lion king summary essay 150 words in english

Plot Summary? We’re just getting started.

Add this title to our requested Study Guides list!

Fiction | Novel | Early Reader Picture Book | Published in 1994

Plot Summary

Continue your reading experience.

SuperSummary Plot Summaries provide a quick, full synopsis of a text. But SuperSummary Study Guides — available only to subscribers — provide so much more!

Join now to access our Study Guides library, which offers chapter-by-chapter summaries and comprehensive analysis on more than 5,000 literary works from novels to nonfiction to poetry.

See for yourself. Check out our sample guides:

Toni Morrison

Malcolm Gladwell

David And Goliath

D. H. Lawrence

Whales Weep Not!

A SuperSummary Plot Summary provides a quick, full synopsis of a text.

A SuperSummary Study Guide — a modern alternative to Sparknotes & CliffsNotes — provides so much more, including chapter-by-chapter summaries and analysis of major themes, characters, and important quotes.

See the difference for yourself. Check out this sample Study Guide:

The Lion King Summary, Characters and Themes

The Lion King is a classic Disney animated film (with a board book adaptation) about a young lion named Simba. 

After his father, Mufasa, is murdered by his evil uncle, Scar, Simba flees his home. He eventually grows up, embracing his destiny as the rightful king. With the help of his friends, Simba returns to challenge Scar and reclaim his rightful place as the leader of the Pride Lands. The film is known for its themes of family, responsibility, and the cycle of life, as well as its iconic music.

In the heart of the African savanna, the Pride Lands are ruled by the wise and noble King Mufasa. He and his queen, Sarabi, proudly present their newborn heir, Simba, to the kingdom’s animal subjects. 

Guided by his father and the eccentric shaman Rafiki, Simba learns about the delicate ‘circle of life’ and his future responsibilities as king.

Mufasa’s embittered brother, Scar, consumed by envy and a lust for power, plots to eliminate both Mufasa and Simba. 

He tricks Simba and his friend Nala into visiting a forbidden elephant graveyard, where they’re attacked by Scar’s hyena henchmen. Mufasa bravely rescues the cubs, but Scar’s next scheme proves fatal. He lures Simba into a canyon and triggers a deadly wildebeest stampede, then throws Mufasa into the chaos to his death.

Scar manipulates the grief-stricken Simba, making him believe he caused his father’s demise, and orders him to flee. Lost and alone, Simba nearly perishes before being rescued by the carefree meerkat Timon and the warthog Pumbaa. 

They teach Simba their “Hakuna Matata” (no worries) philosophy , and he grows up embracing a life without responsibility.

Years later, Simba’s childhood friend Nala, now a young lioness, stumbles upon him. She reveals the desolate state of the Pride Lands under Scar’s tyrannical rule, where drought and famine prevail. 

Nala urges Simba to return and reclaim his birthright, but he’s haunted by guilt and refuses.

Rafiki, with his wisdom, helps Simba realize Mufasa’s spirit lives on within him. Simba then encounters Mufasa’s ghost, who reminds him of his true destiny as king. Galvanized, Simba resolves to challenge his uncle and restore balance to the kingdom.

Back at Pride Rock, Simba confronts Scar, who attempts to rekindle Simba’s guilt over Mufasa’s death. 

Yet, the truth emerges: Scar was the true murderer. 

Enraged, Simba forces his uncle to confess before the pride. A fierce battle erupts as Simba, Nala, Timon, Pumbaa, Rafiki, and the lionesses fight the hyenas. Simba corners Scar, who pleads for mercy but is ultimately banished. Scar’s betrayal leads the vengeful hyenas to turn on him.

With Scar defeated, Simba ascends to his rightful place as king. Rain returns, revitalizing the Pride Lands. Life flourishes once more as Simba and Nala welcome their own cub, held aloft by Rafiki for the kingdom to see. The circle of life continues, demonstrating triumph over adversity and the enduring power of legacy.

Simba embodies the classic coming-of-age story. He begins as a playful, eager cub, filled with youthful arrogance and a desire to prove himself. Mufasa’s death and Scar’s manipulation shatter his world, leaving him guilt-ridden and lost. Simba’s exile with Timon and Pumbaa showcases his ability to adapt and find joy, even in difficult circumstances. 

Yet, he remains haunted by the past. 

His encounter with Nala and Rafiki forces him to confront his responsibilities. 

Simba’s final battle with Scar isn’t just about reclaiming the throne, but about conquering his internal demons. 

His transformation into a mature and responsible king highlights themes of self-discovery, forgiveness, and the enduring power of legacy.

Mufasa represents the ideal ruler: wise, strong, and compassionate. He understands the delicate balance of the “circle of life” and teaches Simba about his role within it. 

Mufasa is a loving father, gently guiding Simba while instilling the importance of duty. His tragic death becomes the catalyst for Simba’s journey, and his memory serves as Simba’s guiding light in his darkest moments. 

Mufasa’s influence lives on through his son, symbolizing the lasting impact of a virtuous leader.

Scar is fueled by jealousy, resentment, and a twisted desire for power. Unlike Mufasa, he sees the kingdom as a means to satisfy his own ambitions and disregards the natural order. 

He is cunning, manipulative, and willing to do anything to achieve his goals, Scar’s insidious nature is highlighted by his exploitation of Simba’s innocence and his betrayal of his own family. 

He embodies the dangers of unchecked ambition and serves as a stark contrast to Mufasa’s benevolent leadership.

Nala is brave, independent, and loyal. She recognizes the Pride Lands’ decline under Scar’s rule, prompting her to seek help from Simba. 

Her love for Simba serves as a beacon of hope, reminding him of his home and his true identity. 

Nala isn’t just Simba’s love interest; she’s a strong character who actively challenges Scar and helps reclaim the kingdom.

Rafiki is the eccentric sage who guides Simba with wisdom and a touch of mystical playfulness. 

He understands the connection between the past, present, and future, and recognizes Mufasa’s spirit living on in Simba. Rafiki acts as a catalyst for Simba’s self-discovery, aiding in his understanding of his destiny and his place in the ‘circle of life’.

Timon and Pumbaa

This inseparable duo provides comic relief and an important lesson for Simba. Their “Hakuna Matata” philosophy represents a carefree approach to life, focused on avoiding problems and worries. 

While this gives Simba a chance to heal and temporarily escape his past, it also contrasts with his responsibility as king. 

However, Timon and Pumbaa’s unwavering loyalty and friendship ultimately help Simba return to his path, highlighting that a life of fulfillment requires embracing both joy and responsibility.

Zazu is a stickler for the rules and tradition, representing order and duty within the Pride Lands. He’s often exasperated by Simba’s youthful antics and serves as a reminder of the expectations placed on a future king. 

His loyalty to Mufasa continues after the king’s death, and his defiance of Scar shows his commitment to the rightful order of the kingdom.

Shenzi, Banzai, and Ed

These hyenas are Scar’s henchmen, driven by hunger and a desire for power. They operate as a unit, their cackling laughter emphasizing their villainous nature. 

They represent opportunistic chaos, exploiting Scar’s rule to destabilize the natural harmony of the Pride Lands. 

Their eventual demise underscores the consequences of greed and blind obedience.

The Circle of Life

The concept of the ‘circle of life’ is the heart of The Lion King’s philosophy. 

It emphasizes the interconnectedness of all living beings, the balance between life and death, and the understanding that every creature plays a vital role in the grand scheme of existence. 

Mufasa teaches Simba about respecting this delicate balance, and how a true king understands his place within it. Scar’s reign disrupts the circle of life, leading to drought and famine, highlighting the consequences of disregarding natural order. 

When Simba reclaims his throne, he re-establishes this balance, restoring harmony and prosperity to the Pride Lands.

Responsibility and Legacy

Simba’s journey is fundamentally about embracing responsibility. 

As a young cub, he’s eager to be king but doesn’t yet comprehend the weight of that role. His exile allows him to escape responsibility, but also leaves him unfulfilled. 

Through his encounters with Nala and Rafiki, Simba realizes he cannot run from his past or his destiny. By confronting Scar and reclaiming his throne, he accepts the mantle of leadership passed down from his father. 

The Lion King explores the importance of fulfilling one’s duty and the enduring impact a person’s actions can have on future generations.

Facing the Past and Finding Redemption

Guilt and trauma over Mufasa’s death plague Simba, leading him to believe he’s unworthy of being king. Scar exploits this vulnerability, making Simba feel responsible for his father’s demise.

Simba’s growth depends on confronting his past, acknowledging his pain, and ultimately forgiving himself. This struggle mirrors real-life experiences of loss and grief. The film doesn’t shy away from difficult emotions but ultimately offers a message of hope and healing. 

Simba’s act of confronting Scar is not only about reclaiming the throne but also reclaiming his own sense of self.

Sharing is Caring!

A team of Editors at Books That Slay.

Passionate | Curious | Permanent Bibliophiles

The Lion King Introduction Introduction

Release Year:  1994

Genre: Adventure, Animation, Family

Director:  Roger Allers and Rob Minkoff

Writer: Irene Mecchi, Joanathan Roberts, Linda Woolverton

Stars:  Jonathan Taylor Thomas , James Earl Jones , Jeremy Irons

Life was different in 1994. 

And we're not talking about incidentals like "there was no Internet" or "Brad Pitt was dating Gwyneth Paltrow." We're referring to the fact that the average Joe, circa 1994, would have had zero idea what "Hakuna Matata" meant, would maybe have felt kindly toward hyenas, and probably had very little idea about the social structure of lion prides.

But all of that changed with the release of The Lion King .

Part of the Second Disney Renaissance of the 1990s, The Lion King is an undisputed classic, a favorite of '90s kids (and their parents and children) everywhere. In addition to being set in Africa and gorgeously animated by a team of hyper-dedicated animators, The Lion King is a story of royal intrigue and power in the animal kingdom. 

It's Hamlet with paws.

If you enjoy watching lions grapple with issues moral, political, and existential in nature (or just grapple with evil hyenas), then this is definitely the movie for you. This is also the movie for you if you like watching stupendously successful films: Simba & Co. nabbed a worldwide total of $987,483,777—and The Lion King remains the highest-grossing 2D animated feature in history.

Whether you love or loathe the Disney brand, there's no disputing that The Lion King 's influence is as big as Mufasa's kingdom; this movie is known pretty much anywhere the sun shines. The film won three Golden Globes (Best Motion Picture – Comedy or Musical; Best Original Score – Motion Picture; and Best Original Song – Motion Picture, for Elton John's "Can You Feel the Love Tonight") and two Academy Awards (Best Original Score and Best Original Song). It even went on to inspire one of the longest-running musicals on Broadway.

Yup, The Lion King has cultural-icon status. It is to the '90s what Star Wars was to the '80s and Mean Girls was to the 2000s: a movie that seeped into the collective consciousness. 

In fact, we're still having nightmares set in elephant graveyards.

Why Should I Care?

For many of us, The Lion King isn't exactly the first title we think of when we think of "film studies." After all, what could all of those dusty VHSes in your basement possibly have to do with capital-S Serious stuff like academia and critical interpretation ?

The answer is: plenty. The Lion King is more than a cartoon for 6-year-old kids to watch while stuffing their faces with popcorn and Milk Duds—although it's totally that, too. The Lion King is a sophisticated moral fable about family, power, and redemption.

For one thing, this movie for kiddos is based on perhaps the most famous (and most studied) Shakespeare play out there: Hamlet .

Both the Bard's masterpiece and ol' Walt's '90s smash hit follow the same trajectory: young prince loves his daddy, his daddy is killed by his uncle, young prince gets revenge on his uncle. Except Hamlet is way more depressing—and doesn't have nearly the same number of Elton John love songs.

It's not every day that you come across a Disney cartoon that has thematic roots in a great work of English literature, but then, The Lion King isn't just any old Disney cartoon. It's one of the most famous, an indisputable jewel in the Disney crown.

But, fun musical numbers and similarities to Hamlet aside, The Lion King manages to pack an effective dramatic punch in its own right. As a story about the enduring power of love and loyalty to family, this movie restored audiences' faith in the values of the mid-1990s.

The Lion King was released in 1994, three years after the end of America's involvement in the Persian Gulf War . The United States was at the peak of its military and industrial might, the economy was booming, and a new generation of Millennials was being born. It was a time of comfort and security, and many were eager to see that reflected in their entertainment.

And The Lion King did just that. This movie is about a super-idyllic kingdom that goes through a period of woe (boo, Scar) and bounces right back—just compare the Pride Lands with the narrow-minded town in Beauty and the Beast. It's about the importance of family over pretty much everything else—compare Simba's character arc to Ariel's decision to leave home in The Little Mermaid. It's about the just nature of an established government—Mufasa is unlike, say, the bumbling Sultan in Aladdin.

With everything looking peaceful at home, more and more Americans were content with messages like these. In many ways, The Lion King was a product of its time—which means that studying The Lion King ain't just about studying a movie about a farting warthog and his lion cub buddy. It's about studying America during the 1990s.

Tired of ads?

Cite this source, logging out…, logging out....

You've been inactive for a while, logging you out in a few seconds...

W hy's T his F unny?

• Paragraph Writing
• Paragraph On Lion

Paragraph on Lion - Check Samples for 100, 150, 200, 250 Words

Writing paragraphs has been a common practice in schools, and writing about the king of the jungle, the lion is a common topic. The lion is considered the strongest terrestrial animal.

Table of Contents

Paragraph on lion in 100 words, paragraph on lion in 150 words, paragraph on lion in 200 words, paragraph on lion in 250 words, frequently asked questions on lion.

Read the full article to get an idea about the lion. Refer to the samples provided below before writing a paragraph on the lion.

The lion is a wild terrestrial animal called the king of the forest. The lion is a strong animal with a strong body, a big head, a majestic mane, and two fierce eyes. Lions are predatory animals and eat only after hunting. They have strong claws and sharp teeth, which help them hunt their prey and eat the flesh. Lions have yellowish-grey skin colour with smooth hair and an imperious roar which makes a lion unique. The footprints of lions are called pug marks. Lions are found chiefly in grasslands, open woodlands, or enclosed in zoos. Since they kill their own prey and hunt for food, they have the capacity to run fast.

The lion, also known as the king of the forest, is a wild terrestrial animal. The lion is a powerful animal with a powerful physique, a large head with a majestic mane, four legs, and two brilliant eyes. Lions are carnivorous animals that only eat after they have hunted. They have powerful claws and sharp teeth that enable them to hunt and consume flesh. Lions have yellow-grey skin and sleek hair, and their roar distinguishes them from other animals. Pug marks refer to a lion’s footprints. Lions are usually found in open woodlands, grasslands, or zoos. They can sprint extremely quickly as they kill their prey and search for sustenance. Lions are found in groups known as pride, where only two adult lions are found, and the rest are lionesses and their cubs. Lions are very protective when it comes to their cubs and their places. They fight for their survival and can fight for their families.

Lions belong to the Felidae family, a cat family known as the giant cats. The cat family comprises lions, tigers, leopards, panthers, and jaguars, but the lions are considered the most powerful. The lion is regarded as one of the bravest animals and looks hefty. They are also called the king of the jungle. Male lions have a mane that gives them a bulky appearance, but the mane is absent in female lions. Lions live in groups called ‘pride’ and live in grasslands and open woodlands. A pride usually comprises five to thirty lions. The pride comprises a few male lions, and the rest are lionesses and their cubs. Lions are very protective when it comes to their family, their cubs, and their places of survival. They can fight for their survival as well as for their cubs. Lions hunt together and live together and sleep for more than 20 hours. Lions are found in India’s Gir Forest, and India is famed for being the home of these animals. They can also be found in Eastern Africa, Southern Africa, and other parts of Africa.

Lions are among the biggest cats and belong to the Felidae family, which is the cat family. Lions, tigers, leopards, panthers, and jaguars are all cat family members, but lions are the most powerful. The lion is one of the bravest creatures and has a powerful appearance. They are also known as the jungle’s kings. Lions are large, four-legged animals with a hefty appearance. Male lions have a mane that gives them a bulky appearance, whereas female lions do not have a mane. Lions reside in deep forests and are found in groups known as ‘pride’. Five to thirty lions make up the pride. Only a few male lions will be found in pride, while the majority are lionesses and their cubs. Lions are fiercely protective when it comes to their families, offspring, and safe havens. They are capable of fighting for their survival as well as the survival of their young. Lions hunt and live together, sleeping for more than 20 hours at a time. Lions are found in India’s Gir Forest, and the country is known for being the home of these animals. They’re also found in Eastern and Southern Africa and other sections of the continent. Lions consume flesh and are occasionally spotted eating grass though they are not grass-eaters. Every different individual on the planet is unique in their own way. A lion is different and powerful from all other animals in the forest. The roar of the lion is something that makes them unique.

How can we describe a lion?

A lion can be described as a strong animal with four legs and a hefty appearance. The lion is called the king of the jungle and symbolises bravery and courage.

Why is the lion called the king of the jingle?

The lion is called the king of the jungle because of his power and strength. Lions are strong and fearless animals which is why they are called the king of the jungle.

Leave a Comment Cancel reply

Your Mobile number and Email id will not be published. Required fields are marked *

Request OTP on Voice Call

Post My Comment

Register with BYJU'S & Download Free PDFs

Register with byju's & watch live videos.

• Undergraduate
• High School
• Architecture
• American History
• Asian History
• Antique Literature
• American Literature
• Asian Literature
• Classic English Literature
• World Literature
• Creative Writing
• Linguistics
• Criminal Justice
• Legal Issues
• Anthropology
• Archaeology
• Political Science
• World Affairs
• African-American Studies
• East European Studies
• Latin-American Studies
• Native-American Studies
• West European Studies
• Family and Consumer Science
• Social Issues
• Women and Gender Studies
• Social Work
• Natural Sciences
• Pharmacology
• Earth science
• Agriculture
• Agricultural Studies
• Computer Science
• IT Management
• Mathematics
• Investments
• Engineering and Technology
• Engineering
• Aeronautics
• Medicine and Health
• Alternative Medicine
• Communications and Media
• Advertising
• Communication Strategies
• Public Relations
• Educational Theories
• Teacher's Career
• Chicago/Turabian
• Company Analysis
• Education Theories
• Shakespeare
• Canadian Studies
• Food Safety
• Relation of Global Warming and Extreme Weather Condition
• Movie Review
• Admission Essay
• Annotated Bibliography
• Application Essay
• Article Critique
• Article Review
• Article Writing
• Book Review
• Business Plan
• Business Proposal
• Capstone Project
• Cover Letter
• Creative Essay
• Dissertation
• Dissertation - Abstract
• Dissertation - Conclusion
• Dissertation - Discussion
• Dissertation - Hypothesis
• Dissertation - Introduction
• Dissertation - Literature
• Dissertation - Methodology
• Dissertation - Results
• GCSE Coursework
• Grant Proposal
• Marketing Plan
• Multiple Choice Quiz
• Personal Statement
• Power Point Presentation
• Power Point Presentation With Speaker Notes
• Questionnaire
• Reaction Paper
• Research Paper
• Research Proposal
• SWOT analysis
• Thesis Paper
• Online Quiz
• Literature Review
• Movie Analysis
• Statistics problem
• Math Problem
• All papers examples
• How It Works
• Money Back Policy
• Terms of Use
• Privacy Policy
• We Are Hiring

The Lion King, Essay Example

Pages: 6

Words: 1617

Hire a Writer for Custom Essay

Use 10% Off Discount: "custom10" in 1 Click 👇

You are free to use it as an inspiration or a source for your own work.

Introduction

Animated films, especially those produced by Disney such as  The Lion King,  function as cultural texts that can be analyzed through an anthropological prism. Wells (1998) contended that “The idea that animation is an innocent medium, ostensibly for children, and largely dismissed in film histories, has done much to inhibit the proper discussion of issues concerning representation” (Wells, 1998, p.187). Anthropologists can discern the contested values and beliefs that pervade American culture by elucidating the cultural politics ingrained in Disney’s animated films. Such a process of uncloaking necessitates exploring beyond the surface for any and all cultural messages that evince undergirding tensions and persistent contradictions and paradoxes. Doing so enables anthropologists to ascertain counter-hegemonic tropes and themes, particularly related to the intersectionality of class, gender, sexuality, race, ability and the nation (Harris, 1994).  The Lion King  was released in 1994 and experienced cataclysmic success, as it was quite popular among children, ascertaining alternatives to the hegemonic understanding of the film such as how the film represents ideas about masculinity and femininity as well as the various representation of race, especially how black people are limned and how such renderings evince racists stereotypes.  As a result, rather than proffering an authentic portrayal of African culture,  The Lion King  reflects various stereotypes attached to race and gender in western societies in order to pander to western audiences so that it could achieve blockbuster status even as an animated film in various markets.

The Lion King is an animated film produced by Disney as the thirty second feature film in the classic Disney films. It takes place in Africa in the kingdom of the lions, clearly conveying various biblical and literary influences. The film narrates the story of a young lion named Simba who is supposed to succeed Mufasa, his father, as the ruler over this kingdom. Unfortunately, greed overtakes Scar, Simba’s uncle, who murders Mufasa at the beginning of the film and therefore usurps the throne. Simba, still very young, is manipulated into believing that he is responsible for the murder of his father, which is why he flees into voluntary exile as a result of his angish, humiliation, shame, and deep-seated despair. Simba thus grows up alone and comes of age residing with two wastrels free of worries, which the motto “hakuna matata” translates to. Simba gains significant insight and perspective from Nala, who is his friend since childhood, and Rafiki, his shaman, before he returns to the kingdom of lions to challenge the authoritarian rule of Scar. After a violent scuffle between Simba and Scar and his hyenas, Simba assumes the throne of the kingdom, which had deteriorated in Simba’s absence. Pride Rock thus returns to its former greatness, enable the circle of life to persist.

The representation of gender: patriarchal mores

The Lion King  portrays a gender order that is steeped in patriarchal leadership and family, as the characters who ruled over Pride Rock are all males. The lionesses, conversely, are all forced to accept a more secondary and subjected role to their male counterparts, and hunting is the only way they could become somewhat stronger than the lions. Nonetheless, the lions demand that the lionesses go hunting, which thereby strips the lionesses of their autonomy. Following Mufasa’s death and Scar’s ascendance to the throne at his own behest, the lionesses had the opportunity to get rid of Scar if they decided to do so, yet their identity throughout their entire lives was demarked by dependency. as a result, the lionesses have no sense of independence or ability to resist the hegemonic patriarchal order firmly embedded in the portrayed culture. While this construction of femininity is aligned with traditional renderings of gender in western cinema, it is interesting to assess how masculinity is constructed within the portrayed culture. In  The Lion King,  masculinity is a socio-cultural construction in a world where manhood is something that is learned and performed rather than being biologically intrinsic. At the outset of the film, Mufasa, Simba’s father, is killed when Simba is still very young. As a result, Simba must grow up without a father or strong, male influence, away from his mother. As a cub who grows up alone, it appears that Simba is vulnerable to harm, yet he finds solace in his friendship with Timon and Pumba. When he reaches adulthood, Simba exactly resembles his father, who is viewed as a paragon of masculinity demarked by his power and muscularity. At the end of the animated film, Scar and Simba get into an explosive altercation, which conveys that masculinity in this portrayed culture is represented through animals anthropomorphically (Wells, 1998, p. 190). The lions assume the stance of bipedal humans, as they are upright on their two hind feet and attack each other in the same way that humans do when they are in a fist fight.

The representations of femininity and manhood in The Lion King is quite problematic due to the fact that it clearly privileges patriarchy, as only sons of kings were able to inherit the throne and reign over the kingdom. Feminist critics point to the fact that such a depiction eschews how lions actually behave in their natural habitat, as lionesses occupy the most important roles in how lions societies are actually structured. The film diminishes the potent role of lionesses by merely framing them as the love interests of the male characters, such as Nala and Simba. Other female characters seemingly cease to exist in the portrayed world. The title of the film itself intimates that male lions are supreme and that male authority is at the apex of the kingdom, and male lions as kings emerge as patriarchal tropes.

The representation of race: reinforcing western racial scripts

Another significant anthropological representation in  The Lion King  is that of race and how Disney pandered to western audiences by perpetuating various stereotypes that are intrinsically racist. Although the cultural fabric in the Western world during the twentieth and twenty-first centuries promote multiculturalism, films provide cultural texts in which criticism about the construction of race has germinated. Disney has taken concerted efforts to portray race in an authentic and healthy manner, yet  The Lion King  perpetuates racist stereotypes that have pervaded western discourses for many centuries. The presence of the hyenas becomes problematic as they viewed as members of indigenous or subaltern cultures who are bottom feeders and appear mangy bullies who torture Simba. These hyenas are portrayed by non-white actors, which intimates that Disney, while perhaps done intentionally, limn African Americans and other members of subaltern races not as humans but as animals. Indeed, the hyenas resemble a feckless street gang that reflects the nefarious intentions of minorities such as Hispanics and African Americans. Such notions pervade western discourses about members of subaltern races, especially those of African descent. In addition, the antagonist of the film and Simba’s sinister uncle, Scar, has dark-colored fur, unlike the other lions who have bright golden fur. This seemingly irrelevant observation nonetheless suggests that darker colored skin people–i.e. Africans and African Americans–are cast as evil and are the villains not only in fictive narratives but also in real life.

“The Circle of Life,” which is the opening song of this animated film and its lyrical content demonstrate Disney’s incapacity to depict Africa in an authentic manner and covers up the overt unwillingness to portray black people, especially Africans, as human beings (Byrne & McQuillan, 1999, p. 101). Indeed, this theme song commences with clearly African vocals, yet the instruments are not African in origin. Rather, they sound quite western and was devised by white musicians. The scenery in the opening scene does not look authentically African, as there are very few signifiers of African culture and geography, especially since English is the language used throughout the film rather than any African dialect. Despite portraying African culture, American actors and the English language are deployed in the film, which subtly accentuates the hegemony of American culture and society over Africa. Benshoff & Griffin (2009) argue that the baboon, Rafiki, shares a likeness with the African deity Eshu who is charged with the responsibility of safeguarding travelers and is blamed for the misfortunes or fortunes that creatures endure (Benshoff & Griffin, 2009). Although Rafiki is a lauded character in the animated film. he nonetheless comports himself in a half-crazed, reckless, foolish, and bizarre manner. These traits are often used to describe Africans and African Americans in western discourses. There is also overt disrespect and denigration of African cultures and tradition. When Zazu reminds Simba that his friend Nala would eventually become his wife, Simba retorts that once he assumes the kingship, that custom will be nullified. Although it is hard to discern whether such racial representations were intentional or not by Disney production members, as progenitors of cultural products, hyper vigilance must be adopted because audience members are only exposed to the final products rather than the intentions of the producers.

Various epochs are always stigmatized by particular discursive representations of gender and race, among other critical cultural constructions. The Lion King continues to be highly criticized for its representation of gender and race, as it reproduces western stereotypes and scripts through its portrayal of African culture and society. Patriarchy and a strenuous form of manhood is presented as ideal in his film, which eschews the actual behaviors of Africans and the prominent role of African lionesses in their social structure. More poignantly, the representation of race in the film is problematic for reproducing pejorative western stereotypes about Africans and African culture, especially in the portrayal of African characters as animalistic rather than human.

Benshoff, H. & Griffin, S. (2009).  America on film: Representing race, class, gender, and sexuality at the movies . Chichester: Wiley-Blackwell.

Byrne, E. & McMullan, M. (1999). D econstructing Disney . London: Pluto Press.

Harris, J. E. (1994). Stereotyping for fun and profit.  Christopher Street.

Sweeney, G. (1995) ?What Do You Want Me to Do, Dress in Drag and Do the Hula??: Pumbaa and Timon’s alternative lifestyle dilemma in Disney?s  The Lion King . S eventh Annual  Society of Animation Conference , University of North Carolina at Greensboro

Wells, P. (1998).  Understanding animation . London: Routledge.

Stuck with your Essay?

Get in touch with one of our experts for instant help!

Crystallization Laboratory, Lab Report Example

English: Gender Discrimination in My Workplace, Essay Example

Time is precious

don’t waste it!

Plagiarism-free guarantee

Privacy guarantee

Secure checkout

Money back guarantee

Related Essay Samples & Examples

Voting as a civic responsibility, essay example.

Pages: 1

Words: 287

Utilitarianism and Its Applications, Essay Example

Words: 356

The Age-Related Changes of the Older Person, Essay Example

Pages: 2

Words: 448

The Problems ESOL Teachers Face, Essay Example

Pages: 8

Words: 2293

Should English Be the Primary Language? Essay Example

Pages: 4

Words: 999

The Term “Social Construction of Reality”, Essay Example

Words: 371

Home — Essay Samples — Environment — Conservation — Symbiotic Relationships In The Lion King

Symbiotic Relationships in The Lion King

• Categories: Conservation

About this sample

Words: 721 |

Published: Mar 25, 2024

Words: 721 | Pages: 2 | 4 min read

Cite this Essay

Let us write you an essay from scratch

• 450+ experts on 30 subjects ready to help
• Custom essay delivered in as few as 3 hours

Get high-quality help

Prof Ernest (PhD)

Verified writer

• Expert in: Environment

+ 120 experts online

By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy . We’ll occasionally send you promo and account related email

No need to pay just yet!

Related Essays

1 pages / 625 words

5 pages / 2102 words

3 pages / 1486 words

1 pages / 393 words

Remember! This is just a sample.

You can get your custom paper by one of our expert writers.

121 writers online

Still can’t find what you need?

Browse our vast selection of original essay samples, each expertly formatted and styled

Related Essays on Conservation

The relationship between environmental conservation and economic growth is a complex and often contentious topic. On one hand, economic growth is seen as essential for prosperity and development, while on the other hand, [...]

In the modern world, recycling stands as a critical solution to address the mounting environmental challenges we face. The discourse surrounding recycling, however, is not limited to its benefits alone. This essay delves into [...]

As the world grapples with environmental challenges and the need for sustainable practices, conserving natural resources emerges as a paramount concern. Natural resources, the invaluable elements of the Earth that provide us [...]

Overpopulation and environmental degradation are pressing issues that demand immediate attention and sustainable solutions. Conservation efforts, aimed at preserving ecosystems and protecting biodiversity, help mitigate the [...]

The earth’s forests are being depleted at an alarming rate, with an estimated 18 million acres of forest lost each year. The effects of cutting down trees are far-reaching and have a significant impact on the environment, [...]

Conservation biology is the scientific field that focuses on documenting biodiversity, studying human impact on species, genetic variation, and ecosystems. The field focuses on studying methods to prevent extinction of species, [...]

Related Topics

By clicking “Send”, you agree to our Terms of service and Privacy statement . We will occasionally send you account related emails.

Where do you want us to send this sample?

By clicking “Continue”, you agree to our terms of service and privacy policy.

Be careful. This essay is not unique

This essay was donated by a student and is likely to have been used and submitted before

Download this Sample

Free samples may contain mistakes and not unique parts

Sorry, we could not paraphrase this essay. Our professional writers can rewrite it and get you a unique paper.

Please check your inbox.

We can write you a custom essay that will follow your exact instructions and meet the deadlines. Let's fix your grades together!

Get Your Personalized Essay in 3 Hours or Less!

We use cookies to personalyze your web-site experience. By continuing we’ll assume you board with our cookie policy .

• Instructions Followed To The Letter
• Deadlines Met At Every Stage
• Unique And Plagiarism Free

Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, the lion king.

Now streaming on:

It may be a long time before viewers can appreciate the 2019 remake of "The Lion King" as a freestanding work, instead of judging it against the original. The 1994 version was "Hamlet" plus "Bambi" on the African veldt: a childhood-shaping, Oscar-winning blockbuster, the second-highest grossing feature film of its calendar year, one of the last great hand-drawn Disney animated features (Pixar's original " Toy Story " came out 18 months later), and a tear-producing machine. This remake was controversial long before it opened, mainly because it seemed to take the Walt Disney company's new branding strategy—remaking beloved animated films as CGI-dependent "live action" spectaculars—to its most drastic conclusion. It serves up the same story with different actors, different arrangements of beloved songs and soundtrack cues, a couple of original tunes, a few fresh scenes and sequences, and, of course, photorealistic animals. The latter are the movie's main selling point, so believable that one of my kids remarked afterward that sitting through the film was like watching a nature documentary on mute while the soundtrack to original "The Lion King" played in the background.

But here's the thing: the movie is helmed by a Disney veteran, actor-director Jon Favreau , who's great at this kind of thing. And this might be his best-directed film, if you judge purely in terms of how the scenes and sequences have been framed, lit, and cut together. The cinematographer is Caleb Deschanel , who shot some of the greatest live-action animal adventures in movie history, including " The Black Stallion ," and this production straightforwardly owns the notion of "realness," modeling its animals on actual creatures, defining character more through body type and ingenious details of movement than through facial expressions, which might've looked kinda creepy here, honestly. (The animals are a little bit creepy at times, though not as creepy as in Andy Serkis' "Mowgli," where you sometimes felt as if you were watching top secret footage of gene-spliced animal-humans.) 

Favreau broke into filmmaking with such hip indie comedies as " Swingers " and " Made ," then improbably transformed himself into a junior version of Steven Spielberg or James Cameron , overseeing the biggest of big-budget properties, including the first two " Iron Man " films and Disney's recent hyper-real remake of " The Jungle Book ." This may be his most daunting challenge yet, or at least his most provocative if you cherish the source material. The very idea of presuming to remake Disney's most financially successful late-period animated film with the latest in computer-generated imagery, while continually reminding people of the original by recycling the same story and music (and many of the same iconic shots and locations, including the lions' distinctively shaped Pride Rock), is as close as Hollywood gets to courting charges of blasphemy. 

Visually, the original was 88 minutes' worth of stylized paintings in motion, like a child's storybook come to life, but with expressionistic or psychedelic elements (like the freaky green highlights in the "Be Prepared" sequence, and the stylized hellfire and skewed camera angles during the end battle) that tickled the sensibilities of film-buff parents. In contrast, this new "Lion King" is rooted deeply in the real, from its plain, sometimes drab colors to the animals' intricately rendered bone structures, muscles, and fur. Even when the characters are singing the familiar songs and repeating the familiar lines (or, in one hilarious and oddly postmodern interlude, quoting another Disney movie) the entire crew is working double-overtime to convince you that these creatures exist, that they shed fur and drop scat on the jungle floor. 

Favreau and Deschanel's camera (or "camera"—this is a digital movie built from ones and zeros) follows closely behind the animals as they gallop through grasslands, scale cliffs and hills, tumble and wrestle and fight, and romp through water and rain. It's as as if they were real animals with intelligence and agency who allowed camera crews to follow them rather than eating them. (Disney always released animal documentaries in addition to their animated and live-action features, and this one sometimes feels like a very basic one from the 1950s, where an editor would cut to an unremarkable close-up of a bear panting in the summer heat, and the narrator would tell you it was sad because it missed its mom.)

It's impossible to deny that this movie represents a technical milestone. We've seen digitized versions of real animals before (perhaps most strikingly in the recent "Planet of the Apes" movies, and in Favreau's "Jungle Book") but they're presented so matter-of-factly by Favreau that if they didn't talk and sing, and if you squinted just a bit, you'd never know they weren't the real deal. And the filmmaking itself adds credibility. The "camera" (again, there is no camera, just CGI) seems to have weight. When it "flies" over "Africa," you'd swear it had been attached to an actual helicopter. When the elder lion king, Mufasa ( James Earl Jones, the only actor from the original reprising his part), scales the walls of a canyon to rescue his son  from rampaging wildebeests unleashed by his evil brother Scar ( Chiwetel Ejiofor ), it's clear that the filmmakers have put a lot of thought into how a 400-pound alpha predator would do such a thing, whereas the original was content with "the lion climbs up the rock."

Of course there's something to be said for sticking to "the lion climbs up the rock" rather than proving you that know how to answer the question "How does a 400-pound lion climb up a rock?" The Dad Joke answer is, "Any way he wants to," but animators need more direction than that. It's easy to make a case that lions and hyenas and baboons and hornbills and antelopes drawn with ink and paint, with an eye towards the simple yet daring gesture rather than Nature Channel texture, register as more emotionally "real" than things that might be mistaken for photos, especially when they're doing vaudeville wordplay and delivering sad monologues and singing songs by Elton John and Tim Rice . 

But that doesn't fly, not anymore, because the movie industry has conditioned audiences to think that "reality" and "believability" are the greatest of all creative virtues, and that the live-action blockbuster is the classiest, most respectful way to tell a story. That's why visually daring animated films like " Spider-Man: Into the Spider-Verse " only make a fraction of the box office haul of more literal-minded live-action Marvel movies. And it's why almost every spectacle-driven live action (or "live action") blockbuster, from Marvel and DC to the " Star Wars " franchise and the American Godzilla films, and the Transformers, and even Pixar, are obsessed with making sure that countertops and pavement and glass and hair and skin and fur and fire and water look photographically real, and that everything moves believably even you're watching wisecracking toys or combat droids or city-destroying kaiju. To quote a friend, if you follow this creative impulse too slavishly, it's like using a magic wand to make a toaster . 

Where you fall on this stuff is anyone's guess, if you care about it at all. You might not, and that's OK. But it should be said that even if you're not obsessed with cinema minutia, this film is still a fascinating aesthetic experiment, less reminiscent of Favreau's previous photorealistic Disney animal picture, "The Jungle Book," than of Gus van Sant's 1998 remake of Alfred Hitchcock 's "Psycho," a curiosity that wasn't quite shot-for-shot but got eerily close. Watching this new "Lion King" reminded me of seeing the "Psycho" remake in a theater and hearing people scream their heads off at the film's jump scares, even though they were near-exact reproductions of things Hitchcock had done 28 years earlier, with the same music, but in color instead of black and white, and with different actors. 

Who deserves credit for inspiring that powerful emotional reaction in 1998? Alfred Hitchcock, for making "Psycho" in the first place? Or Gus van Sant, for realizing that the master's work was so fully realized that if he copied it as closely as possible, audiences would still scream in the same places 38 years later? If you retain as much of an original work as possible while reimagining it, is it a gesture of respect or timidity? Is the result a thought experiment, or just an easy way ("easy" in terms of imagination, not effort) to make lots of money by creating a slightly different version of a thing people already know they like? Maybe films like the new "Lion King" take the phrase "give the people what they want" absolutely literally, and that's the whole (cynical?) point of their existence. But is slavish fidelity to an old text really what "the people" want? Or is it possible—to paraphrase a different showbiz maxim that's equally true—"the people" don't actually know what they want until someone shows it to them?

There are parts of the new "Lion King" where that second maxim comes into play, and it's beguiling, sometimes glorious. Like many "live action" Disney remakes of animated movies, this one is much longer than the original, and yet (like Favreau's "Jungle Book," still the best entry in this photorealistic remake series) it uses the extra length to make a statement, creating a sense of stillness. This might sound odd in a review of a CGI-driven 2019 Disney movie, but Favreau often appears to be trying to create a mid-twentieth-century motion picture made with the shiniest new tech—the kind of movie that took its time and gave viewers a bit of mental breathing space, permitting them to contemplate what they were seeing as they saw it.

There are times when the movie clears out music and dialogue and just lets you hear natural sounds and watch lions, giraffes, elephants, birds, rodents, and insects move through the frame. This movie uses the motif of "light" more subtly than the original, because it's striving to look "real" rather than stylized, and the result is a great example of how CGI animation can achieve a different kind of poetic effect that's different from the kind that old-fashioned cel animators might attempt. 

When Mufasa tells young Simba that his domain is "everything the light touches," the scene is illuminated by a golden, dawn-like glow, and when they have what proves to be their final conversation before Mufasa's death (that's not a spoiler, folks—"Hamlet" is 400 years old) the sunlight ebbs and gives way to darkness, and the sky fills with stars, foreshadowing Mufasa taking his place among the ghosts of kings and queens up above. A sequence two-thirds of the way through takes a brief transitional bit from the original—Rafiki the baboon realizing that Simba is still alive by catching his scent in the wind—and builds a lengthy, chain-reaction sequence around it, with a tuft of Simba's fur traveling, like the " Forrest Gump " feather, from the Eden-like jungle where he's exiled himself to the pridelands. 

And while the photorealism of the animals snuffs out any possibility of subtle "human" facial expressions, the creatures' bodies provide more characterization detail than you might expect. Especially impressive is the way Scar's physique contrasts with Mufasa's. The former is angular and raw, a Mick Jagger or David Bowie sort of body that lopes and limps, while the latter is a magnificent bruiser like Dave Bautista or Dwayne Johnson , so thick and powerful that when he moves, you can imagine the air parting around him. When Scar licks his paw and grooms himself absentmindedly as his brother pontificates, the gesture comes across as decadent and contemptuous even though it looks like something a real lion would do. That's filmmaking magic of a different kind than was contained in the source, and it's not necessarily lesser. 

What distinguishes all these choices is that they aren't blatantly trying to re-create or pay homage to something that viewers loved in an original work, in order to comfort us and press our nostalgia buttons. That means they can stand on their own two paws, making unflattering comparison harder. When the movie is doing its own thing, you don't think about whether Donald Glover's performance as the adult Simba is better or worse or merely different from Matthew Broderick's Simba (he's different—more internalized and shell-shocked), or whether Beyonce gives a better acting performance as Nala than Moira Kelly (she doesn't, except when she sings), or whether Billy Eichner and Seth Rogen are a funnier meerkat-warthog duo than Nathan Lane and Ernie Sabella (call it a tie, and ties go to actors with Broadway-caliber singing voices). The movie is never less interesting than when it's trying to be the original "Lion King," and never more compelling than when it's carving out negative space within a very familiar property and strutting to the beat of its own, new music. 

The worst thing you can say about this movie, and perhaps the highest compliment you can pay it, is to say it would be even more dazzling if it told a different story with different animals and the same technology and style—and maybe without songs, because you don't necessarily need them when you have images that sing. 

Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

Now playing

Sheila O'Malley

The Idea of You

STAX: Soulsville, USA

The Contestant

Monica castillo.

The Fall Guy

Brian tallerico.

Mother of the Bride

Marya e. gates, film credits.

The Lion King (2019)

Rated PG for sequences of violence and peril, and some thematic elements.

118 minutes

Donald Glover as Simba (voice)

Beyoncé Knowles as Nala (voice)

James Earl Jones as Mufasa (voice)

Chiwetel Ejiofor as Scar (voice)

Alfre Woodard as Sarabi (voice)

John Oliver as Zazu (voice)

John Kani as Rafiki (voice)

Seth Rogen as Pumbaa (voice)

Billy Eichner as Timon (voice)

Eric André as Azizi (voice)

Florence Kasumba as Shenzi (voice)

Keegan Michael Key as Kamari (voice)

JD McCrary as Young Simba (voice)

Shahadi Wright Joseph as Young Nala (voice)

Amy Sedaris as (voice)

• Jon Favreau
• Jeff Nathanson

Writer (story)

• Brenda Chapman

Writer (characters)

• Irene Mecchi
• Jonathan Roberts
• Linda Woolverton

Cinematographer

• Caleb Deschanel
• Mark Livolsi
• Hans Zimmer

Latest blog posts

Cannes 2024: Ghost Trail, Block Pass

At the Movies, It’s Hard Out There for a Hit Man

Far, Far Away: How to Get People Going to Movies Again

Cannes 2024: Christmas Eve in Miller's Point, Eephus, To A Land Unknown

Production Analysis of The Lion King Essay

• To find inspiration for your paper and overcome writer’s block
• As a source of information (ensure proper referencing)
• As a template for you assignment

Introduction

Progress of technologies seen in the film, emotional impact of the movie, works cited.

Animate film The Lion King from 2019 is a remake of the popular same-name hand-drawn cartoon. The action of both films takes place in the African savannah. They tell the story of a lion cub named Simba, who lost his father Mufasa because of his evil uncle Scar and was expelled from the pride. Years later, he returns to restore justice and regain the throne. In spite of the fact that the remake features spectacular photorealistic scenes made with the help of computer animation, it lacks emotional richness.

Researchers note that over the last two decades, digitalization and visual effects used while making animated films have developed greatly providing film-makers with a set of new opportunities (Bruckner et. al. 6). In this respect, The Lion King (2019) is a milestone from a technological perspective (Seitz). Jon Favreau, the director, who is good at creating the feeling of realness in animated films and his crew make the viewers feel like in the movie, not digitally created lions, monkeys, and other animals but real ones are shown (Seitz). According to Seitz, “this might be his best-directed film, if you judge purely in terms of how the scenes and sequences have been framed, lit, and cut together” (Seitz). So, the film-makers managed to create an animated film that looks like it has been shot with a camera.

The magnificence of the savannah is conveyed through employing long shots from the bird’s eye’s view and the high angle at the beginning of the film. Researchers note that shots of this kind are widely used by directors when they want to place a premium on the environment and show the position of the characters in it (Prince 9). Close-ups, on the contrary, emphasize the characters rather than the setting (Prince 9).

The Lion King 2019 features quite a lot of close-ups letting the “camera” (for it is a digitalized movie) follow the animals while they roam in water and rain or run through the meadows. The light reminds of the natural light of savannah which makes this motif different from the one of the original (Seitz). Plain, drab colors chosen are also true-to-life, therefore, the audience is, on the one hand, excited to see such a detailed representation of reality (Seitz). On the other hand, all these tools make people feel like they are watching rather a documentary film about nature than a fictional animated movie.

Although the technical components of The Lion King might deserve a high grade, it is possible to note that “the question becomes not if animators can create realistic animation, but if they should” (Greer 2). Actually, the faces of highly detailed digital characters look stiff and can hardly express the range of emotions required (Prince 13). That is why in the movie under analysis realistic animals are not capable of having proper facial expressions.

As a result, all the episodes that, according to the plot, should involve plenty of emotions, in fact, do not. Mufasa’s death, Scar’s monologues and other fragments of the remake which are intended to be highly affective fall flat on the spectators. Moreover, the vocal performances taken from the original movie do not correspond with the unemotional faces (Seitz). In the film, the sounds of the wild nature can be heard which aggravates the similarity of the film with a documentary.

To sum up, in The Lion King from 2019, greater emphasis is placed on the realistic representation of animals and nature not only in pictures but also in sounds. With the use of the latest visual effect and tools, the film-makers have achieved impressive realness. However, as for the emotional component, the movie might be not deep enough due to the technical inability to make digitalized characters convey proper emotions.

Bruckner, Franziska, ‎et al. Global Animation Theory: International Perspectives at Animafest Zagreb . Bloomsbury Academic, 2018.

Greer, Sarah. Simulating Life: Reimagining Realism in the Art of Animation . 2019. Web.

Prince, Stephen. Movies and Meaning: An Introduction to Film 6 th ed. Pearson Education, 2013.

Seitz, Matt. “ The Lion King Movie Review and Film Summary. ” rogerebert . 2019. Web.

• Arabs in Hollywood: The "Aladdin" Film by Ritchie
• "Love Makes You Real" by Gardner and Knowles
• "Beacon of Hope" Social Center in Savannah
• "Big Fish" the Novel by Daniel Wallace
• "Taxi Driver" Film by Martin Scorsese
• Music in “Mrs. Doubtfire” the Film by Chris Columbus
• “Days of Heaven” the Film by Terrence Malick: Narrative and Cinematography
• “Days of Heaven” the Film by Terrence Malick
• Chicago (A-D)
• Chicago (N-B)

IvyPanda. (2021, June 20). Production Analysis of The Lion King. https://ivypanda.com/essays/production-analysis-of-the-lion-king/

"Production Analysis of The Lion King." IvyPanda , 20 June 2021, ivypanda.com/essays/production-analysis-of-the-lion-king/.

IvyPanda . (2021) 'Production Analysis of The Lion King'. 20 June.

IvyPanda . 2021. "Production Analysis of The Lion King." June 20, 2021. https://ivypanda.com/essays/production-analysis-of-the-lion-king/.

1. IvyPanda . "Production Analysis of The Lion King." June 20, 2021. https://ivypanda.com/essays/production-analysis-of-the-lion-king/.

Bibliography

IvyPanda . "Production Analysis of The Lion King." June 20, 2021. https://ivypanda.com/essays/production-analysis-of-the-lion-king/.

• The Tiger King Summary Class 12 English

Summary of the Tiger King

The Tiger King Summary – The story mocks the wilfulness and arrogance of those in power. The writer of the story takes us to the days when king rule. Also, they lived under the thumb rule of the British. In addition, the ruler was uninterested in serving the people instead they spent their time on foolish pursuits. They bent law to suit their interest. Besides, the Maharaja of Pratibandapuram tries to disprove his fate that the chief astrologer predicted that a tiger will kill him. So, he tries to belie the prediction and hunted down 99 tigers successfully. But the 100 tigers although not made of flesh and blood take his life. As one of the silvers of woodcut his right hand and because of infection, he dies.

The Tiger King Summary in English

This story refers to the Maharaja Sir Jilani Hung Bahadur of Pratibandapuram. Astrologers predict his future when he was just 10 days old. Astrologers say that a tiger will kill him. On this, surprisingly the 10-day old prince said: “Let tigers beware!” The boy grows up just like any other royal child raised. Such as by drinking the milk of white cow and looked after by English nanny and watching English movies.

When he was 20, he was crowned king and came to know about the prediction about his death. So, then onwards he started killing a tiger and put a ban on the tiger hunt in his state. According to the astrologers he needs to be careful with the 100th tiger even if he successfully kills 99 tigers.

Read more English Chapter Summaries here

One time a high ranking British officer visits his state and wants to go for a tiger hunt. However, the maharaja declined his wish. And in order to secure the state from the wrath of the British officer. The maharaja sent 50 diamond rings to the officer’s wife whose worth was Rs 3 lakh.

Within ten years the maharaja successful slays 70 tigers. But after that, there were no tigers left in Pratibandapuram. Hence, to complete his target of killing a hundred tigers he marries a girl from the royal state that has more tigers so that he can complete his target. Whenever he visits his in-laws, he makes sure that he kills 5-6 tiger each time. In addition, in this way, he was able to kill 99 tigers but he was unable to find the 100th tiger. On not finding the 100th tiger the maharaja became violent and threatened the Dewan. In order to save himself from the fury of the king, the Dewan got an old tiger from the circus and with great difficulty put him in the forest.

He told Maharaja about the tiger. So, maharaja went on a hunt and shot the tiger and felt victorious and happy. But then again, he didn’t know that his bullet miss and the tiger was alive and he only collapsed out of fear. No one has the guts, to tell the truth to the king so they killed the tiger and brought it in a grand procession.

Lastly, the maharaja was joyful and happy. So, on his son’s birthday, he buys a wooden tiger as a gift for him. The tiger had rough edges and while playing with it he gets a woodcut in his hand which later on advances into an infection. And because of it, he dies.  Therefore, fatefully the 100th tiger although made of wood take its revenge and killed the king.

Conclusion of the Tiger King Summary

By means of the tiger king summary, the writer wants to say that no one can change what’s written in destiny no matter what they do.

Customize your course in 30 seconds

Which class are you in.

English Vistas

• Third Level Summary Class 12 English
• Journey to End of the Earth Summary
• Should Wizard Hit Mommy? Summary Class 12 English
• On the Face of It Summary Class 12 English
• Evans Tries an O-level Summary Class 12 English
• Memories of Childhood Summary Class 12 English
• The Enemy Summary Class 12 English

9 responses to “The Enemy Summary Class 12 English”

The chapter The Enemy also serves to highlight the social boas and prejudices prevalent among nations. Comment.

The enemy was actually a human in the end. That’s what I found out from the story, 😑😂

Yes you are right Sadao.

But the white man belonged to the enemy. Master Sadao is not a true Japanese after all

It will be so helpful if I get a breef summary

Ant in the mountain

What a boring story

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Download the App

• Save your essays here so you can locate them quickly!
• Timon And Pumbaa
• Nathan Lane
• Ernie Sabella
• The Walt Disney Company
• Can You Feel The Love Tonight

The Lion King Summary 4 Pages 920 Words

             The film I decided to summarize is The Lion King by Walt Disney. It is an animated              film as are all Disney movies. The movie opens with the themes song "The Circle Of Life" playing as the camera show Mufasa, king of the lions holding his newborn son Simba. The whole community of animals is here at Pride Rock to witness young Simba because he is the future king. Everyone in the kingdom is happy about the birth of the new prince except for one lion. That lion is Scar. Scar is Mufasas brother and was next in line to be king before Simba took his place. Scar is angry and jealous of young Simba.              Young Simba is a very happy lion. He plays all the time with his best friend, a lioness named Nala. Simba is watched by the bird Zazu, and when Zazu tells Simba that one day he will be king, Simba is more then happy bursting into the song "I Just Can't Wait To Be King". Scar meanwhile has other plans for Simba. One day Scar sends Simba to play in the elephant graveyard and Scar also sends his minions , they hyenas there. The hyenas try to kill Simba but Mufasa shows up and saves Simba. When Scar learns of this he becomes angered even more and sings "Be Prepared" in reference to his plan to kill Simba.              Scar has the plan set. He lures Simba to the gorge and gets him to wait there, while the hyenas cause a stampede of the wilderbeast. Scar knows that Simba has no chance of surviving the stampede. Simba is on his way to doom when Mufasa comes to his aid again. Mufasa gets Simba out of harms way but in the process finds himself hanging off a cliff. Scar sees this and rushes to the cliff but not to save Mufasa but to make sure he dies. Scar then tells Simba that he should leave because Mufasas death was his fault and the kingdom will be angry with him.. Simba departs Pride Rock very solemnly.              Simba finds his own place to live far away. He then meets Timon (a wisecracking merecat) and Pumb              ...

Continue reading this essay Continue reading

Page 1 of 4

More Essays:

Essay on Lion

The lion is one of the most powerful land animals and is also known as a big cat. They are also known as the jungle King and they roar in such a way that can be heard up to 8 km distance. Really their qualities make them special and the king of the jungle.

Short and Long Essays on Lion in English

These essays of 100 words, 250 words, 500 words and 600 words about lion may help you to get out what you want for your assignments:

Lion Essay 10 Lines (100 – 150 Words)

1) Lion is a wild animal that lives in jungles.

2) Lion is a powerful animal and hence considered the king of the jungle.

3) Lions look heavy and dangerous.

4) Lions are carnivorous animals that eat other animals.

5) The average weight of a lion ranges from 180 to 190 kg.

6) Lion is the laziest animal that sleeps for about 20 hours.

7) Asiatic lion, Barbary lion, Congo lion, etc are some types of lions.

8) Lion, Panther, Jaguar, leopard, snow leopard, and tiger belong to the same family.

9) Most of the lion population is found in India in the Gir Forest.

10) Due to overhunting, lions are now among the endangered animals.

Essay 1 (250 Words) – Lion: a Bravest Animal

Introduction

The lion is known as one of the bravest animals. It belongs to a Felidae family (cat) and is listed among one of the biggest cats. There are five animals in this category apart from Lion, Panthera, Tiger, Snow Leopard, Jaguar, and Leopard. All of them hail from the same family and this is the reason why they look alike. A lion looks different and is considered one of the most powerful animals.

About a Lion

A lion is a wild animal with four legs and they look heavy. The male Lion has a mane which makes them look heavier; whereas the female Lion which is known as Lioness has no mane. They mostly live in the jungle and live in groups. Their group is known as ‘Pride’, they have 5 to 30 Lions in a pride. Lioness and cubs also live in these groups naming pride.

They live together and also hunt together. They sleep for 20 hours and do the remaining task in the remaining hours. These Lions are especially found in the Gir Forest India and India is known as home to these animals. They are also found in Eastern African countries, Southern Africa, etc.

Lions eat flesh and sometimes they are also seen eating grass, actually, they are not grass-eaters but they eat when they feel indigestion. Eating grass helps them to vomit and they feel better.

Different animals have different qualities and their qualities make them special. A lion is a powerful animal. In India, they also have some mythological importance and this is the reason that in some parts of the nation, people pray them.

Essay 2 (400 Words) – Lion: The King of Jungle

Lions are wild animals and they live in jungles, especially in the area like sub-Saharan Africa in grasslands. They prefer living on rocky hills, or in tall grasslands instead of big trees or in areas heavily filled with trees. They are carnivorous and are also known as big cats.

Some Facts about Lions

• The average weight of a male lion is near about 180 to 190 kg and a lioness can weigh up to 125 kg. Their weight benefits them while hunting.
• Male lions have manes and it grows as per their age and is also protects from any kind of attack on their neck.
• Lions living in their hotter regions get water from plants like Tsamma melon.
• Usually, they hunt during the night and they sleep up to 20 hours. Because of their body type, they eat a lot as well as they rest a lot and hunt and perform other acts in the remaining time.
• They also prefer hunting during storms because the noisy atmosphere helps them to hide their presence.
• Lions believe in living in groups so they are also termed to be social animals.
• Lioness hunt the most and the male stay to protect their pride.
• A lion can stay for 4 days without water but can’t remain for a day without food.
• India has the largest number of Lions in the world that can be seen in the Gir forest which is in Gujarat.
• Lions hail from a cat family and are the only cats that live in groups.

What Does a Lion Eat?

Lions are marked as one of the laziest animals. They sleep for 20 hours and always prefer eating meat haunted by others. They are also very big stealers; they steal other’s food and have their meals.

A lion needs around 16 pounds of meat every day whereas a lioness eats 11 pounds. They prefer hunting big animals like buffalo, zebra, etc.

In some parts of the world lions also hunt human beings and they are especially found in Africa.

All of the living creatures are different from one another. Some of them are carnivorous whereas some are herbivores. They together make a balance in the ecosystem. They follow a cycle; the herbivorous animals eat grass and plants and the carnivorous animals eat them. The above mention reasons make the Lion the best and one of the most powerful animals. They have all the qualities of a king and this is the reason why other animals always fear lions.

Essay 3 (600 Words) – Lion: its Types and Why they are in Danger?

Our earth is a beautiful planet and our environment, nature, different animals, creatures, ocean, etc together make it look beautiful. Can you imagine a world without animals; yes it can be but will not be as beautiful as our earth looks now. The presence of vivid species on this planet makes it more beautiful.

The way there are some people who eat veg food and there are also people having non-veg food. Similarly, animals are also two types, some of them are herbivores whereas some of them are carnivorous. The lion is a carnivorous animal and also holds the title of the ‘Jungle King’. Its unique qualities and abilities make it the best to hold the above title. There are different types.

Types of Lion

Lions are of different types depending on the place and region. They differ in their looks and I have mentioned them below:

Barbary lion

They are especially found in North Africa; it is a rare breed of Lion family. The other names of a Barbary lion are Atlas lion, Egyptian lion, and North African lion.

They are considered to be the biggest of the Lion species and their weight varies from 250 kg to 300 kg.

Asiatic lion

The name itself defines its place and it is mainly found in India in the Gir National park. It is the largest surviving species of Lions in the world.

They are a bit short in comparison to African Lions and they are spread in an area of 20,000 km. They weigh up to 190kg (male) and 120kg (female).

Asiatic lions have a double-layered longitudinal fold near their stomach and belly area. This gives them a new look and they also have less hair as compared to an African lion. Due to the presence of fewer hairs near the neck area their ears are easily visible. This makes them look different.

West African lion

Panthera leo leo is especially found in West Africa and is one of the rarest breeds. In the beginning, it was found in entire Africa but now it is limited up to some areas. The population of this breed has decreased continuously. It was also marked in the Red List. These types of lions have no mane and they live in small pride.

Transvaal lion

The lion which is also known as Panthera leo Kruger is commonly found in South Africa. In some parts, it is also known as Southeastern lion. They are comparatively big and can weigh up to 550 pounds (male) and 400 pounds (female). They have a lot of names and its color turns darker as per age. All lions are born hunters but Transvaal is known as the best because of their body structure. Their body length can extend up to 10 feet, they live up to 13 to 25 years like other lions. They are white toned which makes them look more attractive.

Also known as Panthera leo azandica and central African lion. They are found in Uganda. The only difference of Congo lion is their mane which is of dark tone; whereas others have different colour tones depending on their age and some other factors. But Congo has a dark-toned mane which makes it different from others.

Why Lions are in Danger?

Some major reasons behind why some species in the red list are;

• Hunting was not illegal before and in old days people use to go for hunting and it was a matter of pride to hunt a lion. So, this is one of the major reasons.
• Overpopulation, the world is growing and people are expanding there are as a result new industries and residential areas are build, and forests are demolished.
• Used in medicinal purposes, at some places lions and tigers were hunted illegally for medicinal purposes which also affected their number.

We should contribute our part to save our animals; either it is a lion or a Tiger. All of us have the right to live and we should understand that the earth is not our own property. Animals and other living creatures have equal rights to live. Lions are the pride of the jungle and should be saved.

FAQs: Frequently Asked Questions

Ans . The lion is the symbol of bravery and courage.

Ans . The group of Lions is called pride.

Ans . The gestation period in a female lion is about 110 days.

Ans . A Lion has a life span of about 15-20 years.

Ans . Lions can live 14 days without eating.

Ans . The running speed of the lion is 81 km/hr.

Related Posts

Essay on digital india, cashless india essay, essay on child is father of the man, essay on causes, effects and prevention of corona virus, essay on dr. sarvepalli radhakrishnan, durga puja essay, essay on summer vacation, essay on my plans for summer vacation, essay on holiday, leave a comment cancel reply.

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.