how to write an essay about plot

How to Write a Great Plot

What Is a Plot?

When we talk of a story’s plot , we typically refer to the sequence of cause-and-effect events that make up the storyline , connecting the story elements to build meaning and engagement with an audience.

Think of a plot like a roadmap. navigating you through the highs and lows of the story revolving around characters and setting, which leads us to a conflict and eventual resolution.

A good plot should keep you engaged, surprising you with twists and turns and moving you towards a satisfying conclusion. It’s what makes a story more than just a collection of random events and gives it direction and purpose.

The plot is arguably the most critical element of a story and can be approached from two perspectives; a traditional approach which is the main focus of this guide, known as a Plot- Driven Narrative (or commonly just a plot) and another popular approach that tells a story through the lens of a stories protagonist known as a C haracter-Driven narrative.

Let’s take a moment to explore the similarities and differences to these storytelling methods.

Plot-Driven Narratives Vs. Character Driven Narratives

These two types of stories account for the narrative structures of most books, movies, plays, and TV dramas. They represent two distinct approaches to storytelling. For students to get good at writing great plots, they should first learn to distinguish between these two perspectives on storytelling.

Character-driven stories focus primarily on the who of the story. They predominantly concern themselves with the inner lives of their protagonists and how events in the outside world affect them psychologically.

In character-driven stories, we follow the struggles and experiences of the story’s characters which usually culminate in a climax that results in a profound change in the life or psychology of the main character. 

The critical element of this type of story is character development, which is commonly found in literary fiction.

When exploring a traditional plot or Plot-Drive n Narrative, think of a story propelled forward by the events and actions within it. This is what we call a plot-driven narrative. It’s like a boat that’s pushed forward by the mighty waves of the story’s events, with the characters simply along for the ride.

Plot-driven narratives are focused on the “what” of a story rather than the “who.” They’re driven by twists, turns, and unexpected occurrences, with the goal of keeping the audience engaged and entertained. So, if you love a good mystery or action-packed adventure, a plot-driven narrative might be the path for you to pursue when writing a narrative.

Famous Character-Driven Stories

• The Portrait of the Artist as a Young Man by James Joyce
• The Catcher in the Rye by J.D. Salinger
• Steppenwolf by Herman Hesse
• Raging Bull
• The Godfather

Famous Plot-Driven Stories

• Lord of the Rings by JRR Tolkien
• Jurrasic Park by Michael Crichton
• Da Vinci Code by Dan Brown

Whether a story is primarily plot-driven or character-driven, it will require well-drawn characters and a solidly constructed plot to be a good story. 

In the rest of this article, we’ll look at the plot’s main elements, some specific plots, and how students can create great plots for their own fantastic stories. We’ll also suggest activities to help students hone their skills in these areas.

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

What Are The key Parts of a Plot?

There are six main elements of plot for students to identify and master. These are:

• Conflict or Inciting Incident
• Rising Action
• Falling Action

Below, you’ll find an outline of each element in turn, but if you want to explore these elements in greater detail with your students, check out Our Complete Guide to Narrative Writing here . 

1. Exposition

Exposition is all about laying the groundwork. The writer sets the scene in the first paragraphs and introduces the main characters. The exposition orients the reader to the fictional world they are entering.

2. Conflict/Inciting Incident

Every story needs a problem to drive the plot forward. We call this the ‘conflict’ or ‘inciting incident.’ At this stage of the narrative, an incident or a conflict occurs that sees the main character facing a challenge of some sort. This breaks the normality established in the exposition by setting a chain of events in motion that will form the story’s plot.

3. Rising Action

The conflict/inciting event sets off a sequence of causally linked episodes that gradually amp up the dramatic tension as the story builds towards the climax. This process of building tension through raising the stakes is called rising action.

The climax is the dramatic high point of the story, where everything comes to a head. This is where the story’s conflict will ultimately be resolved, usually in a moment of high excitement.

5. Falling Action

As the dramatic tension gets released in the excitement of the climax, the narrative begins to wind down. As the dust settles on the climactic scene, we begin to see the consequences on the characters and the world around them.

6. Resolution/Denouement

Sometimes known as a denouement, the resolution is the plot’s final section, where the conflict’s loose ends are tied up. This section has a finality as it establishes new normalcy in the wake of recent events.

The Classic Three Act Plot Structure Explained

If you are looking for the 5-minute explanation of how to write a strong plot without going into too many details and complexity, allow me to introduce you to the granddaddy of all story structures: the three-act plot. Think of it as a theatrical performance, with each act serving a specific purpose in the storytelling journey.

Act 1, is all about setup : It’s here where you introduce your characters, establish the setting, and create a sense of what’s at stake in the story.

Act 2 is where the drama takes center stage : At this point conflict arises, obstacles are placed in the characters’ way, and tensions rise and grow.

And finally, Act 3 is the grand finale : Where all the story threads come together in a resolution. Loose ends are tied up, conflicts are resolved, and your audience gets the payoff they’ve been waiting for.

So, there it is, next time you’re crafting a story, consider using this tried and true three-act structure to guide your plot and keep your audience engaged.

The & Basic Plot Types (With Prompts)

In the book world, we commonly find plot-driven genre fiction topping the paperback bestseller lists. In fact, most popular fiction known as ‘genre fiction’ is plot-driven. 

Genre fiction comes in many forms, for example, science fiction, romance, fantasy, thrillers, and horror, to name but a few.

Whatever the genre, we find many of the same plot types recurring within the well-thumbed pages of these most popular of books. For students to write their own great plots, they’ll need to understand the time-tested seven basic patterns that plots follow.

Let’s take a look at the most common of these plot types along with a writing prompt to get your students to write an example of each.

A genre with ancient roots, tragedies focus on events of great sorrow, suffering, distress and/or destruction. With roots in ancient Greek drama, tragedy treats the plot and the themes it raises with a serious and sombre tone.

Examples: Oedipus Rex by Sophocles, The Handmaid’s Tale by Margaret Atwood

Prompt: A story opens with the hero’s untimely death. Can the student go back and tell the story of how events led to such a tragedy?

For the ancient Greeks, comedy represented the dramatic opposite of tragedy. Where tragedy is serious and somber, comedy is light-hearted and humorous. Comedy has many subgenres, including sarcasm , parody, farce, satire, slapstick, romantic comedy, screwball, and even dark humor.

Examples: A Midsummer Night’s Dream by William Shakespeare, The Hitchhiker’s Guide to the Galaxy by Douglas Adams.

Prompt: There is a man who, due to a rare condition, cannot lie. No matter how desperately he wants to avoid telling the truth, he just cannot lie. What happens next?

iii. The Quest

As its name suggests, the quest plotline involves a journey of some sort to find a particular person, place, or item. Sometimes the quest is in pursuit of fame or fortune. Often, the thing being sought isn’t as important as the drama that happens along the way.

Examples: The Hobbit by JRR Tolkien, Indiana Jones and the Raiders of the Lost Ark

Prompt: A young girl escapes from her unhappy home and her mean stepmother in search of a better future. Write what happens to her.

iv. The Voyage and Return

In some ways similar to the quest, except there is the added element of the return home. Typically, the hero enters a new land (often magical) where things are very different. Eventually, the hero, changed by events, returns home. Having learned some important lessons, they bring that new knowledge or discovery back home with them.

Examples: Alice in Wonderland by Lewis Carroll, The Wonderful Wizard of Oz by L Frank Baum

Prompt: A prince is engaged to be married to a princess. She has been kidnapped by an evil rival. The prince must journey to find her with the hopes of bringing her home.

v. The Monster

In this type of plot, the hero must eliminate the threat posed by some sort of beast or evil entity such as a dragon, vampire, ghost, or demon. By destroying this monster, the hero will restore order and safety to the world.

Examples: Dracula by Bram Stoker, Jack and the Beanstalk (Traditional)

Prompt: The sea beast arises from the dark depths of the oceans and develops a taste for human flesh. The hero must find a way to stop this evil predator before his whole village is wiped out.

vi. Rebirth

Here, we witness the events leading to the redemption and rebirth of the main character who previously struggled with their place in the world. At the end of this type of story, there is a shift where the world is restored to a balance.

Examples: A Christmas Carol by Charles Dickens, Lion King

Prompt: A cruel orphanage owner stumbles across a foundling in the forest. This event sets in action a chain of events that leads to the orphanage owner’s redemption. Write what happens.

vii. Rags to Riches

This plot type charts the hero’s rise from humble origins through adversity to the heights of fame and fortune.

Examples: Great Expectations by Charles Dickens, The Pursuit of Happyness

Prompt: A neglected child escapes from her unhappy home and struggles to provide for herself in the cold, uncaring city. One day, she meets an unlikely benefactor, beginning a sequence of events that will forever change her life. Write what happens.

How to Write a Great Plot: A Step-by-Step Process

Step 1: Generate Some Ideas

A story begins with the seed of an idea. Students can begin this process by deciding on one of the basic plot types above and then brainstorming a list of five events that might ignite a story.

Encourage the students to draw on their own life experiences, that of their friends and family members, and on things they’ve read about or seen on the news, for example.

Step 2: Create a Premise

Once they have the initial germ of an idea, it’s time to get the premise written down. The premise is a few sentences that express the proposed plot of the story in simple terms.

Step 3: Choose Characters and a Setting

Now it’s time to create the characters and choose the settings for the tale’s action to be played out. Writing brief character profiles, including some bullet points of their backstories, can be a great way to help the student build believable characters. 

For settings, creating a collage from photos, pictures, and illustrations can be an effective way to inspire vivid descriptions in the student’s work.

With these elements in place, the students can begin writing the exposition part of their stories.

Step 4: Introduce the Central Conflict 

No problem = no story!

Whether it’s called the central conflict, problem, or inciting incident, the student now needs to introduce it to anchor the plot and begin creating tension in the story.

At this point, examining this element in well-known stories in the same genre will be helpful for the student.

Ask the students to think about their favorite books and movies. Can they identify the central conflict in each? 

Step 5: Map Out a Path to the Resolution

With the central conflict firmly in place, a set of logical cause-and-effect dominoes now needs to be set up to take the plotline up the ladder of rising action to the climax and subsequent resolution.

Storyboarding is a highly effective way of helping students visualize their plot arc before committing to writing. Remind students of the importance of ensuring each scene connects causally.

When the climax has been reached, the dust will settle in the falling action to reveal the consequences of the actions and see new normalcy established in the resolution.

Tips for Writing a Great Plot

• Start with a strong hook: Begin your story with an interesting and attention-grabbing scene to grab your reader’s attention .
• Know your genre: Study the conventions and expectations of the genre you write in, so you can effectively play within those boundaries.
• Create memorable characters: Develop dynamic and compelling characters that drive the story forward.
• Build conflict: Your story needs conflict, whether it’s internal or external, to keep the plot moving.
• Use the three-act structure: Follow the classic three-act structure of setup, confrontation, and resolution to keep your plot structured and focused.
• Introduce twists and turns: Add unexpected events and plot twists to keep your audience engaged and on their toes.
• Keep it simple: Avoid complicating your plot with too many subplots or unnecessary details.
• Use foreshadowing: Plant hints and clues throughout the story to create suspense and keep your audience guessing.
• Have a clear resolution: Make sure your story has a satisfying conclusion that wraps up loose ends and resolves conflicts.
• Write with passion: Write from the heart, imbuing your plot with your own experiences and emotions to create a story that resonates with your reader.

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Plot Teaching Strategies and Activities

Following the structural elements laid out above, combined with the conventions of a basic plot type chosen from the seven types above, students should be well-placed to construct a well-ordered plotline.

If the above description of how to write a great plot seems too prescriptive initially, it’s worth noting that there is considerable creative freedom within the structures described in this article.

The plot types listed above have been identified from the shapes and patterns of thousands of our favorite tales told across the centuries rather than being templates that are laid out to be studiously followed. As humans, we are pattern-recognizing machines. It is in patterns that we find meaning.

Teaching Activities

• Story mapping: Have students create visual representations of the events and elements in a story to help them understand the structure of a plot.
• Analyzing plot in literature: Analyze and discuss the plot structure of well-known books and movies to see how different elements contribute to the overall story.
• Plot planning worksheet : Provide students with a worksheet or graphic organizer such as this to plan out their own story, including key events, characters, and conflicts.
• Writing workshops: Encourage students to workshop their own stories with peers, providing feedback on plot structure and pacing.
• Create story arcs: Teach students about the basic story arc and have them practice creating their own arcs for short stories or character arcs for longer works.

Once students get used to these underlying structures, they can begin to let their imaginations run away with them, safe in the knowledge that a coherent story will emerge from their bursts of creativity.

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What Makes a Good Plot? A Guide to Character, Conflict, & More

Last Updated: May 17, 2024 Fact Checked

Outlining, Structure, & Worldbuilding

Creating unique characters, adding conflict & style, expert q&a.

This article was written by Lydia Stevens and by wikiHow staff writer, Finn Kobler . Lydia Stevens is the author of the Hellfire Series and the Ginger Davenport Escapades. She is a Developmental Editor and Writing Coach through her company "Creative Content Critiquing and Consulting." She also co-hosts a writing podcast on the craft of writing called "The REDink Writers." With over ten years of experience, she specializes in writing fantasy fiction, paranormal fiction, memoirs, and inspirational novels. Lydia holds a BA and MA in Creative Writing and English from Southern New Hampshire University. There are 12 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 215,659 times.

Plotting a narrative can be one of the most rewarding tasks for writers…but where do you begin? A good plot is well-structured, and bursting with conflict and character. In this article, we’ll offer you an expert guide on how to craft all three to make your story engaging from beginning to end. Whether it’s a novel, a script, or a short story, by the time you’re done reading, you’ll have plenty of tools to make your tale pop. This article is based on an interview with our author and developmental editor, Lydia Stevens. Check out the full interview here.

Things You Should Know

• Begin plotting your story by writing down concepts you find interesting. These initial ideas can be detailed (two opposing samurai falling in love) or simple (a story about grief).
• A good plot requires a relatable protagonist that reacts to situations organically. The best way to create a dynamic character is to give them clear goals and flaws.
• Conflict adds tension to your plot. Place your characters in situations where they struggle and increase the difficulty as your story progresses.

• Consider getting a notepad. The act of writing by hand can get your ideas flowing more freely.

• Instead of saying a character is sad, show them holding back tears or maintaining a stoic expression while everyone around them is joyous.

• Comedy: These stories are usually shorter and meant to showcase the absurdity or silliness of human nature. Characters are often more broad, and the resolutions are usually happy. (Examples: A Midsummer Night’s Dream, Much Ado About Nothing, Don Quixote )
• Tragedy: A character has a major flaw that ends up being their undoing. Endings are often sad, as a once happy protagonist falls from grace. (Examples: Macbeth, Oedipus Rex, Hamilton )
• Hero’s Journey: A protagonist goes on a quest to get somewhere or find a special object. They face obstacles and meet people that teach them along the way. (Examples: The Odyssey, The Lord of the Rings, Interstellar )
• Rags to Riches: A poor character acquires wealth, power, or status, loses it, then must fight to gain it back. These stories often explore the nature of power and responsibility. (Examples: Aladdin, Jane Eyre, Charlie and the Chocolate Factory )
• Rebirth: An event (either supernatural or realistic) forces a jaded or corrupt character to live a better, more generous life. These stories often have spiritual themes and draw from religious texts for inspiration. (Examples: Pride and Prejudice, Beauty and the Beast, Groundhog Day )
• Overcoming the monster: A battle of Good vs. Evil where a character must fight an opposing force that threatens the well-being of their family, home, or overall status quo. (Examples: Star Wars, Dracula, Perseus)
• Voyage and Return: A character visits a strange new world, adapts to it, and returns home with a new perspective on life. (Examples: The Wizard of Oz, Gulliver’s Travels, The Lion King )

• Dialogue: Have your characters talk about their lives in conversation.
• Narration: Let the audience hear what’s going on inside your character’s head and how they feel about the world around them. This usually works better in prose.
• Conflict: Have your character face an obstacle early on to show what they stand for.
• Objects and symbols: Focus on items (newspaper clippings, household furniture, clothes) that give a clear picture of the world your character lives in.
• Try to make your status quo contrast with the journey you plan on sending your character on. The further your characters venture out of their comfort zone, the more opportunity they have to grow.

• Character vs. self has a character working through their own inner demons and flaws. These stories are often dramas, tragedies, and tales of rebirth. (Examples: Good Will Hunting, Emma, Hamlet )
• Character vs. character is the most common conflict; a protagonist must fight an antagonist who challenges their core values. These stories can be any genre but usually fall into the “Overcoming the Monster” plot. (Examples: Star Wars, Othello, Crime and Punishment )
• Character vs. society explores your protagonist challenging the social norms and bigotry of the people around them. These stories are often farcical comedies or have strong undercurrents of social commentary. (Examples: To Kill a Mockingbird, The Color Purple, Blazing Saddles )
• Character vs. supernatural has the character fighting against a force with special powers. These stories are always fiction, usually sci-fi or fantasy. (Examples: Harry Potter, The Odyssey, Ghostbusters )
• Character vs. technology has a protagonist fighting against a machine or technological advancement (usually one similar to a device that’s taking off in the real world, like AI). These stories are usually a form of science fiction, but they can be any genre. (Examples: Blade Runner, 2001: A Space Odyssey, The Matrix )
• Character vs nature stories are often visual. The protagonist must fight against the natural world. These stories are very adventure-based. (Examples: Cast Away, Hatchet, The Martian )

• Pay attention to cause-and-effect in your rising action. Every action has a reaction, and no events are random. Each decision the character makes should affect future situations. [10] X Research source
• The best structure to create a meaningful rising action is “[Character] did _____. Because of that, _____ happened so they _____.”
• Utilize your world to impact your rising action, too. For example, if your character lives on Mars 3000 years in the future, your character should probably deal with struggles unique to that planet, rather than common Earth problems. [11] X Research source

• In Oedipus Rex , the climax occurs when Oedipus realizes his hubris has made him fulfill the prophecy so he blinds himself as punishment for his actions. Because this story is a tragedy, the climax is dark, sad, and violent.
• In Shrek , the climax comes from the reveal that Fiona is an ogre too. Because the film is a subversive comedy about beauty standards, the silly plot twist matches the movie’s tone.

• In Little Red Riding Hood , the falling action covers the part where the Woodsman finds Little Red and saves her from the Big Bad Wolf. Because Little Red learns her lesson on gullibility in the climax (when she discovers Granny’s been eaten), her resolution is happy and simple.
• To create a more effective conclusion, set up story beats early on that you can pay off later. For example, at the beginning of Game of Thrones , Theon Grey Joyce betrays the Stark family. However, he ends the series fighting (and dying) to protect their name.

Rain Kengly

"If you find yourself struggling to plot a story from beginning to end, start with the ending and work backward! Knowing how and where you want your story to end can help you understand what developments your characters must have to get there."

• Does your character like attention or avoid it?
• How big of a role does fear play in their day-to-day activities?
• Does your character think they’re intelligent or dumb? How would they define these words?
• Does your character prefer to leap into action or stay back and think?
• What are your characters’ regrets?
• If your plot is a fantasy epic, your characters may have lofty, larger-than-life ambitions like finding a magic amulet or gaining special powers. For a more subtle drama, their wishes may be smaller: love, getting into the right college, reuniting with family, etc.

• For example, if you have an uncle who’s a hypochondriac and a friend who wants to be a stuntman, you could combine these to create a character who loves stunts but is afraid of the toll it takes on their body.
• Keep a journal to write down what people in your life say. In art and life, people’s dialogue often reflects who they are.

Draw inspiration for a variety of sources. "Ideas seem to come from everywhere – my life, everything I see, hear, and read, and most of all, from my imagination. I have a lot of imagination."

• Set up a need, as well as a want. Ideally, your character will have a clear goal as well as a lesson they must learn to live a better life. It’s more realistic and satisfying if a character doesn’t necessarily get what they want, but, as the Rolling Stones sing, gets what they need.
• Create irreversible consequences. Every decision your character makes should set off a new chain of events. Results can be good or bad, but no choices happen in a vacuum; they should make an impact in some way.
• Let the character show their strengths and overcome weaknesses. Giving your characters skills that they can apply on their journey allows them to be more directly involved in the story.
• Create a dark night of the soul. At one point in the story, your character should feel like all is lost. This surrender offers them a new perspective that they can use to re-evaluate their goals.

• Mirror subplot: A smaller-scale conflict that mirrors the main conflict which helps teach the character how to resolve the core issue.
• Contrasting subplot: A secondary character facing similar circumstances and dilemmas as the main character, but making different decisions that have a polar opposite (and often less effective) outcome.
• Complicating subplot: A secondary character making things worse for the main character. These subplots often appear right around the middle of the story to raise the stakes once the character feels comfortable.
• Romantic subplot: A relationship that often complicates or adds risk to the main plot.

• For example, in Die Hard, John McClane must overcome his fear of heights and save his relationship, or else the terrorists will succeed and harm innocent people.
• Your “or else” doesn’t always have to be life or death. The stakes just have to feel heavy for your character. For example, in Up , if Carl doesn’t fly his house away, he’ll be fine physically (and go to a nice retirement home). However, he’ll feel like he disappointed Ellie, his late wife.
• Adding a ticking clock is a great way to make your “or else” more clear and specific. Give a set time frame that your character has to complete their goal, and clarify what will happen if they fail to meet this deadline.

• Chekov's Gun: An object appearing to be insignificant later resolves the conflict.
• Flashback: A recount of events that happened before the current story, which fills in crucial backstory.
• MacGuffin: An object or goal that the protagonist is motivated to pursue which makes their life more difficult.
• Deux Ex Machina: A resolution that appears to come out of the blue.
• Dramatic Irony: A situation where the audience knows something the character doesn’t (that often leads to the character’s downfall).

• In addition, pace your story so it gets more compelling as it goes along. Don’t overload your story’s beginning with tension; distribute action and conflict equally throughout the piece. The more your narrative builds, the more invested your audience will be!

• Remember: your plot is allowed to change. It’s not finalized until the very end. Thanks Helpful 0 Not Helpful 0
• Never, ever, ever, scrap an idea just because it looks silly. One person's goofy idea is the other one's brilliant masterpiece. Thanks Helpful 0 Not Helpful 0

You Might Also Like

• ↑ Lucy V. Hay. Professional Writer. Expert Interview. 16 July 2019.
• ↑ Lydia Stevens. Author & Developmental Editor. Expert Interview. 1 September 2021.
• ↑ https://writingcenter.unc.edu/tips-and-tools/brainstorming/
• ↑ https://www.booksoarus.com/6-ways-write-effective-exposition-examples/
• ↑ https://lewisu.edu/writingcenter/pdf/narrative-elements-1.pdf
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/creative_writing/creative_nonfiction/index.html
• ↑ https://milnepublishing.geneseo.edu/exploring-movie-construction-and-production/chapter/3-what-are-the-mechanics-of-story-and-plot/
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/creative_writing/fiction_writing_basics/index.html
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/creative_writing/characters_and_fiction_writing/writing_compelling_characters.html
• ↑ https://www.nownovel.com/blog/detailed-character-arc-template/
• ↑ https://storybilder.com/blog/types-subplots
• ↑ https://www.writersdigest.com/write-better-fiction/how-to-raise-the-stakes-in-your-first-50-pages-of-your-novel

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The Ultimate Narrative Essay Guide for Beginners

A narrative essay tells a story in chronological order, with an introduction that introduces the characters and sets the scene. Then a series of events leads to a climax or turning point, and finally a resolution or reflection on the experience.

Speaking of which, are you in sixes and sevens about narrative essays? Don’t worry this ultimate expert guide will wipe out all your doubts. So let’s get started.

Table of Contents

Everything You Need to Know About Narrative Essay

What is a narrative essay.

When you go through a narrative essay definition, you would know that a narrative essay purpose is to tell a story. It’s all about sharing an experience or event and is different from other types of essays because it’s more focused on how the event made you feel or what you learned from it, rather than just presenting facts or an argument. Let’s explore more details on this interesting write-up and get to know how to write a narrative essay.

Elements of a Narrative Essay

Here’s a breakdown of the key elements of a narrative essay:

A narrative essay has a beginning, middle, and end. It builds up tension and excitement and then wraps things up in a neat package.

Real people, including the writer, often feature in personal narratives. Details of the characters and their thoughts, feelings, and actions can help readers to relate to the tale.

It’s really important to know when and where something happened so we can get a good idea of the context. Going into detail about what it looks like helps the reader to really feel like they’re part of the story.

Conflict or Challenge 

A story in a narrative essay usually involves some kind of conflict or challenge that moves the plot along. It could be something inside the character, like a personal battle, or something from outside, like an issue they have to face in the world.

Theme or Message

A narrative essay isn’t just about recounting an event – it’s about showing the impact it had on you and what you took away from it. It’s an opportunity to share your thoughts and feelings about the experience, and how it changed your outlook.

Emotional Impact

The author is trying to make the story they’re telling relatable, engaging, and memorable by using language and storytelling to evoke feelings in whoever’s reading it.

Narrative essays let writers have a blast telling stories about their own lives. It’s an opportunity to share insights and impart wisdom, or just have some fun with the reader. Descriptive language, sensory details, dialogue, and a great narrative voice are all essentials for making the story come alive.

The Purpose of a Narrative Essay

A narrative essay is more than just a story – it’s a way to share a meaningful, engaging, and relatable experience with the reader. Includes:

Sharing Personal Experience

Narrative essays are a great way for writers to share their personal experiences, feelings, thoughts, and reflections. It’s an opportunity to connect with readers and make them feel something.

Entertainment and Engagement

The essay attempts to keep the reader interested by using descriptive language, storytelling elements, and a powerful voice. It attempts to pull them in and make them feel involved by creating suspense, mystery, or an emotional connection.

Conveying a Message or Insight

Narrative essays are more than just a story – they aim to teach you something. They usually have a moral lesson, a new understanding, or a realization about life that the author gained from the experience.

Building Empathy and Understanding

By telling their stories, people can give others insight into different perspectives, feelings, and situations. Sharing these tales can create compassion in the reader and help broaden their knowledge of different life experiences.

Inspiration and Motivation

Stories about personal struggles, successes, and transformations can be really encouraging to people who are going through similar situations. It can provide them with hope and guidance, and let them know that they’re not alone.

Reflecting on Life’s Significance

These essays usually make you think about the importance of certain moments in life or the impact of certain experiences. They make you look deep within yourself and ponder on the things you learned or how you changed because of those events.

Demonstrating Writing Skills

Coming up with a gripping narrative essay takes serious writing chops, like vivid descriptions, powerful language, timing, and organization. It’s an opportunity for writers to show off their story-telling abilities.

Preserving Personal History

Sometimes narrative essays are used to record experiences and special moments that have an emotional resonance. They can be used to preserve individual memories or for future generations to look back on.

Cultural and Societal Exploration

Personal stories can look at cultural or social aspects, giving us an insight into customs, opinions, or social interactions seen through someone’s own experience.

Format of a Narrative Essay

Narrative essays are quite flexible in terms of format, which allows the writer to tell a story in a creative and compelling way. Here’s a quick breakdown of the narrative essay format, along with some examples:

Introduction

Set the scene and introduce the story.

Engage the reader and establish the tone of the narrative.

Hook: Start with a captivating opening line to grab the reader’s attention. For instance:

Example:  “The scorching sun beat down on us as we trekked through the desert, our water supply dwindling.”

Background Information: Provide necessary context or background without giving away the entire story.

Example:  “It was the summer of 2015 when I embarked on a life-changing journey to…”

Thesis Statement or Narrative Purpose

Present the main idea or the central message of the essay.

Offer a glimpse of what the reader can expect from the narrative.

Thesis Statement: This isn’t as rigid as in other essays but can be a sentence summarizing the essence of the story.

Example:  “Little did I know, that seemingly ordinary hike would teach me invaluable lessons about resilience and friendship.”

Body Paragraphs

Present the sequence of events in chronological order.

Develop characters, setting, conflict, and resolution.

Story Progression : Describe events in the order they occurred, focusing on details that evoke emotions and create vivid imagery.

Example : Detail the trek through the desert, the challenges faced, interactions with fellow hikers, and the pivotal moments.

Character Development : Introduce characters and their roles in the story. Show their emotions, thoughts, and actions.

Example : Describe how each character reacted to the dwindling water supply and supported each other through adversity.

Dialogue and Interactions : Use dialogue to bring the story to life and reveal character personalities.

Example : “Sarah handed me her last bottle of water, saying, ‘We’re in this together.'”

Reach the peak of the story, the moment of highest tension or significance.

Turning Point: Highlight the most crucial moment or realization in the narrative.

Example:  “As the sun dipped below the horizon and hope seemed lost, a distant sound caught our attention—the rescue team’s helicopters.”

Provide closure to the story.

Reflect on the significance of the experience and its impact.

Reflection : Summarize the key lessons learned or insights gained from the experience.

Example : “That hike taught me the true meaning of resilience and the invaluable support of friendship in challenging times.”

Closing Thought : End with a memorable line that reinforces the narrative’s message or leaves a lasting impression.

Example : “As we boarded the helicopters, I knew this adventure would forever be etched in my heart.”

Example Summary:

Imagine a narrative about surviving a challenging hike through the desert, emphasizing the bonds formed and lessons learned. The narrative essay structure might look like starting with an engaging scene, narrating the hardships faced, showcasing the characters’ resilience, and culminating in a powerful realization about friendship and endurance.

Different Types of Narrative Essays

There are a bunch of different types of narrative essays – each one focuses on different elements of storytelling and has its own purpose. Here’s a breakdown of the narrative essay types and what they mean.

Personal Narrative

Description : Tells a personal story or experience from the writer’s life.

Purpose: Reflects on personal growth, lessons learned, or significant moments.

Example of Narrative Essay Types:

Topic : “The Day I Conquered My Fear of Public Speaking”

Focus: Details the experience, emotions, and eventual triumph over a fear of public speaking during a pivotal event.

Descriptive Narrative

Description : Emphasizes vivid details and sensory imagery.

Purpose : Creates a sensory experience, painting a vivid picture for the reader.

Topic : “A Walk Through the Enchanted Forest”

Focus : Paints a detailed picture of the sights, sounds, smells, and feelings experienced during a walk through a mystical forest.

Autobiographical Narrative

Description: Chronicles significant events or moments from the writer’s life.

Purpose: Provides insights into the writer’s life, experiences, and growth.

Topic: “Lessons from My Childhood: How My Grandmother Shaped Who I Am”

Focus: Explores pivotal moments and lessons learned from interactions with a significant family member.

Experiential Narrative

Description: Relays experiences beyond the writer’s personal life.

Purpose: Shares experiences, travels, or events from a broader perspective.

Topic: “Volunteering in a Remote Village: A Journey of Empathy”

Focus: Chronicles the writer’s volunteering experience, highlighting interactions with a community and personal growth.

Literary Narrative

Description: Incorporates literary elements like symbolism, allegory, or thematic explorations.

Purpose: Uses storytelling for deeper explorations of themes or concepts.

Topic: “The Symbolism of the Red Door: A Journey Through Change”

Focus: Uses a red door as a symbol, exploring its significance in the narrator’s life and the theme of transition.

Historical Narrative

Description: Recounts historical events or periods through a personal lens.

Purpose: Presents history through personal experiences or perspectives.

Topic: “A Grandfather’s Tales: Living Through the Great Depression”

Focus: Shares personal stories from a family member who lived through a historical era, offering insights into that period.

Digital or Multimedia Narrative

Description: Incorporates multimedia elements like images, videos, or audio to tell a story.

Purpose: Explores storytelling through various digital platforms or formats.

Topic: “A Travel Diary: Exploring Europe Through Vlogs”

Focus: Combines video clips, photos, and personal narration to document a travel experience.

How to Choose a Topic for Your Narrative Essay?

Selecting a compelling topic for your narrative essay is crucial as it sets the stage for your storytelling. Choosing a boring topic is one of the narrative essay mistakes to avoid . Here’s a detailed guide on how to choose the right topic:

Reflect on Personal Experiences

• Significant Moments:

Moments that had a profound impact on your life or shaped your perspective.

Example: A moment of triumph, overcoming a fear, a life-changing decision, or an unforgettable experience.

• Emotional Resonance:

Events that evoke strong emotions or feelings.

Example: Joy, fear, sadness, excitement, or moments of realization.

• Lessons Learned:

Experiences that taught you valuable lessons or brought about personal growth.

Example: Challenges that led to personal development, shifts in mindset, or newfound insights.

Explore Unique Perspectives

• Uncommon Experiences:

Unique or unconventional experiences that might captivate the reader’s interest.

Example: Unusual travels, interactions with different cultures, or uncommon hobbies.

• Different Points of View:

Stories from others’ perspectives that impacted you deeply.

Example: A family member’s story, a friend’s experience, or a historical event from a personal lens.

Focus on Specific Themes or Concepts

• Themes or Concepts of Interest:

Themes or ideas you want to explore through storytelling.

Example: Friendship, resilience, identity, cultural diversity, or personal transformation.

• Symbolism or Metaphor:

Using symbols or metaphors as the core of your narrative.

Example: Exploring the symbolism of an object or a place in relation to a broader theme.

Consider Your Audience and Purpose

• Relevance to Your Audience:

Topics that resonate with your audience’s interests or experiences.

Example: Choose a relatable theme or experience that your readers might connect with emotionally.

• Impact or Message:

What message or insight do you want to convey through your story?

Example: Choose a topic that aligns with the message or lesson you aim to impart to your readers.

Brainstorm and Evaluate Ideas

• Free Writing or Mind Mapping:

Process: Write down all potential ideas without filtering. Mind maps or free-writing exercises can help generate diverse ideas.

• Evaluate Feasibility:

The depth of the story, the availability of vivid details, and your personal connection to the topic.

Imagine you’re considering topics for a narrative essay. You reflect on your experiences and decide to explore the topic of “Overcoming Stage Fright: How a School Play Changed My Perspective.” This topic resonates because it involves a significant challenge you faced and the personal growth it brought about.

Narrative Essay Topics

50 easy narrative essay topics.

• Learning to Ride a Bike
• My First Day of School
• A Surprise Birthday Party
• The Day I Got Lost
• Visiting a Haunted House
• An Encounter with a Wild Animal
• My Favorite Childhood Toy
• The Best Vacation I Ever Had
• An Unforgettable Family Gathering
• Conquering a Fear of Heights
• A Special Gift I Received
• Moving to a New City
• The Most Memorable Meal
• Getting Caught in a Rainstorm
• An Act of Kindness I Witnessed
• The First Time I Cooked a Meal
• My Experience with a New Hobby
• The Day I Met My Best Friend
• A Hike in the Mountains
• Learning a New Language
• An Embarrassing Moment
• Dealing with a Bully
• My First Job Interview
• A Sporting Event I Attended
• The Scariest Dream I Had
• Helping a Stranger
• The Joy of Achieving a Goal
• A Road Trip Adventure
• Overcoming a Personal Challenge
• The Significance of a Family Tradition
• An Unusual Pet I Owned
• A Misunderstanding with a Friend
• Exploring an Abandoned Building
• My Favorite Book and Why
• The Impact of a Role Model
• A Cultural Celebration I Participated In
• A Valuable Lesson from a Teacher
• A Trip to the Zoo
• An Unplanned Adventure
• Volunteering Experience
• A Moment of Forgiveness
• A Decision I Regretted
• A Special Talent I Have
• The Importance of Family Traditions
• The Thrill of Performing on Stage
• A Moment of Sudden Inspiration
• The Meaning of Home
• Learning to Play a Musical Instrument
• A Childhood Memory at the Park
• Witnessing a Beautiful Sunset

Narrative Essay Topics for College Students

• Discovering a New Passion
• Overcoming Academic Challenges
• Navigating Cultural Differences
• Embracing Independence: Moving Away from Home
• Exploring Career Aspirations
• Coping with Stress in College
• The Impact of a Mentor in My Life
• Balancing Work and Studies
• Facing a Fear of Public Speaking
• Exploring a Semester Abroad
• The Evolution of My Study Habits
• Volunteering Experience That Changed My Perspective
• The Role of Technology in Education
• Finding Balance: Social Life vs. Academics
• Learning a New Skill Outside the Classroom
• Reflecting on Freshman Year Challenges
• The Joys and Struggles of Group Projects
• My Experience with Internship or Work Placement
• Challenges of Time Management in College
• Redefining Success Beyond Grades
• The Influence of Literature on My Thinking
• The Impact of Social Media on College Life
• Overcoming Procrastination
• Lessons from a Leadership Role
• Exploring Diversity on Campus
• Exploring Passion for Environmental Conservation
• An Eye-Opening Course That Changed My Perspective
• Living with Roommates: Challenges and Lessons
• The Significance of Extracurricular Activities
• The Influence of a Professor on My Academic Journey
• Discussing Mental Health in College
• The Evolution of My Career Goals
• Confronting Personal Biases Through Education
• The Experience of Attending a Conference or Symposium
• Challenges Faced by Non-Native English Speakers in College
• The Impact of Traveling During Breaks
• Exploring Identity: Cultural or Personal
• The Impact of Music or Art on My Life
• Addressing Diversity in the Classroom
• Exploring Entrepreneurial Ambitions
• My Experience with Research Projects
• Overcoming Impostor Syndrome in College
• The Importance of Networking in College
• Finding Resilience During Tough Times
• The Impact of Global Issues on Local Perspectives
• The Influence of Family Expectations on Education
• Lessons from a Part-Time Job
• Exploring the College Sports Culture
• The Role of Technology in Modern Education
• The Journey of Self-Discovery Through Education

Narrative Essay Comparison

Narrative essay vs. descriptive essay.

Here’s our first narrative essay comparison! While both narrative and descriptive essays focus on vividly portraying a subject or an event, they differ in their primary objectives and approaches. Now, let’s delve into the nuances of comparison on narrative essays.

Narrative Essay:

Storytelling: Focuses on narrating a personal experience or event.

Chronological Order: Follows a structured timeline of events to tell a story.

Message or Lesson: Often includes a central message, moral, or lesson learned from the experience.

Engagement: Aims to captivate the reader through a compelling storyline and character development.

First-Person Perspective: Typically narrated from the writer’s point of view, using “I” and expressing personal emotions and thoughts.

Plot Development: Emphasizes a plot with a beginning, middle, climax, and resolution.

Character Development: Focuses on describing characters, their interactions, emotions, and growth.

Conflict or Challenge: Usually involves a central conflict or challenge that drives the narrative forward.

Dialogue: Incorporates conversations to bring characters and their interactions to life.

Reflection: Concludes with reflection or insight gained from the experience.

Descriptive Essay:

Vivid Description: Aims to vividly depict a person, place, object, or event.

Imagery and Details: Focuses on sensory details to create a vivid image in the reader’s mind.

Emotion through Description: Uses descriptive language to evoke emotions and engage the reader’s senses.

Painting a Picture: Creates a sensory-rich description allowing the reader to visualize the subject.

Imagery and Sensory Details: Focuses on providing rich sensory descriptions, using vivid language and adjectives.

Point of Focus: Concentrates on describing a specific subject or scene in detail.

Spatial Organization: Often employs spatial organization to describe from one area or aspect to another.

Objective Observations: Typically avoids the use of personal opinions or emotions; instead, the focus remains on providing a detailed and objective description.

Comparison:

Focus: Narrative essays emphasize storytelling, while descriptive essays focus on vividly describing a subject or scene.

Perspective: Narrative essays are often written from a first-person perspective, while descriptive essays may use a more objective viewpoint.

Purpose: Narrative essays aim to convey a message or lesson through a story, while descriptive essays aim to paint a detailed picture for the reader without necessarily conveying a specific message.

Narrative Essay vs. Argumentative Essay

The narrative essay and the argumentative essay serve distinct purposes and employ different approaches:

Engagement and Emotion: Aims to captivate the reader through a compelling story.

Reflective: Often includes reflection on the significance of the experience or lessons learned.

First-Person Perspective: Typically narrated from the writer’s point of view, sharing personal emotions and thoughts.

Plot Development: Emphasizes a storyline with a beginning, middle, climax, and resolution.

Message or Lesson: Conveys a central message, moral, or insight derived from the experience.

Argumentative Essay:

Persuasion and Argumentation: Aims to persuade the reader to adopt the writer’s viewpoint on a specific topic.

Logical Reasoning: Presents evidence, facts, and reasoning to support a particular argument or stance.

Debate and Counterarguments: Acknowledge opposing views and counter them with evidence and reasoning.

Thesis Statement: Includes a clear thesis statement that outlines the writer’s position on the topic.

Thesis and Evidence: Starts with a strong thesis statement and supports it with factual evidence, statistics, expert opinions, or logical reasoning.

Counterarguments: Addresses opposing viewpoints and provides rebuttals with evidence.

Logical Structure: Follows a logical structure with an introduction, body paragraphs presenting arguments and evidence, and a conclusion reaffirming the thesis.

Formal Language: Uses formal language and avoids personal anecdotes or emotional appeals.

Objective: Argumentative essays focus on presenting a logical argument supported by evidence, while narrative essays prioritize storytelling and personal reflection.

Purpose: Argumentative essays aim to persuade and convince the reader of a particular viewpoint, while narrative essays aim to engage, entertain, and share personal experiences.

Structure: Narrative essays follow a storytelling structure with character development and plot, while argumentative essays follow a more formal, structured approach with logical arguments and evidence.

In essence, while both essays involve writing and presenting information, the narrative essay focuses on sharing a personal experience, whereas the argumentative essay aims to persuade the audience by presenting a well-supported argument.

Narrative Essay vs. Personal Essay

While there can be an overlap between narrative and personal essays, they have distinctive characteristics:

Storytelling: Emphasizes recounting a specific experience or event in a structured narrative form.

Engagement through Story: Aims to engage the reader through a compelling story with characters, plot, and a central theme or message.

Reflective: Often includes reflection on the significance of the experience and the lessons learned.

First-Person Perspective: Typically narrated from the writer’s viewpoint, expressing personal emotions and thoughts.

Plot Development: Focuses on developing a storyline with a clear beginning, middle, climax, and resolution.

Character Development: Includes descriptions of characters, their interactions, emotions, and growth.

Central Message: Conveys a central message, moral, or insight derived from the experience.

Personal Essay:

Exploration of Ideas or Themes: Explores personal ideas, opinions, or reflections on a particular topic or subject.

Expression of Thoughts and Opinions: Expresses the writer’s thoughts, feelings, and perspectives on a specific subject matter.

Reflection and Introspection: Often involves self-reflection and introspection on personal experiences, beliefs, or values.

Varied Structure and Content: Can encompass various forms, including memoirs, personal anecdotes, or reflections on life experiences.

Flexibility in Structure: Allows for diverse structures and forms based on the writer’s intent, which could be narrative-like or more reflective.

Theme-Centric Writing: Focuses on exploring a central theme or idea, with personal anecdotes or experiences supporting and illustrating the theme.

Expressive Language: Utilizes descriptive and expressive language to convey personal perspectives, emotions, and opinions.

Focus: Narrative essays primarily focus on storytelling through a structured narrative, while personal essays encompass a broader range of personal expression, which can include storytelling but isn’t limited to it.

Structure: Narrative essays have a more structured plot development with characters and a clear sequence of events, while personal essays might adopt various structures, focusing more on personal reflection, ideas, or themes.

Intent: While both involve personal experiences, narrative essays emphasize telling a story with a message or lesson learned, while personal essays aim to explore personal thoughts, feelings, or opinions on a broader range of topics or themes.

A narrative essay is more than just telling a story. It’s also meant to engage the reader, get them thinking, and leave a lasting impact. Whether it’s to amuse, motivate, teach, or reflect, these essays are a great way to communicate with your audience. This interesting narrative essay guide was all about letting you understand the narrative essay, its importance, and how can you write one.

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• Literary Terms
• Definition & Examples
• When & How to Write a Plot

I. What is Plot?

In a narrative or creative writing, a plot is the sequence of events that make up a story, whether it’s told, written, filmed, or sung. The plot is the story, and more specifically, how the story develops, unfolds, and moves in time. Plots are typically made up of five main elements:

1. Exposition: At the beginning of the story, characters , setting, and the main conflict are typically introduced.

2. Rising Action: The main character is in crisis and events leading up to facing the conflict begin to unfold. The story becomes complicated.

3. Climax: At the peak of the story, a major event occurs in which the main character faces a major enemy, fear, challenge, or other source of conflict. The most action, drama, change, and excitement occurs here.

4. Falling Action: The story begins to slow down and work towards its end, tying up loose ends.

5. Resolution/ Denoument: Also known as the denouement, the resolution is like a concluding paragraph that resolves any remaining issues and ends the story.

Plots, also known as storylines, include the most significant events of the story and how the characters and their problems change over time.

II. Examples of Plot

Here are a few very short stories with sample plots:

Kaitlin wants to buy a puppy. She goes to the pound and begins looking through the cages for her future pet. At the end of the hallway, she sees a small, sweet brown dog with a white spot on its nose. At that instant, she knows she wants to adopt him. After he receives shots and a medical check, she and the dog, Berkley, go home together.

In this example, the exposition introduces us to Kaitlin and her conflict. She wants a puppy but does not have one. The rising action occurs as she enters the pound and begins looking. The climax is when she sees the dog of her dreams and decides to adopt him. The falling action consists of a quick medical check before the resolution, or ending, when Kaitlin and Berkley happily head home.

Scott wants to be on the football team, but he’s worried he won’t make the team. He spends weeks working out as hard as possible, preparing for try outs. At try outs, he amazes coaches with his skill as a quarterback. They ask him to be their starting quarterback that year and give him a jersey. Scott leaves the field, ecstatic!

The exposition introduces Scott and his conflict: he wants to be on the team but he doubts his ability to make it. The rising action consists of his training and tryout; the climax occurs when the coaches tell him he’s been chosen to be quarterback. The falling action is when Scott takes a jersey and the resolution is him leaving the try-outs as a new, happy quarterback.

Each of these stories has

• an exposition as characters and conflicts are introduced
• a rising action which brings the character to the climax as conflicts are developed and faced, and
• a falling action and resolution as the story concludes.

III. Types of Plot

There are many types of plots in the world! But, realistically, most of them fit some pattern that we can see in more than one story. Here are some classic plots that can be seen in numerous stories all over the world and throughout history.

a. Overcoming the Monster

The protagonist must defeat a monster or force in order to save some people—usually everybody! Most often, the protagonist is forced into this conflict, and comes out of it as a hero, or even a king. This is one version of the world’s most universal and compelling plot—the ‘monomyth’ described by the great thinker Joseph Campbell.

  Examples:

Beowulf, Harry Potter, and Star Wars.

b. Rags to Riches:

This story can begin with the protagonist being poor or rich, but at some point, the protagonist will have everything, lose everything, and then gain it all back by the end of the story, after experiencing great personal growth.

The Count of Monte Cristo, Cinderella, and Jane Eyre.

c. The Quest:

The protagonist embarks on a quest involving travel and dangerous adventures in order to find treasure or solve a huge problem. Usually, the protagonist is forced to begin the quest but makes friends that help face the many tests and obstacles along the way. This is also a version of Campbell’s monomyth.

The Iliad, The Lord of the Rings, and Eragon

d. Voyage and Return:

The protagonist goes on a journey to a strange or unknown place, facing danger and adventures along the way, returning home with experience and understanding. This is also a version of the monomyth.

Alice in Wonderland, The Chronicles of Narnia, and The Wizard of Oz

A happy and fun character finds a happy ending after triumphing over difficulties and adversities.

A Midsummer Night’s Dream, Fantastic Mr. Fox, Home Alone

f. Tragedy:

The protagonist experiences a conflict which leads to very bad ending, typically death.

Romeo and Juliet, The Picture of Dorian Gray, and Macbeth

g. Rebirth:

The protagonist is a villain who becomes a good person through the experience of the story’s conflict.

The Secret Garden, A Christmas Carol, The Grinch

As these seven examples show, many stories follow a common pattern. In fact, according to many thinkers, such as the great novelist Kurt Vonnegut, and Joseph Campbell, there are only a few basic patterns, which are mixed and combined to form all stories.

IV. The Importance of Using Plot

The plot is what makes a story a  story. It gives the story character development, suspense, energy, and emotional release (also known as ‘catharsis’). It allows an author to develop themes and most importantly, conflict that makes a story emotionally engaging; everybody knows how hard it is to stop watching a movie before the conflict is resolved.

V. Examples of Plot in Literature

Plots can be found in all kinds of fiction. Here are a few examples.

The Razor’s Edge by Somerset Maugham

In The Razor’s Edge, Larry Darrell returns from World War I disillusioned. His fiancée, friends, and family urge him to find work, but he does not want to. He embarks on a voyage through Europe and Asia seeking higher truth. Finally, in Asia, he finds a more meaningful way of life.

In this novel, the plot follows the protagonist Larry as he seeks meaningful experiences. The story begins with the exposition of a disillusioned young man who does not want to work. The rising action occurs as he travels seeking an education. The story climaxes when he becomes a man perfectly at peace in meditation.

The Road not Taken’ by Robert Frost

Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could … Then took the other, as just as fair, And having perhaps the better claim … And both that morning equally lay In leaves no step had trodden black. … I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference.

Robert Frost’s famous poem “The Road Not Taken,” has a very clear plot: The exposition occurs when a man stands at the fork of two roads, his conflict being which road to take. The climax occurs when he chooses the unique path. The resolution announces that “that has made all the difference,” meaning the man has made a significant and meaningful decision.

VI. Examples of Plot in Pop Culture

Plots can also be found in television shows, movies, thoughtful storytelling advertisements, and song lyrics. Below are a few examples of plot in pop culture.

“Love Story” (excerpts) by Taylor Swift:

I’m standing there on a balcony in summer air. See the lights, see the party, the ball gowns. See you make your way through the crowd And say, “Hello, ” Little did I know… That you were Romeo, you were throwing pebbles, And my daddy said, “Stay away from Juliet” And I was crying on the staircase Begging you, “Please don’t go”   So I sneak out to the garden to see you. We keep quiet ’cause we’re dead if they knew So close your eyes… escape this town for a little while. . . . He knelts to the ground and pulled out a ring and said…   “Marry me, Juliet, you’ll never have to be alone. I love you, and that’s all I really know. I talked to your dad – go pick out a white dress It’s a love story, baby, just say, ‘Yes.'”

These excerpts reveal the plot of this song: the exposition occurs when we see two characters: a young woman and young man falling in love. The rising action occurs as the father forbids her from seeing the man and they continue see one another in secret. Finally, the climax occurs when the young man asks her to marry him and the two agree to make their love story come true.

Minions have a goal to serve the most despicable master. Their rising action is their search for the best leader, the conflict being that they cannot keep one. Movie trailers encourage viewers to see the movie by showing the conflict but not the climax or resolution.

VII. Related Terms

Many people use outlines which to create complex plots, or arguments in formal essays . In a story, an outline is a list of the scenes in the plot with brief descriptions. Like the skeleton is to the body, an outline is the framework upon which the rest of the story is built when it is written. In essays, outlines are used to help organize ideas into strong arguments and paragraphs that connect to each other in sensible ways.

The climax is considered the most important element of the plot. It contains the highest point of tension, drama, and change. The climax is when the conflict is finally faced and overcome. Without a climax, a plot does not exist.

For example, consider this simple plot:

The good army is about to face the evil army in a terrible battle. During this battle, the good army prevails and wins the war at last. After the war has ended, the two sides make piece and begin rebuilding the countryside which was ruined by the years-long war.

The climax occurred when the good army defeated the bad army. Without this climax, the story would simply be a never-ending war between a good army and bad army, with no happy or sad ending in sight. Here, the climax is absolutely necessary for a meaningful story with a clear ending.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

Essay Papers Writing Online

A complete guide to writing captivating and engaging narrative essays that will leave your readers hooked.

When it comes to storytelling, the ability to captivate your audience is paramount. Creating a narrative essay that holds the reader’s attention requires finesse and creativity. A well-crafted story is not merely a sequence of events; it should transport the reader to another time and place, evoking emotions and leaving a lasting impression. Crafting a compelling narrative essay requires careful consideration of the elements that make a story interesting and engaging.

Dive into the depths of your imagination and unleash your creativity to give life to your narrative. The key to an engaging story lies in your ability to paint vivid images with your words. Strong sensory details and descriptive language allow readers to visualize the scenes and connect with the story on a deeper level. Engage the senses of sight, sound, taste, touch, and smell to take your readers on a sensory journey through your narrative.

In addition to capturing the reader’s imagination, establish a relatable protagonist to anchor your story. Your main character should be someone your readers can empathize with, someone they can root for. By creating a three-dimensional character with relatable qualities, you invite the reader to become emotionally invested in the narrative. Develop a character with flaws, desires, and a clear motivation for their actions. This will add depth and complexity to your story as your protagonist navigates through challenges and evolves.

Choose a captivating topic that resonates with your audience

When it comes to writing a narrative essay, one of the most important factors in capturing your audience’s attention is selecting a captivating topic. A captivating topic will resonate with your readers and draw them into your story, making them eager to read on and discover more.

Choosing a topic that resonates with your audience means selecting a subject that they can relate to or find interesting. It’s essential to consider the interests, experiences, and emotions of your target audience when deciding on a topic. Think about what will grab their attention and keep them engaged throughout your essay.

One way to choose a captivating topic is by drawing from personal experiences. Reflect on significant events or moments in your life that have had a lasting impact on you. These experiences can provide the basis for a compelling narrative, as they often resonate with others who have gone through similar situations.

Another approach is to explore topics that are relevant or timely. Think about current events or social issues that are capturing public attention. By addressing these topics in your narrative essay, you can tap into the existing interest and engage readers who are already invested in the subject matter.

Additionally, consider incorporating elements of surprise or intrigue into your chosen topic. This could involve telling a story with an unexpected twist or focusing on an unusual or lesser-known aspect of a familiar subject. By presenting something unexpected or unique, you can pique your audience’s curiosity and make them eager to discover what happens next.

In summary, selecting a captivating topic is crucial for creating a compelling narrative essay. By choosing a subject that resonates with your audience, drawing from personal experiences, addressing relevant topics, and incorporating elements of surprise, you can capture and hold your readers’ attention, ensuring that they stay engaged throughout your story.

Develop well-rounded characters to drive your narrative

In order to create a captivating story, it is essential to develop well-rounded characters that will drive your narrative forward. These characters should be multi-dimensional and relatable, with their own unique personalities, motivations, and struggles. By doing so, you will not only make your readers more invested in your story, but also add depth and complexity to your narrative.

When developing your characters, it is important to consider their backgrounds, experiences, and beliefs. A character’s past experiences can shape their actions and decision-making throughout the story, while their beliefs can provide insight into their values and worldview. By delving into these aspects, you can create characters that feel authentic and true to life.

Furthermore, it is crucial to give your characters goals and motivations that propel them forward in the narrative. These goals can be internal or external, and can range from a desire for love and acceptance to a quest for power or revenge. By giving your characters something to strive for, you create tension and conflict that drives the plot.

In addition to goals and motivations, it is important to give your characters flaws and weaknesses. No one is perfect, and by acknowledging this, you create characters that are more relatable and human. Flaws can also create obstacles and challenges for your characters to overcome, adding depth and complexity to your story.

Lastly, remember to show, rather than tell, your readers about your characters. Instead of explicitly stating their traits and qualities, let their actions, dialogue, and interactions with other characters reveal who they are. This will allow your readers to form their own connections with the characters and become more engaged with your narrative.

By taking the time to develop well-rounded characters with unique personalities, motivations, and flaws, you will create a narrative that is not only compelling, but also resonates with your readers on a deeper level. So, dive into the minds and hearts of your characters, and let them drive your story to new heights.

Create a clear and engaging plot with a strong conflict

In order to craft a captivating narrative essay, it is essential to develop a plot that is both coherent and captivating. The plot serves as the foundation of your story, providing the framework that will guide your readers through a series of events and actions. To create an engaging plot, it is crucial to introduce a strong conflict that will propel the story forward and keep your readers hooked from start to finish.

The conflict is the driving force that creates tension and suspense in your narrative. It presents the main obstacle or challenge that your protagonist must overcome, creating a sense of urgency and keeping your readers invested in the outcome. Without a strong conflict, your story may lack direction and fail to hold your readers’ interest.

When developing your plot, consider the various elements that can contribute to a compelling conflict. This could be a clash between characters, a struggle against nature or society, or a battle within oneself. The conflict should be meaningful and have significant stakes for your protagonist, pushing them to make difficult choices and undergo personal growth.

To ensure that your plot remains clear and engaging, it is important to establish a logical progression of events. Each scene and action should contribute to the overall development of the conflict and the resolution of the story. Avoid unnecessary detours or subplots that do not advance the main conflict, as they can distract from the core narrative and confuse your readers.

In addition to a strong conflict, a clear and engaging plot also requires well-developed characters that your readers can root for and relate to. The actions and decisions of your characters should be motivated by their personalities, desires, and beliefs, adding depth and complexity to the narrative. By creating multidimensional characters, you can further enhance the conflict and make it more compelling.

When crafting your plot, consider the pacing and structure of your narrative. Gradually increase the tension and suspense as the conflict intensifies, leading to a climactic moment that resolves the conflict and provides a sense of closure. Use techniques such as foreshadowing, dramatic irony, and plot twists to keep your readers engaged and guessing.

In conclusion, creating a clear and engaging plot with a strong conflict is essential for writing a compelling narrative essay. By introducing a meaningful conflict and developing it throughout the story, you can capture your readers’ attention and keep them invested in the outcome. Remember to establish a logical progression of events, develop well-rounded characters, and consider the pacing and structure of your narrative. With these elements in place, you can create a memorable story that resonates with your readers.

Use vivid and descriptive language to bring your story to life

When it comes to writing a compelling narrative essay, one of the most important elements is the use of vivid and descriptive language. This technique helps to immerse your readers in the story, making it more engaging and memorable. By carefully selecting your words and painting a clear picture with your descriptions, you can bring your story to life and make it resonate with your audience.

Instead of simply stating facts and events, try to use descriptive language that appeals to the senses. For example, instead of saying “It was a sunny day,” you could say “The sun bathed the landscape in a warm golden glow, casting long shadows across the grass.” Using words that evoke specific sensations and feelings can help your readers to not only see the scene but also experience it.

In addition to appealing to the senses, you can also use vivid language to create a strong emotional connection with your readers. By choosing words that carry a particular emotional weight, you can elicit a specific response from your audience. For instance, instead of saying “She was sad,” you could say “Her heart ached with a deep sense of loss, tears streaming down her face.” By using descriptive language to convey emotions, you can make your readers feel the same way your characters do, creating a more powerful and immersive reading experience.

Another effective technique is to use literary devices such as similes and metaphors to add depth and richness to your narrative. By comparing seemingly unrelated things, you can make your descriptions more vivid and memorable. For example, instead of saying “The waves were big,” you could say “The waves crashed against the shore like giants, their fury and power shaking the very foundations of the earth.” By using similes and metaphors, you can create vivid and imaginative descriptions that transport your readers into the world of your story.

Finally, don’t be afraid to use strong and colorful language to convey the tone and atmosphere of your narrative. Whether your story is light-hearted and humorous or dark and suspenseful, your choice of words can greatly impact the overall feel of the story. By carefully selecting descriptive adjectives and powerful verbs, you can set the mood and create an immersive reading experience that leaves a lasting impression.

In conclusion, using vivid and descriptive language is essential when writing a compelling narrative essay. By appealing to the senses, evoking emotions, using literary devices, and setting the tone, you can bring your story to life and captivate your readers. So, don’t be afraid to unleash your creativity and use language that paints a vibrant and memorable picture in the minds of your audience.

Incorporate sensory details to immerse your readers in the story

When crafting a compelling narrative essay, it’s important to engage your readers on a sensory level. By incorporating sensory details, you can create a vivid experience that immerses your readers in the story. Through the use of descriptive language and vivid imagery, you can evoke the senses of sight, sound, smell, taste, and touch to bring your story to life.

One way to engage your readers’ senses is by utilizing descriptive language to paint a visual picture. Instead of simply telling your readers what is happening, show them through descriptive details. For example, instead of saying “the sun was shining,” you could say “the golden rays of the sun illuminated the tranquil meadow, casting a warm glow on the vibrant wildflowers.” By using descriptive language, you can transport your readers to the setting of your story and engage their sense of sight.

In addition to engaging the sense of sight, you can also incorporate sensory details to appeal to your readers’ sense of sound. This can be achieved through the use of onomatopoeia, dialogue, and descriptive language. For example, instead of saying “the dog barked,” you could say “the dog’s sharp, piercing bark reverberated through the quiet neighborhood, causing heads to turn and hearts to race.” By incorporating sensory details related to sound, you can make your readers feel as if they are truly experiencing the events of your story.

Another way to immerse your readers in the story is by appealing to their sense of smell and taste. Incorporate descriptive language that allows your readers to imagine the scents and flavors of the narrative. For example, instead of saying “the food smelled delicious,” you could say “the aroma of the sizzling garlic and onions wafted through the air, making my mouth water in anticipation.” By incorporating sensory details related to smell and taste, you can make your readers feel as if they are present in the scene and experiencing it firsthand.

Lastly, don’t forget to engage your readers’ sense of touch. By describing the textures and physical sensations experienced by the characters or narrator, you can create a more immersive reading experience. For example, instead of saying “it was hot outside,” you could say “the scorching sun beat down on my skin, causing beads of sweat to form and trickle down my forehead.” By incorporating sensory details related to touch, you can make your readers feel as if they are physically present in the story.

Incorporating sensory details into your narrative essays is essential for creating a compelling and immersive reading experience. By engaging your readers’ senses of sight, sound, smell, taste, and touch, you can transport them to the world of your story and make them feel as if they are living it alongside your characters. So, don’t be afraid to use descriptive language and vivid imagery to captivate your readers’ imaginations and immerse them in your narrative.

Pace your narrative effectively to maintain suspense and interest

Mastering the art of pacing is crucial in creating a compelling narrative that keeps readers hooked from beginning to end. By controlling the rhythm and tempo of your story, you can effectively maintain suspense and interest, making your readers eager to find out what happens next.

One way to achieve this is by varying the length and complexity of your sentences and paragraphs. Short, concise sentences can create a sense of urgency, while longer, more descriptive ones can slow down the pace and build anticipation. By using a combination of both, you can create a dynamic flow that engages your readers and keeps them guessing.

Another technique to consider is the strategic placement of cliffhangers and plot twists. These unexpected moments can interrupt the flow of the narrative and leave readers wanting more. Whether it’s a shocking revelation or a sudden change in direction, these moments of suspense can captivate your audience and propel them forward in the story.

Additionally, carefully timing the reveal of key information can help maintain suspense and interest. By strategically withholding important details until the opportune moment, you can create a sense of curiosity and anticipation in your readers. This can be achieved through foreshadowing, hinting at future events, or by gradually unveiling the truth behind a mystery.

Lastly, don’t underestimate the power of well-placed pauses and moments of reflection. By allowing your characters – and your readers – to take a breath and reflect on what has just happened, you can create tension and build anticipation for what’s to come. These moments can also provide the opportunity for emotional connection and deeper character development.

In conclusion, pacing your narrative effectively is essential in maintaining suspense and interest throughout your story. By utilizing a combination of sentence and paragraph length variations, strategic cliffhangers, well-timed reveals, and moments of reflection, you can create a captivating and engaging narrative that keeps your readers eagerly turning the pages.

Pay attention to the overall structure and organization of your essay

Ensuring that your narrative essay has a clear and well-organized structure is essential in captivating your readers and keeping them engaged throughout your story. The overall organization and flow of your essay play a crucial role in conveying your message effectively.

When crafting your narrative essay, it is vital to consider the structure that best suits your story. You can choose from various structures, such as a chronological order, a reflective approach, or even a non-linear format. Whatever structure you decide on, make sure it aligns with the theme and tone of your narrative.

Before diving into the writing process, take some time to outline the main events and key points you want to cover in your essay. This will help you establish a logical flow and prevent your story from becoming disjointed or confusing for the reader.

Organization:

Effective organization involves arranging your ideas and events in a coherent manner. Start your essay with a compelling and attention-grabbing introduction that sets the scene and introduces the main characters or your central thesis. From there, progress through your story by presenting the events in a logical sequence.

Transition smoothly between each paragraph or section to maintain the flow of your essay. Use transitional phrases or words, such as “next,” “meanwhile,” or “afterward,” to guide your readers through the narrative. This will help them understand the chronology of the events and prevent any confusion.

It is also important to give your readers a break from the main plot by incorporating descriptive details, character development, and dialogue. These elements add depth to your story and engage the readers on a more emotional level.

In conclusion, paying close attention to the overall structure and organization of your essay is vital to creating a compelling narrative. By choosing a suitable structure and organizing your ideas effectively, you can guide your readers through your story in a captivating and engaging manner.

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How to Write a Plot

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What is a plot and how do I write one?

There are many ways to put the meat on the bones of your plot skeleton, also known as a plot outline . Your selection of setting and character will do a lot in this department, but you also have to carefully craft the sequence of events that will take place between the event that sets the story in motion and the event that brings it to its conclusion.

A straight path between the two is rarely interesting. Twists and turns that increase the sense of struggle provide an opportunity for your readers to build stronger emotional bonds with the character and build suspense.

What is a plot?

A "plot," in simple terms, is a complication and the complication's resolution. How you go about creating the complication and the resolution is entirely up to you. Your character doesn't even need to be aware of the forces moving him or her along through the various steps leading to the resolution of the complication—or that the complication itself even exists.

The sad teenage girl in your novel likely won't know that she is searching for a sense of identity. She might be selfishly seeking all forms of self-gratification in her quest for popularity without truly knowing what it is she really wants. It could be a complete surprise to her that she enjoys volunteering at the hospital with the girl who has been socially outcast from her class—that she is willing to befriend her when no one else will.

Don't lose the focus of your book

The most important thing in fleshing out your plot is that you maintain focus. Remember: A plot is a complication and its resolution. Everything that happens in your novel must, in some way, move your story forward toward that plot resolution . Let's consider the following plot:

Detective X arrives at the scene of a crime and is charged with catching the killer (this is the complication). Detective X then goes through a number of events that provide him with clues to the killer's identity. Any scenes that develop his relationship with his rookie sidekick or his romance with the District Attorney have to play some role that is specific to the case.

For example, let's say the rookie has botched something up in the past and now Detective X doesn't trust his partner's abilities or insights. They end up arguing a lot and that affects how efficiently they do their jobs. Maybe the rookie is on to something and X ignores it—allowing the killer to escape, further complicating the plot. Maybe after that, he is consoled by the lovely DA and is then able to pick up the reins and get the investigation going again.

An occasional flashback to his childhood may explain how he reacts to a particular situation. However, everything must be related to the case at hand or the story will get bogged down with extraneous "stuff."

Don't be general!

In this vein, the plot of "the story of Character X's life" is never a good plot because it lacks the focus that keeps the story and interest going. You must give your character a particular aspect of his or her life through which to tell the story.

If your story is about a woman who was left at the altar by her high school sweetheart, you will need to flashback to some areas of their relationship and relate them to how she is reacting to something happening in the present. Take the following example: A man who passes her is wearing the same cologne that her fiancé did—this sets off a memory of their first kiss or his wedding proposal. After going through a series of events—meeting with a good friend or a therapist—the story ends with a sense of hope for the future.

Know when to stop

One of the most common issues that we encounter is plot overkill. Stick to your plot structure and, once you've resolved the complications in your story, STOP!

Consider the example of the  woman from the above section. Does it make sense to include another chapter or two talking about how the woman's children turned out and how she eventually died a happy old woman? No—these issues have no connection to the central complication of being left at the altar. The story was over once this complication was resolved. Don't drag it out.

Are you worried that your plot has strayed off topic, and that your complication has no resolution? Submit your story to one of our book editing services , and our expert editors will check to make sure your plot is on track and free of grammar and spelling errors.

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how to write a summary

A step-by-step guide to writing a great summary.

A summary of a literary work isn't just a plain-old synopsis. It's a valuable study tool, a foundational element of all kinds of essays, a common testing mechanism, and one of the basics of literary analysis. 

Whether you're in high school or college, developing a deep understanding of how and when to summarize a book or text is a valuable skill. Doing so might require a little more knowledge and effort than you'd think. 

That's why we're covering all aspects of summaries, from study tools to plot summaries, below.

What Is a Summary?

A summary is a brief overview of a text (or movie, speech, podcast, etcetera) that succinctly and comprehensively covers the main ideas or plot points. 

Sounds simple, right? Well, there are a lot of unique characteristics that differentiate summaries from other commentary, such as analyses, book reviews, or outlines. 

Summaries are: 

• In your own words. It's important that you don't just copy and paste the writer's words (in fact, that's plagiarizing). Writing the key points of a work in your own words indicates your comprehension and absorption of the material. 
• Objective. While a summary should be in your own words, it shouldn't contain your opinions. Instead, you should gather the main points and intentions of the writer and present them impartially. (If you include your opinions, it instead becomes an analysis or review.)
• More than paraphrasing. Many students fall into the trap of simply paraphrasing—plainly restating the ideas or events of the work. (Is our definition starting to sound contradictory? We told you it wasn't straightforward!) Rather than recounting the events or ideas in a work chronologically or in the order they're presented, instead consider the broad scope of how they all contribute to the narrative or argument. 
• Short. There are no strict rules regarding length, only that it is concise. It's largely dependent on the length of the text it summarizes: longer texts, longer summaries. It also depends on the assignment or objective. However, most are about one to two paragraphs in length. 
• Comprehensive. Yes, it's another seemingly contradictory descriptor, but an important one. Summaries are comprehensive, meaning they cover all of the main plot points or ideas in a work (so they inherently contain "spoilers"). You should present those ideas in a way that condenses them into an inclusive, but not exhaustive, recounting in order to keep it short.  
• Straightforward (even if the text isn't). A good summary should be easy to comprehend, presenting the reader with a simple but all-encompassing understanding of the work at hand. With complex texts, summaries can be particularly useful because they distill big, complicated ideas into a bite-sized package. 

When to Write a Summary

Like so many elements of literary analysis, summaries are misunderstood. We've already explained why they aren't as simple as most people think, but neither are their uses. 

Summary writing is a useful skill in a variety of circumstances, both in and outside the English and Language Arts classrooms. 

Readers, writers, teachers, and students can use summaries: 

• As a study tactic. The ability to summarize a book or text indicates that you've absorbed and understand the material. Plus, writing down notes (as in a summary) is a great way to retain material. Try summarizing at the end of a book chapter, after each section of an article, or periodically in textbooks. Doing so will help you digest the material you've just read, confirming you understood and retained the information therein. Stopping frequently to summarize is most effective because you're less likely to forget important plot points or ideas. 
• As an assignment. Teachers and professors often ask students to summarize a text as a test to confirm they read and understood the material. Before heading into class—especially if you have a test or quiz scheduled—try practicing summarizing the text. Write it down (rather than practicing it out loud or in your head) so that you can review your ideas and ensure you're presenting them succinctly and sensibly. 
• As part of an essay. If you're referencing a book or article in your own paper, you might need to summarize the source as the foundation for your argument. In this case, your summary should be particularly short so the reader doesn't lose sight of your own argument and intention. Introduce the name of the work and its author, then use one sentence (two at most) to describe their objective and how it relates to your own. 
• As part of a review. Summaries are very useful in an academic setting, but they have their place outside of it too. Whether you're on a book review site or just sharing a recommendation with a friend, being able to succinctly write a book summary (with or without spoilers) will help others to make their own judgements of a book. 

Your Step-by-Step Guide for How to Write a Summary

Step 1: read the work .

Summaries are often perceived as a workaround for reading the work itself. That's not a great strategy under most circumstances because you tend to lose a lot of the details and nuance of a work, but it's particularly impractical to do so when writing about the work. 

Remember, a summary is supposed to present your perception of the work as a whole. So in order to develop that perception, you have to first read the original text. 

Step 2: Take Notes 

As you read the work, simultaneously take notes. If you own the book, it might be helpful to add your notes to the margins or highlight passages that are particularly relevant or capture a key idea. If you don't own the book, try taking notes on your computer or in a notebook. You can still notate important passages by writing down the page and paragraph number or writing an abbreviated version of the quotation. Alternatively, try marking key passages with sticky notes or tabs. 

It might also be helpful to write out a short outline of the work as you go. While you won't want to use this verbatim (remember, you shouldn't just paraphrase the work), it can help you establish and remember the text's framework. 

Step 3: Identify the Author's Thesis Statement, Objective, or Main Point 

In some works, such as a journal article, a writer will provide a thesis statement. A thesis statement is a one-sentence synopsis of the author's argument and intention. A thesis statement can be really helpful in forming the backbone of your own summary, just as it forms the backbone of the essay. 

However, even when a thesis statement isn't present—like in a novel—the writer always has an objective or main idea. You should always identify this idea and use it to form the foundation of your summary. 

The main point might be apparent at the outset of the work. Other times, the author won't present it until the conclusion. Sometimes you might identify multiple objectives throughout the work. That's why it's important, as you read, to note any ideas that might be the  main  idea. Even those that aren't the  most  important will likely remain relevant. 

Step 4: Note Other Important Elements

If something stands out to you about the work and seems to play an important role in the text's overall narrative or structure, make a note about it. This could be a recurring theme, an incident in the storyline, or a deviation from the overall argument. 

As you identify and note important elements and moments in the work, the structure of your summary should begin to fall into place. 

Step 5: Prepare to Write Your Summary 

Once you've finished reading the work, review your notes and highlight the key points that came to light. Remember, your summary should be objective, so disregard any opinions you might have noted about the work. You should introduce the thesis or objective, briefly encapsulate the important ideas and moments from the work, and end with a conclusion that ties those ideas to the objective. Keep this structure in mind as you begin. 

Step 6: Begin by Introducing the Work 

As you begin, introduce the work, its author, and, if relevant, the context.

Depending on your situation—for example, if your teacher or professor has asked you to summarize a work as part of an assignment or quiz—this might seem redundant. However, it is standard practice to begin by introducing the work, even if the reader already knows what you're writing about. 

Example:  In  The Great Gatsby , F. Scott Fitzgerald... 

Step 7: Present the Thesis, Main Idea, or Central Argument

Once you've introduced the work, your priority is to clearly define the author's thesis, important point, or central argument. As mentioned above, sometimes the author presents this idea clearly and succinctly at the outset of their work; at other times, it's buried deep in the text. 

Regardless of how the main idea is presented in the work, it should be front and center in your summary. Some teachers might refer to this as a "topic sentence" or "introductory sentence." This is the central point around which you will construct the rest of your writing. As you progress, you'll highlight other ideas or occurrences that relate or contribute to this main idea, so it's important that your representation of it is easily understood. 

Example:  In  The Great Gatsby , F. Scott Fitzgerald uses the story of Jay Gatsby as a symbol of the social stratification, greed, and indulgence of 1920s America. 

Step 8: Briefly Discuss the Important Elements of the Work

After identifying the thesis or central argument, you should provide a brief overview of the work's other elements, ideas, and plot points. For the most part, the information you present throughout this section should bolster the thesis presented previously. Each sentence should serve as a supporting point for the topic sentence. Don't simply list ideas or plot points, but show how they're connected and inform the work as a whole. Of course, there may also be important elements of the work that are not directly tied to the main idea; it's ok to include these if you feel they are vital to understanding the work.

When writing the body, you should consciously and intentionally leave out unnecessary details. They tend to bog down your writing and lose the reader. 

Example:  The narrator, Nick Carraway, moves to New York's "West Egg," where he reunites with his cousin, Daisy, and her husband, Tom Buchanan. Fitzgerald clearly delineates social lines between West Egg (new money) and East Egg (old money), where Tom and Daisy reside. 

Nick attends a lavish party thrown by his neighbor, Jay Gatsby, and learns Jay formerly had a relationship with Daisy. The two reignite their forbidden affair. Tom reveals to Daisy that Gatsby earned his money illegally, through smuggling alcohol, and is actually a man of humble Midwestern origins. Daisy and Gatsby try to run away together, but Daisy accidentally runs over Tom's mistress. Tom, eager to exact revenge, convinces his mistress' husband that Gatsby was to blame in her death, and he murders Gatsby before committing suicide. Few of Gatsby's many friends attend his funeral.

Step 9: Write a Conclusion that Ties It All Together

Much like you introduce the author's major point at the outset of your summary, you should revisit it as you close out your writing. If you presented the author's main idea in the introduction, and then bolstered that main idea by recollecting plot points or important elements from the work, your conclusion should then reiterate how those elements relate to the main idea. 

Example:  Though Gatsby subscribed to the extravagance of his peers, his efforts to fit into the upper echelon of West and East Egg were negated by his humble origins; always out of place, he was rejected for his social class as much as his perceived crimes.  

Step 10: Edit

Before submitting your work, read it in full, and edit out any superfluous and redundant information. It's likely that unnecessary details snuck in as you were writing, and you might find that certain plot points just feel unnecessary within the scope of your finished product. 

In addition to editing for content, be sure to edit it closely for grammatical or spelling errors. Even if your summary is well thought out, its expertise is compromised if it's full of errors! 

How to Write a Plot Summary

The step-by-step guide to writing an effective summary, outlined above, applies to most summaries. However, each type has its own unique elements outside of those standard requirements. 

A plot or book summary, for example, should encapsulate the plot of a short story or novel. When writing one, there are unique strategies to follow.  

Dos of Writing a Plot Summary

• Note plot points as the book or story unfolds. Especially in longer novels, it can be difficult to keep track of the twists and turns in the storyline. That's why we recommend taking notes as you read. 
• Use online study guides for inspiration. Websites like SuperSummary provide in-depth summaries free of charge. While this is a good starting point when writing your own, it should only be for inspiration. Don't copy examples online (that's plagiarism!). 
• Be sure to cover the three main arcs of every story: the exposition, climax, and conclusion. The exposition is the moment when the conflict or driving narrative is introduced. The climax is when that conflict comes to a head, and the narrative reaches its most dramatic moments. The conclusion is when the conflict is resolved or the story comes to an end. You should also include any inciting incidents (the first domino in a plot point).
• Connect the dots. Throughout, you should demonstrate an understanding of how events and characters are related, rather than introducing each element as an independent variable. Remember, you should tie each plot point back to the main idea. 

Don'ts of Writing a Plot Summary

• Don't just regurgitate the storyline. Rather than drone through the story plot point by plot point, you should highlight key moments in the narrative and direct them back to the author's objective. 
• Avoid repetitive phrases like "then" or "next." A key indication you're just repeating the storyline point by point is utilizing a phrase like "then" or "next." While you should recount the major incidents of the narrative, it shouldn't feel so formulaic. 
• Don't let it drag on. Books are long, but summarizing a book should still be short. While it depends on the assignment and the work in question, your summary should be 200 to 600 words, max.

Example :   In  The Great Gatsby , F. Scott Fitzgerald uses the story of Jay Gatsby as a symbol of the social stratification, greed, and indulgence of 1920s America.   The narrator, Nick Carraway, moves to New York's "West Egg," where he reunites with his cousin, Daisy, and her husband, Tom Buchanan. Fitzgerald clearly delineates social lines between West Egg (new money) and East Egg (old money), where Tom and Daisy reside. 

Nick attends a lavish party thrown by his neighbor, Jay Gatsby, and learns he formerly had a relationship with Daisy. When the two reignite their forbidden affair, disaster ensues. Tom reveals to Daisy that Gatsby earned his money illegally, through smuggling alcohol, and is actually a man of humble Midwestern origins. Daisy and Gatsby try to run away together, but Daisy accidentally runs over Tom's mistress. Tom, eager to exact revenge, convinces his mistress' husband that Gatsby was to blame in her death, and he murders Gatsby before committing suicide. Few of Gatsby's many friends attend his funeral.

Though Gatsby subscribed to the extravagance of his peers, his efforts to fit into the upper echelon of West and East Egg were negated by his humble origins; always out of place, he was rejected for his social class as much as his perceived crimes.

For an in-depth analysis of The Great Gatsby , check out the our study guide (we have an audio guide, too!).

How to Summarize an Article or Essay

The nature of an article or essay is quite different from a novel or short story, and in many ways, your summary should be too. The outline above remains the same, but the details are different. 

Here's what you should and shouldn't do when writing your article summary. 

Dos of Writing an Article Summary

• Skim the original article first. To develop a basic understanding of the article and the writer's objectives, skim the content before reading it closely. Doing so will help you to identify some of the key points and then pay attention to the arguments around them when you read the article in full. 
• Then read the article closely, marking key passages and ideas. Noting important ideas as you read will help you develop a deeper understanding of the writer's intentions.  
• Note headings and subheadings, which likely identify important points. In articles and essays, the author often utilizes subheadings to introduce their most important ideas. These subheadings can help guide your own writing. 
• Keep it short. The rule of brevity applies to article summaries too. In fact, because articles are usually short compared to novels or books, your text should be correlatively brief. And if you're utilizing the work as part of your own essay or argument, just a couple sentences will do.

Don'ts of Writing an Article Summary

• Don't ignore the conclusion. When reading a long article or essay, it can be tempting to overlook the conclusion and focus on the body paragraphs of the article. However, the conclusion is often where the author most clearly outlines their findings and why they matter. It can serve as a great foundation for your own writing. 
• Don't copy anything from the article directly—always paraphrase. If you copy any passages word-for-word from the article, be sure to identify them as quotations and attribute them to the author. Even this should be done sparingly. Instead, you should encapsulate their ideas within your own, abbreviated words.  
• Don't forget to include proper citations. If you do include a direct quotation from the article, be sure to properly cite them. You can learn how to properly cite quotations in our Academic Citation Resource Guide . 

Example Summary of  "Gatsby as a Drowned Sailor" :  In her essay, "Gatsby as a Drowned Sailor," Margaret Lukens posits that a major, and often overlooked, motif in  The Great Gatsby  is that of the "drowned sailor." The novel, she points out, is immersed in nautical symbols and themes, particularly in the scenes surrounding Jay Gatsby. For example, Gatsby grew up on the shores of Lake Superior, now owns a house on the Long Island Sound, and supposedly spends much of his time on his boat. 

Lukens nods to the nautical imagery throughout Gatsby's lavish party, as well as Nick's interactions with Gatsby. Many of these, she argues, foreshadow Gatsby's death in his pool. Even his funeral is a testament to the motif, with the few attendees soaked to the skin with rain. Lukens presents a thorough case for the overarching nautical motif in  The Great Gatsby  and her argument that though Gatsby hooked a big one, ultimately it was "the one that got away." 

FAQs: How to Write a Book Summary  

How do you summarize without plagiarizing .

By its very nature, a summary isn't plagiarizing because it should be written in your own words. However, there are cases where it might be difficult to identify an appropriate synonym, and the phrase remains somewhat close to the original. In this scenario, just be sure to differentiate the rest of the phrase as much as possible. And if you need to include a direct quote from the work, be sure to appropriately cite it. 

How to write a summary and a reaction? 

In some cases, your teacher may ask you to write a summary and a reaction. Whereas a summary is objective, a reaction is a matter of opinion. So in this case, you should present the actions or ideas of the work, then respond to those actions and ideas with your personal thoughts. 

Why write a summary? 

A summary is a helpful tool many educators use to test their students' comprehension of a text. However, it is also a useful study tactic because recounting what you read can help you organize and retain information. 

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Telling the Story of Yourself: 6 Steps to Writing Personal Narratives

Jennifer Xue

Table of Contents

Why do we write personal narratives, 6 guidelines for writing personal narrative essays, inspiring personal narratives, examples of personal narrative essays, tell your story.

First off, you might be wondering: what is a personal narrative? In short, personal narratives are stories we tell about ourselves that focus on our growth, lessons learned, and reflections on our experiences.

From stories about inspirational figures we heard as children to any essay, article, or exercise where we're asked to express opinions on a situation, thing, or individual—personal narratives are everywhere.

According to Psychology Today, personal narratives allow authors to feel and release pains, while savouring moments of strength and resilience. Such emotions provide an avenue for both authors and readers to connect while supporting healing in the process.

That all sounds great. But when it comes to putting the words down on paper, we often end up with a list of experiences and no real structure to tie them together.

In this article, we'll discuss what a personal narrative essay is further, learn the 6 steps to writing one, and look at some examples of great personal narratives.

As readers, we're fascinated by memoirs, autobiographies, and long-form personal narrative articles, as they provide a glimpse into the authors' thought processes, ideas, and feelings. But you don't have to be writing your whole life story to create a personal narrative.

You might be a student writing an admissions essay , or be trying to tell your professional story in a cover letter. Regardless of your purpose, your narrative will focus on personal growth, reflections, and lessons.

Personal narratives help us connect with other people's stories due to their easy-to-digest format and because humans are empathising creatures.

We can better understand how others feel and think when we were told stories that allow us to see the world from their perspectives. The author's "I think" and "I feel" instantaneously become ours, as the brain doesn't know whether what we read is real or imaginary.

In her best-selling book Wired for Story, Lisa Cron explains that the human brain craves tales as it's hard-wired through evolution to learn what happens next. Since the brain doesn't know whether what you are reading is actual or not, we can register the moral of the story cognitively and affectively.

In academia, a narrative essay tells a story which is experiential, anecdotal, or personal. It allows the author to creatively express their thoughts, feelings, ideas, and opinions. Its length can be anywhere from a few paragraphs to hundreds of pages.

Outside of academia, personal narratives are known as a form of journalism or non-fiction works called "narrative journalism." Even highly prestigious publications like the New York Times and Time magazine have sections dedicated to personal narratives. The New Yorke is a magazine dedicated solely to this genre.

The New York Times holds personal narrative essay contests. The winners are selected because they:

had a clear narrative arc with a conflict and a main character who changed in some way. They artfully balanced the action of the story with reflection on what it meant to the writer. They took risks, like including dialogue or playing with punctuation, sentence structure and word choice to develop a strong voice. And, perhaps most important, they focused on a specific moment or theme – a conversation, a trip to the mall, a speech tournament, a hospital visit – instead of trying to sum up the writer’s life in 600 words.

In a nutshell, a personal narrative can cover any reflective and contemplative subject with a strong voice and a unique perspective, including uncommon private values. It's written in first person and the story encompasses a specific moment in time worthy of a discussion.

Writing a personal narrative essay involves both objectivity and subjectivity. You'll need to be objective enough to recognise the importance of an event or a situation to explore and write about. On the other hand, you must be subjective enough to inject private thoughts and feelings to make your point.

With personal narratives, you are both the muse and the creator – you have control over how your story is told. However, like any other type of writing, it comes with guidelines.

1. Write Your Personal Narrative as a Story

As a story, it must include an introduction, characters, plot, setting, climax, anti-climax (if any), and conclusion. Another way to approach it is by structuring it with an introduction, body, and conclusion. The introduction should set the tone, while the body should focus on the key point(s) you want to get across. The conclusion can tell the reader what lessons you have learned from the story you've just told.

2. Give Your Personal Narrative a Clear Purpose

Your narrative essay should reflect your unique perspective on life. This is a lot harder than it sounds. You need to establish your perspective, the key things you want your reader to take away, and your tone of voice. It's a good idea to have a set purpose in mind for the narrative before you start writing.

Let's say you want to write about how you manage depression without taking any medicine. This could go in any number of ways, but isolating a purpose will help you focus your writing and choose which stories to tell. Are you advocating for a holistic approach, or do you want to describe your emotional experience for people thinking of trying it?

Having this focus will allow you to put your own unique take on what you did (and didn't do, if applicable), what changed you, and the lessons learned along the way.

3. Show, Don't Tell

It's a narration, so the narrative should show readers what happened, instead of telling them. As well as being a storyteller, the author should take part as one of the characters. Keep this in mind when writing, as the way you shape your perspective can have a big impact on how your reader sees your overarching plot. Don't slip into just explaining everything that happened because it happened to you. Show your reader with action.

You can check for instances of telling rather than showing with ProWritingAid. For example, instead of:

"You never let me do anything!" I cried disdainfully.

"You never let me do anything!" To this day, my mother swears that the glare I levelled at her as I spat those words out could have soured milk.

Using ProWritingAid will help you find these instances in your manuscript and edit them without spending hours trawling through your work yourself.

4. Use "I," But Don't Overuse It

You, the author, take ownership of the story, so the first person pronoun "I" is used throughout. However, you shouldn't overuse it, as it'd make it sound too self-centred and redundant.

ProWritingAid can also help you here – the Style Report will tell you if you've started too many sentences with "I", and show you how to introduce more variation in your writing.

5. Pay Attention to Tenses

Tense is key to understanding. Personal narratives mostly tell the story of events that happened in the past, so many authors choose to use the past tense. This helps separate out your current, narrating voice and your past self who you are narrating. If you're writing in the present tense, make sure that you keep it consistent throughout.

6. Make Your Conclusion Satisfying

Satisfy your readers by giving them an unforgettable closing scene. The body of the narration should build up the plot to climax. This doesn't have to be something incredible or shocking, just something that helps give an interesting take on your story.

The takeaways or the lessons learned should be written without lecturing. Whenever possible, continue to show rather than tell. Don't say what you learned, narrate what you do differently now. This will help the moral of your story shine through without being too preachy.

GoodReads is a great starting point for selecting read-worthy personal narrative books. Here are five of my favourites.

Owl Moon by Jane Yolen

Jane Yolen, the author of 386 books, wrote this poetic story about a daughter and her father who went owling. Instead of learning about owls, Yolen invites readers to contemplate the meaning of gentleness and hope.

Night by Elie Wiesel

Elie Wiesel was a teenager when he and his family were sent to Auschwitz concentration camp in 1944. This Holocaust memoir has a strong message that such horrific events should never be repeated.

The Diary of a Young Girl by Anne Frank

This classic is a must-read by young and old alike. It's a remarkable diary by a 13-year-old Jewish girl who hid inside a secret annexe of an old building during the Nazi occupation of the Netherlands in 1942.

The Year of Magical Thinking by Joan Didion

This is a personal narrative written by a brave author renowned for her clarity, passion, and honesty. Didion shares how in December 2003, she lost her husband of 40 years to a massive heart attack and dealt with the acute illness of her only daughter. She speaks about grief, memories, illness, and hope.

Educated by Tara Westover

Author Tara Westover was raised by survivalist parents. She didn't go to school until 17 years of age, which later took her to Harvard and Cambridge. It's a story about the struggle for quest for knowledge and self-reinvention.

Narrative and personal narrative journalism are gaining more popularity these days. You can find distinguished personal narratives all over the web.

Curating the best of the best of personal narratives and narrative essays from all over the web. Some are award-winning articles.

Narratively

Long-form writing to celebrate humanity through storytelling. It publishes personal narrative essays written to provoke, inspire, and reflect, touching lesser-known and overlooked subjects.

Narrative Magazine

It publishes non,fiction narratives, poetry, and fiction. Among its contributors is Frank Conroy, the author of Stop-Time , a memoir that has never been out of print since 1967.

Thought Catalog

Aimed at Generation Z, it publishes personal narrative essays on self-improvement, family, friendship, romance, and others.

Personal narratives will continue to be popular as our brains are wired for stories. We love reading about others and telling stories of ourselves, as they bring satisfaction and a better understanding of the world around us.

Personal narratives make us better humans. Enjoy telling yours!

Write like a bestselling author

Love writing? ProWritingAid will help you improve the style, strength, and clarity of your stories.

Jennifer Xue is an award-winning e-book author with 2,500+ articles and 100+ e-books/reports published under her belt. She also taught 50+ college-level essay and paper writing classes. Her byline has appeared in Forbes, Fortune, Cosmopolitan, Esquire, Business.com, Business2Community, Addicted2Success, Good Men Project, and others. Her blog is JenniferXue.com. Follow her on Twitter @jenxuewrites].

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The short story is a fiction writer’s laboratory: here is where you can experiment with characters, plots, and ideas without the heavy lifting of writing a novel. Learning how to write a short story is essential to mastering the art of storytelling . With far fewer words to worry about, storytellers can make many more mistakes—and strokes of genius!—through experimentation and the fun of fiction writing.

Nonetheless, the art of writing short stories is not easy to master. How do you tell a complete story in so few words? What does a story need to have in order to be successful? Whether you’re struggling with how to write a short story outline, or how to fully develop a character in so few words, this guide is your starting point.

Famous authors like Virginia Woolf, Haruki Murakami, and Agatha Christie have used the short story form to play with ideas before turning those stories into novels. Whether you want to master the elements of fiction, experiment with novel ideas, or simply have fun with storytelling, here’s everything you need on how to write a short story step by step.

How to Write a Short Story: Contents

The Core Elements of a Short Story

How to write a short story outline, how to write a short story step by step, how to write a short story: length and setting, how to write a short story: point of view, how to write a short story: protagonist, antagonist, motivation, how to write a short story: characters, how to write a short story: prose, how to write a short story: story structure, how to write a short story: capturing reader interest, where to read and submit short stories.

There’s no secret formula to writing a short story. However, a good short story will have most or all of the following elements:

• A protagonist with a certain desire or need. It is essential for the protagonist to want something they don’t have, otherwise they will not drive the story forward.
• A clear dilemma. We don’t need much backstory to see how the dilemma started; we’re primarily concerned with how the protagonist resolves it.
• A decision. What does the protagonist do to resolve their dilemma?
• A climax. In Freytag’s Pyramid , the climax of a story is when the tension reaches its peak, and the reader discovers the outcome of the protagonist’s decision(s).
• An outcome. How does the climax change the protagonist? Are they a different person? Do they have a different philosophy or outlook on life?

Of course, short stories also utilize the elements of fiction , such as a setting , plot , and point of view . It helps to study these elements and to understand their intricacies. But, when it comes to laying down the skeleton of a short story, the above elements are what you need to get started.

Note: a short story rarely, if ever, has subplots. The focus should be entirely on a single, central storyline. Subplots will either pull focus away from the main story, or else push the story into the territory of novellas and novels.

The shorter the story is, the fewer of these elements are essentials. If you’re interested in writing short-short stories, check out our guide on how to write flash fiction .

Some writers are “pantsers”—they “write by the seat of their pants,” making things up on the go with little more than an idea for a story. Other writers are “plotters,” meaning they decide the story’s structure in advance of writing it.

You don’t need a short story outline to write a good short story. But, if you’d like to give yourself some scaffolding before putting words on the page, this article answers the question of how to write a short story outline:

https://writers.com/how-to-write-a-story-outline

There are many ways to approach the short story craft, but this method is tried-and-tested for writers of all levels. Here’s how to write a short story step-by-step.

1. Start With an Idea

Often, generating an idea is the hardest part. You want to write, but what will you write about?

What’s more, it’s easy to start coming up with ideas and then dismissing them. You want to tell an authentic, original story, but everything you come up with has already been written, it seems.

Here are a few tips:

• Originality presents itself in your storytelling, not in your ideas. For example, the premise of both Shakespeare’s A Midsummer Night’s Dream and Ostrovsky’s The Snow Maiden are very similar: two men and two women, in intertwining love triangles, sort out their feelings for each other amidst mischievous forest spirits, love potions, and friendship drama. The way each story is written makes them very distinct from one another, to the point where, unless it’s pointed out to you, you might not even notice the similarities.
• An idea is not a final draft. You will find that exploring the possibilities of your story will generate something far different than the idea you started out with. This is a good thing—it means you made the story your own!
• Experiment with genres and tropes. Even if you want to write literary fiction , pay attention to the narrative structures that drive genre stories, and practice your storytelling using those structures. Again, you will naturally make the story your own simply by playing with ideas.

If you’re struggling simply to find ideas, try out this prompt generator , or pull prompts from this Twitter .

2. Outline, OR Conceive Your Characters

If you plan to outline, do so once you’ve generated an idea. You can learn about how to write a short story outline earlier in this article.

If you don’t plan to outline, you should at least start with a character or characters. Certainly, you need a protagonist, but you should also think about any characters that aid or inhibit your protagonist’s journey.

When thinking about character development, ask the following questions:

• What is my character’s background? Where do they come from, how did they get here, where do they want to be?
• What does your character desire the most? This can be both material or conceptual, like “fitting in” or “being loved.”
• What is your character’s fatal flaw? In other words, what limitation prevents the protagonist from achieving their desire? Often, this flaw is a blind spot that directly counters their desire. For example, self hatred stands in the way of a protagonist searching for love.
• How does your character think and speak? Think of examples, both fictional and in the real world, who might resemble your character.

In short stories, there are rarely more characters than a protagonist, an antagonist (if relevant), and a small group of supporting characters. The more characters you include, the longer your story will be. Focus on making only one or two characters complex: it is absolutely okay to have the rest of the cast be flat characters that move the story along.

Learn more about character development here:

https://writers.com/character-development-definition

3. Write Scenes Around Conflict

Once you have an outline or some characters, start building scenes around conflict. Every part of your story, including the opening sentence, should in some way relate to the protagonist’s conflict.

Conflict is the lifeblood of storytelling: without it, the reader doesn’t have a clear reason to keep reading. Loveable characters are not enough, as the story has to give the reader something to root for.

Take, for example, Edgar Allan Poe’s classic short story The Cask of Amontillado . We start at the conflict: the narrator has been slighted by Fortunato, and plans to exact revenge. Every scene in the story builds tension and follows the protagonist as he exacts this revenge.

In your story, start writing scenes around conflict, and make sure each paragraph and piece of dialogue relates, in some way, to your protagonist’s unmet desires.

Read more about writing effective conflict here:

What is Conflict in a Story? Definition and Examples

4. Write Your First Draft

The scenes you build around conflict will eventually be stitched into a complete story. Make sure as the story progresses that each scene heightens the story’s tension, and that this tension remains unbroken until the climax resolves whether or not your protagonist meets their desires.

Don’t stress too hard on writing a perfect story. Rather, take Anne Lamott’s advice, and “write a shitty first draft.” The goal is not to pen a complete story at first draft; rather, it’s to set ideas down on paper. You are simply, as Shannon Hale suggests, “shoveling sand into a box so that later [you] can build castles.”

5. Step Away, Breathe, Revise

Whenever Stephen King finishes a novel, he puts it in a drawer and doesn’t think about it for 6 weeks. With short stories, you probably don’t need to take as long of a break. But, the idea itself is true: when you’ve finished your first draft, set it aside for a while. Let yourself come back to the story with fresh eyes, so that you can confidently revise, revise, revise .

In revision, you want to make sure each word has an essential place in the story, that each scene ramps up tension, and that each character is clearly defined. The culmination of these elements allows a story to explore complex themes and ideas, giving the reader something to think about after the story has ended.

6. Compare Against Our Short Story Checklist

Does your story have everything it needs to succeed? Compare it against this short story checklist, as written by our instructor Rosemary Tantra Bensko.

Below is a collection of practical short story writing tips by Writers.com instructor Rosemary Tantra Bensko . Each paragraph is its own checklist item: a core element of short story writing advice to follow unless you have clear reasons to the contrary. We hope it’s a helpful resource in your own writing.

Update 9/1/2020: We’ve now made a summary of Rosemary’s short story checklist available as a PDF download . Enjoy!

Click to download

Your short story is 1000 to 7500 words in length.

The story takes place in one time period, not spread out or with gaps other than to drive someplace, sleep, etc. If there are those gaps, there is a space between the paragraphs, the new paragraph beginning flush left, to indicate a new scene.

Each scene takes place in one location, or in continual transit, such as driving a truck or flying in a plane.

Unless it’s a very lengthy Romance story, in which there may be two Point of View (POV) characters, there is one POV character. If we are told what any character secretly thinks, it will only be the POV character. The degree to which we are privy to the unexpressed thoughts, memories and hopes of the POV character remains consistent throughout the story.

You avoid head-hopping by only having one POV character per scene, even in a Romance. You avoid straying into even brief moments of telling us what other characters think other than the POV character. You use words like “apparently,” “obviously,” or “supposedly” to suggest how non-POV-characters think rather than stating it.

Your short story has one clear protagonist who is usually the character changing most.

Your story has a clear antagonist, who generally makes the protagonist change by thwarting his goals.

(Possible exception to the two short story writing tips above: In some types of Mystery and Action stories, particularly in a series, etc., the protagonist doesn’t necessarily grow personally, but instead his change relates to understanding the antagonist enough to arrest or kill him.)

The protagonist changes with an Arc arising out of how he is stuck in his Flaw at the beginning of the story, which makes the reader bond with him as a human, and feel the pain of his problems he causes himself. (Or if it’s the non-personal growth type plot: he’s presented at the beginning of the story with a high-stakes problem that requires him to prevent or punish a crime.)

The protagonist usually is shown to Want something, because that’s what people normally do, defining their personalities and behavior patterns, pushing them onward from day to day. This may be obvious from the beginning of the story, though it may not become heightened until the Inciting Incident , which happens near the beginning of Act 1. The Want is usually something the reader sort of wants the character to succeed in, while at the same time, knows the Want is not in his authentic best interests. This mixed feeling in the reader creates tension.

The protagonist is usually shown to Need something valid and beneficial, but at first, he doesn’t recognize it, admit it, honor it, integrate it with his Want, or let the Want go so he can achieve the Need instead. Ideally, the Want and Need can be combined in a satisfying way toward the end for the sake of continuity of forward momentum of victoriously achieving the goals set out from the beginning. It’s the encounters with the antagonist that forcibly teach the protagonist to prioritize his Needs correctly and overcome his Flaw so he can defeat the obstacles put in his path.

The protagonist in a personal growth plot needs to change his Flaw/Want but like most people, doesn’t automatically do that when faced with the problem. He tries the easy way, which doesn’t work. Only when the Crisis takes him to a low point does he boldly change enough to become victorious over himself and the external situation. What he learns becomes the Theme.

Each scene shows its main character’s goal at its beginning, which aligns in a significant way with the protagonist’s overall goal for the story. The scene has a “charge,” showing either progress toward the goal or regression away from the goal by the ending. Most scenes end with a negative charge, because a story is about not obtaining one’s goals easily, until the end, in which the scene/s end with a positive charge.

The protagonist’s goal of the story becomes triggered until the Inciting Incident near the beginning, when something happens to shake up his life. This is the only major thing in the story that is allowed to be a random event that occurs to him.

Your characters speak differently from one another, and their dialogue suggests subtext, what they are really thinking but not saying: subtle passive-aggressive jibes, their underlying emotions, etc.

Your characters are not illustrative of ideas and beliefs you are pushing for, but come across as real people.

Your language is succinct, fresh and exciting, specific, colorful, avoiding clichés and platitudes. Sentence structures vary. In Genre stories, the language is simple, the symbolism is direct, and words are well-known, and sentences are relatively short. In Literary stories , you are freer to use more sophisticated ideas, words, sentence structures, styles , and underlying metaphors and implied motifs.

Your plot elements occur in the proper places according to classical Three Act Structure (or Freytag’s Pyramid ) so the reader feels he has vicariously gone through a harrowing trial with the protagonist and won, raising his sense of hope and possibility. Literary short stories may be more subtle, with lower stakes, experimenting beyond classical structures like the Hero’s Journey. They can be more like vignettes sometimes, or even slice-of-life, though these types are hard to place in publications.

In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape. In Literary short stories, you are free to explore uncertainty, ambiguity, and inchoate, realistic endings that suggest multiple interpretations, and unresolved issues.

Some Literary stories may be nonrealistic, such as with Surrealism, Absurdism, New Wave Fabulism, Weird and Magical Realism . If this is what you write, they still need their own internal logic and they should not be bewildering as to the what the reader is meant to experience, whether it’s a nuanced, unnameable mood or a trip into the subconscious.

Literary stories may also go beyond any label other than Experimental. For example, a story could be a list of To Do items on a paper held by a magnet to a refrigerator for the housemate to read. The person writing the list may grow more passive-aggressive and manipulative as the list grows, and we learn about the relationship between the housemates through the implied threats and cajoling.

Your short story is suspenseful, meaning readers hope the protagonist will achieve his best goal, his Need, by the Climax battle against the antagonist.

Your story entertains. This is especially necessary for Genre short stories.

The story captivates readers at the very beginning with a Hook, which can be a puzzling mystery to solve, an amazing character’s or narrator’s Voice, an astounding location, humor, a startling image, or a world the reader wants to become immersed in.

Expository prose (telling, like an essay) takes up very, very little space in your short story, and it does not appear near the beginning. The story is in Narrative format instead, in which one action follows the next. You’ve removed every unnecessary instance of Expository prose and replaced it with showing Narrative. Distancing words like “used to,” “he would often,” “over the years, he,” “each morning, he” indicate that you are reporting on a lengthy time period, summing it up, rather than sticking to Narrative format, in which immediacy makes the story engaging.

You’ve earned the right to include Expository Backstory by making the reader yearn for knowing what happened in the past to solve a mystery. This can’t possibly happen at the beginning, obviously. Expository Backstory does not take place in the first pages of your story.

Your reader cares what happens and there are high stakes (especially important in Genre stories). Your reader worries until the end, when the protagonist survives, succeeds in his quest to help the community, gets the girl, solves or prevents the crime, achieves new scientific developments, takes over rule of his realm, etc.

Every sentence is compelling enough to urge the reader to read the next one—because he really, really wants to—instead of doing something else he could be doing. Your story is not going to be assigned to people to analyze in school like the ones you studied, so you have found a way from the beginning to intrigue strangers to want to spend their time with your words.

Whether you’re looking for inspiration or want to publish your own stories, you’ll find great literary journals for writers of all backgrounds at this article:

https://writers.com/short-story-submissions

Learn How to Write a Short Story at Writers.com

The short story takes an hour to learn and a lifetime to master. Learn how to write a short story with Writers.com. Our upcoming fiction courses will give you the ropes to tell authentic, original short stories that captivate and entrance your readers.

Rosemary – Is there any chance you could add a little something to your checklist? I’d love to know the best places to submit our short stories for publication. Thanks so much.

Hi, Kim Hanson,

Some good places to find publications specific to your story are NewPages, Poets and Writers, Duotrope, and The Submission Grinder.

“ In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape.”

Not just no but NO.

See for example the work of MacArthur Fellow Kelly Link.

[…] How to Write a Short Story: The Short Story Checklist […]

Thank you for these directions and tips. It’s very encouraging to someone like me, just NOW taking up writing.

[…] Writers.com. A great intro to writing. https://writers.com/how-to-write-a-short-story […]

Hello: I started to write seriously in the late 70’s. I loved to write in High School in the early 60’s but life got in the way. Around the 00’s many of the obstacles disappeared. Since then I have been writing more, and some of my work was vanilla transgender stories. Here in 2024 transgender stories have become tiresome because I really don’t have much in common with that mind set.

The glare of an editor that could potentially pay me is quite daunting, so I would like to start out unpaid to see where that goes. I am not sure if a writer’s agent would be a good fit for me. My work life was in the Trades, not as some sort of Academic. That alone causes timidity, but I did read about a fiction writer who had been a house painter.

This is my first effort to publish since the late 70’s. My pseudonym would perhaps include Ahabidah.

Gwen Boucher.

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Literacy Narrative Explained

Literacy Narrative Examples for College Students

A literacy narrative is quite simply that: it is a story of how you became literate and how it has affected your life. To create a literacy narrative, you just need to find your story and use  descriptive text  to bring it to life. Learn how to write a literacy narrative through exploring original and famous examples.

Breaking Down a Literacy Narrative

A literacy narrative is a personalized story of your relationship with language. Not only do literacy narratives discuss memories, but they also walk through a person’s discovery, trials and triumphs with reading, writing and speaking a language.

This doesn’t have to be English either. It could be your experiences  learning a second language  and the impact that it has had on you. The point is simply to tell the world about your struggles and growth with language and communication. Literacy narratives can have different  themes , topics, styles,  moods  and  tones  that you can work to make your own.

Key Features of a Literacy Narrative

To start, a literacy narrative is a personalized story.

• Hook:  Begin with a hook  to draw the reader in. This could be your first experience with books or how reading and writing define you.
• Focus: Rounding out your first paragraph, you’ll want to give a short thesis that tells the reader the whole point of your story.
• Meaning: Throughout the remainder of your narrative, you’ll use stories and  vivid descriptions  to explore the meaning of this journey to you. You might discuss how your poetry has grown or your love of reading has turned into writing.
• Challenges: Explore the challenges that you’ve faced in your journey and how you’ve overcome them, along with how your ideas and thoughts have transformed.

Example: Relationship with Words

Explore how to write a literacy  narrative essay  through an original example for college level students. The following example is written by  Jennifer Betts .

Words were like a puzzle that I couldn’t quite solve. Listening to the teachers read the jumbled-up letters on the page, I was fascinated by how they could easily bring the pictures to life. The first day that I truly became literate, it was like another world opening up. My fingers couldn’t find books fast enough. My relationship with words has been a powerful, fantastical and even sometimes disastrous journey.

I would like to say that I’ve always known the power of words, but that simply isn’t true. The power that a word can hold jumped at me like a thief in the night the first time I encountered my own personal bully. They took the words that I’d proudly written and made them less meaningful than trash. However, it was that bully that forced my reading and vocabulary to grow. They made me realize the power that a few sentences could hold in an instant. Like swords in battle, they can quickly cut and decimate your opponent. Mastering the tactics of battle, you turn from the opponent to the victor. The need to be the victor drove me to books. And books opened my eyes to a whole new way of thinking.

I have that bully to thank for leading me to the  children’s book  Harry Potter. The moment I slid open those silken pages, my eyes couldn’t devour them fast enough. The story pushed the limits of my vast imagination and truly allowed me to soar. The moment the journey was over, I missed it. And there hasn’t been another book since that has truly satisfied that high.

While I had dabbled in writing my own love stories a time or two, my need to find another fantasy that consumed me like the Harry Potter series pushed me into trying my own hand at writing. The moment my fingers hit the keys, the words just started pouring out of me at a rate that even I couldn’t control. Who knew that the shy, introverted child had so much to say?

While my relationship with written words are the things of dreams, my plunge into speaking often has disastrous consequences. Never have I been a good public speaker. In school, it was the day that I dreaded. Despite my preparation, I would trip and stumble to the podium only to repeat my performance in my carefully planned words. While they say practice makes perfect, in my case, practice has made mediocre. But to get the world to hear your words, sometimes you need to find the courage to speak them.

Even if the delivery isn’t perfect.

Though my journey with words started in frustration, it turned to fascination and wonder in a minute. Even with many years of reading under my belt, I’m still humbled by the power that a single word can hold if used the right or even the wrong way. Sharper than knives or softer than a silk, finding the right words is always an interesting journey.

Famous Examples of a Literacy Narrative

Literacy narratives can make an impact. Going beyond a short essay, a literacy narrative can even become an entire book that explores your literacy journey. To get your creative juices flowing, look at a few excerpts from famous examples of literacy narratives.

The Writing Life by Annie Dillard

Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered? Why does death so catch us by surprise, and why love? We still and always want waking.

In “ The Writing Life ,” Annie Dilliard uses short essays to explore her journey with literacy and writing. Using her own unique style, Annie helps you to explore how and why she is a writer and what a rough and exciting journey it can be. You follow how writing can be torturous and transcendent all in the same moment.

Literacy Narrative by Kiki Petrosino

I wish to put my blackness into some kind of order. My blackness, my builtness, my blackness, a bill. I want you to know how I feel it: cold key under the tongue. Mean fishhook of homesickness that catches my heart when I walk under southern pines. And how I recognized the watery warp of the floor in my great-grandma’s house, when I dreamed it. This is what her complaining ghost said: Write about me.

Culture and writing and how culture affects writing are explored in “ Literacy Narrative ,” a personal essay by Kiki Petrosino. Kiki uses her experiences as a black woman and her history to show her relationship with words. She explores how her African American heritage drives her writing and how, through her journey with  descriptive poetry , she intermingles her poetry and race to create a compelling work.

Bird by Bird Some Instructions on Writing and Life by Anne Lamott

For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.

Anne Lamott takes you through a hilarious and witty ride to finding her story in “ Bird by Bird .” Through showing you her journey into becoming a writer and finding literacy, she tries to help others find their own story in this  personal narrative . Starting with some words of wisdom from her father, this literacy narrative takes you through her entire journey with writer’s block and pushing your limits. This is a great example of the impact and depth that a literacy narrative can take.

Finding Your Words

Everyone has a literacy story. It can even be how you don’t like to read. In college, you often have to explore your personal literacy story through an essay. Using these tactics and examples, you can dive into the fun world of  personal expression  and exploration. If literacy narratives aren’t your jam, you might give poetry a try. There are several  poetry genres  perfect for personal exploration and introspection, too.

https://examples.yourdictionary.com/literacy-narrative-examples-for-college-students.html

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From drab to fab: elevate your essay writing with powerful techniques, sponsored post.

• May 28, 2024

Essays. The mere word can make some students groan and break out in a cold sweat. Some of them don’t know where to start, and others wonder, “How do I make my essay better to get a good grade?” But essays don’t have to be your nemesis. With the right tools and tricks, you can transform your essays from drab to absolutely fabulous!

Whether you panic at the sight of a blank page or feel like your texts always end up being a confusing jumble, you’re in the right place. And yes, sometimes it helps to get extra guidance from websites like WritePapers when it comes to academic writing. Yet, with the strategies we’ll talk about here, you can start crafting those A+ essays your teachers will rave about. 

Let’s ditch the dull texts and get creative!

Spice Up Your Sentences

Basic sentences get the job done, but they won’t make your essay pop. To really elevate your writing, you should experiment with different sentence structures and words. 

Think about how you can add flair to your writing strategies. A mix of sentence lengths is a great starting point. Short, punchy sentences can create emphasis. Longer, detailed sentences are perfect for describing complex ideas. 

And don’t forget the power of those vivid verbs! They bring your writing to life. Instead of describing something as “interesting,” try words like “fascinating,” “captivating,” or “riveting.”

Master Transitions

Smooth transitions are essential for creating a strong, cohesive essay. Imagine trying to cross a river without any bridges…it’d be tough! Effective transitions show the relationships between your ideas, taking your reader on a clear and logical journey. 

Using signal words and phrases is a cornerstone of successful transitions. For example, if you’re adding onto a previous point, words like “furthermore” or “additionally” work wonders. Want to show contrast? Try “however” or “on the other hand.” To demonstrate cause and effect, use words like “consequently” or “therefore” are your friends. 

But transitions can be more subtle than just these signal words. A well-placed example or brief anecdote can seamlessly move from one concept to the next.

Apply the Right Evidence

Using relevant evidence is one of the best essay writing strategies. But simply dropping a quote won’t cut it. The real magic comes from analyzing and integrating evidence into your own words. Explain why that particular quote or piece of data backs up your argument. 

Moreover, you should provide context for your evidence. Don’t let it stand alone in a disconnected way – weave it seamlessly into your writing. 

And lastly, remember that variety is key when it comes to essay writing tips. Mix up the types of evidence you use – a poignant quote, a relevant statistic, or a vivid example – to keep your reader engaged and make your points even more convincing.

Don’t Skip the Revision Step

Never underestimate the power of thorough revision. It’s where you can refine your ideas, polish your writing, and truly make your essay better. 

One crucial step in the revision process is to take a break after writing your first draft. Returning to your work with fresh eyes lets you catch those sneaky errors or confusing passages you might have glossed over initially.

Reading your work aloud is another invaluable strategy! Hearing your words spoken out loud helps you notice awkward phrasing or areas where the flow feels off. This is a simple yet highly effective way to identify where you might need to focus on how to improve writing skills.

Finally, remember that revision isn’t just about fixing typos (although those are important, too!). Take a step back and ask yourself the big questions: 

• Is your thesis statement crystal clear? 
• Is your essay well-organized? 
• Does each paragraph seamlessly support your main argument? 

If you find yourself needing guidance or an extra set of eyes, don’t hesitate to seek out help with writing. There are numerous resources available, including online platforms and essay writing services, that can provide valuable feedback and help you take your writing to the next level.

Embrace Your Voice

One of the easiest ways to fall into the “drab essay” trap is by trying to sound overly formal or academic. While correct grammar and good structure are non-negotiable, letting your own voice shine through is what makes your writing memorable. Think about these tips:

• Write like you talk (but a bit more polished). Imagine you’re explaining your essay topic to a friend. What kind of language would you use? Keep the tone engaging and natural.
• Don’t be afraid of strong opinions. Essays are opportunities to argue your point of view. Using words like “clearly,” “undoubtedly,” or “importantly” adds conviction to your statements.
• Own your perspective. Share insights or experiences that relate to your topic. This sets your essay apart from the crowd.

Your writing doesn’t have to be filled with complex jargon to be impressive. Clarity, confidence, and a dash of personality can create an engaging essay that your teachers won’t soon forget!

Final Thoughts

Essays aren’t always the most thrilling thing in the world. But with the strategies we talked about, you can learn to craft sentences that make your reader lean in, not zone out. You’ll master the art of making your ideas flow effortlessly, and you’ll use evidence like a pro to back up your arguments.

The revision process allows you to look at the piece of writing from another perspective. Don’t be afraid to read your essay out loud, get feedback from others, and ask those big-picture questions about your organization and thesis statement. 

And hey, we all need a little extra support sometimes! There are tons of amazing resources out there to help if you need guidance on how to write better essays.

Most importantly, don’t try to sound like someone you’re not. Let your personality be reflected in your writing. Share your unique perspectives, use vivid language, and express your opinions with confidence. Your teachers will notice the difference!

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ZDNET's editorial team writes on behalf of you, our reader. Our goal is to deliver the most accurate information and the most knowledgeable advice possible in order to help you make smarter buying decisions on tech gear and a wide array of products and services. Our editors thoroughly review and fact-check every article to ensure that our content meets the highest standards. If we have made an error or published misleading information, we will correct or clarify the article. If you see inaccuracies in our content, please report the mistake via this form .

What is ChatGPT and why does it matter? Here's what you need to know

What is ChatGPT?

ChatGPT is an AI chatbot with natural language processing (NLP) that allows you to have human-like conversations to complete various tasks. The  generative AI  tool can answer questions and assist you with tasks such as composing emails, essays, code, and more.

Also :  How to use ChatGPT: What you need to know now

It's currently  open to use for free . A paid subscription version called ChatGPT Plus launched in February 2023 with access to priority access to OpenAI's latest models and updates.

Who made ChatGPT?

AI startup OpenAI launched ChatGPT on November 30, 2022. OpenAI has also developed  DALL-E 2  and DALL-E 3 , popular  AI image generators , and Whisper, an automatic speech recognition system. 

Who owns ChatGPT currently?

OpenAI owns ChatGPT. Microsoft is a major investor in OpenAI thanks to multiyear, multi-billion dollar  investments. Elon Musk was an investor when OpenAI was first founded in 2015, but has since completely severed ties with the startup and created his own AI chatbot, Grok .

How can you access ChatGPT?

On April 1, 2024, OpenAI stopped requiring you to log in to use ChatGPT. Now, you can access ChatGPT simply by visiting  chat.openai.com . You can also access ChatGPT  via an app on your iPhone  or  Android  device.

Once you visit the site, you can start chatting away with ChatGPT. A great way to get started is by asking a question, similar to what you would do with Google. You can ask as many questions as you'd like.

Also: ChatGPT no longer requires a login, but you might want one anyway. Here's why

There are still some perks to creating an OpenAI account, such saving and reviewing your chat history and accessing custom instructions. Creating an OpenAI account is entirely free and easy. You can even log in with your Google account.

For step-by-step instructions, check out ZDNET's guide on  how to start using ChatGPT . 

Is there a ChatGPT app?

Yes, an official ChatGPT app is available for both iPhone and Android users. 

Also: ChatGPT dropped a free app for iPhones. Does it live up to the hype?

Make sure to download OpenAI's app, as there are a plethora of copycat fake apps listed on Apple's App Store and the Google Play Store that are not affiliated with the startup.

Is ChatGPT available for free?

ChatGPT is free to use, regardless of what you use it for, including writing, coding, and much more. 

There is a subscription option , ChatGPT Plus, that users can take advantage of that costs $20/month. The paid subscription model guarantees users extra perks, such as priority access to GPT-4o and the latest upgrades. 

Also: ChatGPT vs ChatGPT Plus: Is it worth the subscription fee?

Although the subscription price may seem steep, it is the same amount as Microsoft Copilot Pro and Google One AI, Microsoft's and Google's premium AI offerings. 

The free version is still a solid option as it can access the same model and most of the same perks. One major exception: only subscribers get guaranteed access to GPT-4o when the model is at capacity. 

I tried using ChatGPT and it says it's at capacity. What does that mean?

The ChatGPT website operates using servers. When too many people hop onto these servers, they may overload and can't process your request. If this happens to you, you can visit the site later when fewer people are trying to access the tool. You can also keep the tab open and refresh it periodically. 

Also: The best AI chatbots

If you want to skip the wait and have reliable access, you can subscribe to  ChatGPT Plus  for general access during peak times, faster response times, and priority access to new features and improvements, including priority access to GPT-4o.

You can also try using Bing's AI chatbot, Copilot . This chatbot is free to use, runs on GPT-4, has no wait times, and can access the internet for more accurate information.

What is ChatGPT used for?

ChatGPT has many functions in addition to answering simple questions. ChatGPT can compose essays , have philosophical conversations, do math, and even code for you . 

The tasks ChatGPT can help with also don't have to be so ambitious. For example, my favorite use of ChatGPT is for help creating basic lists for chores, such as packing and grocery shopping, and to-do lists that make my daily life more productive. The possibilities are endless. 

ZDNET has published many ChatGPT how-to guides. Below are some of the most popular ones. 

Use ChatGPT to: 

• Write an essay
• Create an app
• Build your resume
• Write Excel formulas
• Summarize content
• Write a cover letter
• Start an Etsy business
• Create charts and tables
• Write Adruino drivers

Can ChatGPT generate images?

Yes, ChatGPT can generate images, but only for ChatGPT Plus subscribers. Since OpenAI discontinued DALL-E 2 in February 2024, the only way to access its most advanced AI image generator, DALL-E 3, through OpenAI's offerings is via its chatbot and ChatGPT Plus subscription.

Also: DALL-E adds new ways to edit and create AI-generated images. Learn how to use it

Microsoft's Copilot offers image generation, which is also powered by DALL-E 3, in its chatbot for free. This is a great alternative if you don't want to shell out the money for ChatGPT Plus.

How does ChatGPT work?

ChatGPT runs on a large language model (LLM) architecture created by OpenAI called the  Generative Pre-trained Transformer  (GPT). Since its launch, the free version of ChatGPT ran on a fine-tuned model in the GPT-3.5 series until May 2024, when the startup upgraded the model to GPT-4o. 

Also:   Here's a deep dive into how ChatGPT works  

With a subscription to ChatGPT Plus , you can access GPT-3.5, GPT-4, or  GPT-4o . Plus, users also have the added perk of priority access to GPT-4o, even when it is at capacity, while free users get booted down to GPT-3.5. 

Generative AI models of this type are trained on vast amounts of information from the internet, including websites, books, news articles, and more.

What does ChatGPT stand for?

As mentioned above, the last three letters in ChatGPT's namesake stand for Generative Pre-trained Transformer (GPT), a family of large language models created by OpenAI that uses deep learning to generate human-like, conversational text. 

Also: What does GPT stand for? Understanding GPT 3.5, GPT 4, GPT-4 Turbo, and more

The "Chat" part of the name is simply a callout to its chatting capabilities. 

Is ChatGPT better than a search engine?

ChatGPT is a language model created to converse with the end user. A search engine indexes web pages on the internet to help users find information. One is not better than the other, as each suit different purposes. 

When searching for as much up-to-date, accurate information as you can access, your best bet is a search engine. It will provide you with pages upon pages of sources you can peruse. 

Also: The best AI search engines of 2024: Google, Perplexity, and more

As of May, the free version of ChatGPT can get responses from both the GPT-4o model and the web. It will only pull its answer from, and ultimately list, a handful of sources, as opposed to showing nearly endless search results.

For example, I used GPT-4o to answer, "What is the weather today in San Francisco?" The response told me it searched four sites and provided links to them. 

If you are looking for a platform that can explain complex topics in an easy-to-understand manner, then ChatGPT might be what you want. If you want the best of both worlds, there are plenty of AI search engines on the market that combine both.

What are ChatGPT's limitations?

Despite its impressive capabilities, ChatGPT still has limitations. Users sometimes need to reword questions multiple times for ChatGPT to understand their intent. A bigger limitation is a lack of quality in responses, which can sometimes be plausible-sounding but are verbose or make no practical sense. 

Instead of asking for clarification on ambiguous questions, the model guesses what your question means, which can lead to poor responses. Generative AI models are also subject to hallucinations, which can result in inaccurate responses.

Does ChatGPT give wrong answers?

As mentioned above, ChatGPT, like all language models, has  limitations  and can give nonsensical answers and incorrect information, so it's important to double-check the data it gives you.

Also: 8 ways to reduce ChatGPT hallucinations

OpenAI recommends that you provide feedback on what ChatGPT generates by using the thumbs-up and thumbs-down buttons to improve its underlying model. You can even join the startup's Bug Bounty program , which offers up to $20,000 for reporting security bugs and safety issues.

Can ChatGPT refuse to answer my prompts?

AI systems like ChatGPT can and do reject  inappropriate requests . The AI assistant can identify inappropriate submissions to prevent the generation of unsafe content.

Also:  6 things ChatGPT can't do (and another 20 it refuses to do)

These submissions include questions that violate someone's rights, are offensive, are discriminatory, or involve illegal activities. The ChatGPT model can also challenge incorrect premises, answer follow-up questions, and even admit mistakes when you point them out.

These guardrails are important. AI models can generate advanced, realistic content that can be exploited by bad actors for harm, such as spreading misinformation about public figures and influencing elections .

Can I chat with ChatGPT?

Although some people use ChatGPT for elaborate functions, such as writing code or even malware , you can use ChatGPT for more mundane activities, such as having a friendly conversation. 

Also:  Do you like asking ChatGPT questions? You could get paid (a lot) for it

Some conversation starters could be as simple as, "I am hungry, what food should I get?" or as elaborate as, "What do you think happens in the afterlife?" Either way, ChatGPT is sure to have an answer for you. 

Is ChatGPT safe?

People are expressing concerns about AI chatbots replacing or atrophying human intelligence. For example, a chatbot can write an article on any topic efficiently (though not necessarily accurately) within seconds, potentially eliminating the need for human writers.

Chatbots can also write an entire essay within seconds, making it easier for students to cheat or avoid learning how to write properly. This even led  some school districts to block access  when ChatGPT initially launched. 

Also:  Generative AI can be the academic assistant an underserved student needs

Now, not only have many of those schools decided to unblock the technology, but some higher education institutions have been  catering their academic offerings  to AI-related coursework. 

Another concern with AI chatbots is the possible spread of misinformation. ChatGPT itself says: "My responses are not intended to be taken as fact, and I always encourage people to verify any information they receive from me or any other source." OpenAI also notes that ChatGPT sometimes writes "plausible-sounding but incorrect or nonsensical answers."

Also:  Microsoft and OpenAI detect and disrupt nation-state cyber threats that use AI, report shows

Lastly, there are ethical concerns regarding the information ChatGPT was trained on, since the startup scraped the internet to train the chatbot. 

It also automatically uses people's interactions with the free version of the chatbot to further train its models, raising privacy concerns. OpenAI lets you turn off training in ChatGPT's settings.

Does ChatGPT plagiarize?

Yes, sort of. OpenAI scraped the internet to train ChatGPT. Therefore, the technology's knowledge is influenced by other people's work. Since there is no guarantee that when OpenAI outputs its answers it is entirely original, the chatbot may regurgitate someone else's work in your answer, which is considered plagiarism. 

Is there a ChatGPT detector?

Concerns about students using AI to cheat mean the need for a ChatGPT text detector is becoming more evident. 

In January 2023, OpenAI released a free tool to target this problem. Unfortunately, OpenAI's "classifier" tool could only correctly identify 26% of AI-written text with a "likely AI-written" designation. Furthermore, it provided false positives 9% of the time, incorrectly identifying human-written work as AI-produced. 

The tool performed so poorly  that, six months after being released, OpenAI it shut down "due to its low rate of accuracy." Despite the tool's failure, the startup claims to be researching more effective techniques for AI text identification.

Also: OpenAI unveils text-to-video model and the results are astonishing

Other AI detectors exist on the market, including GPT-2 Output Detector ,  Writer AI Content Detector , and Content at Scale's AI Content Detection  tool. ZDNET put these tools to the test, and the results were underwhelming: all three were found to be unreliable sources for spotting AI, repeatedly giving false negatives. Here are  ZDNET's full test results .

What are the common signs something was written by ChatGPT?

Although tools aren't sufficient for detecting ChatGPT-generated writing, a  study  shows that humans could detect AI-written text by looking for politeness. The study's results indicate that  ChatGPT's writing style is extremely polite . And unlike humans, it cannot produce responses that include metaphors, irony, or sarcasm.

Will my conversations with ChatGPT be used for training?

One of the major risks when using generative AI models is that they become more intelligent by being trained on user inputs. Therefore, when familiarizing yourself with how to use ChatGPT, you might wonder if your specific conversations will be used for training and, if so, who can view your chats.

Also:  This ChatGPT update fixed one of my biggest productivity issues with the AI chatbot

OpenAI will use your conversations with the free chatbot to automatically training data to refine its models. You can opt out of the startup using your data for model training by clicking on the question mark in the bottom left-hand corner, Settings, and turning off "Improve the model for everyone."

What is GPT-4?

GPT-4 is OpenAI's language model that is much more advanced than its predecessor, GPT-3.5. Users can access GPT-4 by subscribing to ChatGPT Plus for $20 per month or using Microsoft's Copilot.

Also: What does GPT stand for? Understanding GPT-3.5, GPT-4, and more

GPT-4 has advanced intellectual capabilities, meaning it outperforms GPT-3.5 in a series of simulated benchmark exams. The newer model also supposedly produces fewer hallucinations. 

What is GPT-4o?

GPT-4o is OpenAI's latest, fastest, and most advanced flagship model. As the name implies, it has the same intelligence as GPT-4. However, the "o" in the title stands for "omni," referring to its multimodal capabilities, which allow it to understand text, audio, image, and video inputs and output text, audio, and image outputs. 

Also:  6 ways OpenAI just supercharged ChatGPT for free users

The model is 50% cheaper in the API than GPT-4 Turbo while still matching its English and coding capabilities and outperforming it in non-English languages, vision, and audio understanding -- a big win for developers.

Are there alternatives to ChatGPT worth considering?

Although ChatGPT gets the most buzz, other options are just as good -- and might even be better suited to your needs. ZDNET has created a list of the best chatbots, which have all been tested by us and show which tool is best for your requirements. 

Also: 4 things Claude AI can do that ChatGPT can't

Despite ChatGPT's extensive abilities, there are major downsides to the AI chatbot. If you want to try the technology, there are plenty of other options: Copilot , Claude , Perplexity ,  Jasper , and more.  

Is ChatGPT smart enough to pass benchmark exams?

Yes, ChatGPT is capable of passing a series of benchmark exams. A professor at Wharton, the University of Pennsylvania's business school, used ChatGPT to take an MBA exam and the results were quite impressive. 

ChatGPT not only passed the exam, but the tool scored between a B- and a B. The professor, Christian Terwiesch, was impressed at its basic operations management, process analysis questions, and explanations.

OpenAI also tested the chatbot's ability to pass benchmark exams. Although ChatGPT could pass many of these benchmark exams, its scores were usually in the lower percentile. However, with GPT-4, ChatGPT can score much higher.

For example, ChatGPT using GPT-3.5 scored in the lower 10th percentile of a simulated Bar Exam, while GPT-4 scored in the top 10th percentile. You can see more examples from OpenAI in the chart below.

Can ChatGPT be used for job application assistance?

Yes, ChatGPT is a great resource to help with job applications. Undertaking a job search can be tedious and difficult, and ChatGPT can help you lighten the load. ChatGPT can build your resume  and write a cover letter .

Also :  How to use ChatGPT to write an essay

If your application has any written supplements, you can use ChatGPT to help you write those essays or personal statements . 

What are the most common ChatGPT plugins, and how do I use them?

Plugins allowed ChatGPT to connect to third-party applications, including access to real-time information on the web. The plugins expanded ChatGPT's abilities , allowing it to assist with many more activities, such as planning a trip or finding a place to eat. 

Also:  My two favorite ChatGPT Plus features and the remarkable things I can do with them

On March 19, 2024, however, OpenAI stopped allowing users to install new plugins or start new conversations with existing ones. Instead, OpenAI replaced plugins with GPTs , which are easier for developers to build. 

Users can find 3 million ChatGPT chatbots, also known as GPTs, on the GPT store. Unfortunately, there is also a lot of spam in the GPT store.

What is Microsoft's involvement with ChatGPT?

Microsoft was an early investor in OpenAI, the AI startup behind ChatGPT, long before ChatGPT was released to the public. Microsoft's first involvement with OpenAI was in 2019, when the company invested $1 billion, and then another $2 billion in the years after. In January 2023, Microsoft extended its partnership with OpenAI through a multiyear, multi-billion dollar investment .

Also: ChatGPT vs. Copilot: Which AI chatbot is better for you?

 Neither company disclosed the investment value, but unnamed sources told Bloomberg that it could total $10 billion over multiple years. In return, OpenAI's exclusive cloud-computing provider is Microsoft Azure, powering all OpenAI workloads across research, products, and API services.

Microsoft has also used its OpenAI partnership to revamp its Bing search engine and improve its browser. 

On February 7, 2023, Microsoft unveiled a new Bing tool , now known as Copilot, that runs on OpenAI's GPT-4, customized specifically for search.

What does Copilot (formerly Bing Chat) have to do with ChatGPT?

In February 2023,  Microsoft unveiled  a new version of Bing -- and its standout feature was its integration with ChatGPT. When it was announced, Microsoft shared that Bing Chat, now Copilot, was powered by a next-generation version of OpenAI's large language model, making it "more powerful than ChatGPT." Five weeks after the launch, Microsoft revealed that Copilot had been running on GPT-4 before the model had even launched. 

How does Copilot compare to ChatGPT?

Copilot uses OpenAI's GPT-4, which means that since its launch, it has been more efficient and capable than the standard, free version of ChatGPT. At the time, Copilot boasted several other features over ChatGPT, such as access to the internet, knowledge of current information, and footnotes.

In May 2024, however, OpenAI supercharged the free version of its chatbot with GPT-4o. The upgrade gave users GPT-4 level intelligence, the ability to get responses from the web via ChatGPT Browse with Bing, analyze data, chat about photos and documents, use GPTs, access the GPT Store, and Voice Mode. Therefore, after the upgrade, ChatGPT reclaimed its crown as the best AI chatbot. 

What is Gemini and how does it relate to ChatGPT?

Gemini is Google's AI chat service, a rival to ChatGPT. On February 6, 2023, Google introduced its experimental AI chat service, which was then called Google Bard. Over a month after the announcement, Google began rolling out  access to Bard first via a waitlist . Now, it is available to the general public. 

Artificial Intelligence

Chatgpt vs. copilot: which ai chatbot is better for you, what does gpt stand for understanding gpt-3.5, gpt-4, gpt-4o, and more, what is copilot (formerly bing chat) here's everything you need to know.

Media Companies Are Making a Huge Mistake With AI

News organizations rushing to absolve AI companies of theft are acting against their own interests.

In 2011, I sat in the Guggenheim Museum in New York and watched Rupert Murdoch announce the beginning of a “new digital renaissance” for news. The newspaper mogul was unveiling an iPad-inspired publication called The Daily . “The iPad demands that we completely reimagine our craft,” he said. The Daily shut down the following year, after burning through a reported $40 million.

For as long as I have reported on internet companies, I have watched news leaders try to bend their businesses to the will of Apple, Google, Meta, and more. Chasing tech’s distribution and cash, news firms strike deals to try to ride out the next digital wave. They make concessions to platforms that attempt to take all of the audience (and trust) that great journalism attracts, without ever having to do the complicated and expensive work of the journalism itself. And it never, ever works as planned.

Publishers like News Corp did it with Apple and the iPad, investing huge sums in flashy content that didn’t make them any money but helped Apple sell more hardware. They took payouts from Google to offer their journalism for free through search, only to find that it eroded their subscription businesses. They lined up to produce original video shows for Facebook and to reformat their articles to work well in its new app. Then the social-media company canceled the shows and the app. Many news organizations went out of business.

The Wall Street Journal recently laid off staffers who were part of a Google-funded program to get journalists to post to YouTube channels when the funding for the program dried up . And still, just as the news business is entering a death spiral, these publishers are making all the same mistakes, and more, with AI.

Adrienne LaFrance: The coming humanist renaissance

Publishers are deep in negotiations with tech firms such as OpenAI to sell their journalism as training for the companies’ models. It turns out that accurate, well-written news is one of the most valuable sources for these models, which have been hoovering up humans’ intellectual output without permission. These AI platforms need timely news and facts to get consumers to trust them. And now, facing the threat of lawsuits, they are pursuing business deals to absolve them of the theft. These deals amount to settling without litigation. The publishers willing to roll over this way aren’t just failing to defend their own intellectual property—they are also trading their own hard-earned credibility for a little cash from the companies that are simultaneously undervaluing them and building products quite clearly intended to replace them.

Late last year Axel Springer, the European publisher that owns Politico and Business Insider , sealed a deal with OpenAI reportedly worth tens of millions of dollars over several years. OpenAI has been offering other publishers $1 million to $5 million a year to license their content . News Corp’s new five-year deal with OpenAI is reportedly valued at as much as $250 million in cash and OpenAI credits. Conversations are heating up. As its negotiations with OpenAI failed, The New York Times sued the firm—as did Alden Global Capital, which owns the New York Daily News and the Chicago Tribune . They were brave moves, although I worry that they are likely to end in deals too.

That media companies would rush to do these deals after being so burned by their tech deals of the past is extraordinarily distressing. And these AI partnerships are far worse for publishers. Ten years ago, it was at least plausible to believe that tech companies would become serious about distributing news to consumers. They were building actual products such as Google News. Today’s AI chatbots are so early and make mistakes often. Just this week, Google’s AI suggested you should glue cheese to pizza crust to keep it from slipping off.

OpenAI and others say they are interested in building new models for distributing and crediting news, and many news executives I respect believe them. But it’s hard to see how any AI product built by a tech company would create meaningful new distribution and revenue for news. These companies are using AI to disrupt internet search—to help users find a single answer faster than browsing a few links. So why would anyone want to read a bunch of news articles when an AI could give them the answer, maybe with a tiny footnote crediting the publisher that no user will ever click on?

Companies act in their interest. But OpenAI isn’t even an ordinary business. It’s a nonprofit (with a for-profit arm) that wants to promote general artificial intelligence that benefits humanity—though it can’t quite decide what that means. Even if its executives were ardent believers in the importance of news, helping journalism wouldn’t be on their long-term priority list.

Ross Andersen: Does Sam Altman know what he’s creating?

That’s all before we talk about how to price the news. Ask six publishers how they should be paid by these tech companies, and they will spout off six different ideas. One common idea publishers describe is getting a slice of the tech companies’ revenue based on the percentage of the total training data their publications represent. That’s impossible to track, and there’s no way tech companies would agree to it. Even if they did agree to it, there would be no way to check their calculations—the data sets used for training are vast and inscrutable. And let’s remember that these AI companies are themselves struggling to find a consumer business model. How do you negotiate for a slice of something that doesn’t yet exist?

The news industry finds itself in this dangerous spot, yet again, in part because it lacks a long-term focus and strategic patience. Once-family-owned outlets, such as The Washington Post and the Los Angeles Times , have been sold to interested billionaires. Others, like The Wall Street Journal , are beholden to the public markets and face coming generational change among their owners. Television journalism is at the whims of the largest media conglomerates, which are now looking to slice, dice, and sell off their empires at peak market value. Many large media companies are run by executives who want to live to see another quarter, not set up their companies for the next 50 years. At the same time, the industry’s lobbying power is eroding. A recent congressional hearing on the topic of AI and news was overshadowed by OpenAI CEO Sam Altman’s meeting with House Speaker Mike Johnson . Tech companies clearly have far more clout than media companies.

Things are about to get worse. Legacy and upstart media alike are bleeding money and talent by the week. More outlets are likely to shut down, while others will end up in the hands of powerful individuals using them for their own agendas (see the former GOP presidential candidate Vivek Ramaswamy’s activist play for BuzzFeed ).

The long-term solutions are far from clear. But the answer to this moment is painfully obvious. Publishers should be patient and refrain from licensing away their content for relative pennies. They should protect the value of their work, and their archives. They should have the integrity to say no. It’s simply too early to get into bed with the companies that trained their models on professional content without permission and have no compelling case for how they will help build the news business.

Instead of keeping their business-development departments busy, newsrooms should focus on what they do best: making great journalism and serving it up to their readers. Technology companies aren’t in the business of news. And they shouldn’t be. Publishers have to stop looking to them to rescue the news business. We must start saving ourselves.

Zanesville Middle School students have turned difficult situations into solutions

Zanesville students' essays to be placed into the library of congress.

• Hailey Anderson and Levi Knott will travel to Washington D.C. in July as part of their prize.
• Zanesville is one of only five districts in the state that currently participates in the initiative

ZANESVILLE −Hailey Anderson and Levi Knott will travel to Washington D.C. in July as part of their prize for winning the Zanesville Middle School essay contest that falls under Ohio Attorney General’s partnership with the anti-violence program Do the Write Thing, which launched in Ohio in 2021.Zanesville is one of only five districts in the state that currently participates in the initiative, alongside Springfield, Canton, Lima, and Youngstown. Ten Zanesville seventh and eighth graders were elected as finalists from the 435 essays submitted. Levi and Hailey were then selected as the two winners.“The students are really honest in their writing. That’s what I perceive when I read these,” said Zanesville Superintendent Dr. Doug Baker. “They’re talking about something that is very close to their heart. Sometimes it can be issues that are going on in their family, with their friends, sometimes bigger issues in the community — there’s a lot of emotion in that.

“Sometimes when you read these essays your heart breaks a little with what you’re reading. You’re really rooting for a solution.”One of the requirements of the essays is that the middle school student must not only identify a problem, but also a solution.“(The state wants) to have our citizens starting at a young age not just identifying problems but constructively putting that energy into positive effect and making their community a better place,” said Baker.Zanesville Middle School Principal Adrian Williams said they’ve already implemented programs that sparked from this competition.“This year we implemented a program called Watch D.O.G.S., which stands for Dads of Great Students,” said Williams. “A lot of our students go home to no positive male role models. It’s a way to provide male figures in the building. They play basketball with the kids, eat food with them, talk to them. The kids love it.”Hailey and Levi are hoping their essays have an impact, too. Hailey writes about inclusive language Hailey, 12, in seventh grade, hopes that her school and many others begin using more inclusive language that doesn’t focus on parent-centered assumptions.“Schools could be a little bit more sensitive about the topic,” said Hailey, who wrote her essay on growing up without her mother. “If you go to the office and need to call someone, they always ask, ‘Which parent?’ But I spend a lot of time with my grandma, so if they said parent/guardian, that would be more inclusive because not everybody has a parent.”Hailey said her dad is proud of her and they’re both excited for her trip to Washington D.C.“I’m excited to represent my school,” she said.She’s also excited that her essay opened up a lane for herself and other kids like her to talk more openly about loss and other difficult emotions.“My solution talks about ways that schools and teachers could help children open up,” said Hailey. “So we could feel more comfortable talking about (our issues). The essay itself was a way towards that solution.” Levi wants to stop the bullying Seventh grader Levi, 13, agreed that the essays have been not only educational, but therapeutic.“I do think they’re important because it could really help someone share their feelings,” said Levi. “Instead of keeping things inside they can write about how they feel about situations.”Levi wrote about his brother, who is on the spectrum, and how he was bullied.“The solution I said was we could get a speaker in or a counselor in the building at all times to see if the person who’s getting bullied could talk to the counselor and then the counselor could talk to the bullies and settle it that way.”Levi said his brother was excited for Levi’s win. “He was basically jumping up for joy.”Levi’s overall message to bullies is simple: “Stop bullying. Because you don’t know what that person is going through, and you could really hurt them and bring them down a lot.” Transformation Williams said the essays have not only improved the writing of the students, but it’s improved communication throughout the building.“I think the biggest impact I’m seeing is kids are starting to open up more,” said Williams. “They’re feeling this is a space where they have trusted adults, whether it’s things at school or outside of the school.”And for Levi and Hailey, they get one more big achievement to add to their college applications someday: published author.“Their individual writing gets placed in a book and becomes part of the Library of Congress,” said Superintendent Baker. “They’re officially authors at that time.”Williams said the experience in D.C. has transformed the students who attend.“It definitely gets them involved in that civics aspects,” said Williams. “When they come back, they’re more involved, they lead more, they’re not afraid to voice their opinions, and most importantly, instead of just voicing problems, they bring solutions to the table.”

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JK Rowling: Why I decided to stand up for women

In exclusive extracts from a new book the women who wouldn’t wheesht, the harry potter author, a broken-hearted mother and a former prison governor tell the inside story of their fight for rights.

Challenge yourself with today’s puzzles.

B y the standards of my world, I was a heretic. I’d come to believe that the socio-political movement insisting “trans women are women” was neither kind nor tolerant, but in fact profoundly misogynistic, regressive, dangerous in some of its objectives and nakedly authoritarian in its tactics. However, I kept my thoughts to myself in public, because people around me, including some I love, were begging me not to speak. So I watched from the sidelines as women with everything to lose rallied, in Scotland and across the UK, to defend their rights. My guilt that I wasn’t standing with them was with me daily, like a chronic pain.

What ultimately drove me to break cover were two separate legal events, both of which were happening

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Jamie Raskin: How to Force Justices Alito and Thomas to Recuse Themselves in the Jan. 6 Cases

By Jamie Raskin

Mr. Raskin represents Maryland’s Eighth Congressional District in the House of Representatives. He taught constitutional law for more than 25 years and was the lead prosecutor in the second impeachment trial of Donald Trump.

Many people have gloomily accepted the conventional wisdom that because there is no binding Supreme Court ethics code, there is no way to force Associate Justices Samuel Alito and Clarence Thomas to recuse themselves from the Jan. 6 cases that are before the court.

Justices Alito and Thomas are probably making the same assumption.

But all of them are wrong.

It seems unfathomable that the two justices could get away with deciding for themselves whether they can be impartial in ruling on cases affecting Donald Trump’s liability for crimes he is accused of committing on Jan. 6. Justice Thomas’s wife, Ginni Thomas, was deeply involved in the Jan. 6 “stop the steal” movement. Above the Virginia home of Justice Alito and his wife, Martha-Ann Alito, flew an upside-down American flag — a strong political statement among the people who stormed the Capitol. Above the Alitos’ beach home in New Jersey flew another flag that has been adopted by groups opposed to President Biden.

Justices Alito and Thomas face a groundswell of appeals beseeching them not to participate in Trump v. United States , the case that will decide whether Mr. Trump enjoys absolute immunity from criminal prosecution, and Fischer v. United States , which will decide whether Jan. 6 insurrectionists — and Mr. Trump — can be charged under a statute that criminalizes “corruptly” obstructing an official proceeding. (Justice Alito said on Wednesday that he would not recuse himself from Jan. 6-related cases.)

Everyone assumes that nothing can be done about the recusal situation because the highest court in the land has the lowest ethical standards — no binding ethics code or process outside of personal reflection. Each justice decides for him- or herself whether he or she can be impartial.

Of course, Justices Alito and Thomas could choose to recuse themselves — wouldn’t that be nice? But begging them to do the right thing misses a far more effective course of action.

The U.S. Department of Justice — including the U.S. attorney for the District of Columbia, an appointed U.S. special counsel and the solicitor general, all of whom were involved in different ways in the criminal prosecutions underlying these cases and are opposing Mr. Trump’s constitutional and statutory claims — can petition the other seven justices to require Justices Alito and Thomas to recuse themselves not as a matter of grace but as a matter of law.

The Justice Department and Attorney General Merrick Garland can invoke two powerful textual authorities for this motion: the Constitution of the United States, specifically the due process clause, and the federal statute mandating judicial disqualification for questionable impartiality, 28 U.S.C. Section 455. The Constitution has come into play in several recent Supreme Court decisions striking down rulings by stubborn judges in lower courts whose political impartiality has been reasonably questioned but who threw caution to the wind to hear a case anyway. This statute requires potentially biased judges throughout the federal system to recuse themselves at the start of the process to avoid judicial unfairness and embarrassing controversies and reversals.

The constitutional and statutory standards apply to Supreme Court justices. The Constitution, and the federal laws under it, is the “ supreme law of the land ,” and the recusal statute explicitly treats Supreme Court justices as it does other judges: “Any justice, judge or magistrate judge of the United States shall disqualify himself in any proceeding in which his impartiality might reasonably be questioned.” The only justices in the federal judiciary are the ones on the Supreme Court.

This recusal statute, if triggered, is not a friendly suggestion. It is Congress’s command, binding on the justices, just as the due process clause is. The Supreme Court cannot disregard this law just because it directly affects one or two of its justices. Ignoring it would trespass on the constitutional separation of powers because the justices would essentially be saying that they have the power to override a congressional command.

When the arguments are properly before the court, Chief Justice John Roberts and Associate Justices Amy Coney Barrett, Neil Gorsuch, Ketanji Brown Jackson, Elena Kagan, Brett Kavanaugh and Sonia Sotomayor will have both a constitutional obligation and a statutory obligation to enforce recusal standards.

Indeed, there is even a compelling argument based on case law that Chief Justice Roberts and the other unaffected justices should raise the matter of recusal on their own, or sua sponte. Numerous circuit courts have agreed with the Eighth Circuit that this is the right course of action when members of an appellate court are aware of “ overt acts ” of a judge reflecting personal bias. Cases like this stand for the idea that appellate jurists who see something should say something instead of placing all the burden on parties in a case who would have to risk angering a judge by bringing up the awkward matter of potential bias and favoritism on the bench.

But even if no member of the court raises the issue of recusal, the urgent need to deal with it persists. Once it is raised, the court would almost surely have to find that the due process clause and Section 455 compel Justices Alito and Thomas to recuse themselves. To arrive at that substantive conclusion, the justices need only read their court’s own recusal decisions.

In one key 5-to-3 Supreme Court case from 2016, Williams v. Pennsylvania, Justice Anthony Kennedy explained why judicial bias is a defect of constitutional magnitude and offered specific objective standards for identifying it. Significantly, Justices Alito and Thomas dissented from the majority’s ruling.

The case concerned the bias of the chief justice of Pennsylvania, who had been involved as a prosecutor on the state’s side in an appellate death penalty case that was before him. Justice Kennedy found that the judge’s refusal to recuse himself when asked to do so violated due process. Justice Kennedy’s authoritative opinion on recusal illuminates three critical aspects of the current controversy.

First, Justice Kennedy found that the standard for recusal must be objective because it is impossible to rely on the affected judge’s introspection and subjective interpretations. The court’s objective standard requires recusal when the likelihood of bias on the part of the judge “is too high to be constitutionally tolerable,” citing an earlier case. “This objective risk of bias,” according to Justice Kennedy, “is reflected in the due process maxim that ‘no man can be a judge in his own case.’” A judge or justice can be convinced of his or her own impartiality but also completely missing what other people are seeing.

Second, the Williams majority endorsed the American Bar Association’s Model Code of Judicial Conduct as an appropriate articulation of the Madisonian standard that “no man can be a judge in his own cause.” Model Code Rule 2.11 on judicial disqualification says that a judge “shall disqualify himself or herself in any proceeding in which the judge’s impartiality might reasonably be questioned.” This includes, illustratively, cases in which the judge “has a personal bias or prejudice concerning a party,” a married judge knows that “the judge’s spouse” is “a person who has more than a de minimis interest that could be substantially affected by the proceeding” or the judge “has made a public statement, other than in a court proceeding, judicial decision or opinion, that commits or appears to commit the judge to reach a particular result.” These model code illustrations ring a lot of bells at this moment.

Third and most important, Justice Kennedy found for the court that the failure of an objectively biased judge to recuse him- or herself is not “harmless error” just because the biased judge’s vote is not apparently determinative in the vote of a panel of judges. A biased judge contaminates the proceeding not just by the casting and tabulation of his or her own vote but by participating in the body’s collective deliberations and affecting, even subtly, other judges’ perceptions of the case.

Justice Kennedy was emphatic on this point : “It does not matter whether the disqualified judge’s vote was necessary to the disposition of the case. The fact that the interested judge’s vote was not dispositive may mean only that the judge was successful in persuading most members of the court to accept his or her position — an outcome that does not lessen the unfairness to the affected party.”

Courts generally have found that any reasonable doubts about a judge’s partiality must be resolved in favor of recusal. A judge “shall disqualify himself in any proceeding in which his impartiality might reasonably be questioned.” While recognizing that the “challenged judge enjoys a margin of discretion,” the courts have repeatedly held that “doubts ordinarily ought to be resolved in favor of recusal.” After all, the reputation of the whole tribunal and public confidence in the judiciary are both on the line.

Judge David Tatel of the D.C. Circuit emphasized this fundamental principle in 2019 when his court issued a writ of mandamus to force recusal of a military judge who blithely ignored at least the appearance of a glaring conflict of interest. He stated : “Impartial adjudicators are the cornerstone of any system of justice worthy of the label. And because ‘deference to the judgments and rulings of courts depends upon public confidence in the integrity and independence of judges,’ jurists must avoid even the appearance of partiality.” He reminded us that to perform its high function in the best way, as Justice Felix Frankfurter stated, “justice must satisfy the appearance of justice.”

The Supreme Court has been especially disposed to favor recusal when partisan politics appear to be a prejudicial factor even when the judge’s impartiality has not been questioned. In Caperton v. A.T. Massey Coal Co. , from 2009, the court held that a state supreme court justice was constitutionally disqualified from a case in which the president of a corporation appearing before him had helped to get him elected by spending $3 million promoting his campaign. The court, through Justice Kennedy, asked whether, quoting a 1975 decision, “under a realistic appraisal of psychological tendencies and human weakness,” the judge’s obvious political alignment with a party in a case “poses such a risk of actual bias or prejudgment that the practice must be forbidden if the guarantee of due process is to be adequately implemented.”

The federal statute on disqualification, Section 455(b) , also makes recusal analysis directly applicable to bias imputed to a spouse’s interest in the case. Ms. Thomas and Mrs. Alito (who, according to Justice Alito, is the one who put up the inverted flag outside their home) meet this standard. A judge must recuse him- or herself when a spouse “is known by the judge to have an interest in a case that could be substantially affected by the outcome of the proceeding.”

At his Senate confirmation hearing, Chief Justice Roberts assured America that “judges are like umpires.”

But professional baseball would never allow an umpire to continue to officiate the World Series after learning that the pennant of one of the two teams competing was flying in the front yard of the umpire’s home. Nor would an umpire be allowed to call balls and strikes in a World Series game after the umpire’s wife tried to get the official score of a prior game in the series overthrown and canceled out to benefit the losing team. If judges are like umpires, then they should be treated like umpires, not team owners, fans or players.

Justice Barrett has said she wants to convince people “that this court is not comprised of a bunch of partisan hacks.” Justice Alito himself declared the importance of judicial objectivity in his opinion for the majority in the Dobbs v. Jackson Women’s Health Organization decision overruling Roe v. Wade — a bit of self-praise that now rings especially hollow.

But the Constitution and Congress’s recusal statute provide the objective framework of analysis and remedy for cases of judicial bias that are apparent to the world, even if they may be invisible to the judges involved. This is not really optional for the justices.

I look forward to seeing seven members of the court act to defend the reputation and integrity of the institution.

Jamie Raskin, a Democrat, represents Maryland’s Eighth Congressional District in the House of Representatives. He taught constitutional law for more than 25 years and was the lead prosecutor in the second impeachment trial of Donald Trump.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

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College Student's Academic Results May Benefit From Essay Writing Service

If you ask a person what he/she thinks about academic writing services and about students who turn to such companies for assistance, you may hear that these companies are targeted at lazy students. For these people, students who are looking for the easiest states to get RN license by endorsement are also lazy because they choose not to suffer.

Unfortunately, many people do not want to see the profound reasons why students may need such help and how this kind of assistance may be helpful. Let's dive into this particular question and figure out whether these companies are assistance for lazy students or if they are something more beneficial.

Burnout prevention

Do you know that student burnout is one of the most frequently occurring issues? College learners have to spend a lot of time, effort, and resources to handle all the academic duties and responsibilities and meet all the requirements at the same time.

Do you also know that most psychologists claim that for students, it is very important to have some time for themselves? It is not really okay when your life is overwhelmed with duties, assignments, and other college musts; having some free time for yourself is essential for mental health. Of course, some people may say that this is the same as laziness, but that is not really so. We do not say that a student does not want to complete his/her writing assignments; we just say that they balance between writing duties and leisure time thanks to writing services that they can turn to for help.

Professional assistance with tricky assignments

When a student enters a college or university, they may not be aware of all the academic writing standards as well as college disciplines they have never worked with before. There are a lot of tricky assignments every student faces during college years. In this case, he/she has two options: sacrifice his/her sleep and handle a college assignment on his/her own or ask a professional writing service for help. There is nothing shaming with the second option at all.

Effort to work on other academic duties

When you are overwhelmed with academic assignments, you may need to prioritize. Some academic disciplines and their assignments are secondary, and some are major. When a student enters a college or university to study IT, you may not be interested or even ready to spend a lot of time on history papers because they are irrelevant to you. Thus, you are more likely to prioritize and entrust your history paper to a professional service and pay closer attention to a programming project. It seems that such prioritization does not need any clarification, right?

Some students have to work in order to meet ends and pay rentals, for example. When a foreign student enters a college or university to get a degree, they have to change a lot in their lives. First, he/she has to move to a new country, which may be a bit more expensive than their native one; he/she may need to rent an apartment because their college does not offer campus placements, and thus, a part-time job is merely the only way out.

When you are a college student, you can correctly assess all your life intentions and prioritize your duties. When you need to earn money in order to get a degree in the college you have entered, and you have some time-consuming writing assignments to handle, you are more likely to entrust writing duties to a professional company that offers help with academic papers and earn money that is essential to meet ends at such difficult times.

Some faculties require students to practice in their fields before getting diplomas. For example, when you are studying surgery at college, you can't get a diploma until you get your practical skills. What does it mean? Again, we are talking about prioritizing. When you have your practical classes on one bowl of scales and have tens of writing papers on the other bowl, you are more likely to give preference to academic practice that directly influences your skills and future opportunities. Especially when you are dealing with some papers for elective courses that do not even make any contribution to your primary field of study.

People are often very skilled in blaming others not even having enough knowledge about a particular situation. Thus, many students feel that hawkish outlook when they say that they have turned to a professional service for help with college papers and often make excuses for such deals as well as find themselves insufficiently smart and 'good' learners.

If you are a student and you need help with your academic tasks, no matter whether you are going to spend some time resting or you need this time to work on other tasks, do not mind others' opinions because this is your life and your responsibility to feel yourself okay. Come and get it!