creative writing phd york st john

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Creative Writing

Entry requirements.

Applicants must hold a Masters Degree in Creative Writing or a related discipline and have achieved at least a Merit/60/B at Postgraduate Level.

Applicants will also need to submit a sample of creative writing, either in Prose, Script or Poetry of at least 1,000 words (or 3 poems)

Months of entry

Course content.

Students have the flexibility to pursue a project that they are passionate about, and to be supported by the expertise of the staff team. This allows for a range of diverse backgrounds in terms of learning experiences, ethnic diversity, disability, gender and age; projects will be developed and tailored to the individual’s learning needs.

All staff members are actively publishing their writing and have won several awards between them for creative outputs. The team have expertise in speculative fiction, historical fiction, scriptwriting, screenwriting, adaptation, poetry, experimental poetry, hybrid forms, horror fiction, literary fiction, creative non-fiction (including memoir and true-crime), and are able to support writing in a number of genres.

The staff team of award-winning writers have an exciting and diverse approach to creative writing and are able to supervise a huge range of proposed projects.

In addition, the Creative Writing team at York St John has a strong focus on the relationship between critical theory and creative writing and the intersection of a number of theoretical perspectives with creative practice, including eco-criticism, psychoanalysis, biopolitics and regionality. Members of the team have undertaken interdisciplinary and collaborative research exploring music, memory, medicine, uncanny landscapes and pollination.

Qualification, course duration and attendance options

• Campus-based learning is available for this qualification

Course contact details

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Creative Writing MA York St John University

Course options

Qualification.

MA - Master of Arts

York St John University

SEP-24, SEP-25

• TUITION FEES
• ENTRY REQUIREMENT
• UNIVERSITY INFO

Course summary

Taught by award-winning authors with specialisms in fiction, poetry, non-fiction and scriptwriting, this course is a fantastic opportunity for you to learn the craft of creative writing while also exploring the theory behind it.

Course overview

Join our thriving literary community and grow your creative potential. You will develop your skills as a writer and explore the theory and practice of writing in the contemporary world through taught modules, independent study, writing and research.

Through this course you will develop transferable skills, work on a publication and complete your own final project. You will work on a longer portfolio in depth, supervised by a dedicated member of staff.

you may write in any form on any given module. You will be encouraged to be open minded and flexible in choosing different styles of writing. There are also modules designed to enhance your employability. These are ideal if you have an interest in either running groups for writers or learning about how to operated in the publishing industry.

Career outcomes

Where could Creative Writing take you?

By developing your writing and creative process, you will be well positions to enter into a various careers. Your skills in critical analysis, working to deadlines and both independent and collaborative work will can be applied in industries such as:

• Copywriting
• Political analysis

There is also the option of continuing with your academic studies and heading down the route towards a PhD in a specific area of creative writing research.

Modules (Year 1)

Tuition fees.

• Afghanistan
• Antigua & Barbuda
• Bosnia and Herzegovina
• Burkina Faso
• Central African Republic
• Congo (Democratic Republic)
• Czech Republic
• Dominican Republic
• El Salvador
• Equatorial Guinea
• Guinea-Bissau
• Ivory Coast
• Korea DPR (North Korea)
• Liechtenstein
• Marshall Islands
• Netherlands
• New Zealand
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• Switzerland
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• United States
• Vatican City
• Western Samoa

£ 11,300 per year

Tuition fees shown are for indicative purposes and may vary. Please check with the institution for most up to date details.

University information

University league table, campus address.

York St John University, Lord Mayor's Walk, York, York, YO31 7EX, England

Subject rankings

Subject ranking.

36th out of 50 13

Entry standards

Graduate prospects

Student satisfaction

Suggested courses

MA Creative Writing

Sheffield Hallam University

Creative Writing league table

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York st john university: ma creative writing.

This course is no longer offered.

York St John University currently offers other courses in Humanities:

• Contemporary Literature (2024)
• Creative Writing (2024)
• Environment and Social Justice (2024)
• Film and Screen Studies (2024)
• History (2024)
• International Politics and Security (2024)
• Publishing (2024)
• Publishing and Contemporary Literature (2024)
• Publishing and Creative Writing (2024)
• Religion in Society (2024)

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Creative Writing

York St John University

UCAS Code: 3S3S | Bachelor of Arts (with Honours) - BA (Hons)

Entry requirements

Gcse/national 4/national 5.

3 GCSEs at grade C/4 (or equivalent) including English Language.

UCAS Tariff

About this course, course option.

Full-time | 2024

Creative writing

Whether you are penning your own poetry, finding your way with fiction, shaping scripts, exploring creative non-fiction or experimental writing, our Creative Writing Programme enables you to develop work in a variety of forms and genres.

It’s an exciting time to join us. You’ll become part of the York Centre for Writing, a hub for innovative new work with strong links to the wider literary community and to the publishing industry. Our participation in the annual York Literature Festival will give you the chance to study and learn directly from many popular and internationally-acclaimed writers. We also have regular visits from industry professionals and innovators, including agents, publishers and literary activists.

Good writing comes through good reading, so our course emphasises the importance of engaging with the wider world of literature in order to develop your own style. You’ll study brilliant writing from the past, as well as learning from contemporary creative practitioners. You’ll learn to read and analyse texts to develop a deeper understanding and you’ll have the chance to get involved in events, performances and publications.

We place a strong emphasis on giving you transferable skills so that whether you pursue a career in writing, the arts or another profession, you’ll have the empathy, insight, independent thinking and experiences to help you succeed. You will develop both intellectual skills and the practical skills necessary for employability, as well as gaining a wealth of experience relevant to the publishing industry and beyond.

Level 1 is a foundational year which introduces you to literature and creativity in their cultural and historical contexts. Level 2 allows you to focus on specific genres and forms of writing and provides the opportunity to develop employability skills. At Level 3 you explore the relationship between the creative and the critical and have the opportunity to produce a substantial creative project. Modules may include: Forms of Narrative; Writing Fiction; Writing Reality: Creative Non-fiction; Writing Poetry; Scriptwriting; Publication, Production & Performance; Experimental Writing; Genre Writing; Creative Research in Practice.

Tuition fees

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What students say

We've crunched the numbers to see if overall student satisfaction here is high, medium or low compared to students studying this subject(s) at other universities.

How do students rate their degree experience?

The stats below relate to the general subject area/s at this university, not this specific course. We show this where there isn’t enough data about the course, or where this is the most detailed info available to us.

Teaching and learning

Assessment and feedback, resources and organisation, student voice, who studies this subject and how do they get on, most popular a-levels studied (and grade achieved), after graduation.

The stats in this section relate to the general subject area/s at this university – not this specific course. We show this where there isn't enough data about the course, or where this is the most detailed info available to us.

What are graduates doing after six months?

This is what graduates told us they were doing (and earning), shortly after completing their course. We've crunched the numbers to show you if these immediate prospects are high, medium or low, compared to those studying this subject/s at other universities.

Top job areas of graduates

The jobs market for this subject - which includes creative writing and scriptwriting courses - is not currently one of the strongest, so unemployment rates are currently looking quite high overall, with salaries on the lower side. But nevertheless, most graduates get jobs quickly. Graduates often go into careers as authors and writers and are also found in other roles where the ability to write well is prized, such as journalism, translation, teaching and advertising and in web content. Be aware that freelancing and self-employment is common is common in the arts, as are what is termed 'portfolio careers', having several part-time jobs or commissions at once - although graduates from this subject were a little more likely than many other creative arts graduates to be in conventional full time permanent contracts, so that might be worth bearing in mind.

What about your long term prospects?

Looking further ahead, below is a rough guide for what graduates went on to earn.

The graph shows median earnings of graduates who achieved a degree in this subject area one, three and five years after graduating from here.

Note: this data only looks at employees (and not those who are self-employed or also studying) and covers a broad sample of graduates and the various paths they've taken, which might not always be a direct result of their degree.

• What's it like studying a degree in Creative writing

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  Publishing and Creative Writing MA

York st john university     the school of humanities, findamasters summary.

Unleash your creativity with the Publishing and Creative Writing MA programme at York. This dynamic course equips you with the skills to excel in the publishing industry while nurturing your own writing flair. Delve into speculative fiction, poetry, scriptwriting, and more under the guidance of industry experts. Engage with contemporary literature and gain insights into independent publishing and emergent themes. The small class sizes foster collaborative learning, ensuring personalized feedback and support. Stand out in the competitive job market with transferable skills in project management, editing, and communication. The inclusive teaching approach provides online resources and one-to-one sessions with tutors. Showcase your talent through submissions to the York Literary Review and the annual Beyond the Walls anthology. With a 2:1 honours degree or relevant professional experience, you can embark on this exciting journey to a rewarding career in writing and publishing.

About the course

Develop the skills and knowledge needed to work in the publishing industry, while also developing your own creative writing practice.

Focus on the links between critical thinking, publication, contemporary literature and creative writing. We will embolden you to be creative and write with the contemporary publishing sector in mind. You will have the opportunity to submit work to the York Literary Review and to our annual Beyond the Walls anthology.

Course overview

On this course will build complementary creative, critical and professional skills which will put you in a strong position to embark on a career as a writer or in publishing. The creative writing team have expertise in:

Entry Requirements

2:1 honours degree in a related subject If your degree is in an unrelated subject, but you can provide evidence of relevant professional experience, your application may still be considered. A sample of creative writing, either in prose, script or poetry of at least 1,000-2,000 words, or 3 poems. If you are an international student you will need to show that your qualifications match our entry requirements.

Please see the university website for further information on fees for this course.

  Course Content

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Where will i study.

York St John University

Established over 180 years ago, York St John University is a small, friendly university which is located in the heart of the historic city of York. Our campus showcases our history, with Victorian buildings sitting side by side with contemporary architecture. We are proud of our welcoming community and it is one of the things our students love the most. Follow your passion and find the postgraduate degree that's right for you.

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Creative Writing and English Literature BA (Hons)

Want to know what it's like to study this course at uni? We've got all the key info, from entry requirements to the modules on offer. If that all sounds good, why not check out reviews from real students or even book onto an upcoming open days ?

Different course options

Bachelor of Arts (with Honours) - BA (Hons)

York St John University

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Course info

Entry requirements, popular a-level subjects, tuition fees, latest reviews, literature in english, average salary, £18,000, what students say.

The IT is a bit spotty at times but not enough to be a detriment. The welbe and the and disability support however is so,e of the best I've ever had at an academic institution... Read more

It was the best 3 years of my life! Loved the course met so many great people and my lecturers, especially for media were so supportive and encouraging and we were all individuals.. Read more

Modules (Year 1)

Modules (year 2), modules (year 3).

UCAS Tariff:

104 Grades / Points required

Not currently available, please contact university for up to date information.

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£9,250 per year

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£14,000 per year

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This is the fee you pay if you are an International student. Please note, this fee has been confirmed.

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Fall 2024 Semester

Undergraduate courses.

Composition courses that offer many sections (ENGL 101, 201, 277 and 379) are not listed on this schedule unless they are tailored to specific thematic content or particularly appropriate for specific programs and majors.

• 100-200 level

ENGL 151.S01: Introduction to English Studies

Tuesday and Thursday, 11 a.m.-12:15 p.m.

Sharon Smith

ENGL 151 serves as an introduction to both the English major and the discipline of English studies. In this class, you will develop the thinking, reading, writing and research practices that define both the major and the discipline. Much of the semester will be devoted to honing your literary analysis skills, and we will study and discuss texts from several different genres—poetry, short fiction, the novel, drama and film—as well as some literary criticism. As we do so, we will explore the language of the discipline, and you will learn a variety of key literary terms and concepts. In addition, you will develop your skills as both a writer and researcher within the discipline of English.

ENGL 201.ST1 Composition II: The Mind/Body Connection

In this section of English 201, students will use research and writing to learn more about problems that are important to them and articulate ways to address those problems. The course will focus specifically on issues related to the mind, the body and the relationship between them. The topics we will discuss during the course will include the correlation between social media and body image; the efficacy of sex education programs; the degree to which beliefs about race and gender influence school dress codes; and the unique mental and physical challenges faced by college students today. In this course, you will be learning about different approaches to argumentation, analyzing the arguments of others and constructing your own arguments. At the same time, you will be honing your skills as a researcher and developing your abilities as a persuasive and effective writer.

ENGL 201.S10 Composition II: Environmental Writing   

Monday/Wednesday/Friday 1-1:50 p.m.

Gwen Horsley

English 201 will help students develop the ability to think critically and analytically and to write effectively for other university courses and careers. This course will provide opportunities to develop analytical skills that will help students become critical readers and effective writers. Specifically, in this class, students will:

• Focus on the relationships between world environments, land, animals and humankind.
• Read various essays by environmental, conservational and regional authors.
• Produce student writings. 

Students will improve their writing skills by reading essays and applying techniques they witness in others’ work and those learned in class. This class is also a course in logical and creative thought. Students will write about humankind’s place in the world and our influence on the land and animals, places that hold special meaning to them or have influenced their lives and stories of their own families and their places and passions in the world. Students will practice writing in an informed and persuasive manner, in language that engages and enlivens readers by using vivid verbs and avoiding unnecessary passives, nominalizations and expletive constructions.

Students will prepare writing assignments based on readings and discussions of essays included in "Literature and the Environment " and other sources. They may use "The St. Martin’s Handbook," as well as other sources, to review grammar, punctuation, mechanics and usage as needed.

ENGL 201.13 Composition II: Writing the Environment

Tuesday and Thursday 9:30-10:45 a.m.

Paul Baggett

For generations, environmentalists have relied on the power of prose to change the minds and habits of their contemporaries. In the wake of fires, floods, storms and droughts, environmental writing has gained a new sense of urgency, with authors joining activists in their efforts to educate the public about the grim realities of climate change. But do they make a difference? Have reports of present and future disasters so saturated our airwaves that we no longer hear them? How do writers make us care about the planet amidst all the noise? In this course, students will examine the various rhetorical strategies employed by some of today’s leading environmental writers and filmmakers. And while analyzing their different arguments, students also will strengthen their own strategies of argumentation as they research and develop essays that explore a range of environmental concerns.

ENGL 201 Composition II: Food Writing

S17 Tuesday and Thursday 12:30-1:45 p.m.

S18 Tuesday and Thursday 2-3:15 p.m.

Jodi Andrews

In this composition class, students will critically analyze essays about food, food systems and environments, food cultures, the intersections of personal choice, market forces and policy and the values underneath these forces. Students will learn to better read like writers, noting authors’ purpose, audience organizational moves, sentence-level punctuation and diction. We will read a variety of essays including research-intensive arguments and personal narratives which intersect with one of our most primal needs as humans: food consumption. Students will rhetorically analyze texts, conduct advanced research, reflect on the writing process and write essays utilizing intentional rhetorical strategies. Through doing this work, students will practice the writing moves valued in every discipline: argument, evidence, concision, engaging prose and the essential research skills for the 21st century.

ENGL 221.S01 British Literature I

Michael S. Nagy

English 221 is a survey of early British literature from its inception in the Old English period with works such as "Beowulf" and the “Battle of Maldon,” through the Middle Ages and the incomparable writings of Geoffrey Chaucer and the Gawain - poet, to the Renaissance and beyond. Students will explore the historical and cultural contexts in which all assigned reading materials were written, and they will bring that information to bear on class discussion. Likely themes that this class will cover include heroism, humor, honor, religion, heresy and moral relativity. Students will write one research paper in this class and sit for two formal exams: a midterm covering everything up to that point in the semester, and a comprehensive final. Probable texts include the following:

• The Norton Anthology of English Literature: The Middle Ages. Ed. Alfred David, M. H. Abrams, and Stephen Greenblatt. 9th ed. New York: W. W. Norton & Company, 2012.
• The Norton Anthology of English Literature: The Sixteenth Century and Early Seventeenth Century. Ed. George M. Logan, Stephen Greenblatt, Barbara K Lewalski, and M. H. Abrams. 9th ed. New York: W. W. Norton & Company, 2012.
• The Norton Anthology of English Literature: The Restoration and the Eighteenth Century. Ed. George M. Logan, Stephen Greenblatt, Barbara K Lewalski, and M. H. Abrams. 9th ed. New York: W. W. Norton & Company, 2012.
• Gibaldi, Joseph. The MLA Handbook for Writers of Research Papers. 6th ed. New York: The Modern Language Association of America, 2003.
• Any Standard College Dictionary.

ENGL 240.S01 Juvenile Literature Elementary-5th Grade

Monday, Wednesday and Friday noon-12:50 p.m.

April Myrick

A survey of the history of literature written for children and adolescents, and a consideration of the various types of juvenile literature. Text selection will focus on the themes of imagination and breaking boundaries.

ENGL 240.ST1 Juvenile Literature Elementary-5th Grade

Randi Anderson

In English 240 students will develop the skills to interpret and evaluate various genres of literature for juvenile readers. This particular section will focus on various works of literature at approximately the K-5 grade level. We will read a large range of works that fall into this category, as well as information on the history, development and genre of juvenile literature.

Readings for this course include classical works such as "Hatchet," "Little Women", "The Lion, the Witch and the Wardrobe" and "Brown Girl Dreaming," as well as newer works like "Storm in the Barn," "Anne Frank’s Diary: A Graphic Adaptation," "Lumberjanes," and a variety of picture books. These readings will be paired with chapters from "Reading Children’s Literature: A Critical Introduction " to help develop understanding of various genres, themes and concepts that are both related to juvenile literature and also present in our readings.

In addition to exposing students to various genres of writing (poetry, historical fiction, non-fiction, fantasy, picture books, graphic novels, etc.) this course will also allow students to engage in a discussion of larger themes present in these works such as censorship, race and gender. Students’ understanding of these works and concepts will be developed through readings, research, discussion posts, exams and writing assignments designed to get students to practice analyzing poetry, picture books, informational books and transitional/easy readers.

ENGL 241.S01: American Literature I

Tuesday and Thursday 12:30-1:45 p.m.

This course provides a broad, historical survey of American literature from the early colonial period to the Civil War. Ranging across historical periods and literary genres—including early accounts of contact and discovery, narratives of captivity and slavery, poetry of revolution, essays on gender equality and stories of industrial exploitation—this class examines how subjects such as colonialism, nationhood, religion, slavery, westward expansion, race, gender and democracy continue to influence how Americans see themselves and their society.

Required Texts

• The Norton Anthology of American Literature: Package 1, Volumes A and B Beginnings to 1865, Ninth Edition. (ISBN 978-0-393-26454-8)

ENGL 283.S01 Introduction to Creative Writing

Steven Wingate

Students will explore the various forms of creative writing (fiction, nonfiction and poetry) not one at a time in a survey format—as if there were decisive walls of separation between then—but as intensely related genres that share much of their creative DNA. Through close reading and work on personal texts, students will address the decisions that writers in any genre must face on voice, rhetorical position, relationship to audience, etc. Students will produce and revise portfolios of original creative work developed from prompts and research. This course fulfills the same SGR #2 requirements ENGL 201; note that the course will involve a research project. Successful completion of ENGL 101 (including by test or dual credit) is a prerequisite.

ENGL 283.S02 Introduction to Creative Writing

Jodilyn Andrews

This course introduces students to the craft of writing, with readings and practice in at least two genres (including fiction, poetry and drama).

ENGL 283.ST1 Introduction to Creative Writing

Amber Jensen, M.A., M.F.A.

This course explores creative writing as a way of encountering the world, research as a component of the creative writing process, elements of craft and their rhetorical effect and drafting, workshop and revision as integral parts of writing polished literary creative work. Student writers will engage in the research practices that inform the writing of literature and in the composing strategies and writing process writers use to create literary texts. Through their reading and writing of fiction, poetry and creative nonfiction, students will learn about craft elements, find examples of those craft elements in published works and apply these elements in their own creative work, developed through weekly writing activities, small group and large group workshop and conferences with the instructor. Work will be submitted, along with a learning reflection and revision plan in each genre and will then be revised and submitted as a final portfolio at the end of the semester to demonstrate continued growth in the creation of polished literary writing.

• 300-400 level

ENGL 424.S01 Language Arts Methods grades 7-12  

Tuesday 6-8:50 p.m.

Danielle Harms

Techniques, materials and resources for teaching English language and literature to middle and secondary school students. Required of students in the English education option.

AIS/ENGL 447.S01: American Indian Literature of the Present 

Thursdays 3-6 p.m.

This course introduces students to contemporary works by authors from various Indigenous nations. Students examine these works to enhance their historical understanding of Indigenous peoples, discover the variety of literary forms used by those who identify as Indigenous writers, and consider the cultural and political significance of these varieties of expression. Topics and questions to be explored include:

• Genre: What makes Indigenous literature indigenous?
• Political and Cultural Sovereignty: Why have an emphasis on tribal specificity and calls for “literary separatism” emerged in recent decades, and what are some of the critical conversations surrounding such particularized perspectives?
• Gender and Sexuality: What are the intersecting concerns of Indigenous Studies and Women, Gender and Sexuality Studies, and how might these research fields inform one another?
• Trans-Indigeneity: What might we learn by comparing works across different Indigenous traditions, and what challenges do such comparisons present?
• Aesthetics: How do Indigenous writers understand the dynamics between tradition and creativity?
• Visual Forms: What questions or concerns do visual representations (television and film) by or about Indigenous peoples present?

Possible Texts

• Akiwenzie-Damm, Kateri and Josie Douglas (eds), Skins: Contemporary Indigenous Writing. IAD Press, 2000. (978-1864650327)
• Erdrich, Louise, The Sentence. Harper, 2021 (978-0062671127)
• Harjo, Joy, Poet Warrior: A Memoir. Norton, 2021 (978-0393248524)
• Harjo, Sterlin and Taika Waititi, Reservation Dogs (selected episodes)
• Talty, Morgan. Night of the Living Rez, 2022, Tin House (978-1953534187)
• Wall Kimmerer, Robin. Braiding Sweet Grass, Milkweed Editions (978-1571313560)
• Wilson, Diane. The Seed Keeper: A Novel. Milkweed Editions (978-1571311375)
• Critical essays by Alexie, Allen, Cohen, Cox, King, Kroeber, Ortiz, Piatote, Ross and Sexton, Smith, Taylor, Teuton, Treuer, Vizenor, and Womack.

ENGL 472.S01: Film Criticism

Tuesdays 2-4:50 p.m.

Jason McEntee

Do you have an appreciation for, and enjoy watching, movies? Do you want to study movies in a genre-oriented format (such as those we typically call the Western, the screwball comedy, the science fiction or the crime/gangster, to name a few)? Do you want to explore the different critical approaches for talking and writing about movies (such as auteur, feminist, genre or reception)?

In this class, you will examine movies through viewing and defining different genres while, at the same time, studying and utilizing different styles of film criticism. You will share your discoveries in both class discussions and short writings. The final project will be a formal written piece of film criticism based on our work throughout the semester. The course satisfies requirements and electives for all English majors and minors, including both the Film Studies and Professional Writing minors. (Note: Viewing of movies outside of class required and may require rental and/or streaming service fees.)

ENGL 476.ST1: Fiction

In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence, and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.

ENGL 479.01 Capstone: The Gothic

Wednesday 3-5:50 p.m.

With the publication of Horace Walpole’s "The Castle of Otranto " in 1764, the Gothic officially came into being. Dark tales of physical violence and psychological terror, the Gothic incorporates elements such as distressed heroes and heroines pursued by tyrannical villains; gloomy estates with dark corridors, secret passageways and mysterious chambers; haunting dreams, troubling prophecies and disturbing premonitions; abduction, imprisonment and murder; and a varied assortment of corpses, apparitions and “monsters.” In this course, we will trace the development of Gothic literature—and some film—from the eighteenth-century to the present time. As we do so, we will consider how the Gothic engages philosophical beliefs about the beautiful and sublime; shapes psychological understandings of human beings’ encounters with horror, terror, the fantastic and the uncanny; and intervenes in the social and historical contexts in which it was written. We’ll consider, for example, how the Gothic undermines ideals related to domesticity and marriage through representations of domestic abuse, toxicity and gaslighting. In addition, we’ll discuss Gothic texts that center the injustices of slavery and racism. As many Gothic texts suggest, the true horrors of human existence often have less to do with inexplicable supernatural phenomena than with the realities of the world in which we live. 

ENGL 485.S01: Undergraduate Writing Center Learning Assistants 

Flexible Scheduling

Nathan Serfling

Since their beginnings in the 1920s and 30s, writing centers have come to serve numerous functions: as hubs for writing across the curriculum initiatives, sites to develop and deliver workshops and resource centers for faculty as well as students, among other functions. But the primary function of writing centers has necessarily and rightfully remained the tutoring of student writers. This course will immerse you in that function in two parts. During the first four weeks, you will explore writing center praxis—that is, the dialogic interplay of theory and practice related to writing center work. This part of the course will orient you to writing center history, key theoretical tenets and practical aspects of writing center tutoring. Once we have developed and practiced this foundation, you will begin work in the writing center as a tutor, responsible for assisting a wide variety of student clients with numerous writing tasks. Through this work, you will learn to actively engage with student clients in the revision of a text, respond to different student needs and abilities, work with a variety of writing tasks and rhetorical situations, and develop a richer sense of writing as a complex and negotiated social process.

Graduate Courses

Engl 572.s01: film criticism, engl 576.st1 fiction.

In this workshop-based creative writing course, students will develop original fiction based on strong attention to the fundamentals of literary storytelling: full-bodied characters, robust story lines, palpable environments and unique voices. We will pay particular attention to process awareness, to the integrity of the sentence and to authors' commitments to their characters and the places in which their stories unfold. Some workshop experience is helpful, as student peer critique will be an important element of the class.

ENGL 605.S01 Seminar in Teaching Composition

Thursdays 1-3:50 p.m.

This course will provide you with a foundation in the pedagogies and theories (and their attendant histories) of writing instruction, a foundation that will prepare you to teach your own writing courses at SDSU and elsewhere. As you will discover through our course, though, writing instruction does not come with any prescribed set of “best” practices. Rather, writing pedagogies stem from and continue to evolve because of various and largely unsettled conversations about what constitutes effective writing and effective writing instruction. Part of becoming a practicing writing instructor, then, is studying these conversations to develop a sense of what “good writing” and “effective writing instruction” might mean for you in our particular program and how you might adapt that understanding to different programs and contexts.

As we read about, discuss and research writing instruction, we will address a variety of practical and theoretical topics. The practical focus will allow us to attend to topics relevant to your immediate classroom practices: designing a curriculum and various types of assignments, delivering the course content and assessing student work, among others. Our theoretical topics will begin to reveal the underpinnings of these various practical matters, including their historical, rhetorical, social and political contexts. In other words, we will investigate the praxis—the dialogic interaction of practice and theory—of writing pedagogy. As a result, this course aims to prepare you not only as a writing teacher but also as a nascent writing studies/writing pedagogy scholar.

At the end of this course, you should be able to engage effectively in the classroom practices described above and participate in academic conversations about writing pedagogy, both orally and in writing. Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities.

ENGL 726.S01: The New Woman, 1880–1900s 

Thursdays 3–5:50 p.m.

Katherine Malone

This course explores the rise of the New Woman at the end of the nineteenth century. The label New Woman referred to independent women who rebelled against social conventions. Often depicted riding bicycles, smoking cigarettes and wearing masculine clothing, these early feminists challenged gender roles and sought broader opportunities for women’s employment and self-determination. We will read provocative fiction and nonfiction by New Women writers and their critics, including authors such as Sarah Grand, Mona Caird, George Egerton, Amy Levy, Ella Hepworth Dixon, Grant Allen and George Gissing. We will analyze these exciting texts through a range of critical lenses and within the historical context of imperialism, scientific and technological innovation, the growth of the periodical press and discourse about race, class and gender. In addition to writing an argumentative seminar paper, students will complete short research assignments and lead discussion.

ENGL 792.ST1 Women in War: Female Authors and Characters in Contemporary War Lit

In this course, we will explore the voices of female authors and characters in contemporary literature of war. Drawing from various literary theories, our readings and discussion will explore the contributions of these voices to the evolving literature of war through archetypal and feminist criticism. We will read a variety of short works (both theoretical and creative) and complete works such as (selections subject to change): "Eyes Right" by Tracy Crow, "Plenty of Time When We Get Home" by Kayla Williams, "You Know When the Men are Gone" by Siobhan Fallon, "Still, Come Home" by Katie Schultz and "The Fine Art of Camouflage" by Lauren Johnson.

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Creative Writing MA

York st john university.

Taught by award-winning authors with specialisms in fiction, poetry, non-fiction and scriptwriting, this course is a fantastic opportunity Read more...

• 1 year Full time degree: £8,000 per year (UK)
• 2 years Part time degree: £4,000 per year (UK)

Publishing and Creative Writing MA

Focus on the links between critical thinking, publication, contemporary literature and creative writing. We will embolden you to be Read more...

Creative Writing MFA

Develop your creative practice alongside an inspiring group of writers. Further your literary abilities and create a full-length Read more...

• 1 year Full time degree: £4,500 per year (UK)
• 2 years Part time degree: £2,250 per year (UK)

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Pen your own poetry, find your way with fiction, shape scripts and explore experimental writing or creative non-fiction.

Turn your passion into a career. Studying creative writing  can also lead to roles in areas such as copywriting, editing, publishing, journalism, teaching and marketing.

Creative Writing BA (Hons)

Discover your creative potential, experiment with form and genre and push boundaries with your writing. Our award winning team of writers and our supportive writing community will challenge you to develop your writing skills and find your own...

Creative Writing and English Literature BA (Hons)

Explore writing from around the world, from different eras and from both classic texts and underrepresented voices. Let your extensive reading and literary analysis inspire your own original writing as you come to appreciate the power of the written...

Creative Writing and Media BA (Hons)

Explore how different types of media interact with each other and influence the society and culture around them. This understanding will help to inform your writing, as you unleash your creativity by experimenting with form and genre...

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