revision of an essay definition

Revising Drafts

Rewriting is the essence of writing well—where the game is won or lost. —William Zinsser

What this handout is about

This handout will motivate you to revise your drafts and give you strategies to revise effectively.

What does it mean to revise?

Revision literally means to “see again,” to look at something from a fresh, critical perspective. It is an ongoing process of rethinking the paper: reconsidering your arguments, reviewing your evidence, refining your purpose, reorganizing your presentation, reviving stale prose.

But I thought revision was just fixing the commas and spelling

Nope. That’s called proofreading. It’s an important step before turning your paper in, but if your ideas are predictable, your thesis is weak, and your organization is a mess, then proofreading will just be putting a band-aid on a bullet wound. When you finish revising, that’s the time to proofread. For more information on the subject, see our handout on proofreading .

How about if I just reword things: look for better words, avoid repetition, etc.? Is that revision?

Well, that’s a part of revision called editing. It’s another important final step in polishing your work. But if you haven’t thought through your ideas, then rephrasing them won’t make any difference.

Why is revision important?

Writing is a process of discovery, and you don’t always produce your best stuff when you first get started. So revision is a chance for you to look critically at what you have written to see:

• if it’s really worth saying,
• if it says what you wanted to say, and
• if a reader will understand what you’re saying.

The process

What steps should i use when i begin to revise.

Here are several things to do. But don’t try them all at one time. Instead, focus on two or three main areas during each revision session:

• Wait awhile after you’ve finished a draft before looking at it again. The Roman poet Horace thought one should wait nine years, but that’s a bit much. A day—a few hours even—will work. When you do return to the draft, be honest with yourself, and don’t be lazy. Ask yourself what you really think about the paper.
• As The Scott, Foresman Handbook for Writers puts it, “THINK BIG, don’t tinker” (61). At this stage, you should be concerned with the large issues in the paper, not the commas.
• Check the focus of the paper: Is it appropriate to the assignment? Is the topic too big or too narrow? Do you stay on track through the entire paper?
• Think honestly about your thesis: Do you still agree with it? Should it be modified in light of something you discovered as you wrote the paper? Does it make a sophisticated, provocative point, or does it just say what anyone could say if given the same topic? Does your thesis generalize instead of taking a specific position? Should it be changed altogether? For more information visit our handout on thesis statements .
• Think about your purpose in writing: Does your introduction state clearly what you intend to do? Will your aims be clear to your readers?

What are some other steps I should consider in later stages of the revision process?

• Examine the balance within your paper: Are some parts out of proportion with others? Do you spend too much time on one trivial point and neglect a more important point? Do you give lots of detail early on and then let your points get thinner by the end?
• Check that you have kept your promises to your readers: Does your paper follow through on what the thesis promises? Do you support all the claims in your thesis? Are the tone and formality of the language appropriate for your audience?
• Check the organization: Does your paper follow a pattern that makes sense? Do the transitions move your readers smoothly from one point to the next? Do the topic sentences of each paragraph appropriately introduce what that paragraph is about? Would your paper work better if you moved some things around? For more information visit our handout on reorganizing drafts.
• Check your information: Are all your facts accurate? Are any of your statements misleading? Have you provided enough detail to satisfy readers’ curiosity? Have you cited all your information appropriately?
• Check your conclusion: Does the last paragraph tie the paper together smoothly and end on a stimulating note, or does the paper just die a slow, redundant, lame, or abrupt death?

Whoa! I thought I could just revise in a few minutes

Sorry. You may want to start working on your next paper early so that you have plenty of time for revising. That way you can give yourself some time to come back to look at what you’ve written with a fresh pair of eyes. It’s amazing how something that sounded brilliant the moment you wrote it can prove to be less-than-brilliant when you give it a chance to incubate.

But I don’t want to rewrite my whole paper!

Revision doesn’t necessarily mean rewriting the whole paper. Sometimes it means revising the thesis to match what you’ve discovered while writing. Sometimes it means coming up with stronger arguments to defend your position, or coming up with more vivid examples to illustrate your points. Sometimes it means shifting the order of your paper to help the reader follow your argument, or to change the emphasis of your points. Sometimes it means adding or deleting material for balance or emphasis. And then, sadly, sometimes revision does mean trashing your first draft and starting from scratch. Better that than having the teacher trash your final paper.

But I work so hard on what I write that I can’t afford to throw any of it away

If you want to be a polished writer, then you will eventually find out that you can’t afford NOT to throw stuff away. As writers, we often produce lots of material that needs to be tossed. The idea or metaphor or paragraph that I think is most wonderful and brilliant is often the very thing that confuses my reader or ruins the tone of my piece or interrupts the flow of my argument.Writers must be willing to sacrifice their favorite bits of writing for the good of the piece as a whole. In order to trim things down, though, you first have to have plenty of material on the page. One trick is not to hinder yourself while you are composing the first draft because the more you produce, the more you will have to work with when cutting time comes.

But sometimes I revise as I go

That’s OK. Since writing is a circular process, you don’t do everything in some specific order. Sometimes you write something and then tinker with it before moving on. But be warned: there are two potential problems with revising as you go. One is that if you revise only as you go along, you never get to think of the big picture. The key is still to give yourself enough time to look at the essay as a whole once you’ve finished. Another danger to revising as you go is that you may short-circuit your creativity. If you spend too much time tinkering with what is on the page, you may lose some of what hasn’t yet made it to the page. Here’s a tip: Don’t proofread as you go. You may waste time correcting the commas in a sentence that may end up being cut anyway.

How do I go about the process of revising? Any tips?

• Work from a printed copy; it’s easier on the eyes. Also, problems that seem invisible on the screen somehow tend to show up better on paper.
• Another tip is to read the paper out loud. That’s one way to see how well things flow.
• Remember all those questions listed above? Don’t try to tackle all of them in one draft. Pick a few “agendas” for each draft so that you won’t go mad trying to see, all at once, if you’ve done everything.
• Ask lots of questions and don’t flinch from answering them truthfully. For example, ask if there are opposing viewpoints that you haven’t considered yet.

Whenever I revise, I just make things worse. I do my best work without revising

That’s a common misconception that sometimes arises from fear, sometimes from laziness. The truth is, though, that except for those rare moments of inspiration or genius when the perfect ideas expressed in the perfect words in the perfect order flow gracefully and effortlessly from the mind, all experienced writers revise their work. I wrote six drafts of this handout. Hemingway rewrote the last page of A Farewell to Arms thirty-nine times. If you’re still not convinced, re-read some of your old papers. How do they sound now? What would you revise if you had a chance?

What can get in the way of good revision strategies?

Don’t fall in love with what you have written. If you do, you will be hesitant to change it even if you know it’s not great. Start out with a working thesis, and don’t act like you’re married to it. Instead, act like you’re dating it, seeing if you’re compatible, finding out what it’s like from day to day. If a better thesis comes along, let go of the old one. Also, don’t think of revision as just rewording. It is a chance to look at the entire paper, not just isolated words and sentences.

What happens if I find that I no longer agree with my own point?

If you take revision seriously, sometimes the process will lead you to questions you cannot answer, objections or exceptions to your thesis, cases that don’t fit, loose ends or contradictions that just won’t go away. If this happens (and it will if you think long enough), then you have several choices. You could choose to ignore the loose ends and hope your reader doesn’t notice them, but that’s risky. You could change your thesis completely to fit your new understanding of the issue, or you could adjust your thesis slightly to accommodate the new ideas. Or you could simply acknowledge the contradictions and show why your main point still holds up in spite of them. Most readers know there are no easy answers, so they may be annoyed if you give them a thesis and try to claim that it is always true with no exceptions no matter what.

How do I get really good at revising?

The same way you get really good at golf, piano, or a video game—do it often. Take revision seriously, be disciplined, and set high standards for yourself. Here are three more tips:

• The more you produce, the more you can cut.
• The more you can imagine yourself as a reader looking at this for the first time, the easier it will be to spot potential problems.
• The more you demand of yourself in terms of clarity and elegance, the more clear and elegant your writing will be.

How do I revise at the sentence level?

Read your paper out loud, sentence by sentence, and follow Peter Elbow’s advice: “Look for places where you stumble or get lost in the middle of a sentence. These are obvious awkwardness’s that need fixing. Look for places where you get distracted or even bored—where you cannot concentrate. These are places where you probably lost focus or concentration in your writing. Cut through the extra words or vagueness or digression; get back to the energy. Listen even for the tiniest jerk or stumble in your reading, the tiniest lessening of your energy or focus or concentration as you say the words . . . A sentence should be alive” (Writing with Power 135).

Practical advice for ensuring that your sentences are alive:

• Use forceful verbs—replace long verb phrases with a more specific verb. For example, replace “She argues for the importance of the idea” with “She defends the idea.”
• Look for places where you’ve used the same word or phrase twice or more in consecutive sentences and look for alternative ways to say the same thing OR for ways to combine the two sentences.
• Cut as many prepositional phrases as you can without losing your meaning. For instance, the following sentence, “There are several examples of the issue of integrity in Huck Finn,” would be much better this way, “Huck Finn repeatedly addresses the issue of integrity.”
• Check your sentence variety. If more than two sentences in a row start the same way (with a subject followed by a verb, for example), then try using a different sentence pattern.
• Aim for precision in word choice. Don’t settle for the best word you can think of at the moment—use a thesaurus (along with a dictionary) to search for the word that says exactly what you want to say.
• Look for sentences that start with “It is” or “There are” and see if you can revise them to be more active and engaging.
• For more information, please visit our handouts on word choice and style .

How can technology help?

Need some help revising? Take advantage of the revision and versioning features available in modern word processors.

Track your changes. Most word processors and writing tools include a feature that allows you to keep your changes visible until you’re ready to accept them. Using “Track Changes” mode in Word or “Suggesting” mode in Google Docs, for example, allows you to make changes without committing to them.

Compare drafts. Tools that allow you to compare multiple drafts give you the chance to visually track changes over time. Try “File History” or “Compare Documents” modes in Google Doc, Word, and Scrivener to retrieve old drafts, identify changes you’ve made over time, or help you keep a bigger picture in mind as you revise.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Elbow, Peter. 1998. Writing With Power: Techniques for Mastering the Writing Process . New York: Oxford University Press.

Lanham, Richard A. 2006. Revising Prose , 5th ed. New York: Pearson Longman.

Lunsford, Andrea A. 2015. The St. Martin’s Handbook , 8th ed. Boston: Bedford/St Martin’s.

Ruszkiewicz, John J., Christy Friend, Daniel Seward, and Maxine Hairston. 2010. The Scott, Foresman Handbook for Writers , 9th ed. Boston: Pearson Education.

Zinsser, William. 2001. On Writing Well: The Classic Guide to Writing Nonfiction , 6th ed. New York: Quill.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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8.4 Revising and Editing

Learning objectives.

• Identify major areas of concern in the draft essay during revising and editing.
• Use peer reviews and editing checklists to assist revising and editing.
• Revise and edit the first draft of your essay and produce a final draft.

Revising and editing are the two tasks you undertake to significantly improve your essay. Both are very important elements of the writing process. You may think that a completed first draft means little improvement is needed. However, even experienced writers need to improve their drafts and rely on peers during revising and editing. You may know that athletes miss catches, fumble balls, or overshoot goals. Dancers forget steps, turn too slowly, or miss beats. For both athletes and dancers, the more they practice, the stronger their performance will become. Web designers seek better images, a more clever design, or a more appealing background for their web pages. Writing has the same capacity to profit from improvement and revision.

Understanding the Purpose of Revising and Editing

Revising and editing allow you to examine two important aspects of your writing separately, so that you can give each task your undivided attention.

• When you revise , you take a second look at your ideas. You might add, cut, move, or change information in order to make your ideas clearer, more accurate, more interesting, or more convincing.
• When you edit , you take a second look at how you expressed your ideas. You add or change words. You fix any problems in grammar, punctuation, and sentence structure. You improve your writing style. You make your essay into a polished, mature piece of writing, the end product of your best efforts.

How do you get the best out of your revisions and editing? Here are some strategies that writers have developed to look at their first drafts from a fresh perspective. Try them over the course of this semester; then keep using the ones that bring results.

• Take a break. You are proud of what you wrote, but you might be too close to it to make changes. Set aside your writing for a few hours or even a day until you can look at it objectively.
• Ask someone you trust for feedback and constructive criticism.
• Pretend you are one of your readers. Are you satisfied or dissatisfied? Why?
• Use the resources that your college provides. Find out where your school’s writing lab is located and ask about the assistance they provide online and in person.

Many people hear the words critic , critical , and criticism and pick up only negative vibes that provoke feelings that make them blush, grumble, or shout. However, as a writer and a thinker, you need to learn to be critical of yourself in a positive way and have high expectations for your work. You also need to train your eye and trust your ability to fix what needs fixing. For this, you need to teach yourself where to look.

Creating Unity and Coherence

Following your outline closely offers you a reasonable guarantee that your writing will stay on purpose and not drift away from the controlling idea. However, when writers are rushed, are tired, or cannot find the right words, their writing may become less than they want it to be. Their writing may no longer be clear and concise, and they may be adding information that is not needed to develop the main idea.

When a piece of writing has unity , all the ideas in each paragraph and in the entire essay clearly belong and are arranged in an order that makes logical sense. When the writing has coherence , the ideas flow smoothly. The wording clearly indicates how one idea leads to another within a paragraph and from paragraph to paragraph.

Reading your writing aloud will often help you find problems with unity and coherence. Listen for the clarity and flow of your ideas. Identify places where you find yourself confused, and write a note to yourself about possible fixes.

Creating Unity

Sometimes writers get caught up in the moment and cannot resist a good digression. Even though you might enjoy such detours when you chat with friends, unplanned digressions usually harm a piece of writing.

Mariah stayed close to her outline when she drafted the three body paragraphs of her essay she tentatively titled “Digital Technology: The Newest and the Best at What Price?” But a recent shopping trip for an HDTV upset her enough that she digressed from the main topic of her third paragraph and included comments about the sales staff at the electronics store she visited. When she revised her essay, she deleted the off-topic sentences that affected the unity of the paragraph.

Read the following paragraph twice, the first time without Mariah’s changes, and the second time with them.

Nothing is more confusing to me than choosing among televisions. It confuses lots of people who want a new high-definition digital television (HDTV) with a large screen to watch sports and DVDs on. You could listen to the guys in the electronics store, but word has it they know little more than you do. They want to sell what they have in stock, not what best fits your needs. You face decisions you never had to make with the old, bulky picture-tube televisions. Screen resolution means the number of horizontal scan lines the screen can show. This resolution is often 1080p, or full HD, or 768p. The trouble is that if you have a smaller screen, 32 inches or 37 inches diagonal, you won’t be able to tell the difference with the naked eye. The 1080p televisions cost more, though, so those are what the salespeople want you to buy. They get bigger commissions. The other important decision you face as you walk around the sales floor is whether to get a plasma screen or an LCD screen. Now here the salespeople may finally give you decent info. Plasma flat-panel television screens can be much larger in diameter than their LCD rivals. Plasma screens show truer blacks and can be viewed at a wider angle than current LCD screens. But be careful and tell the salesperson you have budget constraints. Large flat-panel plasma screens are much more expensive than flat-screen LCD models. Don’t let someone make you by more television than you need!

Answer the following two questions about Mariah’s paragraph:

Collaboration

Please share with a classmate and compare your answers.

• Now start to revise the first draft of the essay you wrote in Section 8 “Writing Your Own First Draft” . Reread it to find any statements that affect the unity of your writing. Decide how best to revise.

When you reread your writing to find revisions to make, look for each type of problem in a separate sweep. Read it straight through once to locate any problems with unity. Read it straight through a second time to find problems with coherence. You may follow this same practice during many stages of the writing process.

Writing at Work

Many companies hire copyeditors and proofreaders to help them produce the cleanest possible final drafts of large writing projects. Copyeditors are responsible for suggesting revisions and style changes; proofreaders check documents for any errors in capitalization, spelling, and punctuation that have crept in. Many times, these tasks are done on a freelance basis, with one freelancer working for a variety of clients.

Creating Coherence

Careful writers use transitions to clarify how the ideas in their sentences and paragraphs are related. These words and phrases help the writing flow smoothly. Adding transitions is not the only way to improve coherence, but they are often useful and give a mature feel to your essays. Table 8.3 “Common Transitional Words and Phrases” groups many common transitions according to their purpose.

Table 8.3 Common Transitional Words and Phrases

After Maria revised for unity, she next examined her paragraph about televisions to check for coherence. She looked for places where she needed to add a transition or perhaps reword the text to make the flow of ideas clear. In the version that follows, she has already deleted the sentences that were off topic.

Many writers make their revisions on a printed copy and then transfer them to the version on-screen. They conventionally use a small arrow called a caret (^) to show where to insert an addition or correction.

1. Answer the following questions about Mariah’s revised paragraph.

2. Now return to the first draft of the essay you wrote in Section 8 “Writing Your Own First Draft” and revise it for coherence. Add transition words and phrases where they are needed, and make any other changes that are needed to improve the flow and connection between ideas.

Being Clear and Concise

Some writers are very methodical and painstaking when they write a first draft. Other writers unleash a lot of words in order to get out all that they feel they need to say. Do either of these composing styles match your style? Or is your composing style somewhere in between? No matter which description best fits you, the first draft of almost every piece of writing, no matter its author, can be made clearer and more concise.

If you have a tendency to write too much, you will need to look for unnecessary words. If you have a tendency to be vague or imprecise in your wording, you will need to find specific words to replace any overly general language.

Identifying Wordiness

Sometimes writers use too many words when fewer words will appeal more to their audience and better fit their purpose. Here are some common examples of wordiness to look for in your draft. Eliminating wordiness helps all readers, because it makes your ideas clear, direct, and straightforward.

Sentences that begin with There is or There are .

Wordy: There are two major experiments that the Biology Department sponsors.

Revised: The Biology Department sponsors two major experiments.

Sentences with unnecessary modifiers.

Wordy: Two extremely famous and well-known consumer advocates spoke eloquently in favor of the proposed important legislation.

Revised: Two well-known consumer advocates spoke in favor of the proposed legislation.

Sentences with deadwood phrases that add little to the meaning. Be judicious when you use phrases such as in terms of , with a mind to , on the subject of , as to whether or not , more or less , as far as…is concerned , and similar expressions. You can usually find a more straightforward way to state your point.

Wordy: As a world leader in the field of green technology, the company plans to focus its efforts in the area of geothermal energy.

A report as to whether or not to use geysers as an energy source is in the process of preparation.

Revised: As a world leader in green technology, the company plans to focus on geothermal energy.

A report about using geysers as an energy source is in preparation.

Sentences in the passive voice or with forms of the verb to be . Sentences with passive-voice verbs often create confusion, because the subject of the sentence does not perform an action. Sentences are clearer when the subject of the sentence performs the action and is followed by a strong verb. Use strong active-voice verbs in place of forms of to be , which can lead to wordiness. Avoid passive voice when you can.

Wordy: It might perhaps be said that using a GPS device is something that is a benefit to drivers who have a poor sense of direction.

Revised: Using a GPS device benefits drivers who have a poor sense of direction.

Sentences with constructions that can be shortened.

Wordy: The e-book reader, which is a recent invention, may become as commonplace as the cell phone.

My over-sixty uncle bought an e-book reader, and his wife bought an e-book reader, too.

Revised: The e-book reader, a recent invention, may become as commonplace as the cell phone.

My over-sixty uncle and his wife both bought e-book readers.

Now return once more to the first draft of the essay you have been revising. Check it for unnecessary words. Try making your sentences as concise as they can be.

Choosing Specific, Appropriate Words

Most college essays should be written in formal English suitable for an academic situation. Follow these principles to be sure that your word choice is appropriate. For more information about word choice, see Chapter 4 “Working with Words: Which Word Is Right?” .

• Avoid slang. Find alternatives to bummer , kewl , and rad .
• Avoid language that is overly casual. Write about “men and women” rather than “girls and guys” unless you are trying to create a specific effect. A formal tone calls for formal language.
• Avoid contractions. Use do not in place of don’t , I am in place of I’m , have not in place of haven’t , and so on. Contractions are considered casual speech.
• Avoid clichés. Overused expressions such as green with envy , face the music , better late than never , and similar expressions are empty of meaning and may not appeal to your audience.
• Be careful when you use words that sound alike but have different meanings. Some examples are allusion/illusion , complement/compliment , council/counsel , concurrent/consecutive , founder/flounder , and historic/historical . When in doubt, check a dictionary.
• Choose words with the connotations you want. Choosing a word for its connotations is as important in formal essay writing as it is in all kinds of writing. Compare the positive connotations of the word proud and the negative connotations of arrogant and conceited .
• Use specific words rather than overly general words. Find synonyms for thing , people , nice , good , bad , interesting , and other vague words. Or use specific details to make your exact meaning clear.

Now read the revisions Mariah made to make her third paragraph clearer and more concise. She has already incorporated the changes she made to improve unity and coherence.

1. Answer the following questions about Mariah’s revised paragraph:

2. Now return once more to your essay in progress. Read carefully for problems with word choice. Be sure that your draft is written in formal language and that your word choice is specific and appropriate.

Completing a Peer Review

After working so closely with a piece of writing, writers often need to step back and ask for a more objective reader. What writers most need is feedback from readers who can respond only to the words on the page. When they are ready, writers show their drafts to someone they respect and who can give an honest response about its strengths and weaknesses.

You, too, can ask a peer to read your draft when it is ready. After evaluating the feedback and assessing what is most helpful, the reader’s feedback will help you when you revise your draft. This process is called peer review .

You can work with a partner in your class and identify specific ways to strengthen each other’s essays. Although you may be uncomfortable sharing your writing at first, remember that each writer is working toward the same goal: a final draft that fits the audience and the purpose. Maintaining a positive attitude when providing feedback will put you and your partner at ease. The box that follows provides a useful framework for the peer review session.

Questions for Peer Review

Title of essay: ____________________________________________

Date: ____________________________________________

Writer’s name: ____________________________________________

Peer reviewer’s name: _________________________________________

• This essay is about____________________________________________.
• Your main points in this essay are____________________________________________.
• What I most liked about this essay is____________________________________________.

These three points struck me as your strongest:

These places in your essay are not clear to me:

a. Where: ____________________________________________

Needs improvement because__________________________________________

b. Where: ____________________________________________

Needs improvement because ____________________________________________

c. Where: ____________________________________________

The one additional change you could make that would improve this essay significantly is ____________________________________________.

One of the reasons why word-processing programs build in a reviewing feature is that workgroups have become a common feature in many businesses. Writing is often collaborative, and the members of a workgroup and their supervisors often critique group members’ work and offer feedback that will lead to a better final product.

Exchange essays with a classmate and complete a peer review of each other’s draft in progress. Remember to give positive feedback and to be courteous and polite in your responses. Focus on providing one positive comment and one question for more information to the author.

Using Feedback Objectively

The purpose of peer feedback is to receive constructive criticism of your essay. Your peer reviewer is your first real audience, and you have the opportunity to learn what confuses and delights a reader so that you can improve your work before sharing the final draft with a wider audience (or your intended audience).

It may not be necessary to incorporate every recommendation your peer reviewer makes. However, if you start to observe a pattern in the responses you receive from peer reviewers, you might want to take that feedback into consideration in future assignments. For example, if you read consistent comments about a need for more research, then you may want to consider including more research in future assignments.

Using Feedback from Multiple Sources

You might get feedback from more than one reader as you share different stages of your revised draft. In this situation, you may receive feedback from readers who do not understand the assignment or who lack your involvement with and enthusiasm for it.

You need to evaluate the responses you receive according to two important criteria:

• Determine if the feedback supports the purpose of the assignment.
• Determine if the suggested revisions are appropriate to the audience.

Then, using these standards, accept or reject revision feedback.

Work with two partners. Go back to Note 8.81 “Exercise 4” in this lesson and compare your responses to Activity A, about Mariah’s paragraph, with your partners’. Recall Mariah’s purpose for writing and her audience. Then, working individually, list where you agree and where you disagree about revision needs.

Editing Your Draft

If you have been incorporating each set of revisions as Mariah has, you have produced multiple drafts of your writing. So far, all your changes have been content changes. Perhaps with the help of peer feedback, you have made sure that you sufficiently supported your ideas. You have checked for problems with unity and coherence. You have examined your essay for word choice, revising to cut unnecessary words and to replace weak wording with specific and appropriate wording.

The next step after revising the content is editing. When you edit, you examine the surface features of your text. You examine your spelling, grammar, usage, and punctuation. You also make sure you use the proper format when creating your finished assignment.

Editing often takes time. Budgeting time into the writing process allows you to complete additional edits after revising. Editing and proofreading your writing helps you create a finished work that represents your best efforts. Here are a few more tips to remember about your readers:

• Readers do not notice correct spelling, but they do notice misspellings.
• Readers look past your sentences to get to your ideas—unless the sentences are awkward, poorly constructed, and frustrating to read.
• Readers notice when every sentence has the same rhythm as every other sentence, with no variety.
• Readers do not cheer when you use there , their , and they’re correctly, but they notice when you do not.
• Readers will notice the care with which you handled your assignment and your attention to detail in the delivery of an error-free document..

The first section of this book offers a useful review of grammar, mechanics, and usage. Use it to help you eliminate major errors in your writing and refine your understanding of the conventions of language. Do not hesitate to ask for help, too, from peer tutors in your academic department or in the college’s writing lab. In the meantime, use the checklist to help you edit your writing.

Editing Your Writing

• Are some sentences actually sentence fragments?
• Are some sentences run-on sentences? How can I correct them?
• Do some sentences need conjunctions between independent clauses?
• Does every verb agree with its subject?
• Is every verb in the correct tense?
• Are tense forms, especially for irregular verbs, written correctly?
• Have I used subject, object, and possessive personal pronouns correctly?
• Have I used who and whom correctly?
• Is the antecedent of every pronoun clear?
• Do all personal pronouns agree with their antecedents?
• Have I used the correct comparative and superlative forms of adjectives and adverbs?
• Is it clear which word a participial phrase modifies, or is it a dangling modifier?

Sentence Structure

• Are all my sentences simple sentences, or do I vary my sentence structure?
• Have I chosen the best coordinating or subordinating conjunctions to join clauses?
• Have I created long, overpacked sentences that should be shortened for clarity?
• Do I see any mistakes in parallel structure?

Punctuation

• Does every sentence end with the correct end punctuation?
• Can I justify the use of every exclamation point?
• Have I used apostrophes correctly to write all singular and plural possessive forms?
• Have I used quotation marks correctly?

Mechanics and Usage

• Can I find any spelling errors? How can I correct them?
• Have I used capital letters where they are needed?
• Have I written abbreviations, where allowed, correctly?
• Can I find any errors in the use of commonly confused words, such as to / too / two ?

Be careful about relying too much on spelling checkers and grammar checkers. A spelling checker cannot recognize that you meant to write principle but wrote principal instead. A grammar checker often queries constructions that are perfectly correct. The program does not understand your meaning; it makes its check against a general set of formulas that might not apply in each instance. If you use a grammar checker, accept the suggestions that make sense, but consider why the suggestions came up.

Proofreading requires patience; it is very easy to read past a mistake. Set your paper aside for at least a few hours, if not a day or more, so your mind will rest. Some professional proofreaders read a text backward so they can concentrate on spelling and punctuation. Another helpful technique is to slowly read a paper aloud, paying attention to every word, letter, and punctuation mark.

If you need additional proofreading help, ask a reliable friend, a classmate, or a peer tutor to make a final pass on your paper to look for anything you missed.

Remember to use proper format when creating your finished assignment. Sometimes an instructor, a department, or a college will require students to follow specific instructions on titles, margins, page numbers, or the location of the writer’s name. These requirements may be more detailed and rigid for research projects and term papers, which often observe the American Psychological Association (APA) or Modern Language Association (MLA) style guides, especially when citations of sources are included.

To ensure the format is correct and follows any specific instructions, make a final check before you submit an assignment.

With the help of the checklist, edit and proofread your essay.

Key Takeaways

• Revising and editing are the stages of the writing process in which you improve your work before producing a final draft.
• During revising, you add, cut, move, or change information in order to improve content.
• During editing, you take a second look at the words and sentences you used to express your ideas and fix any problems in grammar, punctuation, and sentence structure.
• Unity in writing means that all the ideas in each paragraph and in the entire essay clearly belong together and are arranged in an order that makes logical sense.
• Coherence in writing means that the writer’s wording clearly indicates how one idea leads to another within a paragraph and between paragraphs.
• Transitional words and phrases effectively make writing more coherent.
• Writing should be clear and concise, with no unnecessary words.
• Effective formal writing uses specific, appropriate words and avoids slang, contractions, clichés, and overly general words.
• Peer reviews, done properly, can give writers objective feedback about their writing. It is the writer’s responsibility to evaluate the results of peer reviews and incorporate only useful feedback.
• Remember to budget time for careful editing and proofreading. Use all available resources, including editing checklists, peer editing, and your institution’s writing lab, to improve your editing skills.

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Steps for Revising Your Paper

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When you have plenty of time to revise, use the time to work on your paper and to take breaks from writing. If you can forget about your draft for a day or two, you may return to it with a fresh outlook. During the revising process, put your writing aside at least twice—once during the first part of the process, when you are reorganizing your work, and once during the second part, when you are polishing and paying attention to details.

Use the following questions to evaluate your drafts. You can use your responses to revise your papers by reorganizing them to make your best points stand out, by adding needed information, by eliminating irrelevant information, and by clarifying sections or sentences.

Find your main point.

What are you trying to say in the paper? In other words, try to summarize your thesis, or main point, and the evidence you are using to support that point. Try to imagine that this paper belongs to someone else. Does the paper have a clear thesis? Do you know what the paper is going to be about?

Identify your readers and your purpose.

What are you trying to do in the paper? In other words, are you trying to argue with the reading, to analyze the reading, to evaluate the reading, to apply the reading to another situation, or to accomplish another goal?

Evaluate your evidence.

Does the body of your paper support your thesis? Do you offer enough evidence to support your claim? If you are using quotations from the text as evidence, did you cite them properly?

Save only the good pieces.

Do all of the ideas relate back to the thesis? Is there anything that doesn't seem to fit? If so, you either need to change your thesis to reflect the idea or cut the idea.

Tighten and clean up your language.

Do all of the ideas in the paper make sense? Are there unclear or confusing ideas or sentences? Read your paper out loud and listen for awkward pauses and unclear ideas. Cut out extra words, vagueness, and misused words.

Visit the Purdue OWL's vidcast on cutting during the revision phase for more help with this task.

Eliminate mistakes in grammar and usage.

Do you see any problems with grammar, punctuation, or spelling? If you think something is wrong, you should make a note of it, even if you don't know how to fix it. You can always talk to a Writing Lab tutor about how to correct errors.

Switch from writer-centered to reader-centered.

Try to detach yourself from what you've written; pretend that you are reviewing someone else's work. What would you say is the most successful part of your paper? Why? How could this part be made even better? What would you say is the least successful part of your paper? Why? How could this part be improved?

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Revising and Editing

What is revision.

Once you have reached the point that you have a full rough draft, take some time to step away from the essay to get a newer and better perspective. Then begin revising.

Revising means reexamining and rethinking what you’ve written in earlier drafts. The process of revision is more cyclical than it is linear, but any revision process should have clear steps that help you focus on different elements of your writing.

A successful revision process should involve:

• Adding and deleting ideas extensively
• Rearranging ideas, paragraphs, sentences, phrases, and words
• Rewriting paragraphs and sentences for more variety, better flow, and more precise word choices

Keep in mind that successful revision is rarely accomplished quickly and easily. It is typical that you will work through the process of revising three or four rough drafts before you are finally satisfied and ready to call your essay finished.

Developing a Process for Revising

Just as writing is a deeply personal and individualized act, so is revising. This chapter, along with advice from your professors and classmates, can help you identify and develop skills for revising your writing. But in order for the shape and style of your revision process to ultimately prove useful to you, then your methods for revising must become uniquely your own. This means you might take bits and pieces of the advice in this chapter, and then mix that together to formulate your specific process for revising. Also keep in mind that as you evolve as a writer, and as you write across different genres, your revision process will likewise change. What is most important is that you view revision as a continual practice that you are committed to developing and refining over time.

A Top-Down Approach to Revising

It can be tempting to focus most of your revision efforts on the small stuff happening in your sentences. But this approach will usually lead to more work, especially if you end up realizing that perfectly edited paragraphs later need to be cut because they no longer fit with your overall purpose or structure.

Instead, you should use a top-down approach for revising. Doing so helps you address larger issues before focusing on smaller issues.

• Revise for overall meaning and structure. Your essay should develop a central point clearly and logically. The purpose, tone, and point-of-view of your essay should be suited for your audience and line up with your professor’s instructions.
• Revise for paragraph development. Check that your paragraphs are logically ordered, unified, and specific.
• Revise sentence structure. Make sure your sentences remain consistent with your overall tone, are varied in type and length, and state your ideas effectively and efficiently.
• Revise for word choices. You should strive to use specific rather than general terms, should rely on strong verbs, and should only use necessary modifiers.

Other Useful Strategies for Revising

Self-questioning. Just as we use questions to help us brainstorm and define our ideas, we can use question to revise and review our writing. The below questions can help you consider multiple levels and aspects of your writing.

• Voice: Does it sound like a real human being wrote this draft? Does your introduction project a clear sense of your purpose? Honestly, would someone other than your paid instructor or classmates read beyond the first paragraph of this essay?
• Audience: Does your writing use specific strategies or ideas to draw in a specific set of readers? Do you address the same audience throughout the essay? If you don’t, are you being intentional about shifting from one audience to another, and is that intention clear in your writing?
• Message: Are your main points strong and clear? Do you have ample support for each of them? Do your supporting details clearly support your main points?
• Tone: Are you using the proper tone for the genre of writing, and for your purpose and intended audience? Is your language too casual or not professional enough? Or does it come off as overly formal and stiff? Does your tone stay consistent throughout the draft?
• Attitude: Does your stance toward the topic stay consistent throughout the draft? If it doesn’t, do you explain the cause of the transformation in your attitude?
• Reception: Is your goal or intent for writing clear? How is this essay likely to be received by another reader? What kind of motivation, ideas, or emotions will this draft draw out of your readers? What will your readers do, think, or feel immediately after finishing this essay?

Reverse Outlining. In reverse outlining, you read through your rough draft so that you can identify the topic of each paragraph. This way, you can determine if each paragraph has a clear focus and if each paragraph fits the overall organization of your essay.

Reading Aloud. The act of reading your essay aloud allows you to hear it in the way a reader will. This also forces you to slow down and pay attention to all the words in your rough draft, helping you notice where your writing is clear and effective, or where your writing is unclear or ineffective. As a general rule, poorly structured sections or sentences are hard to read out loud, indicating you might need to rework those parts of your draft.

Getting Peer Feedback. No one becomes a good writer in a vacuum. Sometimes writing is done for ourselves, but, more often, writing is done to connect to others, to share thoughts, and to communicate something others need to know. Once you have a full rough draft, it’s important for you to get an understanding of how well your writing works for readers. Showing the writing to someone else is essential. You might do this in a writers’ circle or just with a friend who is good with words and giving feedback. If possible, it’s best to show your writing to several people to get more than one opinion. Receiving feedback helps you discover the strengths in your writing as well as areas that may be improved.

Getting Feedback from a Tutor. Tutoring is an effective way for you to receive knowledgeable one-on-one feedback about your writing. It can also be an effective way to help manage time. Once you have a rough draft, you should seek the advice of the college’s writing tutors. They can quickly help you identify weaknesses in your writing and then discuss options for improvement.

What is Editing?

Editing is part of revising. If most of the revision process encourages you to consider how elements of your draft work together, editing is when you start to focus on isolated issues of grammar, mechanics, punctuation, spelling, and typos.

Remember that it is extremely important not to focus on editing too early in the writing process. If you write one sentence or paragraph and immediately begin to edit it, your overall progress will be slowed. This is why you should revise thoroughly first, and then edit and proofread your essays toward the end of your writing process.

What To Look for While Editing Your Writing

Grammar refers to the way people use language rules and how words are used in a certain order to form phrases and clauses that relay a meaning for readers. The term syntax (the art of sentence structure) goes hand in hand with grammar.

It’s important to note that, since you use language every day, you already have internalized essential grammar rules. Whether you believe it or not, you already know a great deal about how English grammar works, even if you can’t identify many grammar concepts by name. Most college writers struggle with only one or two main grammar issues, like how to correctly use a comma or semicolon. Once you master these issues, you can confidently edit your own work.

For help with understanding the rules and concepts of English grammar, check out the Purdue OWL: Grammar Guide .

Mechanics and Punctuation

Mechanics are established rules within a language system, and sometimes include the individual decisions that writers make regarding the use of capitalization, underlining, italicizing, numbers versus numerals, the placement of specific punctuation marks, and how all this differs throughout English-speaking countries. For example, many mechanics and punctuation rules differ between American English and British English.

Punctuation refers to the symbols you use to help readers understand and process the information you wish to convey through the sentences you write. Somewhat like the notes within a piece of music help musicians move quickly or slowly through a composition, punctuation marks are used to control the flow and rhythm of your writing.

For help with understanding the rules and concepts of English grammar, check out the Purdue OWL: Mechanics Guide and the Purdue OWL: Punctuation Guide .

Other Key Issues to Look Out for While Editing

Precision of Words. In early parts of the drafting process, it’s common to use generic words that do not accurately capture our intended message. Once you reach the editing phase, you should be on the lookout for any generic word choices that can be changed to become more precise. One of the overall goals in academic writing, and in most forms of writing, is to use specific language and terms as often as possible.

Unnecessary Words. In addition to striving to be as precise as possible in your use of language, you should also try to remove any unnecessary words. Many students believe that words like  really , very , just , and so on add an something important to their writing. However, words like these are overused and should be given special consideration. Each word in your writing should feel necessary to both you and your readers, and anything less than necessary should be removed or rewritten.

Repetition of Words and Phrases. The unintentional repetition of words and phrases is one of the most common oversights we make in our writing. We all have our go-to words and phrases—ones that come naturally to us as we speak and when we write. Because of this, you need to diligently check your writing for overuse of words and phrases. One of the best ways to do this is to read aloud while you edit. Doing so will allow you to hear and more easily notice the repetitions. Along with reading aloud, you can also use the search function in programs like Microsoft Word and Google Docs to quickly locate words and phrases you know you tend to repeat.

Spelling. We all have words that give us trouble as we write, even if we have learned how to spell those words. While spell-checkers can help us most of the time, they are not always correct, and it’s our responsibility to recognize which words we commonly misspell and edit our drafts to find spelling mistakes. Many of the words we misspell look or sound like other words, and for help identifying those words you should check out the Purdue OWL’s Common Words that Sound Alike .

Sources Used to Create this Chapter

Parts of this chapter were remixed from:

• Let’s Get Writing by Elizabeth Browning et. al., which was published under a CC-BY-NC-SA 4.0 license.
• English Composition by Ann Inoshita et. al., which was published under a CC-BY 4.0 license.
• English Composition I  by Kimberly Miller-Davis, which was published under a CC-BY 4.0 license.

Starting the Journey: An Intro to College Writing Copyright © by Leonard Owens III; Tim Bishop; and Scott Ortolano is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Writing Studio

What is revision.

In an effort to make our handouts more accessible, we have begun converting our PDF handouts to web pages. Download this page as a PDF: Revision handout PDF Return to Writing Studio Handouts

Revision is not merely proofreading or editing an essay. Proofreading involves making minor changes, such as putting a comma here, changing a word there, deleting part of a sentence, and so on. Revision, on the other hand, involves making more substantial changes.

Literally, it means re-seeing what you have written in order to re-examine (and possibly change and develop) what you have said or how you have said it. One might revise the argument, organization, style, or tone of one’s paper.

Below you’ll find some helpful activities to help you begin to think through and plan out revisions.

Revision Strategies

Memory draft.

Set aside what you’ve written and rewrite your essay from memory. Compare the draft of your paper to your memory draft. Does your original draft clearly reflect what you want to argue? Do you need to modify the thesis? Should you reorganize parts of your paper?

This technique helps point out what you think you are doing in comparison to what you are actually doing in a piece of writing.

Reverse Outline

Some writers find it helpful to make an outline before writing. A reverse outline, which one makes after writing a draft, can help you determine whether your paper should be reorganized. To make a reverse outline and use it to revise your paper: Read through your paper, making notes in the margins about the main point of each paragraph.

Create your reverse outline by writing those notes down on a separate piece of paper. Use your outline to do three things:

• See whether each paragraph plays a role in supporting your thesis.
• Look for unnecessary repetition of ideas.
• Compare your reverse outline with your draft to see whether the sentences in each paragraph are related to the main point of that paragraph, per the reverse outline. This technique is helpful in reconsidering the organization and coherence of an essay. By figuring out what each paragraph contributes to your paper, you will be able to see where each fits best within it.

Anatomy of a Paragraph

Select different colored highlighters to represent the different elements that should be found in an argumentative essay. Make a key somewhere on the first page, noting what each color represents. You might consider attributing a color to thesis, argumentative topic sentence, evidence, analysis, and fluffy flimflam. Now, color code your essay. When you’re finished, diagnose what you see, paying attention to where you’ve placed your topic sentences, whether you’re using enough evidence, and whether you could expand or streamline your analysis.

This strategy is helpful for visual learners and authors who feel overwhelmed by the length of their draft or scope of their revision project. It also helps to illustrate the organization and development of an argument.

Unpacking an Idea

Select a certain paragraph in your essay and try to explain in more detail how the concepts or ideas fit together. Unpack the evidence for your claims by showing how it supports your topic sentence, main idea, or thesis.

This technique will help you more deliberately explain the steps in your reasoning and point out where any gaps may have occurred within it. It will help you establish how these reasons, in turn, lead to your conclusions.

Exploding a Moment

Select a certain paragraph or section from your essay and write new essays or paragraphs from that section. Through this technique, you might discover new ideas—or new connections between ideas—that you’ll want to emphasize in your paper or in a new paper in the future.

3×5 Note Card

Describe each paragraph of your draft on a separate note card. On one side of the note card, write the topic sentence; on the other, list the evidence you use to back up your topic sentence. Next, evaluate how each paragraph fits into your thesis statement.

This technique will help you look at a draft on the paragraph-level.

Writing Between the Lines

Add information between sentences and paragraphs to clarify concepts and ideas that need further explanation.

This technique helps the writer to be aware of complex concepts and to determine what needs additional explanation.

This technique helps you look at your subject from six different points of view (imagine the 6 sides of a cube and you get the idea).

Take the topic of your paper (or your thesis) and proceed through the following six steps:

• Describe it.
• Compare it.
• Associate it with something else you know.
• Analyze it (meaning break it into parts).
• Apply it to a situation with which you are familiar.
• Argue for or against it.

Write a paragraph, page, or more about each of the six points of view on your subject.

Talk Your Paper

Tell a friend what your paper is about. Pay attention to your explanation. Are all of the ideas you describe actually in the paper? Where did you start in explaining your ideas? Does your paper match your description? Can the listener easily find all of the ideas you mention in your description?

This technique helps match up verbal explanations to written explanations. Which presents your ideas most clearly, accurately, and effectively?

Ask Someone to Read Your Paper Out Loud for You

Ask a friend to read your draft out loud to you. What do you hear? Where does your reader stumble, sound confused, or have questions? Did your reader ever get lost in your text? Did your ideas flow in a logical order and progress from paragraph to paragraph? Did the reader need more information at any point?

This technique helps a writer gain perspective on an essay by hearing first-hand the reaction of a fellow student to it.

Ask Someone without Knowledge of the Course to Read Your Paper

You can tell if your draft works by sharing it with someone unfamiliar with the context. If she can follow your ideas, your professor will be able to as well.

This technique will help you test out the clarity of your paper on those not acquainted with the course material.

Return to the Prompt

This technique may seem obvious, but once you’ve gotten going on an assignment, you may get carried away from what the instructions have asked you to do. Double check the prompt. Have you answered all of the questions (or parts of questions) thoroughly? Is there any part you may have neglected or missed?

This technique will help you keep in mind what the questions are asking and to determine whether you have addressed all of their components effectively.

Last revised: 08/2016 |  Adapted for web delivery: 03/2021

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Writing Center

How to revise drafts, now the real work begins....

After writing the first draft of an essay, you may think much of your work is done, but actually the real work – revising – is just beginning. The good news is that by this point in the writing process you have gained some perspective and can ask yourself some questions: Did I develop my subject matter appropriately? Did my thesis change or evolve during writing? Did I communicate my ideas effectively and clearly? Would I like to revise, but feel uncertain about how to do it?

Also see the UMN Crookston Writing Center's  Revising and Editing Handout .

How to Revise

First, put your draft aside for a little while.  Time away from your essay will allow for more objective self-evaluation. When you do return to the draft, be honest with yourself; ask yourself what you really think about the paper.

Check the  focus  of the paper.  Is it appropriate to the assignment prompt? Is the topic too big or too narrow? Do you stay on track throughout the entire paper? (At this stage, you should be concerned with the large, content-related issues in the paper, not the grammar and sentence structure).

Get  feedback .  Since you already know what you’re trying to say, you aren’t always the best judge of where your draft is clear or unclear. Let another reader tell you. Then discuss aloud what you were trying to achieve. In articulating for someone else what you meant to argue, you will clarify ideas for yourself.

Think honestly about your thesis.  Do you still agree with it? Should it be modified in light of something you discovered as you wrote the paper? Does it make a sophisticated, provocative point? Or does it just say what anyone could say if given the same topic? Does your thesis generalize instead of taking a specific position? Should it be changed completely?

Examine the  balance  within your paper.  Are some parts out of proportion with others? Do you spend too much time on one trivial point and neglect a more important point? Do you give lots of details early on and then let your points get thinner by the end? Based on what you did in the previous step, restructure your argument: reorder your points and cut anything that’s irrelevant or redundant. You may want to return to your sources for additional supporting evidence.

Now that you know what you’re really arguing, work on your  introduction and conclusion . Make sure to begin your paragraphs with topic sentences, linking the idea(s) in each paragraph to those proposed in the thesis.

Proofread.  Aim for precision and economy in language. Read aloud so you can hear imperfections. (Your ear may pick up what your eye has missed). Note that this step comes LAST. There’s no point in making a sentence grammatically perfect if it’s going to be changed or deleted anyway.

As you revise your own work, keep the following in mind:

Revision means rethinking your thesis. It is unreasonable to expect to come up with the best thesis possible – one that accounts for all aspects of your topic – before beginning a draft, or even during a first draft. The best theses evolve; they are actually produced during the writing process. Successful revision involves bringing your thesis into focus—or changing it altogether.

Revision means making structural changes. Drafting is usually a process of discovering an idea or argument. Your argument will not become clearer if you only tinker with individual sentences. Successful revision involves bringing the strongest ideas to the front of the essay, reordering the main points, and cutting irrelevant sections. It also involves making the argument’s structure visible by strengthening topic sentences and transitions.

Revision takes time. Avoid shortcuts: the reward for sustained effort is an essay that is clearer, more persuasive, and more sophisticated.

Think about your purpose in writing: Does your introduction clearly state what you intend to do? Will your aims be clear to your readers?

Check the organization. Does your paper follow a pattern that makes sense? Doe the transitions move your readers smoothly from one point to the next? Do the topic sentences of each paragraph appropriately introduce what that paragraph is about? Would your paper be work better if you moved some things around?

Check your information. Are all your facts accurate? Are any of our statements misleading? Have you provided enough detail to satisfy readers’ curiosity? Have you cited all your information appropriately?

Revision doesn’t necessarily mean rewriting the whole paper. Sometimes it means revising the thesis to match what you’ve discovered while writing. Sometimes it means coming up with stronger arguments to defend your position, or coming up with more vivid examples to illustrate your points. Sometimes it means shifting the order of your paper to help the reader follow your argument, or to change the emphasis of your points. Sometimes it means adding or deleting material for balance or emphasis. And then, sadly, sometimes revision does mean trashing your first draft and starting from scratch. Better that than having the teacher trash your final paper.

Revising Sentences

Read your paper out loud, sentence by sentence, and look for places where you stumble or get lost in the middle of a sentence. These are obvious places that need fixing. Look for places where you get distracted or even bored – where you cannot concentrate. These are places where you probably lost focus or concentration in your writing. Cut through the extra words or vagueness or digression: get back to the energy.

Tips for writing good sentences:

Use forceful verbs – replace long verb phrases with a more specific verb. For example, replace “She argues for the importance of the idea” with ‘she defends the idea.” Also, try to stay in the active voice.

Look for places where you’ve used the same word or phrase twice or more in consecutive sentences and look for alternative ways to say the same thing OR for ways to combine the two sentences.

Cut as many prepositional phrases as you can without losing your meaning. For instance, the sentence “There are several examples of the issue of integrity in  Huck Finn ” would be much better this way: “ Huck Finn  repeated addresses the issue of integrity.”

Check your sentence variety. IF more than two sentences in a row start the same way (with a subject followed by a verb, for example), then try using a different sentence pattern. Also, try to mix simple sentences with compound and compound-complex sentences for variety.

Aim for precision in word choice. Don’t settle for the best word you can think of at the moment—use a thesaurus (along with a dictionary) to search for the word that says exactly what you want to say.

Look for sentences that start with “it is” or “there are” and see if you can revise them to be more active and engaging.

By Jocelyn Rolling, English Instructor Last edited October 2016 by Allison Haas, M.A.

16 Concepts and Strategies for Revision

Shane Abrams; Liz Delf; Rob Drummond; and Kristy Kelly

Shane Abrams Adapted by Liz Delf, Rob Drummond, and Kristy Kelly

Concepts and strategies for revision.

Let’s start with a few definitions. What is an essay? It’s likely that your teachers have been asking you to write essays for years now; you’ve probably formed some idea of the genre. But when I ask my students to define this kind of writing, their answers vary widely and only get at part of the meaning of “essay.”

Although we typically talk of an essay (noun), I find it instructive to think about essay (verb): to try, to test, to explore, to attempt to understand. An essay (noun), then, is an attempt and an exploration. Popularized shortly before the Enlightenment era by Michel de Montaigne, the essay form was invested in the notion that writing invites discovery: the idea was that he, as a layperson without formal education in a specific discipline, would learn more about a subject through the act of writing itself.

What difference does this new definition make for us as writers?

Now, what is revision? You may have been taught that revision means fixing commas, using a thesaurus to brighten up word choice, and maybe tweaking a sentence or two. However, I prefer to think of revision as “re | vision.”

Revision isn’t just about polishing—it’s about seeing your piece from a new angle, with “fresh eyes.” Often, we get so close to our own writing that we need to be able to see it from a different perspective in order to improve it. Revision happens on many levels. What you may have been trained to think of as revision—grammatical and mechanical fixes—is just one tier. Here’s how I like to imagine it:

Even though all kinds of revision are valuable, your global issues are first-order concerns, and proofreading is a last-order concern. If your entire topic, approach, or structure needs revision, it doesn’t matter if you have a comma splice or two. It’s likely that you’ll end up rewriting that sentence anyway.

There are a handful of techniques you can experiment with in order to practice true revision. First, if you can, take some time away from your writing. When you return, you will have a clearer head. You will even, in some ways, be a different person when you come back—since we as humans are constantly changing from moment to moment, day to day, you will have a different perspective with some time away. This might be one way for you to make procrastination work in your favor: if you know you struggle with procrastination, try to bust out a quick first draft the day an essay is assigned. Then you can come back to it a few hours or a few days later with fresh eyes and a clearer idea of your goals.

Second, you can challenge yourself to reimagine your writing using global and local revision techniques, like those included later in this chapter.

Third, you can (and should) read your paper aloud, if only to yourself. This technique distances you from your writing; by forcing yourself to read aloud, you may catch sticky spots, mechanical errors, abrupt transitions, and other mistakes you would miss if you were immersed in your writing. (Recently, a student shared with me that she uses an online text-to-speech voice reader to create this same separation. By listening along and taking notes, she can identify opportunities for local- and proofreading-level revision.)

Finally, and perhaps most importantly, you should rely on your learning community. Because you most likely work on tight deadlines and don’t always have the opportunity to take time away from our projects, you should solicit feedback from your classmates, the writing center, your instructor, your peer workshop group, or your friends and family. As readers, they have valuable insight into the rhetorical efficacy of your writing: their feedback can be useful in developing a piece that is conscious of audience. To begin setting expectations and procedures for your peer workshop, turn to the first activity in this section.

Throughout this text, I have emphasized that good writing cannot exist in a vacuum; similarly, good rewriting often requires a supportive learning community. Even if you have had negative experiences with peer workshops before, I encourage you to give them another chance. Not only do professional writers consistently work with other writers, but my students are nearly always surprised by just how helpful it is to work alongside their classmates.

The previous diagram (of global, local, and proofreading levels of revision) reminds us that everyone has something valuable to offer in a learning community: because there are so many different elements on which to articulate feedback, you can provide meaningful feedback to your workshop, even if you don’t feel like an expert writer.

During the many iterations of revising, remember to be flexible and to listen. Seeing your writing with fresh eyes requires you to step outside of yourself, figuratively.

Listen actively and seek to truly understand feedback by asking clarifying questions and asking for examples. The reactions of your audience are a part of writing that you cannot overlook, so revision ought to be driven by the responses of your colleagues.

On the other hand, remember that the ultimate choice to use or disregard feedback is at the author’s discretion: provide all the suggestions you want as a group member, but use your best judgment as an author. If members of your group disagree—great! Contradictory feedback reminds us that writing is a dynamic, transactional action that is dependent on the specific rhetorical audience.

Revision Activities

Establishing your peer workshop.

Before you begin working with a group, it’s important for you to establish a set of shared goals, expectations, and processes. You might spend a few minutes talking through the following questions:

• Have you ever participated in a peer workshop before? What worked? What didn’t?
• What do you hate about group projects? How might you mitigate these issues?
• What opportunities do group projects offer that working independently doesn’t? What are you excited about?
• What requests do you have for your peer workshop group members?

In addition to thinking through the culture you want to create for your workshop group, you should also consider the kind of feedback you want to exchange, practically speaking. In order to arrive at a shared definition for “good feedback,” I often ask my students to complete the following sentence as many times as possible with their groupmates: “Good feedback is…”

The list could go on forever, but here are a few that I emphasize:

Once you’ve discussed the parameters for the learning community you’re building, you can begin workshopping your drafts, asking, “What does the author do well and what could they do better?” Personally, I prefer a workshop that’s conversational, allowing the author and the audience to discuss the work both generally and specifically; however, your group should use whatever format will be most valuable for you. Before starting your workshop, try to get everyone on the same page logistically by using the following flowcharts.

To set the tone and expectations for your unique workshop group, talk through the following prompts. Record your answers. The first activity will establish a climate or culture for your group; the second will help you talk through logistics.

Choose the 3-5 descriptors of good feedback that are most important to the members of your group. Discuss for 3-5 minutes: What do each of you need for this Peer Workshop to be effective? From each other? From the instructor? From yourselves? From your environment? Record responses on a separate sheet of paper.

Global Revision Activity for a Narrative Essay

This assignment challenges you to try new approaches to a draft you’ve already written. Although you will be “rewriting” in this exercise, you are not abandoning your earlier draft: this exercise is generative, meaning it is designed to help you produce new details, ideas, or surprising bits of language that you might integrate into your project.

First, choose a part of your draft that (1) you really like but think could be better or (2) just isn’t working for you. This excerpt should be no fewer than one hundred words and can include your entire essay, if you want.

Then complete your choice of one prompt from the list below: apply the instruction to the excerpt to create new content. Read over your original once, but do not refer back to it after you start writing. Your goal here is to deviate from the first version, not reproduce it. The idea here is to produce something new about your topic through constraint; you are reimagining your excerpt on a global scale.

After completing one prompt, go back to the original and try at least one more or apply a different prompt to your new work.

• Change genres. For example, if your excerpt is written in typical essay form, try writing it as poetry, or dialogue from a play/movie, or a radio advertisement.
• Zoom in. Focus on one image, color, idea, or word from your excerpt and zoom way in. Meditate on this one thing with as much detail as possible.
• Zoom out. Step back from the excerpt and contextualize it with background information, concurrent events, or information about relationships or feelings.
• Change point of view. Try a new vantage point for your story by changing pronouns and perspective. For instance, if your excerpt is in first person (I/me), switch to second (you) or third person (he/she/they).
• Change setting. Resituate your excerpt in a different place or time.
• Change your audience. Rewrite the excerpt anticipating the expectations of a different reader than you first intended. For example, if the original excerpt is in the same speaking voice you would use with your friends, write as if your strictest teacher or the president or your grandmother is reading it. If you’ve written in an “academic” voice, try writing for your closest friend—use slang, swear words, casual language, whatever.
• Add another voice. Instead of just the speaker of the essay narrating, add a listener. This listener can agree, disagree, question, heckle, sympathize, apologize, or respond in any other way you can imagine.
• Change timeline (narrative sequence). Instead of moving chronologically forward, rearrange the events to bounce around.
• Change tense. Narrate from a different vantage point by changing the grammar. For example, instead of writing in past tense, write in present or future tense.
• Change tone. Reimagine your writing in a different emotional register. For instance, if your writing is predominantly nostalgic, try a bitter tone. If you seem regretful, try to write as if you were proud.

Reverse Outlining

Have you ever written an outline before writing a draft? It can be a useful prewriting strategy, but it doesn’t work for all writers. If you’re like me, you prefer to brain-dump a bunch of ideas on the paper, then come back to organize and refocus during the revision process. One strategy that can help you here is reverse outlining.

Divide a blank piece of paper into three columns, as demonstrated below. Number each paragraph of your draft, and write an equal numbered list down the left column of your blank piece of paper. Write “Idea” at the top of the middle column and “Purpose” at the top of the right column.

Now wade back through your essay, identifying what each paragraph is saying and what each paragraph is doing. Choose a few key words or phrases for each column to record on your sheet of paper.

• Try to use consistent language throughout the reverse outline so you can see where your paragraphs are saying or doing similar things.
• A paragraph might have too many different ideas or too many different functions for you to concisely identify. This could be a sign that you need to divide that paragraph up.

Here’s a student’s model reverse outline:

But wait—there’s more!

Once you have identified the idea(s) and purpose(s) of each paragraph, you can start revising according to your observations. From the completed reverse outline, create a new outline with a different sequence, organization, focus, or balance. You can reorganize by

• combining or dividing paragraphs,
• rearranging ideas, and
• adding or subtracting content.

Reverse outlining can also be helpful in identifying gaps and redundancies: Now that you have a new outline, do any of your ideas seem too brief? Do you need more evidence for a certain argument? Do you see ideas repeated more than necessary?

After completing the reverse outline above, the student proposed this new organization:

You might note that this strategy can also be applied on the sentence and section level. Additionally, if you are a kinesthetic or visual learner, you might cut your paper into smaller pieces that you can physically manipulate.

Be sure to read aloud after reverse outlining to look for abrupt transitions.

You can see a simplified version of this technique demonstrated in this video .

Local Revision Activity: Cutting Fluff

When it’s late at night, the deadline is approaching, and we’ve simply run out of things to say…we turn to fluff. Fluff refers to language that doesn’t do work for you—language that simply takes up space or sits flat on the page rather than working economically and impactfully. Whether or not you’ve used it deliberately, all authors have been guilty of fluffy writing at one time or another.

Example of fluff on social media [“Presidents don’t have to be smart” from funnyjunk.com].

Fluff happens for a lot of reasons.

• Of course, reaching a word or page count is the most common motivation.
• Introductions and conclusions are often fluffy because the author can’t find a way into or out of the subject or because the author doesn’t know what their exact subject will be.
• Sometimes, the presence of fluff is an indication that the author doesn’t know enough about the subject or that their scope is too broad.
• Other times, fluffy language is deployed in an effort to sound “smarter” or “fancier” or “more academic”—which is an understandable pitfall for developing writers.

These circumstances, plus others, encourage us to use language that’s not as effective, authentic, or economical. Fluff happens in a lot of ways; here are a few I’ve noticed:

Of course, there’s a very fine line between detail and fluff. Avoiding fluff doesn’t mean always using the fewest words possible. Instead, you should occasionally ask yourself in the revision process, How is this part contributing to the whole? Is this somehow building toward a bigger purpose? If the answer is no, then you need to revise.

The goal should not necessarily be “Don’t write fluff” but rather “Learn to get rid of fluff in revision.” In light of our focus on process, you are allowed to write fluff in the drafting period, so long as you learn to “prune” during revisions. (I use the word prune as an analogy for caring for a plant: just as you must cut the dead leaves off for the plant’s health and growth, you will need to cut fluff so your writing can thrive.)

Here are a few strategies:

• Read out loud.
• Ask yourself what a sentence is doing, rhetorically.
• Combine like sentences, phrases, or ideas.
• Use signposts, like topic-transition sentences (for yourself during revision and for your reader in the final draft).
• Be specific—stay cognizant of your scope (globally) and the detail of your writing (locally).

To practice revising for fluff, workshop the following excerpt by yourself or with a partner. Your goal is not to cut back to the smallest number of words but rather to prune out what you consider to be fluff and leave what you consider to be detail. You should be able to explain the choices you make.

There was a time long before today when an event occurred involving a young woman who was known to the world as Goldilocks. On the particular day at hand, Goldilocks made a spontaneous decision to wander through the forest, the trees growing up high above her flowing blonde pigtails. Some time after she commenced her voyage, but not after too long, she saw sitting on the horizon a small residency. Goldilocks rapped her knuckles on the door, but alas, no one answered the door. Therefore, Goldilocks decided that it would be a good idea to enter the unattended house, so she entered it. Atop the average-sized table in the kitchen of the house, there were three bowls of porridge, which is similar to oatmeal. Porridge is a very common dish in Europe; in fact, the Queen of England is well known for enjoying at least one daily bowl of porridge per day. Goldilocks, not unlike the Queen of England, enjoys eating porridge for its nutritional value. On this day, she was feeling quite hungry and wanted to eat. She decided that she should taste one of the three bowls of porridge, from which steam was rising indicating its temperature. But because she apparently couldn’t tell, she imbibed a spoonful of the porridge and vocalized the fact that the porridge was of too high a temperature for her to masticate and consume: “This porridge is too hot!”

The original chapter, Concepts and Strategies for Revision by Shane Abrams, is from EmpoWord: A Student-Centered Anthology and Handbook for College Writers

Media Attributions

• 16.1 venn-diagram © Shane Abrams is licensed under a CC BY-NC (Attribution NonCommercial) license
• 16.2 Doc1 © Shane Abrams is licensed under a CC BY-NC (Attribution NonCommercial) license
• 16.3 image4 © Shane Abrams is licensed under a CC BY-NC (Attribution NonCommercial) license

Concepts and Strategies for Revision Copyright © 2022 by Shane Abrams; Liz Delf; Rob Drummond; and Kristy Kelly is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

• Table of Contents

AI, Ethics & Human Agency

Collaboration, information literacy, writing process, structured revision – how to revise your work.

• © 2023 by Joseph M. Moxley - University of South Florida , Julie Staggers - Washington State University

Learn how to revise your writing in a strategic, professional manner Use structured revision practices to revise your work in a strategic, professional manner.  Learn about why structured revision is so useful to teams & collaborative writing.

Related Concepts: What is Academic Dishonesty? ; Academic Writing – How to Write for the Academic Community ; Editing ; Plagiarism ; Proofreading ; Revision ; Rhetorical Analysis ; Rhetorical Reasoning ; Rhetorical Stance ; Standard Written English ; Style

Structured Revision – How to Revise

Some situations require substantive revision whereas others require moderate or light revision. For instance,

• if you are writing an essay for class and it constitutes a major part of your grade, then you may need to spend considerable time revising it
• if you are writing a proposal to a client for a big job, you know you cannot rest until your writing demonstrates that you understand the clients’ perspective
• if you are writing an email to a friend, your discourse is likely to be more informal than if you are writing to an academic or professional audience .

Because every situation is difficult, there is no one single way to revise documents. However, this doesn’t mean you need to treat every writing task as if it’s a space walk. There are, in practice, a number of discourse conventions that define the discourse practices of writers in academic and professional writing contexts .

Step 1: Engage in Rhetorical Reasoning

Your first step when developing a plan for revising a document is taking an honest look at the rhetorical situation :

What is the Rhetorical Situation ?

As a first step in rhetorical analysis question

• Who your audience ?
• What do you hope to achieve by writing this document?
• What is your purpose ? thesis? research question?

. composing and interpretation are dynamic, rhetorical, social processes.

, question is. What do they need from you? What is your purpose? thesis? What is your context? Is this

• a personal situation
• a workplace situation
• a school situation
• an applied or basic research situation ?

By engaging in audience analysis, you can learn the discourse conventions your audiences expects you to adopt in order to communicate with them. that characterize the works of discourse community. For instance,

• the evaluative criteria might focus on tone as it reflects sincerity, honesty, candor, authenticity, trustworthiness
• writers, speakers, knowledge workers adopt
• the evaluative criteria might focus on Information Literacy Perspectives & Practices , research methods , and citation.

Step 2: Inspect the Document @ the Global Level

After you have reflected on the exigency, the call to write , you are ready to analyze the document at a higher-level of abstraction — the Global Level , or, what some people call the rhetorical level.

Begin your inspection by focusing only on the top-level elements , such as

• Letter of Transmittal
• Executive Summary
• Statement of the Problem
• Research Methods
• Results (optional)
• Recommendations
• Implementation Schedule
• Budget (guesstimate)
• Call to Action

At this point, you’re looking for problems in the document’s organizational schema.

At a glance, does the title, introduction, and headings (along with the table of contents if one exists) answer these questions for the intended reader, listener, user . . . of the document: 

• What is this document about?
• What organizational problem or need is being address?
• What is the occasion for this report?
• What type of document is this?
• What will the document accomplish?
• Where in the document can I find answers to the questions I might logically have?

If you cannot answer these questions based on a quick skim, make notes about the problems you see.

At the global level , you’re likely to encounter

Rhetorical Problems

• Structural Problems,
• Language Problems, and
• Critical & Analytical Thinking Problems.

For rhetorical problems , check to see if….

Structural Problems

For section-level problems , check to see if the…

Language Problems

For language-level problems , check to see if….

Critical & Analytical Thinking Problems @ the Global Level

For critical & analytical thinking problems , check to see if

Critical & Analytical Thinking Problems

For Critical & Analytical Thinking Problems , check to see if

• Do the proposed solutions make sense given the problem statement?
• Is the recommendation a realistic solution?
• Does the Gantt chart and other planning documents seem reasonable?

Step 3: Inspect the Document @ the Section Level

Next, critique the document section-by-section.

The intended readers for the document should be able to skim a section and answer these questions for that section : 

• What is this section about?
• What is the function of this section?
• What topics does this section address?
• How does this section connect to the sections before/after it?

If you cannot answer these questions, make notes about the problems you see.

At the section level , you’re likely to encounter

• rhetorical problems
• structural problems, and
• language problems , as outlined below:

To find rhetorical problems, ask these questions:

• Does the opening mislead readers?
• Do the headings mislead readers?
• Are the visuals and data appropriate for the target audience?
• Does color or design mislead readers by focusing their attention on less important information?

To find structural problems, ask these questions:

• Is this section one that conventional report structure would place in this location? Is this where a reader would expect to find this section?
• Does the heading adequately and accurately reflect the section’s contents (e.g. does the heading say the section is going to address a topic that the section does not actually address?)
• Are topics unbalanced?
• Do key topics need to be addressed in more depth because readers will find them challenging?
• Is color used consistently?

Keep an eye out for parallelism problems . Look at headings, opening paragraphs , subheadings, topic sentences , transitions , and visuals .

Language Problems concern how  a  text  is  composed  — its  diction ,  grammar , use of  mechanics ,  sentence structure , and  style of writing .  concern The Elements of Style , especially brevity , clarity , flow , simplicity , and unity

To find language problems, ask these questions:

• Is the diction appropriate for the target audience(s)?
• Is the style of writing appropriate given the rhetorical situation ?
• Are key terms used consistently across sections?

Step 4: Inspect the Document at the Paragraph Level

Read the document paragraph-by-paragraph, placing check marks as you go.

Your goal is to analyze whether the paragraphs in the document are well formed and structured.

• Do the paragraphs conform to the reader’s expectations for the genre and media of the document?
• Are the paragraphs unified?
• Is there a logical progression across paragraphs, informed by the given to new contract?
• Does the document use the rhetorical moves you believe it needs to help readers better understand paragraph unity and paragraph transitions?
• Are the paragraphs following a coordinate order, deductive order, or Inductive order? Would you recommend a different order to improve flow?
• What recommendations, if any, would you make regarding paragraph transitions ?

Step 5: Inspect the Document at the Sentence Level

Sentence-level perspective.

As you re-read your work or the work of others, place check marks next to:

• Sentences you find tedious
• Sentences you have to read more than once
• Sentences you don’t quite feel right about

Are there any problems in the document with brevity ; clarity ; flow, coherence, unity; and simplicity ?

What about grammar and mechanics ?

How to Revise Co-Authored Projects

Revising a document you wrote yourself can be hard work. Revising a document written by a group can be even more difficult:

• Once any text exists, it’s hard to get rid of either because writers don’t want to “lose” their hard work or are afraid of cutting important information by mistake.
• Documents – and especially formal reports – address multiple types of readers, whose needs and ways of interacting with the document differ.
• Documents that have been written by a team will have more problems with consistency than documents written by individuals.
• Writers may disagree about what changes to make.

Structured revision helps a team prioritize its revision efforts. It also allows the team to make strategic decisions about what work can be done and should be done given the time available and the relative importance of the project. 

Ideally, when conducted for a team project, individuals will independently conduct structured revisions before sharing insights with one another. This approach can help you answer the following questions:

• What are the most significant problems in the document – and where are they located?
• How much time do we have for revisions and editing?
• Should we spend on our time on the top-level design of the document, the content of a particular section, or sentence-level problems?

Porter,  J. E., Sullivan, P. , and Johnson-Eilola, J.  (2009).  Professional Writing Online 3.0 , 3 rd ed. New York: Pearson.

Brevity - Say More with Less

Clarity (in Speech and Writing)

Coherence - How to Achieve Coherence in Writing

Flow - How to Create Flow in Writing

Inclusivity - Inclusive Language

The Elements of Style - The DNA of Powerful Writing

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An Essay Revision Checklist

Guidelines for Revising a Composition

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• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Revision  means looking again at what we have written to see how we can improve it. Some of us start revising as soon as we begin a rough  draft —restructuring and rearranging sentences as we work out our ideas. Then we return to the draft, perhaps several times, to make further revisions.

Revision as Opportunity

Revising is an opportunity to reconsider our topic, our readers, even our purpose for writing . Taking the time to rethink our approach may encourage us to make major changes in the content and structure of our work.

As a general rule, the best time to revise is not right after you've completed a draft (although at times this is unavoidable). Instead, wait a few hours—even a day or two, if possible—in order to gain some distance from your work. This way you'll be less protective of your writing and better prepared to make changes. 

One last bit of advice: read your work aloud when you revise. You may hear problems in your writing that you can't see.

"Never think that what you've written can't be improved. You should always try to make the sentence that much better and make a scene that much clearer. Go over and over the words and reshape them as many times as is needed," (Tracy Chevalier, "Why I Write." The Guardian , 24 Nov. 2006).

Revision Checklist

• Does the essay have a clear and concise main idea? Is this idea made clear to the reader in a thesis statement early in the essay (usually in the introduction )?
• Does the essay have a specific purpose (such as to inform, entertain, evaluate, or persuade)? Have you made this purpose clear to the reader?
• Does the introduction create interest in the topic and make your audience want to read on?
• Is there a clear plan and sense of organization to the essay? Does each paragraph develop logically from the previous one?
• Is each paragraph clearly related to the main idea of the essay? Is there enough information in the essay to support the main idea?
• Is the main point of each paragraph clear? Is each point adequately and clearly defined in a topic sentence and supported with specific details ?
• Are there clear transitions from one paragraph to the next? Have key words and ideas been given proper emphasis in the sentences and paragraphs?
• Are the sentences clear and direct? Can they be understood on the first reading? Are the sentences varied in length and structure? Could any sentences be improved by combining or restructuring them?
• Are the words in the essay clear and precise? Does the essay maintain a consistent tone ?
• Does the essay have an effective conclusion —one that emphasizes the main idea and provides a sense of completeness?

Once you have finished revising your essay, you can turn your attention to the finer details of editing and proofreading your work.

Line Editing Checklist

• Is each sentence  clear and complete ?
• Can any short, choppy sentences be improved by  combining  them?
• Can any long, awkward sentences be improved by breaking them down into shorter units and recombining them?
• Can any wordy sentences be made more  concise ?
• Can any  run-on sentences  be more effectively  coordinated  or  subordinated ?
• Does  each verb agree with its subject ?
• Are all  verb  forms correct and consistent?
• Do  pronouns  refer clearly to the appropriate  nouns ?
• Do all  modifying words and phrases  refer clearly to the words they are intended to modify?
• Is each word  spelled  correctly?
• Is the  punctuation  correct?
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• How Do You Edit an Essay?
• Paragraph Writing
• Self-Evaluation of Essays
• How To Write an Essay
• The Difference Between Revising and Editing
• What Is Expository Writing?
• Development in Composition: Building an Essay
• Editing and Proofreading Marks in Composition
• Make Your Paragraphs Flow to Improve Writing
• Definition and Examples of Analysis in Composition

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Revising an Essay — A Quick & Easy Guide

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The desire to provide a perfect and fascinating college essay with reliable facts and no grammatical problems is natural. Tackling an academic essay requires the same meticulous approach. However, editing and revising may be daunting if you are unprepared. To make the revision process go smoothly, you should know the steps for revising an essay, as explained below.

Inhaltsverzeichnis

• 1 Revising an Essay – In a Nutshell
• 2 Definition: Revising an essay
• 3 Revising an essay: The big picture
• 4 Revising an essay: An overview
• 5 Revising an essay: Checklist
• 6 The best time for revising an essay

Revising an Essay – In a Nutshell

• Revision is making changes and edits to a text until you fix all errors and flaws.
• Even if you believe you have done your absolute best, always approach it as a draft .
• Write your essay’s thesis statement or critical topic in the opening paragraph .
• It is crucial to elaborate on your points in each paragraph by providing relevant information and examples.

Definition: Revising an essay

To revise means to look over it again. Revising an essay entails reviewing the overall structure and how well you presented your ideas. You can rewrite some sentences to make your concepts more straightforward and add, remove or rearrange paragraphs to make your case more compelling.

Revising an essay: The big picture

During your initial reading, focus on the essay’s general theme , fluency and content quality rather than correcting grammar mistakes. Once you have read your essay, you should consider the following questions.

• How should I interpret the results of my essay?
• Was my response helpful ?
• Does it provide an understanding , or is it simply a story?
• Do I illustrate my morals using personal experiences and case studies ?
• Is there a good balance between focusing on myself and focusing on someone else or anything else?

Rewrite your essay to address the issues you raise if you answer any of the above questions negatively. For example;

Revising an essay: An overview

Revising an essay well entails moving the best ideas to the front , switching the order of the essential themes and eliminating any fluff . One way to do this is to improve the visibility of the argument’s structure by bolstering subject phrases and transitions.

The Introduction

Fundamentally, an introduction paragraph’s purpose is to ease the transition from the reader’s everyday experience into the textual and cognitive realm of the essay. Present yourself as an intelligent writer who has thoroughly researched the subject and can swiftly navigate the complexity and depths of the issue . The tone you choose for your beginning will determine how the rest of your essay reads.

Underline the confusing, tedious or superfluous portions when revising an essay. Go back and make any required changes, such as elaborating on dull areas with more exciting language or cutting out redundant phrases . Ensure that your essay highlights your unique qualities, interests and experiences that will appeal to institutions.

The Conclusion

It would be best to summarise your primary arguments , reiterate your thesis and leave the reader with a last idea in your conclusion. A preliminary draft’s topic and conclusion may likely diverge if the author drifts from the initial concept to a more detailed argument while writing. Repeat without seeming like you are trying too hard when revising an essay. Most readers do not mind a moderate level of repetition since it provides a sense of stability and familiarity they value. However, restate your thesis sparingly in the last paragraph and avoid repeatedly mentioning the same points in different wording.

Revising an essay: Checklist

Here is a checklist that will help you when revising an essay:

• While reading my work, do others understand what I mean? Have I made myself clear?
• Is the essay I turned in what the instructor expected?
• Is it possible that I am trying to do too much? Should I be more specific?
• How efficient is my method of organisation?
• How better can I explain this idea?
• Is the tone I am employing acceptable for this situation?
• Am I using any phrases that need to be defined?

The best time for revising an essay

The optimum time for revising an essay is often not immediately after you finish the first version (however, there are exceptions to this rule). Instead, give yourself space from your task by waiting a few hours or days. In this manner, you will be more open to revisions and less likely to guard your work.

When should I start revising an essay?

Wait at least an hour after finishing an essay to start revising it. Ideally, it would be better to hold off for a day or two.

When revising an essay, how many times should I do it?

There may be multiple revision phases, depending on the length and complexity of your essay. When you have finished editing your work, set it aside for a while so that you may come back to it with new perspectives.

What should I look for while revising an essay?

While reworking your college essay, look for overarching concerns such as message, flow, tone, style and clarity. Next, concentrate on removing grammatical and punctuation mistakes.

Why should I bother revising an essay?

Proofreading is just one of the revision processes. It involves reviewing the paper to ensure all ideas and content are relevant to the work.

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Revision in writing: definition, purpose, strategies

“What is the purpose of revising?” This question is often asked by students. We can tell you many reasons why you should revise your paper; however, all of them can be simmered down to one main reason. This reason is to make your work perfect. Many famous writers assert that they spend more time on revising than on writing the first draft. Why is it so? Let us unleash this secret by making an overview of the revision in writing.

What is revision in writing?

Revision in writing includes all the many aspects, from transformative changes in content and, of course, argumentation to minor adjustments in grammar and punctuation in the text. Revising the paper can initially seem intimidating and torment you with doubts about how to move from a sketch to the main document or when to start making edits to the text.

Establishing an editing process can help students write thoughtful and polished texts, ultimately developing their written communication skills. Then, think about a systematic approach to the review, including strategies to be implemented at each stage of the process.

Why is revision important in the writing process?

You can understand why revision is important if you consider all the necessary aspects of the process and draw specific conclusions from this. With the help of the revision, you can step back figuratively and take a different look at the work you created. Consequently, this will lead to finding ways to improve clarity, sentence structure, and of course, overall efficiency. Although it may seem that the original text is okay and can be sent to the professor as it is, the time you spend on checking will be reasonable.

The purpose of revision is to find out that you need to remove unnecessary sections, add new information, and reorganize your ideas. After you add changes to your text, you can improve your paper and make it as constructive as possible. Be active in this topic because repetition allows you to correct mistakes quickly and significantly improve your writing style. Refrain from looking at your experience because no matter how well and interestingly you write your papers, everything has room to grow and improve. By taking the time to use revision in writing, you can write an excellent report.

How to revise your writing without mistakes?

There are three main aspects of your academic paper you need to keep in mind while editing and revising it – content and structure, facts, and grammar. Let’s have a closer look at each of them with examples and explanations.

Part One: Content and Structure

First of all, we want you to take a look at these two pictures of the same sample essay. What differences can you spot from first sight? 

(click the image to see it in a full size)

Mistake #1: no paragraphs.

Paragraphs are there not because your professor thought at one point: “Well, let’s make essay writing even harder and force students to format their papers!” As you can see from the screenshot above, they make the text easier to comprehend and pleasant to look at. It’s structured and divided, and not just a lump of words piled together with no divisions and logical emphasis.

Mistake #2: too long paragraphs.

When you are “on the go,” and smart ideas just keep popping up to your head, you sometimes forget how to stop. Make sure that you are not creating too long sentences, like Russian writer Leo Tolstoy, who was famous for writing sentences that started on one page and ended on the other. Also watch out for too long paragraphs – a perfect one ranges from 60 to 100 words, which is between five and eight lines.

Mistake #3: new information at the conclusion part.

Another common mistake that is not featured on the screenshot is adding new information or arguments at the conclusion of your paper. Students either feel that they need more arguments to prove their thesis, or they don’t meet the volume requirements, or both, but a lot of them start writing a new essay when they are supposed to finish it.

There’s an easy formula to write a killer conclusion – restate your thesis, say why it’s important and mention your major arguments (this means you need to have no more than three) in your conclusion, and that’s it. You’ll see – being brief and to the point will do wonders to your final grade. The revision writing process helps keep the text concise and not dilute it with additional words .

Part Two: Factual Information

Now that you know what is revision in writing concerning the structure of your paper, let’s move one to the facts and information. When you are writing an essay or a research paper, you are supposed to be as scientific as possible. But what does this mean, apart from adding a bibliography and oddly sounding language constructions? First of all, this means being accurate with the information and avoiding the following mistakes during the revision writing process:

Mistake #1: presenting opinions as facts.

The opinion that violent computer games contribute to increasing violent crime rates among young offenders, however popular, was not backed-up by substantial research data. It’s okay to adhere to a certain point of view in your everyday life, but when it comes to academic papers, you have to offer research data to prove your point of view. And don’t forget to list opposing views as counterarguments!

Mistake #2: relying on everyday facts without checking them.

We bet you’ve heard that humans use only 10% of their brain capacity, and we could be superheroes if we increased that to 100%. Well, that is not true – we actually do use 100% of our brains, or else 90% of the volume is useless and it would have disappeared during the evolutionary process.

Check out the example below. Not only does it not have a reference to a credible scientific source to back-up the statement, but it’s also based on a completely false assumption.

Mistake #3: mixing up facts and names.

Can you indicate what is wrong with this sentence from first glance, apart from a trivial introduction of the quote?

Okay, as you’ve already guessed, the mistake has something to do with facts and dates, hence the name of the paragraph. This quote, which mainly became famous due to the Internet, was said by Evelyn Hall, an English writer and the creator of Voltaire’s biography. If you have doubts about something in your paper, it’s better to check twice.

Part Three: Grammar

Now you know what is revising in writing when it comes to content and information in your paper. Here is good news: the grammar part is the easiest. All you have to do is to be attentive enough to spot tiny typos and grammatical mistakes. Here are our top three mistakes with examples you need to keep your eye on while editing:

1) Run-on sentences.

A comma is missing before the coordinating conjunction. Here’s a quick editing tip: if the two clauses can be independent sentences on their own, you should insert a comma in-between.

2) Dangling modifiers.

The author is trying to say that the sales were declining, but due to a misplaced modifier it sounds like Bob is the one who was “declining.”

3) Incorrect personal pronouns.

The mistake here is that a brand or an entity should be referred to as “it,” not “they.”

Revision strategies for writing from our authors

Revision techniques writing will not only help you improve your work and stop getting negative grades. Sometimes even for a great idea in the text, you can get a low score because the work will be written with errors, and at the same time, it will spoil the overall impression of the text. Read a few tips for each revision stage of writing.

Stage 1: Writing with inspiration

In revision tips for writing, we want to point out that when you are writing a story, you feel inspired and carried by enthusiasm. You don’t care about spelling, accuracy of facts, diction and other details. The only thing that you are fretting about is your idea. You know that if you stop, you can lose the flow of your thoughts and ruin the entire story. Therefore, you try to write without breaks. Such an approach is often used for writing short stories, essays or novellas. With long works such as novels, you are not able to complete them in one sitting. However, it’s possible to write down the whole plot in one sitting.

Stage 2: Looking at your paper with a cool head

Revision tips for writing When the first draft is ready, you calm down and become able to think with a cool head. This stage is actually your first revision. If you think that revision is a process that you do only after writing, you are mistaken. The reality is that you revise your paper several times while writing and at the end you conduct the final revision. The purpose of revision at the second stage is to define the main flaws in your work.

First of all, you should pay attention to obvious lapses that negatively influence the sense of your paper. What are they? They are obvious inconsistencies, inaccuracies and redundancies. This advice is suitable for creative and scholarly writing. However, you should consider the following factors.

When you are completing an essay for academic purpose, you should make sure that you provide the reader with accurate and up-to-date information. If you are working on literary work, you can be inaccurate from time to time, but you can’t afford yourself such a luxury to be boring.

Stage 3: Revising your work after a break

After finishing the first revision, you need to take a break. How long it will be is up to you to decide. You will feel when you are ready to continue working on your paper. The purpose of revision at the third stage is to clean your paper from redundancies.

Revising tips to clean redundancies

1) Use your outline. If you have completed an outline before writing, you are a prudent student. An outline helps to keep your paper well-structured. Use your outline to define which paragraphs you should delete and which you need to enhance.

2) Keep your paper balanced. Let’s suppose that you need to complete a six hundred word essay. The optimal amount of points in your outline will be five, including the intro and conclusion. Another three paragraphs will concern the specific points in the topic. You should try to make each paragraph equal to other paragraphs. revision stage of writing. At the revision stage of writing, we want to assure you that the i ntroduction and conclusion can be shorter than each paragraph of the body —however, they should be equal to each other.

3) Be merciless. Don’t fight for every word. Believe us, not all of them are really necessary. You should definitely exclude sentences that present obvious ideas and words that don’t play an important role. Delete sentences and words that look redundant. Afterward, make sure that you haven’t ruined any claims.

Stage 4: Revising details

The purpose of revision at this staging point is to amend details. What kind of details do we mean?

• Specific terms
• Words that are often confused

If you don’t check the details, you can be misunderstood or your paper will look weird. Look through our examples to understand where inadvertency can bring you.

The sentences that you can see above are weird. We should change the words that are circled in red to make those sentences have sense. We should change the word “climatic” to the word “climactic.” Despite the fact that they look very similar, they have quite different meanings. “Climactic” is forming a climax and “climatic” relates to climate.

What concerns “draught,” we should change it to draft. Though these words are pronounced in a similar way, their spelling and meaning differs. “Draft” is a first version of writing work while “draught” is a current of air.

Stage 5: Editing

We hope we already answered your question, “What is the purpose of revising?” Now, we would like to tell you briefly about the last stage of writing, which is editing. At this step you need to check your paper for grammatical mistakes and check accuracy of details from the previous stage the last time. We won’t stop at this step because this article is about revision. However, you can look for information about editing in other articles on our blog.

How to simplify your paper review?

We have already clearly explained why editing what is written is very important and how exactly it is best done. It is not for nothing that magazines, publishing houses, and printers have different positions of editors who check each text for compliance with the expectations of readers and critics. Editing requires excellent knowledge of both harmonics and academic writing. Therefore, we are ready to share with you a few tips that will help you simplify your verification, even if you are not a student of the Faculty of Philology or not a writer. Read the following paragraphs to eliminate any errors in your text easily.

• Ask a friend to read your text.

Let another person look at your work so you can see an independent opinion and see exactly where you may have missed a mistake. It is an outside view that can reveal what you might have missed in the main text. But at the same time, you should only partially rely on another person’s opinion and do additional editing after checking. 

• Use modern technology.

You can check the text for grammar, punctuation, spam, and more using special programs, websites, or browser extensions. In a matter of seconds, the well-known Grammarly will show you where you missed problems, a comma, or an extra word. But in this option, you must understand that artificial intelligence also tends to make mistakes, and the site may not see all the errors. Either way, you’ll get through editing faster with technology.

• Find inspiration for editing.

If you find it difficult to check your work with texts, you need the inspiration to motivate you and concentrate more on the task in front of you. You can take an example of a paper that you are impressed with in a good way and aim for a similar level of writing. It will also be helpful for you to surround yourself with an atmosphere of creativity with candles / soft lights/fragrances, etc.

Checklist to help you in revision writing

We have prepared a checklist to make it easier for you to check your spelling. By looking at these questions, it will be easier for you to understand whether you missed some important aspect of editing or not. Just a few sentences will point you in the right direction during revision in writing.

• Did you take a break between writing and editing?
• Did everything you wrote correspond to the assignment from the professor?
• Does the paper you wrote have a plan and a clear structure?
• Have you checked for spelling, punctuation, and syntax errors?
• Have you presented all the information as concisely and consistently as possible?
• Do you want to delete an extra sentence if it spoils the overall picture of the text?
• For accuracy, have you checked all names, dates, events, etc.?
• Did you check the text for uniqueness?
• Was the format you chose fully respected in your paper?

Reviewing papers with EssaySeek

After reading our post about how the revising stage of the writing process affects the final result, you need to consider how much it improves the final work. It is also obvious that editing will take a lot of time, and you must be prepared for this. Sometimes students have many tasks that need to be completed quickly and efficiently, and it is complicated to do everything.

The authors of our EssaySeek service will gladly help you find a balance in work, study, and everyday life by taking over the editing or writing of your papers. Our experts are readily available for any task despite the difficulty.  The service is available 24/7, and the support team is reached at any time of the day. You can be sure of the quality of their writing and the timely delivery of your order. Our team guarantees uniqueness, security, anonymity, and quality to every student who comes to us. So feel free to go to the order form to get the best editing for your text!

Photo by Shahbaz Ali from Unsplash 

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Academic Writing

• Getting Started
• Introductions
• Thesis Statements
• Organization
• Conclusions
• Using Secondary Sources
• Global vs. Local Revision

Global vs. Local Revision: What's the Difference?

Strategies for global and local revision.

• Suggestions for Revision
• Why is Grammar Important?
• Suggestions for Further Reading
• Academic Success Center This link opens in a new window
• Citing Sources This link opens in a new window

In order to become a more proficient writer, you need to be able to think of your writing in "global" and "local" ways. According to the Allyn & Bacon Guide to Writing Concise Edition , "You revise locally whenever you make changes to a text that affect only the one or two sentences that you are currently working on. In contrast, you revise globally when a change in one part of your draft drives changes in other parts of the draft" (275).

Basically, global revision involves the big picture of your essay; it relates to ideas, purpose, audience, evidence, analysis, and organization.

Local revision focuses more on sentence-level revision: changing words so that a sentence is clearer, correcting grammatical or spelling errors, etc.

As a writer, part of your job is to be a successful global reviser as well as a successful local reviser.

Here are some strategies, and reasons behind the strategies, for using local and global revision.

1. Throw out a draft and start over completely.

2. Cross out significant portions and rewrite.

      - The original may have been too confusing for the reader.

3. Cut and paste; move parts around; write new transitions, etc.

      - Parts of the essay need to be reorganized.

4. Add/revise topic sentences of paragraphs; add transitions, etc.

      - Writer recognizes that signposts to the reader are not clear enough.

5. Add new material.

6. Delete material.

7. Rewrite and/or edit sentences.

      - Passage is grammatically incorrect.

      - Passage is unclear, choppy, wordy, or lacked voice.

      - Passage is not focused on the topic.

(adapted from Ramage, 2009)

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• Last Updated: Mar 8, 2021 10:50 AM
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