collections focused on art history, art theory, art techniques, exhibition catalogues and artists’ monographs. The Ruskin holds around 20 sets of art journals and more than 2,000 art-related pamphlets.

TORCH , The Oxford Centre for Research in the Humanities, offers a stimulating range of interdisciplinary activities.

Ruskin School of Art

Oxford’s Ruskin School of Art provides an exceptional teaching and research environment that enables contemporary artists, art historians and art theorists to work closely together in a world-leading, research-intensive university.

The Ruskin offers a one-year (three terms) Masters in Fine Art (MFA) and a graduate research programme, the DPhil in Fine Art, with a cohort of both practice-led and theory-based doctoral researchers. It also supports a wide-ranging portfolio of art making and research activities by its students, staff and visiting scholars in which fine art is prized as a vital component of contemporary culture with a broad range of practical, historical and theoretical references.

View all courses   View taught courses View research courses

The University expects to be able to offer over 1,000 full or partial graduate scholarships across the collegiate University in 2024-25. You will be automatically considered for the majority of Oxford scholarships , if you fulfil the eligibility criteria and submit your graduate application by the relevant December or January deadline. Most scholarships are awarded on the basis of academic merit and/or potential. 

For further details about searching for funding as a graduate student visit our dedicated Funding pages, which contain information about how to apply for Oxford scholarships requiring an additional application, details of external funding, loan schemes and other funding sources.

Please ensure that you visit individual college websites for details of any college-specific funding opportunities using the links provided on our college pages or below:

Please note that not all the colleges listed above may accept students on this course. For details of those which do, please refer to the College preference section of this page.

Further information about funding opportunities for this course can be found on the school's website.

Annual fees for entry in 2024-25

Further details about fee status eligibility can be found on the fee status webpage.

Information about course fees

Course fees are payable each year, for the duration of your fee liability (your fee liability is the length of time for which you are required to pay course fees). For courses lasting longer than one year, please be aware that fees will usually increase annually. For details, please see our guidance on changes to fees and charges .

Course fees cover your teaching as well as other academic services and facilities provided to support your studies. Unless specified in the additional information section below, course fees do not cover your accommodation, residential costs or other living costs. They also don’t cover any additional costs and charges that are outlined in the additional information below.

Where can I find further information about fees?

The Fees and Funding  section of this website provides further information about course fees , including information about fee status and eligibility  and your length of fee liability .

Additional information

The fees do not include the costs of materials that you may use as part of your course. Each MFA student receives a materials grant of £500 from the Ruskin School of Art, shortly after arrival. On application to the Ruskin School of Art Graduate Studies Committee up to a further £150 is available for preparing and installing work for the final show. The school stocks a wide range of materials, which you can purchase at cost, and students are able to borrow an extensive selection of equipment on a sign-up basis. There is no expectation for students to arrive with any additional equipment or materials beyond those they may already possess. Some basic materials with very low unit costs - eg basic ironware for fixtures and fittings, glue, etc. - are available without charge. You will need to meet any course-related costs incurred in excess of the £500 plus £150 grants. In the first week of the first term, all students pay an equipment deposit of £100. The deposit system is to secure against the borrowing of departmental equipment and the deposit is returned to the student, less any costs incurred by the School for loss or damage, at the end of the course. MFA students stage a public exhibition of their work following the final examination and they collectively raise funds for this through sponsorship, drawing sales, and other activities.

Living costs

In addition to your course fees, you will need to ensure that you have adequate funds to support your living costs for the duration of your course.

For the 2024-25 academic year, the range of likely living costs for full-time study is between c. £1,345 and £1,955 for each month spent in Oxford. Full information, including a breakdown of likely living costs in Oxford for items such as food, accommodation and study costs, is available on our living costs page. The current economic climate and high national rate of inflation make it very hard to estimate potential changes to the cost of living over the next few years. When planning your finances for any future years of study in Oxford beyond 2024-25, it is suggested that you allow for potential increases in living expenses of around 5% each year – although this rate may vary depending on the national economic situation. UK inflationary increases will be kept under review and this page updated.

Students enrolled on this course will belong to both a department/faculty and a college. Please note that ‘college’ and ‘colleges’ refers to all 43 of the University’s colleges, including those designated as societies and permanent private halls (PPHs). 

If you apply for a place on this course you will have the option to express a preference for one of the colleges listed below, or you can ask us to find a college for you. Before deciding, we suggest that you read our brief  introduction to the college system at Oxford  and our  advice about expressing a college preference . For some courses, the department may have provided some additional advice below to help you decide.

The following colleges accept students for the Master of Fine Art:

• Blackfriars
• Brasenose College
• Campion Hall
• Christ Church
• Exeter College
• Kellogg College
• Lady Margaret Hall
• Linacre College
• The Queen's College
• Regent's Park College
• Reuben College
• St Anne's College
• St Catherine's College
• St Cross College
• St Edmund Hall
• St Hugh's College
• St John's College
• St Peter's College
• Wadham College
• Wolfson College
• Wycliffe Hall

Before you apply

Our  guide to getting started  provides general advice on how to prepare for and start your application. You can use our interactive tool to help you  evaluate whether your application is likely to be competitive .

If it's important for you to have your application considered under a particular deadline – eg under a December or January deadline in order to be considered for Oxford scholarships – we recommend that you aim to complete and submit your application at least two weeks in advance . Check the deadlines on this page and the  information about deadlines and when to apply  in our Application Guide.

Application fee waivers

An application fee of £75 is payable per course application. Application fee waivers are available for the following applicants who meet the eligibility criteria:

• applicants from low-income countries;
• refugees and displaced persons; 
• UK applicants from low-income backgrounds; and 
• applicants who applied for our Graduate Access Programmes in the past two years and met the eligibility criteria.

You are encouraged to  check whether you're eligible for an application fee waiver  before you apply.

Do I need to contact anyone before I apply?

You do not need to make contact with the department before you apply but you are encouraged to visit the relevant departmental webpages to read any further information about your chosen course.

Queries about the course can be directed to the Ruskin's  Graduate Administrator . 

Completing your application

You should refer to the information below when completing the application form, paying attention to the specific requirements for the supporting documents . 

If any document does not meet the specification, including the stipulated word count, your application may be considered incomplete and not assessed by the academic department. Expand each section to show further details.

Referees Three overall, of which at least two must be academic

Whilst you must register three referees, the department may start the assessment of your application if two of the three references are submitted by the course deadline and your application is otherwise complete. Please note that you may still be required to ensure your third referee supplies a reference for consideration.

Ideally, you should provide at least two academic references. If you have been out of education for a substantial period of time, you may use up to two professional references relevant to the course.

Your references will support artistic achievement and creativity, intellectual ability, academic achievement, motivation and your ability to work individually and in a group.

Official transcript(s)

Your transcripts should give detailed information of the individual grades received in your university-level qualifications to date. You should only upload official documents issued by your institution and any transcript not in English should be accompanied by a certified translation.

More information about the transcript requirement is available in the Application Guide.

A CV/résumé is compulsory for this course. Most applicants choose to submit a document of one to two pages highlighting their academic achievements and any relevant professional experience.

Statement of purpose/personal statement: A maximum of 1,000 words

Your statement should be written in English and describe your art practice and its relationship to other artists’ work and relevant discourses within contemporary art. You should explain your motivation for applying for the MFA course at Ruskin and indicate specific interests you might want to pursue in the development of your art practice. 

If possible, please ensure that the word count is clearly displayed on the document.

In the application process, you will be prompted to upload an example of 'written work': you should upload a single page PDF with just one URL to an online portfolio of your work. Please note, you should not upload a PDF of the portfolio itself or your application could be invalidated. Please do not use the University’s large file upload portal for your portfolio.

Your digital portfolio should consist of recently-completed studio work. You can submit up to 15 still images and/or 12 minutes in total of moving image (film/video), time-based (eg performance documentation), or sound work. Within the portfolio, you should include title, medium, size, and date of individual works and avoid all other textual annotations.

Portfolios should be accessible online via a working link, and it is the applicant’s responsibility to ensure the link is operative throughout the admissions and interview period. Dedicated section(s) of a website or platforms such as Vimeo or Google Drive (without password protection) are recommended. Password-protected sites, ad-heavy platforms (eg Flickr), and those requiring individual access permissions (eg Dropbox) should be avoided.

The department will not accept portfolios submitted via email. If you cannot provide a web-based portfolio, please email [email protected]  to discuss alternative arrangements.

Start or continue your application

You can start or return to an application using the relevant link below. As you complete the form, please  refer to the requirements above  and  consult our Application Guide for advice . You'll find the answers to most common queries in our FAQs.

Application Guide   Apply

ADMISSION STATUS

Closed to applications for entry in 2024-25

Register to be notified via email when the next application cycle opens (for entry in 2025-26)

12:00 midday UK time on:

Friday 5 January 2024 Latest deadline for most Oxford scholarships Final application deadline for entry in 2024-25

*Three-year average (applications for entry in 2021-22 to 2023-24)

Further information and enquiries

This course is offered by the Ruskin School of Art

• Course page on the school's website
• Funding information from the school
• Academic and research staff
• Ruskin School of Art research
• Humanities Division
• Residence requirements for full-time courses
• Postgraduate applicant privacy policy

Course-related enquiries

Advice about contacting the department can be found in the How to apply section of this page

✉ [email protected] ☎ +44 (0)1865 276941

Application-process enquiries

See the application guide

Other courses to consider

You may also wish to consider applying to other courses that are similar or related to this course:

View related courses

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92 degrees at 42 universities in the UK.

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The Best 15 Creative Writing MFA Programs in 2023

April 7, 2023

Whether you studied at a top creative writing university , or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? This article walks you through the considerations for an MFA program, as well as the best Creative Writing MFA programs in the United States.

First of all, what is an MFA?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications require a sample portfolio for entry, usually of 10-20 pages of your best writing.

What actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then you finish the degree with a thesis project.

Reasons to Get an MFA in Creative Writing

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers, and share feedback, advice, and moral support, in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch programs non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name-recognition

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

Fully Funded MFA Programs

1) johns hopkins university, mfa in fiction/poetry (baltimore, md).

This is a two-year program, with $33,000 teaching fellowships per year. This MFA offers the most generous funding package. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and a guaranteed lecture position after graduation (nice). No nonfiction MFA (boo).

• Incoming class size: 8 students
• Admissions rate: 11.1%
• Alumni: Chimamanda Adiche, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center (Austin, TX)

A fully-funded 3-year program with a generous stipend of $29,500. The program offers fiction, poetry, playwriting and screenwriting. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $3,000 for the summer.

• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
•   Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa (Iowa City, IA)

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. Most students are funded, with fellowships worth up to $21,000. The Translation MFA, co-founded by Gayatri Chakravorti Spivak, is also two years, but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

4) University of Michigan (Ann Arbor, MI)

Anne Carson famously lives in Ann Arbor, as do the MFA students U-Michigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $23,000 stipend, summer funding, and health care.

This is a 2-3-year program, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Incoming class size: 18
• Acceptance rate: 4% (which maybe seems high after less-than-1%)
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University (Providence, RI)

Brown offers an edgy, well-funded program in a place that doesn’t dip into arctic temperatures. Students are all fully-funded for 2-3 years with $29,926 in 2021-22. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.

• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

Best MFA Creative Writing Programs (Continued) 

6) university of arizona (tucson, az).

This 3-year program has many attractive qualities. It’s in “ the lushest desert in the world ”, and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona dry heat is good for arthritis.

This notoriously supportive program pays $20,000 a year, and offers the potential to volunteer at multiple literary organizations. You can also do supported research at the US-Mexico Border.

• Incoming class size: 9
• Acceptance rate: 4.85% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University (Tempe, AZ):

Arizona State is also a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Everyone gets a $19,000 stipend, with other opportunities for financial support.

• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university (new york, ny).

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU is private, and has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes.

• Incoming class size: 40-60
• Acceptance rate: 6%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University (New York, NY)

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers.

• Incoming class size: 110
• Acceptance rate: 21%
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence (Bronxville, NY)

Sarah Lawrence offers speculative fiction beyond the average fiction, poetry, and nonfiction course offerings. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere.

• Incoming class size: 30-40
• Acceptance rate: N/A
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11 bennington college (bennington, vt).

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer, and then you get a degree. The tuition is $23,468 per year, with scholarships available.

• Acceptance rate: 53%
• Incoming class: 40
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts (Santa Fe, NM)

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres offered, in screenwriting, poetry, fiction, and nonfiction.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Incoming class size : 22
• Acceptance rate: 100%
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

One of few MFAs where you can study the art of the picture book, middle grade and young adult literature, graphic literature, nonfiction, fiction, and poetry for young people. Students meet twice a year for nine days, in January and July, in Vermont. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition is $48,604.

• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso (el paso, tx).

The world’s first bilingual and online MFA program in the world. UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Intensive workshops allow submitting in Spanish and English, and genres include poetry and fiction. This three-year program costs $14,766 a year, with rolling admissions.

• Alumni: Watch alumni testimonies here

15) Bay Path University (Long Meadow, MA)

This 2-year online program is dedicated entirely to nonfiction. A supportive, diverse community, Bay Path offers small class sizes, close mentorship, and a potential field trip in Ireland.

There are many tracks, including publishing, Narrative Medicine, and teaching. Core courses include memoir, narrative journalism, and the personal essay. The price is $785/credit, for 39 credits, with scholarships available.

• Incoming class size: 20
• Acceptance rate: an encouraging 78%
• Alumni: Read alumni testimonies here

Prepare for your MFA in advance:

• Best English Programs
• Best Creative Writing Schools
• Writing Summer Programs

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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The UK MFA Creative Writing Residency at the Mill House

The Mill House at Glendower was built around 1790. The current property – a twenty-minute drive from Charlottesville – comprises 125 acres of fields and woodland with walking trails. The new studio garage overlooks the pool yard and includes a full bath and kitchenette. Quiet and secluded, the property has easy access to coffee shops and restaurants in the town of Scottsville four miles away.

The July residency is for two weeks.

While there is no stipend attached to the residency, the successful applicant will also be brought to the campus of the University of Kentucky for a reading as part of the program’s Visiting Writers Series.

Applications are welcome in poetry, fiction, and non-fiction. One application and one genre per applicant, please.

Applicants must have published one book and not more than two.

Deadline: The residency is currently closed because of COVID19. We will reopen when it is safe to do so.

To apply, send a cover letter and two copies of the published book to

Frank X Walker Professor | Director, MFA Program in Creative Writing Department of English University of Kentucky 1269 Patterson Office Tower | Lexington, KY 40506-002

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Graduate College Awards honor excellence in the Creative Writing MFA Program

The Graduate College Awards, held this year on April 25, 2024, honored three individuals within the Creative Writing MFA Program for exceptional work and mentorship. Professor Mitch Wieland, Director of the Creative Writing MFA Program, received the Excellence in Graduate Mentoring Award. Ayotola Tehingbola, who graduated this year with an MFA in fiction, received the Presidential Scholar Award in Performance and Visual Arts. Caleb Merritt, a current MFA student in poetry, received the Audience Choice Award for the Three-Minute Thesis Competition. In a lovely turn of coincidence, Tehingbola nominated Professor Wieland for the mentorship award. “ I have felt supported by Mitch in these past three years,” Tehingbola said. “Mitch is a patient teacher and he front-loads the foundations. He also makes the business of writing a priority. From applying to grad school to preparing me for my job interview, Mitch was a solid.” For Professor Wieland, who helped found the MFA program at Boise State, mentorship undergirds his teaching philosophy. “ As a graduate student, I had the good fortune to study with George Garrett, a legendary writer and teacher famous for his mentorship,” Professor Wieland said. “My approach to mentorship is to be like George and pass it on. I’m very thankful Boise State recognizes all the mentorship our tireless graduate faculty does week in and week out.”

Graduate College Awards

Excellence in Graduate Mentoring Award: Professor Mitch Wieland, Director of the Creative Writing MFA Program. 

Presidential Scholar Award in Performance and Visual Arts: Ayotola Tehingbola, MFA alum

Three-Minute Thesis Competition Audience Choice Award: Caleb Merritt, MFA student 

You can learn more about the Creative Writing MFA Program here.