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Essays About Movies: 7 Examples and 5 Writing Prompts

Check out our guide with essays about movies for budding videographers and artistic students. Learn from our helpful list of examples and prompts.

Watching movies is a part of almost everyone’s life. They entertain us, teach us lessons, and even help us socialize by giving us topics to talk about with others. As long as movies have been produced, everyone has patronized them.  Essays about movies  are a great way to learn all about the meaning behind the picture.

Cinema is an art form in itself. The lighting, camera work, and acting in the most widely acclaimed movies are worthy of praise. Furthermore, a movie can be used to send a message, often discussing issues in contemporary society. Movies are entertaining, but more importantly, they are works of art. If you’re interested in this topic, check out our round-up of screenwriters on Instagram .

5 Helpful Essay Examples 

1. the positive effects of movies on human behaviour by ajay rathod, 2. horror movies by emanuel briggs, 3. casablanca – the greatest hollywood movie ever (author unknown).

  • 4.  Dune Review: An Old Story Reshaped For The New 2021 Audience by Oren Cohen

5. Blockbuster movies create booms for tourism — and headaches for locals by Shubhangi Goel

  • 6. Moonage Daydream: “Who Is He? What Is He?” by Jonathan Romney
  • 7. La Bamba: American Dreaming, Chicano Style by Yolanda Machado

1. My Favorite Movie

2. movies genres, 3. special effects in movies, 4. what do you look for in a movie, 5. the evolution of movies.

“​​Films encourage us to take action. Our favourite characters, superheroes, teach us life lessons. They give us ideas and inspiration to do everything for the better instead of just sitting around, waiting for things to go their way. Films about famous personalities are the perfect way to affect social behaviour positively. Films are a source of knowledge. They can help learn what’s in the trend, find out more about ancient times, or fill out some knowledge gaps.”

In this movie essay, Rathod gives readers three ways watching movies can positively affect us. Movie writers, producers, and directors use their platform to teach viewers life skills, the importance of education, and the contrast between good and evil. Watching movies can also help us improve critical thinking, according to Briggs. Not only do movies entertain us, but they also have many educational benefits. You might also be interested in these  essays about consumerism .

“Many people involving children and adults can effect with their sleeping disturbance and anxiety. Myths, non-realistic, fairy tales could respond differently with being in the real world. Horror movies bring a lot of excitement and entertainment among you and your family. Horror movies can cause physical behavior changes in a person by watching the films. The results of watching horror movies shows that is has really effect people whether you’re an adult, teens, and most likely happens during your childhood.”

In his essay, Briggs acknowledges why people enjoy horror movies so much but warns of their adverse effects on viewers. Most commonly, they cause viewers nightmares, which may cause anxiety and sleep disorders. He focuses on the films’ effects on children, whose more sensitive, less developed brains may respond with worse symptoms, including major trauma. The films can affect all people negatively, but children are the most affected.

“This was the message of Casablanca in late 1942. It was the ideal opportunity for America to utilize its muscles and enter the battle. America was to end up the hesitant gatekeeper of the entire world. The characters of Casablanca, similar to the youthful Americans of the 1960s who stick headed the challenge development, are ‘genuine Americans’ lost in a hostile region, battling to open up another reality.”

In this essay, the author discusses the 1942 film  Casablanca , which is said to be the greatest movie ever made, and explains why it has gotten this reputation. To an extent, the film’s storyline, acting, and even relatability (it was set during World War II) allowed it to shine from its release until the present. It invokes feelings of bravery, passion, and nostalgia, which is why many love the movie. You can also check out these  books about adaption . 

4.   Dune Review: An Old Story Reshaped For The New 2021 Audience by Oren Cohen

“Lady Jessica is a powerful woman in the original book, yet her interactions with Paul diminish her as he thinks of her as slow of thought. Something we don’t like to see in 2021 — and for a good reason. Every book is a product of its time, and every great storyteller knows how to adapt an old story to a new audience. I believe Villeneuve received a lot of hate from diehard Dune fans for making these changes, but I fully support him.”

Like the previous essay, Cohen reviews a film, in this case, Denis Villeneuve’s  Dune , released in 2021. He praises the film, writing about its accurate portrayal of the epic’s vast, dramatic scale, music, and, interestingly, its ability to portray the characters in a way more palatable to contemporary audiences while staying somewhat faithful to the author’s original vision. Cohen enjoyed the movie thoroughly, saying that the movie did the book justice. 

“Those travelers added around 630 million New Zealand dollars ($437 million) to the country’s economy in 2019 alone, the tourism authority told CNBC. A survey by the tourism board, however, showed that almost one in five Kiwis are worried that the country attracts too many tourists. Overcrowding at tourist spots, lack of infrastructure, road congestion and environmental damage are creating tension between locals and visitors, according to a 2019 report by Tourism New Zealand.”

The locations where successful movies are filmed often become tourist destinations for fans of those movies. Goel writes about how “film tourism” affects the residents of popular filming locations. The environment is sometimes damaged, and the locals are caught off guard. Though this is not always the case, film tourism is detrimental to the residents and ecosystem of these locations. You can also check out these  essays about The Great Gatsby .

6. Moonage Daydream:  “Who Is He? What Is He?” by Jonathan Romney

“Right from the start, Brett Morgen’s  Moonage Daydream  (2022) catches us off guard. It begins with an epigraph musing on Friedrich Nietzsche’s proclamation that “God is dead,” then takes us into deep space and onto the surface of the moon. It then unleashes an image storm of rockets, robots, and star-gazers, and rapid-fire fragments of early silent cinema, 1920s science fiction, fifties cartoons, and sixties and seventies newsreel footage, before lingering on a close-up of glittery varnish on fingernails.” 

Moonage Daydream  is a feature film containing never-before-seen footage of David Bowie. In this essay, Romney delves into the process behind creating the movie and how the footage was captured. It also looks at the director’s approach to creating a structured and cohesive film, which took over two years to plan. This essay looks at how Bowie’s essence was captured and preserved in this movie while displaying the intricacies of his mind.

7. La Bamba:  American Dreaming, Chicano Style by Yolanda Machado

“A traumatic memory, awash in hazy neutral tones, arising as a nightmare. Santo & Johnny’s mournful “Sleep Walk” playing. A sudden death, foreshadowing the passing of a star far too young. The opening sequence of Luis Valdez’s  La Bamba  (1987) feels like it could be from another film—what follows is largely a celebration of life and music.”

La Bamba  is a well-known movie about a teenage Mexican migrant who became a rock ‘n’ roll star. His rise to fame is filled with difficult social dynamics, and the star tragically dies in a plane crash at a young age. In this essay, Machado looks at how the tragic death of the star is presented to the viewer, foreshadowing the passing of the young star before flashing back to the beginning of the star’s career. Machado analyses the storyline and directing style, commenting on the detailed depiction of the young star’s life. It’s an in-depth essay that covers everything from plot to writing style to direction.

5 Prompts for Essays About Movies

Simple and straightforward, write about your favorite movie. Explain its premise, characters, and plot, and elaborate on some of the driving messages and themes behind the film. You should also explain why you enjoy the movie so much: what impact does it have on you? Finally, answer this question in your own words for an engaging piece of writing.

From horror to romance, movies can fall into many categories. Choose one of the main genres in cinema and discuss the characteristics of movies under that category. Explain prevalent themes, symbols, and motifs, and give examples of movies belonging to your chosen genre. For example, horror movies often have underlying themes such as mental health issues, trauma, and relationships falling apart. 

Without a doubt, special effects in movies have improved drastically. Both practical and computer-generated effects produce outstanding, detailed effects to depict situations most would consider unfathomable, such as the vast space battles of the  Star Wars  movies. Write about the development of special effects over the years, citing evidence to support your writing. Be sure to detail key highlights in the history of special effects. 

Movies are always made to be appreciated by viewers, but whether or not they enjoy them varies, depending on their preferences. In your essay, write about what you look for in a “good” movie in terms of plot, characters, dialogue, or anything else. You need not go too in-depth but explain your answers adequately. In your opinion, you can use your favorite movie as an example by writing about the key characteristics that make it a great movie.

Essays About Movies: The evolution of movies

From the silent black-and-white movies of the early 1900s to the vivid, high-definition movies of today, times have changed concerning movies. Write about how the film industry has improved over time. If this topic seems too broad, feel free to focus on one aspect, such as cinematography, themes, or acting.

For help with your essays, check out our round-up of the  best essay checkers .

If you’re looking for more ideas, check out our  essays about music topic guide !

critical essay about movies

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The Writing Place

Resources – writing about film: the critical essay, introduction to the topic.

Like it or not, studying film may very well be a part of the well-rounded education you receive here at Northwestern University. But how to go about writing such an essay? While film reviews and theoretical essays are part of Film Studies, the most common paper that students will face is: “the critical essay”

Fear not. Though its title combines a serious undertone that implies it is both a large chuck of your grade and also really hard and vague, this post will guide you on your way.

First, what is the critical essay? It may surprise you to note that it is much more than 35% of your grade. In actuality, the most common form of the cinematic critical essay is one in which the writer explores one or more aspects of a film and analyzes how they enhance the film’s meaning and/or artistry. This is very similar to English analysis papers. For example,  The Scarlet Letter  can be analyzed in terms of its motif of civilization versus the wilderness. In the novel, the town is representative of human civilization and authority while the forest represents natural authority (Sparknotes Editors, 2003).  Likewise, the same motif illustrates Terrence Malick’s  Tree of Life.  The wilderness represents the way of nature while the family (or civilization) represents the way of grace. The crossing over of these settings enables the viewer to visualize the internal struggles of Malick’s characters as they seek higher meaning from God.

“Hmmm…” I can hear you wondering. “I already know how to do that! It’s all we did in high school English classes!” But here is where the cinematic essay diverges from the literary essay— the elements that we analyze. Films can be analyzed from traditional literary aspects such as themes, narrative, characters, and points of view but there are also uniquely cinematic aspects: mise-en-scene, the shot, aesthetic history and edited images.

Parts of a Critical Essay

Aspect 1: mise-en-scene.

Mise-en-scene refers to everything in a scene independent of the camera’s position, movement, and editing (Corrigan, 1998). This includes lighting, costumes, sets, the quality of the acting, etc. It is important to remember that every aspect of a scene was consciously chosen by the director and his or her team. Because movies often present themselves as instances of real life, this fact is easily forgotten and the artistic choices that the film crew made are overlooked.

In the following still from   Wes Anderson’s  Moonrise Kingdom  (2012), one can analyze it in terms of mise-en-scene. One could note the arrangement of the props. In real life, it would be unlikely that rocks, sticks, and supplies would arrange themselves in an almost perfect circular fashion around the map. However, Anderson’s decision to arrange the props focus viewer’s attention on the map and highlight the adventure that the two children are about to go on in  Moonrise Kingdom.

Click  here for an example of an essay dealing with mise-en-scene.

Aspect 2: The Shot

The shot refers to the single image before the camera cuts to the next scene (Corrigan, 1998). These shots can include a lot of variety and movement. We can analyze the effect that shots have in terms of their photographic qualities such as tone, speed, and perspectives created, to name a few examples (Corrigan, 1998). A single shot is composed of multiple frames, or stills of the same scene. We can analyze the shot in terms of framing, i.e. what was actually decided to be included within the image and the location of stuff within the frame.

Watch the following shot (beginning at the 30 second mark) for an example: Click Here to Navigate to YouTube

In this shot from Dayton and Faris’  Little Miss Sunshine  (2006), Dwayne has just found out he cannot join the air force. He had maintained a vow of silence to help him focus on getting admitted to the air force and breaks it from utter frustration. The shot’s stationary position as Dwayne runs screaming from his family helps highlight how the physical distance Dwayne puts between himself and his family reflects the emotional distance and frustration he feels at the moment.

Aspect 3: Edited Images

When one or more shots are joined together, they become edited (Corrigan, 1998). These usually have two main purposes. One is the logical development of the story. A shot in the morning connected with a shot in the afternoon connotes to the viewer that time has passed. Other times the editing of shots has artistic intent. For example, in a Chipotle commercial the first shot is of an industrial slaughterhouse. The next shot features animals grazing in a pasture. This is an artistic statement on the part of the advertising team to convey to Chipotle’s customers about the higher standard of care and ethics that they ensure their meat sources follow.

Edited images can also be analyzed from other aspects. For example, one could explain how meaning is created by the specific arrangement in shots, their collisions with each other, and the presence of visual motifs “echoing” through subsequent shots.

For instance, in the edited shots from Patar and Aubier’s movie  A Town Called Panic  (2009) the editing of the kitchen shot and the snow shot serves two purposes. One purpose is to further the logical chronological development of the story. The other purpose is to add humor. Because being asleep for an entire summer is impossibly long, it adds absurd humor.

Hopefully, the brief foray into the various cinematic aspects that one could examine was helpful. The world of film analysis is vast and wide, offering a fecund source for analytical and cinematic exploration and creation.

-Developed by Kyla Donato  

Click here to return to the “writing place resources” main page..

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Film Writing: Sample Analysis

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Introductory Note

The analysis below discusses the opening moments of the science fiction movie  Ex Machina  in order to make an argument about the film's underlying purpose. The text of the analysis is formatted normally. Editor's commentary, which will occasionally interrupt the piece to discuss the author's rhetorical strategies, is written in brackets in an italic font with a bold "Ed.:" identifier. See the examples below:

The text of the analysis looks like this.

[ Ed.:  The editor's commentary looks like this. ]

Frustrated Communication in Ex Machina ’s Opening Sequence

Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.

[ Ed.:  The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start. ]

The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.

The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.

[ Ed.:  These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs). ]

Without any audible dialogue or traditional expository setup of the main characters, this opening sequence sets viewers up to make sense of Ex Machina ’s visual style and its exploration of the ways that technology can both enhance and limit human communication. The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology. Caleb’s first response when he hears his good news is to text his friends rather than tell the people sitting around him, and he makes no move to take his headphones out when the in-person celebration finally breaks out. Everyone in the building is on their phones, looking at screens, or has headphones in, and the camera is looking at screens through Caleb’s viewpoint for at least half of the sequence.  

Rather than simply muting the specific conversations that Caleb has with his coworkers, the ambient soundtrack replaces all the noise that a crowded building in the middle of a workday would ordinarily have. This silence sets the uneasy tone that characterizes the rest of the film, which is as much a horror-thriller as a piece of science fiction. Viewers get the sense that all the sounds that humans make as they walk around and talk to each other are being intentionally filtered out by some presence, replaced with a quiet electronic beat that marks the pacing of the sequence, slowly building to a faster tempo. Perhaps the sound of people is irrelevant: only the visual data matters here. Silence is frequently used in the rest of the film as a source of tension, with viewers acutely aware that it could be broken at any moment. Part of the horror of the research bunker, which will soon become the film’s primary setting, is its silence, particularly during sequences of Caleb sneaking into restricted areas and being startled by a sudden noise.

The visual style of this opening sequence reinforces the eeriness of the muted humans and electronic soundtrack. Prominent use of shallow focus to depict a workspace that is constructed out of glass doors and walls makes it difficult to discern how large the space really is. The viewer is thus spatially disoriented in each new setting. This layering of glass and mirrors, doubling some images and obscuring others, is used later in the film when Caleb meets the artificial being Ava (Alicia Vikander), who is not allowed to leave her glass-walled living quarters in the research bunker. The similarity of these spaces visually reinforces the film’s late revelation that Caleb has been manipulated by Nathan Bates (Oscar Isaac), the troubled genius who creates Ava.

[ Ed.:  In these paragraphs, the author cites the information about the scene she's provided to make her argument. Because she's already teased the argument in the introduction and provided an account of her evidence, it doesn't strike us as unreasonable or far-fetched here. Instead, it appears that we've naturally arrived at the same incisive, fascinating points that she has. ]

A few other shots in the opening sequence more explicitly hint that Caleb is already under Nathan’s control before he ever arrives at the bunker. Shortly after the P.O.V shot of Caleb reading the email notification that he won the prize, we cut to a few other P.O.V. shots, this time from the perspective of cameras in Caleb’s phone and desktop computer. These cameras are not just looking at Caleb, but appear to be scanning him, as the screen flashes in different color lenses and small points appear around Caleb’s mouth, eyes, and nostrils, tracking the smallest expressions that cross his face. These small details indicate that Caleb is more a part of this digital space than he realizes, and also foreshadow the later revelation that Nathan is actively using data collected by computers and webcams to manipulate Caleb and others. The shots from the cameras’ perspectives also make use of a subtle fisheye lens, suggesting both the wide scope of Nathan’s surveillance capacities and the slightly distorted worldview that motivates this unethical activity.

[ Ed.: This paragraph uses additional details to reinforce the piece's main argument. While this move may not be as essential as the one in the preceding paragraphs, it does help create the impression that the author is noticing deliberate patterns in the film's cinematography, rather than picking out isolated coincidences to make her points. ]

Taken together, the details of Ex Machina ’s stylized opening sequence lay the groundwork for the film’s long exploration of the relationship between human communication and technology. The sequence, and the film, ultimately suggests that we need to develop and use new technologies thoughtfully, or else the thing that makes us most human—our ability to connect through language—might be destroyed by our innovations. All of the aural and visual cues in the opening sequence establish a world in which humans are utterly reliant on technology and yet totally unaware of the nefarious uses to which a brilliant but unethical person could put it.

Author's Note:  Thanks to my literature students whose in-class contributions sharpened my thinking on this scene .

[ Ed.: The piece concludes by tying the main themes of the opening sequence to those of the entire film. In doing this, the conclusion makes an argument for the essay's own relevance: we need to pay attention to the essay's points so that we can achieve a rich understanding of the movie. The piece's final sentence makes a chilling final impression by alluding to the danger that might loom if we do not understand the movie. This is the only the place in the piece where the author explicitly references how badly we might be hurt by ignorance, and it's all the more powerful for this solitary quality. A pithy, charming note follows, acknowledging that the author's work was informed by others' input (as most good writing is). Beautifully done. ]

Step By Step Guide to Writing an Essay on Film Image

Step By Step Guide to Writing an Essay on Film

By Film Threat Staff | December 29, 2021

Writing an essay about a film sounds like a fun assignment to do. As part of the assignment, you get to watch the movie and write an analytical essay about your impressions. However, you will soon find that you’re staring at an empty sheet of paper or computer screen with no idea what to write, how to start writing your essay, or the essential points that need to be covered and analyzed. As an  essay writing service proves, watching the movie countless times isn’t all there is to write a film analysis essay. Here’s a step-by-step guide to help you with an essay service :

critical essay about movies

1. Watch the Movie

This is the obvious starting point, but surprisingly many students skip this step. It doesn’t matter if you’ve watched the movie twice before. If you’re asked to write an essay about it, you need to watch it again. Watching the film again allows you to pay more attention to specific elements to help you write an in-depth analysis about it.  

Watching the movie is crucial because it helps you not specific parts of the movie that can be used as illustrations and examples in your essay. You’re also going to explore and analyze the movie theme within your structured plan. Some of the critical elements that you have to look out for while watching the movie that may be crucial for your essay are:

  • Key plot moments
  • Editing style
  • Stylistic elements
  • Scenario execution
  • Musical elements

2. Introduction

Your introduction will contain essential information about the film, such as the title, release date, director’s name, etc. This familiarizes the reader with the movie’s primary background information. In addition, researching the filmmaker may be crucial for your essay because it may help you discover valuable insights for your film analysis.

The introduction should also mention the movie’s central theme and explain why you think it was made that way.

Do not forget to include your thesis statement, which explains your focus on the movie.

3. Write a Summary

According to an  essay writing service  providing students   help with essays , a movie summary comes after the introduction. It includes the film’s basic premise, but it doesn’t have to reveal too many details about the film. It’s a summary, after all. Write the summary like your readers have not heard about the movie before, so you can mention the most basic plots but assume you have minimal time so you won’t be going into great details.

critical essay about movies

4. Write Your Analysis

This is the central part of the essay in which you analyze the movie critically and state your impressions about the film. Ensure to support your claims with relevant materials from the movie.

There are also several creative elements in a movie that are connected to make the film a whole. You must pay attention to these elements while watching the movie and analyze them in this part of the essay.

In this, you are looking out for the dialogs, character development, completion of scenes, and logical event sequences in the film to analyze.

Ensure you try to understand the logic behind events in the film and the actor’s motives to explain the scenario better.

The responsibility of different parts of the movie, such as plan selection and scenario execution, falls on the director. So, your analysis here focuses on how the director realized the script compared to his other movies. Understanding the director’s style of directing may be crucial to coming up with a conclusion relevant to your analysis and thesis.

The casting of a film is a significant element to consider in your essay. Without a great actor, the scriptwriter and director can’t bring their ideas to life. So, watch the actor’s acting and determine if they portrayed the character effectively and if their acting aligns with the film’s main idea.

  • Musical element

A movie’s musical element enhances some of the sceneries or actions in the film and sets the mood. It has a massive impact on the movie, so it’s an essential element to analyze in your essay.

  • Visual elements

This includes special effects, make-up, costumes, etc., which significantly impact the film. These elements must reflect the film’s atmosphere. It is even more crucial for historical movies since it has to be specific about an era.

Ensure to analyze elements relevant to your thesis statement, so you don’t drift from your main point.

5. Conclusion

In concluding your essay, you have to summarize the primary concepts more convincingly to support your analysis. Finally, you may include a CTA for readers to watch or avoid the movie.

These are the crucial steps to take when writing an essay about a film . Knowing this beforehand prevents you from struggling to start writing after watching the movie.

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critical essay about movies

It’s really amazing instructions! I have got the great knowledge.

[…] now and then. Unfortunately, not all of us can afford to get cinema tickets to do so.  Some…Writing an essay about a film sounds like a fun assignment to do. As part of the assignment, you get…Since a few decades the film and entertainment sector have undergone some drastic transformation. […]

critical essay about movies

I can’t list the number of essays that don’t follow this format in the least. But then I find most reviews of movies terrible and most people who purport themselves to be writers as people who need to spend more time drafting and editing before publishing.

critical essay about movies

Thanks for this

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The Writing Center • University of North Carolina at Chapel Hill

Film Analysis

What this handout is about.

This handout introduces film analysis and and offers strategies and resources for approaching film analysis assignments.

Writing the film analysis essay

Writing a film analysis requires you to consider the composition of the film—the individual parts and choices made that come together to create the finished piece. Film analysis goes beyond the analysis of the film as literature to include camera angles, lighting, set design, sound elements, costume choices, editing, etc. in making an argument. The first step to analyzing the film is to watch it with a plan.

Watching the film

First it’s important to watch the film carefully with a critical eye. Consider why you’ve been assigned to watch a film and write an analysis. How does this activity fit into the course? Why have you been assigned this particular film? What are you looking for in connection to the course content? Let’s practice with this clip from Alfred Hitchcock’s Vertigo (1958). Here are some tips on how to watch the clip critically, just as you would an entire film:

  • Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.
  • Watch the clip a second time. For this viewing, you will want to focus specifically on those elements of film analysis that your class has focused on, so review your course notes. For example, from whose perspective is this clip shot? What choices help convey that perspective? What is the overall tone, theme, or effect of this clip?
  • Take notes while you watch for the second time. Notes will help you keep track of what you noticed and when, if you include timestamps in your notes. Timestamps are vital for citing scenes from a film!

For more information on watching a film, check out the Learning Center’s handout on watching film analytically . For more resources on researching film, including glossaries of film terms, see UNC Library’s research guide on film & cinema .

Brainstorming ideas

Once you’ve watched the film twice, it’s time to brainstorm some ideas based on your notes. Brainstorming is a major step that helps develop and explore ideas. As you brainstorm, you may want to cluster your ideas around central topics or themes that emerge as you review your notes. Did you ask several questions about color? Were you curious about repeated images? Perhaps these are directions you can pursue.

If you’re writing an argumentative essay, you can use the connections that you develop while brainstorming to draft a thesis statement . Consider the assignment and prompt when formulating a thesis, as well as what kind of evidence you will present to support your claims. Your evidence could be dialogue, sound edits, cinematography decisions, etc. Much of how you make these decisions will depend on the type of film analysis you are conducting, an important decision covered in the next section.

After brainstorming, you can draft an outline of your film analysis using the same strategies that you would for other writing assignments. Here are a few more tips to keep in mind as you prepare for this stage of the assignment:

  • Make sure you understand the prompt and what you are being asked to do. Remember that this is ultimately an assignment, so your thesis should answer what the prompt asks. Check with your professor if you are unsure.
  • In most cases, the director’s name is used to talk about the film as a whole, for instance, “Alfred Hitchcock’s Vertigo .” However, some writers may want to include the names of other persons who helped to create the film, including the actors, the cinematographer, and the sound editor, among others.
  • When describing a sequence in a film, use the literary present. An example could be, “In Vertigo , Hitchcock employs techniques of observation to dramatize the act of detection.”
  • Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
  • Go beyond describing basic film elements by articulating the significance of these elements in support of your particular position. For example, you may have an interpretation of the striking color green in Vertigo , but you would only mention this if it was relevant to your argument. For more help on using evidence effectively, see the section on “using evidence” in our evidence handout .

Also be sure to avoid confusing the terms shot, scene, and sequence. Remember, a shot ends every time the camera cuts; a scene can be composed of several related shots; and a sequence is a set of related scenes.

Different types of film analysis

As you consider your notes, outline, and general thesis about a film, the majority of your assignment will depend on what type of film analysis you are conducting. This section explores some of the different types of film analyses you may have been assigned to write.

Semiotic analysis

Semiotic analysis is the interpretation of signs and symbols, typically involving metaphors and analogies to both inanimate objects and characters within a film. Because symbols have several meanings, writers often need to determine what a particular symbol means in the film and in a broader cultural or historical context.

For instance, a writer could explore the symbolism of the flowers in Vertigo by connecting the images of them falling apart to the vulnerability of the heroine.

Here are a few other questions to consider for this type of analysis:

  • What objects or images are repeated throughout the film?
  • How does the director associate a character with small signs, such as certain colors, clothing, food, or language use?
  • How does a symbol or object relate to other symbols and objects, that is, what is the relationship between the film’s signs?

Many films are rich with symbolism, and it can be easy to get lost in the details. Remember to bring a semiotic analysis back around to answering the question “So what?” in your thesis.

Narrative analysis

Narrative analysis is an examination of the story elements, including narrative structure, character, and plot. This type of analysis considers the entirety of the film and the story it seeks to tell.

For example, you could take the same object from the previous example—the flowers—which meant one thing in a semiotic analysis, and ask instead about their narrative role. That is, you might analyze how Hitchcock introduces the flowers at the beginning of the film in order to return to them later to draw out the completion of the heroine’s character arc.

To create this type of analysis, you could consider questions like:

  • How does the film correspond to the Three-Act Structure: Act One: Setup; Act Two: Confrontation; and Act Three: Resolution?
  • What is the plot of the film? How does this plot differ from the narrative, that is, how the story is told? For example, are events presented out of order and to what effect?
  • Does the plot revolve around one character? Does the plot revolve around multiple characters? How do these characters develop across the film?

When writing a narrative analysis, take care not to spend too time on summarizing at the expense of your argument. See our handout on summarizing for more tips on making summary serve analysis.

Cultural/historical analysis

One of the most common types of analysis is the examination of a film’s relationship to its broader cultural, historical, or theoretical contexts. Whether films intentionally comment on their context or not, they are always a product of the culture or period in which they were created. By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical.

For example, the clip from Vertigo depicts a man observing a woman without her knowing it. You could examine how this aspect of the film addresses a midcentury social concern about observation, such as the sexual policing of women, or a political one, such as Cold War-era McCarthyism.

A few of the many questions you could ask in this vein include:

  • How does the film comment on, reinforce, or even critique social and political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?
  • How might a biographical understanding of the film’s creators and their historical moment affect the way you view the film?
  • How might a specific film theory, such as Queer Theory, Structuralist Theory, or Marxist Film Theory, provide a language or set of terms for articulating the attributes of the film?

Take advantage of class resources to explore possible approaches to cultural/historical film analyses, and find out whether you will be expected to do additional research into the film’s context.

Mise-en-scène analysis

A mise-en-scène analysis attends to how the filmmakers have arranged compositional elements in a film and specifically within a scene or even a single shot. This type of analysis organizes the individual elements of a scene to explore how they come together to produce meaning. You may focus on anything that adds meaning to the formal effect produced by a given scene, including: blocking, lighting, design, color, costume, as well as how these attributes work in conjunction with decisions related to sound, cinematography, and editing. For example, in the clip from Vertigo , a mise-en-scène analysis might ask how numerous elements, from lighting to camera angles, work together to present the viewer with the perspective of Jimmy Stewart’s character.

To conduct this type of analysis, you could ask:

  • What effects are created in a scene, and what is their purpose?
  • How does this scene represent the theme of the movie?
  • How does a scene work to express a broader point to the film’s plot?

This detailed approach to analyzing the formal elements of film can help you come up with concrete evidence for more general film analysis assignments.

Reviewing your draft

Once you have a draft, it’s helpful to get feedback on what you’ve written to see if your analysis holds together and you’ve conveyed your point. You may not necessarily need to find someone who has seen the film! Ask a writing coach, roommate, or family member to read over your draft and share key takeaways from what you have written so far.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Aumont, Jacques, and Michel Marie. 1988. L’analyse Des Films . Paris: Nathan.

Media & Design Center. n.d. “Film and Cinema Research.” UNC University Libraries. Last updated February 10, 2021. https://guides.lib.unc.edu/filmresearch .

Oxford Royale Academy. n.d. “7 Ways to Watch Film.” Oxford Royale Academy. Accessed April 2021. https://www.oxford-royale.com/articles/7-ways-watch-films-critically/ .

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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50 Film Analysis

Film analysis, what this handout is about.

This handout provides a brief definition of film analysis compared to literary analysis, provides an introduction to common types of film analysis, and offers strategies and resources for approaching assignments.

What is film analysis, and how does it differ from literary analysis?

Film analysis is the process in which film is analyzed in terms of semiotics, narrative structure, cultural context, and mise-en-scene, among other approaches. If these terms are new to you, don’t worry—they’ll be explained in the next section.

Analyzing film, like  analyzing literature (fiction texts, etc.) , is a form of rhetorical analysis—critically analyzing and evaluating discourse, including words, phrases, and images. Having a clear argument and supporting evidence is every bit as critical to film analysis as to other forms of academic writing.

Unlike literature, film incorporates audiovisual elements and therefore introduces a new dimension to analysis. Ultimately, however, analysis of film is not too different. Think of all the things that make up a scene in a film: the actors, the lighting, the angles, the colors. All of these things may be absent in literature, but they are deliberate choices on the part of the director, producer, or screenwriter—as are the words chosen by the author of a work of literature. Furthermore, literature and film incorporate similar elements. They both have plots, characters, dialogue, settings, symbolism, and, just as the elements of literature can be analyzed for their intent and effect, these elements can be analyzed the same way in film.

Different types of film analysis

Listed here are common approaches to film analysis, but this is by no means an exhaustive list, and you may have discussed other approaches in class. As with any other assignment, make sure you understand your professor’s expectations. This guide is best used to understand prompts or, in the case of more open-ended assignments, consider the different ways to analyze film.

Keep in mind that any of the elements of film can be analyzed, oftentimes in tandem. A single film analysis essay may simultaneously include all of the following approaches and more. As Jacques Aumont and Michel Marie propose in Analysis of Film, there is no correct, universal way to write film analysis.

Semiotic analysis

Semiotic analysis is the analysis of meaning behind signs and symbols, typically involving metaphors, analogies, and symbolism.

This doesn’t necessarily need to be something dramatic; think about how you extrapolate information from the smallest signs in your day to day life. For instance, what characteristics can tell you about someone’s personality? Something as simple as someone’s appearance can reveal information about them. Mismatched shoes and bedhead might be a sign of carelessness (or something crazy happened that morning!), while an immaculate dress shirt and tie would suggest that the person is prim and proper. Continuing in that vein:

  • What might you be able to infer about characters from small hints?
  • How are these hints (signs) used to construct characters? How do they relate to the relative role of those characters, or the relationships between multiple characters?

Symbols denote concepts (liberty, peace, etc.) and feelings (hate, love, etc.) that they often have nothing to do with. They are used liberally in both literature and film, and finding them uses a similar process. Ask yourself:

  • In Frozen Elsa’s gloves appear in multiple scenes.
  • Her gloves are first given to her by her father to restrain her magic. She continues to wear them throughout the coronation scene, before finally, in the Let It Go sequence, she throws them away.

Again, the method of semiotic analysis in film is similar to that of literature. Think about the deeper meaning behind objects or actions.

  • Elsa’s gloves represent fear of her magic and, by extension, herself. Though she attempts to contain her magic by hiding her hands within gloves and denying part of her identity, she eventually abandons the gloves in a quest for self-acceptance.

Narrative structure analysis

Narrative structure analysis is the analysis of the story elements, including plot structure, character motivations, and theme. Like the dramatic structure of literature (exposition, rising action, climax, falling action, resolution), film has what is known as the Three-Act Structure: “Act One: Setup, Act Two: Confrontation, and Act Three: Resolution.” Narrative structure analysis breaks the story of the film into these three elements and might consider questions like:

  • How does the story follow or deviate from typical structures?
  • What is the effect of following or deviating from this structure?
  • What is the theme of the film, and how is that theme constructed?

Consider again the example of Frozen. You can use symbolism and narrative structure in conjunction by placing the symbolic objects/events in the context of the narrative structure. For instance, the first appearance of the gloves is in Act One, while their abandoning takes place in Act Two; thus, the story progresses in such a way that demonstrates Elsa’s personal growth. By the time of Act Three, the Resolution, her aversion to touch (a product of fearing her own magic) is gone, reflecting a theme of self-acceptance.

Contextual analysis

Contextual analysis is analysis of the film as part of a broader context. Think about the culture, time, and place of the film’s creation. What might the film say about the culture that created it? What were/are the social and political concerns of the time period? Or, like researching the author of a novel, you might consider the director, producer, and other people vital to the making of the film. What is the place of this film in the director’s career? Does it align with his usual style of directing, or does it move in a new direction? Other examples of contextual approaches might be analyzing the film in terms of a civil rights or feminist movement.

For example, Frozen is often linked to the LGBTQ social movement. You might agree or disagree with this interpretation, and, using evidence from the film, support your argument.

Some other questions to consider:

  • How does the meaning of the film change when seen outside of its culture?
  • What characteristics distinguishes the film as being of its particular culture?

Mise-en-scene analysis

Mise-en-scene analysis is analysis of the arrangement of compositional elements in film—essentially, the analysis of audiovisual elements that most distinctly separate film analysis from literary analysis. Remember that the important part of a mise-en-scene analysis is not just identifying the elements of a scene, but explaining the significance behind them.

  • What effects are created in a scene, and what is their purpose?
  • How does the film attempt to achieve its goal by the way it looks, and does it succeed?

Audiovisual elements that can be analyzed include (but are not limited to): props and costumes, setting, lighting, camera angles, frames, special effects, choreography, music, color values, depth, placement of characters, etc. Mise-en-scene is typically the most foreign part of writing film analysis because the other components discussed are common to literary analysis, while mise-en-scene deals with elements unique to film. Using specific film terminology bolsters credibility, but you should also consider your audience. If your essay is meant to be accessible to non-specialist readers, explain what terms mean. The Resources section of this handout has links to sites that describe mise-en-scene elements in detail.

Rewatching the film and creating screen captures (still images) of certain scenes can help with detailed analysis of colors, positioning of actors, placement of objects, etc. Listening to the soundtrack can also be helpful, especially when placed in the context of particular scenes.

Some example questions:

  • How is the lighting used to construct mood? Does the mood shift at any point during the film, and how is that shift in mood created?
  • What does the setting say about certain characters? How are props used to reveal aspects of their personality?
  • What songs were used, and why were they chosen? Are there any messages in the lyrics that pertain to the theme?

Writing the film analysis essay

Writing film analysis is similar to writing literary analysis or any argumentative essay in other disciplines: Consider the assignment and prompts, formulate a thesis (see the  Brainstorming Handout  and  Thesis Statement Handout  for help crafting a nuanced argument), compile evidence to prove your thesis, and lay out your argument in the essay. Your evidence may be different from what you are used to. Whereas in the English essay you use textual evidence and quotes, in a film analysis essay, you might also include audiovisual elements to bolster your argument.

When describing a sequence in a film, use the present tense, like you would write in the literary present when describing events of a novel, i.e. not “Elsa took off her gloves,” but “Elsa takes off her gloves.” When quoting dialogue from a film, if between multiple characters, use block quotes: Start the quotation on a new line, with the entire quote indented one inch from the left margin. However, conventions are flexible, so ask your professor if you are unsure. It may also help to follow the formatting of the script, if you can find it. For example:

ELSA: But she won’t remember I have powers? KING: It’s for the best.

You do not need to use quotation marks for blocked-off dialogue, but for shorter quotations in the main text, quotation marks should be double quotes (“…”).

Here are some tips for approaching film analysis:

  • Make sure you understand the prompt and what you are being asked to do. Focus your argument by choosing a specific issue to assess.
  • Review your materials. Rewatch the film for nuances that you may have missed in the first viewing. With your thesis in mind, take notes as you watch. Finding a screenplay of the movie may be helpful, but keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
  • Develop a thesis and an outline, organizing your evidence so that it supports your argument. Remember that this is ultimately an assignment—make sure that your thesis answers what the prompt asks, and check with your professor if you are unsure.
  • Move beyond only describing the audiovisual elements of the film by considering the significance of your evidence. Demonstrate understanding of not just what film elements are, but why and to what effect they are being used. For more help on using your evidence effectively, see ‘Using Evidence In An Argument’ in the  Evidence Handout .

New York Film Academy Glossary Movie Outline Glossary Movie Script Database Citation Practices: Film and Television

Works Consulted

We consulted these works while writing the original version of this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find the latest publications on this topic. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the  UNC Libraries citation tutorial .

Aumont, Jacques, and Michel Marie. L’analyse Des Films. Paris: Nathan, 1988. Print. Pruter, Robin Franson. “Writing About Film.” Writing About Film. DePaul University, 08 Mar. 2004. Web. 01 May 2016.

Film Analysis Copyright © 2020 by Liza Long; Amy Minervini; and Joel Gladd is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , except where otherwise noted.

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Film & Media Studies Resources: Researching a Film

  • Researching a Film

Types of Film Analysis

  • Finding Books
  • Journals & Articles
  • Finding Films

Watching Film Analytically

1. start with the assignment..

Review the assignment prompt and identify the tasks your instructor has asked you to perform and the questions you've been asked to address. Write them out at the top of your notes before watching the film.

2. Review film terms.

Review the terms you've learned in class and practice applying them while watching your film. Studying these terms before you begin watching can help you develop abbreviations and avoid searching for these words while you watch.

3. Watch the film.

Watch the film at least once without once before (unless you've seen it before) to watch uninterrupted. When you take notes, be sure to pause when writing. This disrupts the viewing experience. 

Starting the Film Analysis Essay

4. brainstorm.

After you've watched the film at least twice, it's a good idea to brainstorm ideas based on the notes you took. Cluster your ideas around the themes or topics that emerge in your notes, possible in a concept map. If you're writing an argumentative essay, your brainstorming ideas can be used to draft your thesis statement or research question.

Things to remember:

  • Use your assignment prompt as a guide.
  • Write about the film in the present tense in your essay. (i.e., “In  Vertigo , Hitchcock employs techniques of observation to dramatize the act of detection.”)

5. Make a research plan.

  • Review your brainstorming notes and decide what type of analysis you want to write.
  • Do you need research or other background information for your essay?
  • Do your sources need to be scholarly or can you use critics' review?

6. Find Sources and Reviews

  • Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!). The Popular Culture Library has a great collection of movie scripts. 
  • Reading reviews and other analysis essays between viewings can help your own analysis of the film.  Search in Summon or subject databases listed below for the film's title and the ideas you brainstormed to look for sources.

Symbolic Analysis

Symbolic (or semiotic) analysis is the interpretation of signs and symbols, usually involving metaphors and analogies to both inanimate objects and characters in a film. Because symbols can have multiple meanings, you will need to determine what a particular symbol means both in the film and in a broader context, whether in other films, or in other disciplines, like literature. 

Be sure to bring the analysis back to your thesis, or why this symbolism matters.

Some questions you could ask when writing a symbolic analysis essay:

  • What images or objects are repeated in the film?
  • What colors, clothing, or food is associated with a character?
  • How does a symbol or object relate to other symbols and objects?

Narrative Analysis

Narrative analysis is an examination of the narrative structure, character, and plot of a film (i.e., the story elements). This analysis considers the story the film seeks to tell. 

Questions to consider when writing a narrative analysis:

  • How does the film fit into the Three Act structure?
  • How does the plot differ from the narrative of film? Or, how is the story told? (i.e., Are events presented out of order or chronologically?)
  • Does the plot revolve around one character or multiple? How do these characters develop across the film?

Cultural or Historical Analysis

In this type of analytical essay, you examine a film's relationship to its broader cultural, historical, theoretical contexts. Sometimes films intentionally comment on these contexts, but even if they don't, they are still a product of the culture or time in which they were created. This type of analysis asks how the film models, challenges, or subverts these relationships.

Questions to ask for a cultural or historical analysis:

  • How does the film comment on, reinforce, or critique social and/or political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?
  • How might a biographical understanding of the film's creators and/or screenwriters and their historical moment affect the way the film is viewed?
  • How might a specific theory, such as Queer Theory, Structuralist or Marxist Film Theory, provide a way of analyzing or viewing the film?

Mise-en-scene Analysis

A mise-en-scene (French for "putting on stage") analysis looks at the compositional elements of a specific scene or even a single shot, as well as the how those elements come together to produce meaning. You can focus on anything in the scene, including blocking, lighting, design, color, costume, and how these work in conjunction with other elements, like sound, cinematography and editing.

Questions to ask when analyzing a scene:

  • What effects are created in a scene and what is their purpose?
  • How does this scene represent the theme of the movie?
  • How does a scene work to express a broader point to the film's point?

More Links of Interest

  • BGSU Department of Popular Culture
  • BGSU Department of Theatre and Film
  • BGSU American Culture Studies Program
  • Film Resources in the BPCL

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This guide was adapted from The University of North Carolina at Chapel Hill's Writing Center's Film Analysis and Watching Film Analytically .

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  • Last Updated: Nov 20, 2023 9:08 AM
  • URL: https://libguides.bgsu.edu/film

How to Write a Film Analysis Essay: Examples, Outline, & Tips

A film analysis essay might be the most exciting assignment you have ever had! After all, who doesn’t love watching movies? You have your favorite movies, maybe something you watched years ago, perhaps a classic, or a documentary. Or your professor might assign a film for you to make a critical review. Regardless, you are totally up for watching a movie for a film analysis essay.

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However, once you have watched the movie, facing the act of writing might knock the wind out of your sails because you might be wondering how to write a film analysis essay. In summary, writing movie analysis is not as difficult as it might seem, and Custom-writing.org experts will prove this. This guide will help you choose a topic for your movie analysis, make an outline, and write the text.️ Film analysis examples are added as a bonus! Just keep reading our advice on how to get started.

❓ What Is a Film Analysis Essay?

  • 🚦 Film Analysis Types

📽️ Movie Analysis Format

✍️ how to write a film analysis, 🎦 film analysis template, 🎬 film analysis essay topics.

  • 📄 Essay Examples

🔗 References

To put it simply, film analysis implies watching a movie and then considering its characteristics : genre, structure, contextual context, etc. Film analysis is usually considered to be a form of rhetorical analysis . The key to success here is to formulate a clear and logical argument, supporting it with examples.

🚦 Film Analysis Essay Types

Since a film analysis essay resembles literature analysis, it makes sense that there are several ways to do it. Its types are not limited to the ones described here. Moreover, you are free to combine the approaches in your essay as well. Since your writing reflects your own opinion, there is no universal way to do it.

Film analysis types.

  • Semiotic analysis . If you’re using this approach, you are expected to interpret the film’s symbolism. You should look for any signs that may have a hidden meaning. Often, they reveal some character’s features. To make the task more manageable, you can try to find the objects or concepts that appear on the screen multiple times. What is the context they appear in? It might lead you to the hidden meaning of the symbols.
  • Narrative structure analysis . This type is quite similar to a typical literature guide. It includes looking into the film’s themes, plot, and motives. The analysis aims to identify three main elements: setup, confrontation, and resolution. You should find out whether the film follows this structure and what effect it creates. It will make the narrative structure analysis essay if you write about the theme and characters’ motivations as well.
  • Contextual analysis . Here, you would need to expand your perspective. Instead of focusing on inner elements, the contextual analysis looks at the time and place of the film’s creation. Therefore, you should work on studying the cultural context a lot. It can also be a good idea to mention the main socio-political issues of the time. You can even relate the film’s success to the director or producer and their career.
  • Mise-en-scene analysis . This type of analysis works with the most distinctive feature of the movies, audiovisual elements. However, don’t forget that your task is not only to identify them but also to explain their importance. There are so many interconnected pieces of this puzzle: the light to create the mood, the props to show off characters’ personalities, messages hidden in the song lyrics.

To write an effective film analysis essay, it is important to follow specific format requirements that include the following:

  • Standard essay structure. Just as with any essay, your analysis should consist of an introduction with a strong thesis statement, body paragraphs, and a conclusion. The main body usually includes a summary and an analysis of the movie’s elements.
  • Present tense for events in the film. Use the present tense when describing everything that happens in the movie. This way, you can make smooth transitions between describing action and dialogue. It will also improve the overall narrative flow.
  • Proper formatting of the film’s title. Don’t enclose the movie’s title in quotation marks; instead, italicize it. In addition, use the title case : that is, capitalize all major words.
  • Proper use of the characters’ names. When you mention a film character for the first time, name the actor portraying them. After that, it is enough to write only the character’s name.
  • In-text citations. Use in-text citations when describing certain scenes or shots from the movie. Format them according to your chosen citation style. If you use direct quotes, include the time-stamp range instead of page numbers. Here’s how it looks in the MLA format: (Smith 0:11:24–0:12:35).

Even though film analysis is similar to the literary one, you might still feel confused with where to begin. No need to worry; there are only a few additional steps you need to consider during the writing process.

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Starting Your Film Analysis Essay

There are several things you need to do before you start writing your film analysis paper. First and foremost, you have to watch the movie. Even if you have seen it a hundred times, you need to watch it again to make a good film analysis essay.

Note that you might be given an essay topic or have to think of it by yourself. If you are free to choose a topic for your film analysis essay, reading some critical reviews before you watch the film might be a good idea. By doing this in advance, you will already know what to look for when watching the movie.

In the process of watching, keep the following tips in mind:

  • Consider your impression of the movie
  • Enumerate memorable details
  • Try to interpret the movie message in your way
  • Search for the proof of your ideas (quotes from the film)
  • Make comments on the plot, settings, and characters
  • Draw parallels between the movie you are reviewing and some other movies

Making a Film Analysis Essay Outline

Once you have watched and possibly re-watched your assigned or chosen movie from an analytical point of view, you will need to create a movie analysis essay outline . The task is pretty straightforward: the outline can look just as if you were working on a literary analysis or an article analysis.

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  • Introduction : This includes the basics of the movie, including the title, director, and the date of release. You should also present the central theme or ideas in the movie and your thesis statement .
  • Summary : This is where you take the time to present an overview of the primary concepts in the movie, including the five Ws (who, what, when, where, and why)—don’t forget how!—as well as anything you wish to discuss that relates to the point of view, style, and structure.
  • Analysis : This is the body of the essay and includes your critical analysis of the movie, why you did or did not like it, and any supporting material from the film to support your views. It would help if you also discussed whether the director and writer of the movie achieved the goal they set out to achieve.
  • Conclusion: This is where you can state your thesis again and provide a summary of the primary concepts in a new and more convincing manner, making a case for your analysis. You can also include a call-to-action that will invite the reader to watch the movie or avoid it entirely.

You can find a great critical analysis template at Thompson Rivers University website. In case you need more guidance on how to write an analytical paper, check out our article .

Writing & Editing Your Film Analysis Essay

We have already mentioned that there are differences between literary analysis and film analysis. They become especially important when one starts writing their film analysis essay.

First of all, the evidence you include to support the arguments is not the same. Instead of quoting the text, you might need to describe the audiovisual elements.

However, the practice of describing the events is similar in both types. You should always introduce a particular sequence in the present tense. If you want to use a piece of a dialogue between more than two film characters, you can use block quotes. However, since there are different ways to do it, confirm with your supervisor.

For your convenience, you might as well use the format of the script, for which you don’t have to use quotation marks:

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ELSA: But she won’t remember I have powers?

KING: It’s for the best.

Finally, to show off your proficiency in the subject, look at the big picture. Instead of just presenting the main elements in your analysis, point out their significance. Describe the effect they make on the overall impression form the film. Moreover, you can dig deeper and suggest the reasons why such elements were used in a particular scene to show your expertise.

Stuck writing a film analysis essay? Worry not! Use our template to structure your movie analysis properly.

Introduction

  • The title of the film is… [title]
  • The director is… [director’s name] He/she is known for… [movies, style, etc.]
  • The movie was released on… [release date]
  • The themes of the movie are… [state the film’s central ideas]
  • The film was made because… [state the reasons]
  • The movie is… because… [your thesis statement].
  • The main characters are… [characters’ names]
  • The events take place in… [location]
  • The movie is set in… [time period]
  • The movie is about… [state what happens in the film and why]
  • The movie left a… [bad, unforgettable, lasting, etc.] impression in me.
  • The script has… [a logical sequence of events, interesting scenes, strong dialogues, character development, etc.]
  • The actors portray their characters… [convincingly, with intensity, with varying degree of success, in a manner that feels unnatural, etc.]
  • The soundtrack is [distracting, fitting, memorable, etc.]
  • Visual elements such as… [costumes, special effects, etc.] make the film [impressive, more authentic, atmospheric, etc.]
  • The film succeeds/doesn’t succeed in engaging the target audience because it… [tells a compelling story, features strong performances, is relevant, lacks focus, is unauthentic, etc.]
  • Cultural and societal aspects make the film… [thought-provoking, relevant, insightful, problematic, polarizing, etc.]
  • The director and writer achieved their goal because… [state the reasons]
  • Overall, the film is… [state your opinion]
  • I would/wouldn’t recommend watching the movie because… [state the reasons]
  • Analysis of the film Inception by Christopher Nolan .
  • Examine the rhetoric in the film The Red Balloon .
  • Analyze the visual effects of Zhang Yimou’s movie Hero .
  • Basic concepts of the film Interstellar by Christopher Nolan.
  • The characteristic features of Federico Fellini’s movies.
  • Analysis of the movie The Joker .
  • The depiction of ethical issues in Damaged Care .
  • Analyze the plot of the film Moneyball .
  • Explore the persuasive techniques used in Henry V .  
  • Analyze the movie Killing Kennedy .
  • Discuss the themes of the film Secret Window .
  • Describe the role of audio and video effects in conveying the message of the documentary Life in Renaissance .
  • Compare and analyze the films Midnight Cowboy and McCabe and Mrs. Miller .
  • Analysis of the movie Rear Window .
  • The message behind the film Split .
  • Analyze the techniques used by Tim Burton in his movie Sleepy Hollow .
  • The topic of children’s abuse and importance of trust in Joseph Sargent’s Sybil .
  • Examine the themes and motives of the film Return to Paradise by Joseph Ruben .
  • The issues of gender and traditions in the drama The Whale Rider.
  • Analysis of the film Not Easily Broken by Duke Bill.
  • The symbolism in R. Scott’s movie Thelma and Louise .
  • The meaning of audiovisual effects in Citizen Kane .
  • Analyze the main characters of The Girl with the Dragon Tattoo .
  • Discuss the historical accuracy of the documentary The Civil War .
  • Analysis of the movie Through a Glass Darkly .
  • Explore the core idea of the comedy Get Out .
  • The problem of artificial intelligence and human nature in Ex Machina .
  • Three principles of suspense used in the drama The Fugitive .
  • Examine the ideas Michael Bay promotes in Armageddon .
  • Analyze the visual techniques used in Tenet by Christopher Nolan.
  • Analysis of the movie The Green Mile .
  • Discrimination and exclusion in the film The Higher Learning .
  • The hidden meaning of the scenes in Blade Runner .
  • Compare the social messages of the films West Side Story and Romeo + Juliet .
  • Highlighting the problem of children’s mental health in the documentary Kids in Crisis .  
  • Discuss the ways Paul Haggis establishes the issue of racial biases in his movie Crash .
  • Analyze the problem of moral choice in the film Gone Baby Gone .
  • Analysis of the historical film Hacksaw Ridge .
  • Explore the main themes of the film Mean Girls by Mark Walters .
  • The importance of communication in the movie Juno .
  • Describe the techniques the authors use to highlight the problems of society in Queen and Slim .
  • Examine the significance of visual scenes in My Family/ Mi Familia .
  • Analysis of the thriller Salt by Phillip Noyce.
  • Analyze the message of Greg Berlanti’s film Love, Simon .
  • Interpret the symbols of the film The Wizard of Oz (1939).
  • Discuss the modern issues depicted in the film The Corporation .
  • Moral lessons of Edward Zwick’s Blood Diamond .
  • Analysis of the documentary Solitary Nation .
  • Describe the audiovisual elements of the film Pride and Prejudice (2005) .
  • The problem of toxic relationships in Malcolm and Marie .

📄 Film Analysis Examples

Below you’ll find two film analysis essay examples. Note that the full versions are downloadable for free!

Film Analysis Example #1: The Intouchables

Raising acute social problems in modern cinema is a common approach to draw the public’s attention to the specific issues and challenges of people facing crucial obstacles. As a film for review, The Intouchables by Oliver Nakache and Éric Toledano will be analyzed, and one of the themes raised in this movie is the daily struggle of the person with severe disabilities. This movie is a biographical drama with comedy elements. The Intouchables describes the routine life of a French millionaire who is confined to a wheelchair and forced to receive help from his servants. The acquaintance of the disabled person with a young and daring man from Parisian slums changes the lives of both radically. The film shows that for a person with disabilities, recognition as a full member of society is more important than sympathy and compassion, and this message expressed comically raises an essential problem of human loneliness.

Movie Analysis Example #2: Parasite

Parasite is a 2019 South Korean black comedy thriller movie directed by Bong Joon-ho and is the first film with a non-English script to win Best Picture at the Oscars in 2020. With its overwhelming plot and acting, this motion picture retains a long-lasting effect and some kind of shock. The class serves as a backbone and a primary objective of social commentary within the South Korean comedy/thriller (Kench, 2020). Every single element and detail in the movie, including the student’s stone, the contrasting architecture, family names, and characters’ behavior, contribute to the central topic of the universal problem of classism and wealth disparity. The 2020 Oscar-winning movie Parasite (2019) is a phenomenal cinematic portrayal and a critical message to modern society regarding the severe outcomes of the long-established inequalities within capitalism.

Want more examples? Check out this bonus list of 10 film analysis samples. They will help you gain even more inspiration.

  • “Miss Representation” Documentary Film Analysis
  • “The Patriot”: Historical Film Analysis
  • “The Morning Guy” Film Analysis
  • 2012′ by Roland Emmerich Film Analysis
  • “The Crucible” (1996) Film Analysis
  • The Aviator’ by Martin Scorsese Film Analysis
  • The “Lions for Lambs” Film Analysis
  • Bill Monroe – Father of Bluegrass Music Film Analysis 
  • Lord of the Rings’ and ‘Harry Potter’ Film Analysis
  • Red Tails by George Lucas Film Analysis

Film Analysis Essay FAQ

  • Watch the movie or read a detailed plot summary.
  • Read others’ film reviews paying attention to details like key characters, movie scenes, background facts.
  • Compose a list of ideas about what you’ve learned.
  • Organize the selected ideas to create a body of the essay.
  • Write an appropriate introduction and conclusion.

The benefits of analyzing a movie are numerous . You get a deeper understanding of the plot and its subtle aspects. You can also get emotional and aesthetic satisfaction. Film analysis enables one to feel like a movie connoisseur.

Here is a possible step by step scenario:

  • Think about the general idea that the author probably wanted to convey.
  • Consider how the idea was put across: what characters, movie scenes, and details helped in it.
  • Study the broader context: the author’s other works, genre essentials, etc.

The definition might be: the process of interpreting a movie’s aspects. The movie is reviewed in terms of details creating the artistic value. A film analysis essay is a paper presenting such a review in a logically structured way.

  • Film Analysis – UNC Writing Center
  • Film Writing: Sample Analysis // Purdue Writing Lab
  • Yale Film Analysis – Yale University
  • Film Terms And Topics For Film Analysis And Writing
  • Questions for Film Analysis (Washington University)
  • Resources on Film Analysis – Cinema Studies (University of Toronto)
  • Does Film Analysis Take the Magic out of Movies?
  • Film Analysis Research Papers – Academia.edu
  • What’s In a Film Analysis Essay? Medium
  • Analysis of Film – SAGE Research Methods
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Have you ever read a review and asked yourself how the critic arrived at a different interpretation for the film? You are sure that you saw the same movie, but you interpreted it differently. Most moviegoers go to the cinema for pleasure and entertainment. There’s a reason why blockbuster movies attract moviegoers – cinema is a form of escape, a way to momentarily walk away from life’s troubles.

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  • 1. Writing about the Movies Why Write about the Movies? Your Audience and the Aims of Film Criticism The Screening Report The Movie Review The Theoretical Essay The Critical Essay Opinion and Evaluation Exercises
  • 2. Beginning to Think, Preparing to Watch, and Starting to Write Subject Matter and Meaning Silent Dialogue: Talking Back to the Movies Taking Notes Visual Memory and Reflection Exercises
  • 3. Film Terms and Topics for Film Analysis and Writing Themes Film and the Other Arts Narrative Characters Point of View Comparative Essays Mise-en-Scene and Realism Realism Elements of Mise-en-Scene Composition and the Image The Shot The Edited Image Sound Sample Essay Exercises
  • 4. Six Approaches to Writing about Film Film History National Cinemas Genres Auteurs Kinds of Formalism Ideology Sample Essays Exercises
  • 5. Style and Structure in Writing The Right Words Concrete Language Denotation and Connotation Tone Repetitions and Cliches Effective Sentences Economy Varied Sentence Structures Coherent Paragraphs Introductory Paragraphs Concluding Paragraphs Revisions and Proofreading Checklist for Writing an Effective Essay Exercises
  • 6. Researching the Movies How to Begin Research The Materials of Research Primary Sources Video, DVD, and Digital Downloads Scripts Secondary Sources: Books Indexes, Journals, and Electronic Sources Film Research on the Internet Taking Notes on Secondary Sources Writing the Paper Sample Essays Exercises
  • 7. Manuscript Form Manuscript Copy Last-Minute Corrections Quotations Acknowledging Sources Common Knowledge Documenting Sources Notes for Documentation Works Cited Notes Supplying Additional Commentary Common Conventions of Usage Names Titles Foreign Words and Quotation Marks Sexist Language Spelling Last Words Appendix: Symbols Commonly Used In Marking Papers Glossary of Film Terms Works Cited Credits Index.
  • (source: Nielsen Book Data)

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How to Write a Critical Essay

Last Updated: April 8, 2023 Fact Checked

This article was co-authored by Megan Morgan, PhD . Megan Morgan is a Graduate Program Academic Advisor in the School of Public & International Affairs at the University of Georgia. She earned her PhD in English from the University of Georgia in 2015. There are 10 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,162,814 times.

The goal of a critical essay is to analyze a book, film, article, painting, or event and support your argument with relevant details. When writing a paper like this, you will have to come up with an interpretation of your own and then use facts or evidence from the work or other sources to prove that your interpretation is acceptable. A critical essay on a book, for example, might focus on the tone and how that influences the meaning of the book overall and would use quotations from the book to support the thesis. This type of paper requires careful planning and writing, but is often a creative way to engage with a subject that you are interested in and can be very rewarding!

Preparing to Write a Critical Essay

Step 1 Make sure that you understand the assignment.

  • Get to know the text inside and out by reading and rereading it. If you have been asked to write about a visual text like a film or piece of art, watch the film multiple times or view the painting from various angles and distances.

Step 3 Take notes as you read your text.

  • What is the text about?
  • What are the main ideas?
  • What is puzzling about the text?
  • What is the purpose of this text?
  • Does the text accomplish its purpose? If not, why not? Is so, how so? [3] X Research source Don't: summarize the plot — you should already be familiar with it. Do: jot down thoughts that may guide your paper: Does he mean __? Does this connect to __?

Step 4 Review your notes to identify patterns and problems.

  • Your solution to the problem should help you to develop a focus for your essay, but keep in mind that you do not need to have a solid argument about your text at this point. As you continue to think about the text, you will move closer to a focus and a thesis for your critical analysis essay. Don't: read the author's mind: Mary Shelley intended Frankenstein's monster to be more likable because... Do: phrase it as your own interpretation: Frankenstein's monster is more sympathetic than his creator, leading the reader to question who the true monster really is.

Conducting Research

Step 1 Find appropriate secondary sources if required.

  • Books, articles from scholarly journals, magazine articles, newspaper articles, and trustworthy websites are some sources that you might consider using.
  • Use your library’s databases rather than a general internet search. University libraries subscribe to many databases. These databases provide you with free access to articles and other resources that you cannot usually gain access to by using a search engine.

Step 2 Evaluate your sources to determine their credibility.

  • The author and his or her credentials. Choose sources that include an author’s name and that provide credentials for that author. The credentials should indicate something about why this person is qualified to speak as an authority on the subject. For example, an article about a medical condition will be more trustworthy if the author is a medical doctor. If you find a source where no author is listed or the author does not have any credentials, then this source may not be trustworthy. [5] X Research source
  • Citations. Think about whether or not this author has adequately researched the topic. Check the author’s bibliography or works cited page. If the author has provided few or no sources, then this source may not be trustworthy. [6] X Research source
  • Bias. Think about whether or not this author has presented an objective, well-reasoned account of the topic. How often does the tone indicate a strong preference for one side of the argument? How often does the argument dismiss or disregard the opposition’s concerns or valid arguments? If these are regular occurrences in the source, then it may not be a good choice. [7] X Research source (Note, however, that literary criticism often presents a very strong preference for one reading; this is not usually considered "bias" because the field of literary study is inherently subjective.) Don't: dismiss an author for favoring one point of view. Do: engage critically with their argument and make use of well-supported claims.
  • Publication date. Think about whether or not this source presents the most up to date information on the subject. Noting the publication date is especially important for scientific subjects, since new technologies and techniques have made some earlier findings irrelevant. [8] X Research source
  • Information provided in the source. If you are still questioning the trustworthiness of this source, cross check some of the information provided against a trustworthy source. If the information that this author presents contradicts one of your trustworthy sources, then it might not be a good source to use in your paper. [9] X Research source

Step 3 Read your research.

  • Clearly indicate when you have quoted a source word for word by putting it into quotation marks and including information about the source such as the author’s name, article or book title, and page number. Don't: highlight a phrase just because it sounds significant or meaningful. Do: highlight phrases that support or undermine your arguments.

Writing Your Essay

Step 1 Develop your tentative thesis.

  • Make sure your thesis provides enough detail. In other words, avoid simply saying that something is "good" or "effective" and say what specifically makes it "good" or "effective." [12] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source
  • Place your thesis statement at the end of your first paragraph unless your instructor tells you to place it elsewhere. The end of the first paragraph is the traditional place to provide your thesis in an academic essay.
  • For example, here is a multi-sentence thesis statement about the effectiveness and purpose of the movie Mad Max: Fury Road : "Many action films follow the same traditional pattern: a male action hero (usually white and attractive) follows his gut and barks orders at others, who must follow him or die. Mad Max: Fury Road is effective because it turns this pattern on its head. Instead of following the expected progression, the movie offers an action movie with multiple heroes, many of whom are women, thereby effectively challenging patriarchal standards in the Hollywood summer blockbuster." Don't: include obvious facts ( Mad Max was directed by George Miller ) or subjective opinions ( Mad Max is the greatest movie of 2015 ). [13] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source Do: present an argument that you can back up with evidence.

Step 2 Develop a rough...

  • You may want to use a formal outline structure that uses Roman numerals, Arabic numerals, and letters. Or, you may want to use an informal "mind-map" type of outline, which allows you to gather your ideas before you have a complete idea of how they progress.

Step 3 Begin your essay with an engaging sentence that gets right into your topic.

  • Other good techniques to open an essay include using a specific, evocative detail that links to your larger idea, asking a question that your essay will answer, or providing a compelling statistic.

Step 4 Provide background information to help guide your readers.

  • If you are writing about a book, provide the name of the work, the author, and a brief summary of the plot.
  • If you are writing about a film, provide a brief synopsis.
  • If you are writing about a painting or other still image, provide a brief description for your readers.
  • Keep in mind that your background information in the first paragraph should lead up to your thesis statement. Explain everything the reader needs to know to understand what your topic is about, then narrow it down until you reach the topic itself.

Step 5 Use your body paragraphs to discuss specific components of your text.

  • Provide a claim at the beginning of the paragraph.
  • Support your claim with at least one example from your primary source(s).
  • Support your claim with at least one example from your secondary sources.

Step 6 Develop a conclusion for your essay.

  • Summarize and review your main ideas about the text.
  • Explain how the topic affects the reader.
  • Explain how your narrow topic applies to a broader theme or observation.
  • Call the reader to action or further exploration on the topic.
  • Present new questions that your essay introduced. Don't: repeat the same points you made earlier in the essay. Do: refer back to earlier points and connect them into a single argument.

Revising Your Essay

Step 1 Set aside your paper for a few days before revising your draft.

  • It is important to begin writing a paper far enough ahead of time to allow yourself a few days or even a week to revise before it is due. If you do not allow yourself this extra time, you will be more prone to making simple mistakes and your grade may suffer as a result. [16] X Research source

Step 2 Give yourself sufficient time to do a substantive revision that clarifies any confusing logic or arguments.

  • What is your main point? How might you clarify your main point?
  • Who is your audience? Have you considered their needs and expectations?
  • What is your purpose? Have you accomplished your purpose with this paper?
  • How effective is your evidence? How might your strengthen your evidence?
  • Does every part of your paper relate back to your thesis? How might you enhance these connections?
  • Is anything confusing about your language or organization? How might your clarify your language or organization?
  • Have you made any errors with grammar, punctuation, or spelling? How can you correct these errors?
  • What might someone who disagrees with you say about your paper? How can you address these opposing arguments in your paper? [17] X Research source

Step 3 Complete your paper by carefully proofreading a printed version of your final draft.

  • If you are submitting your paper online or through email, check with your teacher or professor to find out what format s/he prefers. If you have used any textual formatting in your paper, you may wish to save it as a PDF file to preserve your formatting.

Sample Essays

critical essay about movies

Community Q&A

Community Answer

  • Ask a friend, family member or other acquaintance to proofread and make constructive comments on your paper. Professional writers go through several drafts of their work and you should expect to do the same. Thanks Helpful 9 Not Helpful 0
  • It is often easier to write a rough introduction and proceed with the rest of the paper before returning to revise the introduction. If you're feeling lost on how to introduce your paper, write a placeholder introduction. Thanks Helpful 8 Not Helpful 1
  • Write in your own voice. It is better to correctly use the words you know than to misuse the words you do not know in an attempt to sound scholarly. Thanks Helpful 6 Not Helpful 1

critical essay about movies

  • Make sure to cite all of your research including quotations, statistics and theoretical concepts as accurately as possible. When in doubt, err on the side of citing more rather than less, since failing to cite your research can result in a charge of plagiarism. Thanks Helpful 6 Not Helpful 2
  • Papers written at the last minute suffer from logic gaps and poor grammar. Remember that your teacher has read hundreds, if not thousands of student papers, and as such, can tell when you've written a paper at the last minute. Thanks Helpful 6 Not Helpful 2

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Write a Research Introduction

  • ↑ https://uwc.ucla.edu/wp-content/uploads/2016/01/UWC_handouts_readingessayprompts.pdf
  • ↑ http://www.sussex.ac.uk/s3/?id=122
  • ↑ http://www2.southeastern.edu/Academics/Faculty/elejeune/critique.htm
  • ↑ https://guides.lib.uw.edu/research/faq/reliable
  • ↑ https://owl.english.purdue.edu/owl/resource/553/03/
  • ↑ https://owl.english.purdue.edu/owl/resource/673/1/
  • ↑ http://writingcenter.unc.edu/handouts/thesis-statements/
  • ↑ https://www.irsc.edu/students/academicsupportcenter/researchpaper/researchpaper.aspx?id=4294967433
  • ↑ https://owl.english.purdue.edu/engagement/2/2/58/
  • ↑ https://owl.english.purdue.edu/owl/resource/561/05/

About This Article

Megan Morgan, PhD

To write a critical essay, develop a thesis that expresses your essay's main focus and states an arguable claim. Next, write an introduction that gives a basic overview of your paper and introduces your thesis. Then, create paragraphs that discuss your specific ideas, focusing on one main idea per paragraph. Be sure to start each paragraph with a claim and use examples from primary and secondary sources to support that claim. Finally, create a conclusion that summarizes your main points. For tips on outlining and revising your paper, read on! Did this summary help you? Yes No

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7 Steps for Writing Movie Critique Essay

critical essay about movies

Writing an evaluation essay on a movie is way more enjoyable experience than a regular essay, because everyone likes watching movies. Moreover, it is easy to write about something you like. You can choose to write a favorite movie essay or a classification essay about movies, if you are a real devotee of cinematographic art. However, when you write a movie analysis essay you should remember that it is more than just a review of the film. While a review expresses only your opinion and summarizes the plot of the movie, a movie evaluation essay involves deeper analysis of different layers of the film, such as symbolism, settings, theme, and so on. If you are not a stranger to these cinematic devices and can identify them when watching a movie, then such paper shouldn’t be a problem for you. However, if you are not sure you can dig deeper than just a basic story line, you can order a custom written movie critique essay from Star-Writers. You can be sure to receive an original unique paper from a professional author and for a very moderate price .

Writing Movie Essay Step by Step

Writing an essay many seem like an overwhelming task. But it is only so when you work without a precise plan. After you learn these steps to writing a perfect movie analysis essay, you will be able to compose your paper with no effort. It will take even less of your time and energy, if you use our professional rewriting services after composing a first draft of your essay.

Step 1: Watch the movie . Obviously, to analyze a movie, you must watch it beforehand. Moreover, you have to watch it actively, not like an ordinary viewer. Have a notebook with you, so you could pause at some moments and take notes. Write down everything that catches your attention. There is no ultimate rule about what you must write about, it is your essay and it reflects the way you perceive things. So be confident, and note everything you like or dislike, any piece of dialog that got your attention or the way some character is dressed.

Step 2: Define the main elements. It is crucial for the success of your essay to identify the theme of the movie as soon as possible. Theme is so important, because it is like prism through which events of the story are perceived. For example the film may revolve around such theme, as unrequited love, revenge, survival, loneliness. Ultimately, there is no limit to the theme, it can be anything. Also it is important to define the genre of the movie, figure out the setting and the point of view. Analyzing a movie is very similar to analyzing a book. You will be able to read about writing a book critique essay if you visit our blog .

Step 3: Look at the characters. While watching a movie, jot down in your notebook some notes about characters. Try to understand the purpose of each character in the story. Define the protagonist, antagonist and the supporting cast; what aspect of human nature each character represents. You should also consider the settings as an important element. Sometimes, for example in movies, such as man vs. wild nature, the setting can be represented as a leading character, too. If all this seems confusing, you can read some of the movie essay samples on our blog to get an idea, how to write one.

Step 4: The role of actors and director. When analyzing a movie, you must certainly take into account the people who created it. These are not only actors, directors and producers, but also music orchestra, camera-men, engineers, visual artists, etc. You don’t need to write about all of them, you just need to choose one angle to look at. Your focus would depend on the type of the movie and the elements you want to emphasize. For example, you can write how music gave a rich emotional tone to the movie. If it is a film with fantastic creatures, you can write about the amazing job make-up artists did in creating the greasepaint.

Step 5: Story short outline . Briefly write about the main story line. Don’t go too deep into all nuances and twists of the plot. The purpose of the movie critique essay is not to summarize the whole story, but to analyze it. So don’t spend much time on this step. All you need is to give your readers a close enough idea what the movie is about. Read this article if you want to learn more about writing short, but concise story outlines.

Step 6: Write your essay.   After you have analyzed all the above elements of the movie and took short notes of them, it is finally time for you to start writing your essay. It will be easier and faster if you outline your essay beforehand. Just make a list of things you are going to mention in each paragraph. You can follow this classic five paragraph essay template, which would make the process of outlining clearer and more visual.  Otherwise, remember that you can always rely on Star-Writers to compose an exceptional movie critique essay for you. Here is the template you can use:

  • Paragraph 1 : State the movie title, director, the main idea of the movie, your thesis statement;
  • Paragraph 2: Brief outline of the story.
  • Paragraph 3 : Settings, structure, style and point of view;
  • Paragraph 4 : Analysis of deeper meaning, symbolism and cinematic devices;
  • Paragraph 5: Conclusion, restate your thesis and summarize.

Step 7: Edit . You cannot submit your essay without making sure it is free of structural, grammar, punctuation and spelling mistakes. If you have strong grammar skills and good attention to details, you can try to edit your essay by yourself. There are many online guides that would teach you how to do it. However, written language is such a tricky thing and there are many aspects that you can overlook. Thus, it is better to trust this important task to professionals. Star-Writers can help you with your movie analysis essay in any way you like — to revise, rewrite, edit or proofread it.

Writing Perfect Movie Analysis Essay

Writing about movies can be a lot of fun, especially if you know what you must focus on. If you use these 7 steps, you can be sure to compose a winning movie analysis essay. And Star-Writers are always available online to help you out at any moment of that writing journey. In addition, if you submit your email address right now, you will be able to receive a generous 20% discount on your first order. Contact Star-Writers and don’t lose your chance to get a perfect movie analysis essay. 

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Home — Essay Samples — Entertainment — Inception — Critical Analysis Of The Movie Inception

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Critical Analysis of The Movie Inception

  • Categories: Inception

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Published: Nov 5, 2020

Words: 1110 | Pages: 2 | 6 min read

Works Cited

  • Ferrier, R. W. (2015). Beyond Inception: A critical analysis of Christopher Nolan's filmic universe. Journal of Popular Film and Television, 43(2), 61-69.
  • García, J. A. (2014). The dreaming self: The subconscious as protagonist in Christopher Nolan's Inception. Journal of Popular Film and Television, 42(4), 184-193.
  • Gustafsson, F. (2013). Inception and philosophy. Open Court Publishing.
  • Hallett, M. (2010). Inception: A dream come true. Sight & Sound, 20(9), 30-33.
  • Heaven, S. (2010). The art of dream-sharing: Exploring Christopher Nolan's Inception. The Journal of American Culture, 33(4), 338-347.
  • Jenkins, P. (2010). Inception and the contemporary allegory. Film International, 8(5), 62-69.
  • Kaufman, A. (2011). Dreams of light: The significance of light and shadow in Christopher Nolan's Inception. Film Criticism, 36(3), 1-17.
  • Mizejewski, L. (2011). “You Mustn't Be Afraid to Dream a Little Bigger, Darling”: Inception and the architectural unconscious. Cinema Journal, 50(3), 38-56.
  • O'Hagan, A. (2010). Inception: This summer's semi-intelligent thriller. The Guardian.
  • Stapleton, J. (2011). The deceptive narrative structure of Inception. The Journal of Popular Culture, 44(2), 288-303.

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6 New Movies Our Critics Are Talking About This Week

Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.

  • Share full article

By The New York Times

CRITIC’S PICK

Going ape for another ‘Apes’ movie.

Two apes and a woman with serious looks stand near a body of water.

‘Kingdom of the Planet of the Apes’

The latest in this sci-fi series follows a group of rebels as they face off against an authoritarian ruler who has twisted the peaceful teachings of a previous leader.

From our review:

There’s a knowing sense that all this has happened before, and all this will happen again. That’s what makes “Kingdom of the Planet of the Apes” powerful, in the end. It probes how the act of co-opting idealisms and converting them to dogmas has occurred many times over. What’s more, it points directly at the immense danger of romanticizing the past, imagining that if we could only reclaim and reframe and resurrect history, our present problems would be solved.

In theaters. Read the full review .

A thermal thriller that’s hot and cold.

‘aggro dr1ft’.

This hallucinatory romp directed by Harmony Korine conveys the journey of an assassin entirely through thermal imaging with added digital effects.

Whether it’s the thermal imaging or the augmentation, the visual style renders eyes practically invisible, leaving the actors without an important means of communication. … That absence might account for why “Aggro Dr1ft” is so unengaging on a narrative level, but the monotony might also have to have something to do with the protagonist, a hit man extraordinaire who is also (gasp) a family man. The world’s greatest assassin has been saddled with the world’s most sophomoric internal monologue. “I am a solitary hero. I am alone. I am a solitary hero. Alone,” he mumbles.

Think ‘On the Road,’ but for Gen-Z.

‘gasoline rainbow’.

Five teenagers embark on a road trip to a “party at the end of the world” and encounter many fellow misfits along the way in the latest from filmmakers Bill and Turner Ross.

There’s an uncommon sweetness to this film, which is less about running away from something and more about discovering the road of life is littered with goodness, if you know where to look. There’s a loose, languorous quality to “Gasoline Rainbow,” which the Rosses shot using a mostly improvised format, a collaboration between actors and filmmakers. It feels like a home movie, or a documentary — a capture of a slice of life in which there’s no plot other than whatever happens on the road ahead.

A destination wedding that goes nowhere.

‘mother of the bride’.

At a surprise last-minute wedding, the mother of the bride (Lana, played by Brooke Shields) gets another surprise when she discovers that her daughter is engaged to the son of her ex-beau, Will (Benjamin Bratt).

“Mother of the Bride” is directed by Mark Waters (“Mean Girls”) with an apparent allergy to verisimilitude. Early on, we are told that the opulent Thai ceremony will be bankrolled by Emma’s company (she’s an intern) and livestreamed to “millions of eyes.” These fantasies of pomp and circumstance often serve to make Lana and Will’s budding romance feel like a B-story to the action — although that may be a blessing when the best screwball gag this movie can muster is a pickleball shot to the groin.

Watch on Netflix . Read the full review .

Chris Pine goes off the deep end.

In Chris Pine’s directorial debut, he plays a pool cleaner who is enlisted to help uncover a mysterious water heist.

The sure-why-not plot, modeled on the California water grab in “Chinatown,” is less interesting than the charismatic cast that rambles along with Pine on his excellent adventure. Pine’s yarn was savaged when it premiered at the Toronto International Film Festival last year, but the sour response is a bit like getting mad at a golden retriever for rolling around in the grass.

Small drama, big stars.

Seeking asylum, a young Nigerian woman (Letitia Wright of “Black Panther”) navigates the complications of applying for permanent residency in Ireland in this drama from writer-director Frank Berry. Josh O’Connor of “Challengers” also stars.

At the beauty salon where she works, Aisha’s rightly cagey as she listens to her customers. But at the shelter, she turns warm, when she gives makeovers to fellow immigrants. As he did for his award-winning prison film, “Michael Inside,” Berry used nonprofessional actors with intimate experience of the system — here, Ireland’s International Protection Office, which processes asylum applications — he wanted to depict. It’s a gesture that keeps the film from lapsing into melodrama.

Bonus review: A rural throuple

It’s not immediately apparent how courtly intrigue figures in “A Prince” (in theaters) , Pierre Creton’s spellbinding French pastoral drama, though sex, death and domination hang palpably in the film’s crisp, Normandy air.

Creton looks to the divine powers and chivalric codes that fuel swords-and-shields epics like “Game of Thrones,” but whittles these elements down to a mysterious essence. Eventually, the film shifts into explicitly sexual and mythological terrain with a B.D.S.M. edge.

The story is slippery by design, loosely tracking the gay coming-of-age of an apprentice gardener, Pierre-Joseph. Throughout the film, a series of wordless and seductively austere tableaux, he forms bonds with various individuals in his rural community. Multiple narrators speak in retrospect, as if looking back from the afterlife at the characters onscreen.

Pierre-Joseph eventually comes to form a throuple with Alberto and Adrien, his mentors. The naked bodies of these much older gentleman appear suggestively weathered next to their younger lover’s sprightly form. Yet there is no mention of taboo. That passion could bloom in such spontaneous and unexpected forms is part of this enigmatic film’s potency.

Explore More in TV and Movies

Not sure what to watch next we can help.a.

Andy Serkis, the star of the earlier “Planet of the Apes” movies, and Owen Teague, the new lead, discuss the latest film in the franchise , “Kingdom of the Planet of the Apes.”

The HBO series “The Sympathizer” is not just a good story, it’s a sharp piece of criticism on Vietnam war movies, our critic writes .

In “Dark Matter,” the new Apple TV+ techno-thriller, a portal to parallel realities allows people to visit new worlds and revisit their own past decisions .

The tennis movie “Challengers” comes to an abrupt stop midmatch, so we don’t know who won. Does that matter? Our critics have thoughts .

If you are overwhelmed by the endless options, don’t despair — we put together the best offerings   on Netflix , Max , Disney+ , Amazon Prime  and Hulu  to make choosing your next binge a little easier.

Sign up for our Watching newsletter  to get recommendations on the best films and TV shows to stream and watch, delivered to your inbox.

The Critical Decision: America’s Entry into World War II in 1941

This essay about America’s entry into World War II in 1941 explores the significant consequences and the historical context that led to this pivotal decision. It examines the internal debates over intervention versus isolationism, the geopolitical dynamics at play, and the ethical dilemmas faced by the U.S. The essay also discusses the critical role of the Lend-Lease Act, the pressures from the European and Pacific theatres, and the impact of the Pearl Harbor attack, which unified the U.S. in its resolve to enter the war.

How it works

In the annals of history, the decision for America to enter World War II in 1941 stands as a pivotal moment fraught with significant consequences. This momentous decision was precipitated by the infamous attack on Pearl Harbor on December 7th, which jolted the United States from its stance of neutrality into the throes of a global conflict. The path leading to this critical day was characterized by a complex interplay of geopolitical strategies, domestic debates over isolationism versus interventionism, and significant ethical dilemmas.

Before the attack, America was deeply divided over the question of involvement in the war. The scars of World War I were still fresh, and a strong sentiment of isolationism pervaded the national psyche. However, President Franklin D. Roosevelt was acutely aware of the threats posed by the rise of fascism and militarism in Europe and Asia. Through initiatives like the Lend-Lease Act, he aimed to bolster Allied forces while maintaining American neutrality, a stance that increasingly strained under the pressures of international demands.

Europe was meanwhile under siege. Hitler’s aggressive blitzkrieg had overwhelmed most of the continent, leaving Britain to contend alone against the relentless Nazi onslaught. The dire situation was underscored by the Battle of Britain and the perilous disruptions caused by German U-boats to Allied shipping lines. Britain’s Prime Minister Winston Churchill fervently sought greater support from Roosevelt, emphasizing the critical need for American aid to prevent a catastrophic defeat for the Allies.

Simultaneously, tensions were mounting in the Pacific. Japan’s imperialist pursuits in China and Indochina were met with grave concern by U.S. policymakers, leading to economic sanctions intended to deter further Japanese expansion. Viewed by Japan as a direct threat to their ambitions in Southeast Asia, these tensions set both nations on an inevitable collision course.

The turning point came with the sudden and devastating attack on Pearl Harbor by the Japanese Imperial Navy, which left the U.S. shocked and unified in its resolve for action. President Roosevelt’s subsequent speech to Congress, where he branded December 7th, 1941, as “a date which will live in infamy,” rallied the nation and led to a formal declaration of war against Japan.

The aftermath saw a swift mobilization of the American war effort. Despite initial resistance from isolationist factions, led by figures such as Senator Robert A. Taft and aviator Charles Lindbergh, who advocated for focusing on domestic concerns and cautioned against overseas entanglements, the U.S. decisively entered the war.

However, America’s involvement was not without controversy. The internment of Japanese Americans, prompted by racial prejudice and wartime fear, marked a regrettable episode of violated civil liberties and constitutional rights, reflecting the darker aspects of national response during crisis.

Despite these internal and moral conflicts, America’s entry into World War II was crucial in shifting the balance of power. The U.S. leveraged its industrial capacity to become the “Arsenal of Democracy,” supporting its military and allies with a vast production of war materials. On the battlefronts, American forces demonstrated bravery and strategic acumen, contributing significantly to the eventual defeat of Axis powers.

Ultimately, America’s decision to enter the war in 1941 reshaped its role on the global stage and underscored its commitment to democratic values and human rights. This decision, while fraught with significant human and ethical costs, remains a defining chapter in U.S. history, offering enduring lessons on the complexities of international engagement and the pursuit of justice.

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    While film reviews and theoretical essays are part of Film Studies, the most common paper that students will face is: "the critical essay". Fear not. Though its title combines a serious undertone that implies it is both a large chuck of your grade and also really hard and vague, this post will guide you on your way.

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    The film's first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace's dim blue light make it difficult to determine how many rooms are depicted.

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    Perform a critical reading of your source(s). A critical essay assignment asks you to evaluate a book, an article, a movie, a painting, or some other type of text. In order to perform a critical analysis of any text, you need to become very familiar with the primary text. Get to know the text inside and out by reading and rereading it.

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  21. How to Write a Critical Essay on Film?

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  24. Critical essay about a movie

    It is developed by Hitapps Inc and has over 300 levels for you to solve and enjoy. If you are stuck with Critical essay about a movie then no worries because on this page you will find any of the Figgerits Answers and Solutions. This definition is part of Figgerits Level 17 Answers. For any other questions or inquiries please leave a comment below.

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    This essay about critical thinking outlines its importance and practical applications in everyday life. It defines critical thinking as the art of analyzing and evaluating information to form reasoned conclusions, emphasizing the importance of questioning information, structuring thoughts, and self-reflection.

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    Chris Pine goes off the deep end. From left, Diane (Annette Bening), Darren (Chris Pine) and Jack (Danny DeVito) in "Poolman," directed by Pine. Darren Michaels/Vertical. 'Poolman'. In ...

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    This essay about America's entry into World War II in 1941 explores the significant consequences and the historical context that led to this pivotal decision. It examines the internal debates over intervention versus isolationism, the geopolitical dynamics at play, and the ethical dilemmas faced by the U.S.

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    Pine Says 'Poolman' Is 'The Best Thing That's Ever Happened To Me' Chris Pine, of course, is used to being treated better by critics, having starred in such hits as 2009's Star Trek ...