Elements of Creative Writing
J.D. Schraffenberger, University of Northern Iowa
Rachel Morgan, University of Northern Iowa
Grant Tracey, University of Northern Iowa
Copyright Year: 2023
ISBN 13: 9780915996179
Publisher: University of Northern Iowa
Language: English
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Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24
Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more
Comprehensiveness rating: 4 see less
Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.
Content Accuracy rating: 5
As far as I can tell, content is accurate, error free and unbiased.
Relevance/Longevity rating: 5
The book is relevant and up-to-date.
Clarity rating: 5
The text is clear and easy to understand.
Consistency rating: 5
I would agree that the text is consistent in terms of terminology and framework.
Modularity rating: 5
Text is modular, yes, but I would like to see the addition of a section on dramatic writing.
Organization/Structure/Flow rating: 5
Topics are presented in logical, clear fashion.
Interface rating: 5
Navigation is good.
Grammatical Errors rating: 5
No grammatical issues that I could see.
Cultural Relevance rating: 3
I'd like to see more diverse creative writing examples.
As I stated above, textbook is good except that it does not include a section on dramatic writing.
Table of Contents
- Introduction
- Chapter One: One Great Way to Write a Short Story
- Chapter Two: Plotting
- Chapter Three: Counterpointed Plotting
- Chapter Four: Show and Tell
- Chapter Five: Characterization and Method Writing
- Chapter Six: Character and Dialouge
- Chapter Seven: Setting, Stillness, and Voice
- Chapter Eight: Point of View
- Chapter Nine: Learning the Unwritten Rules
- Chapter One: A Poetry State of Mind
- Chapter Two: The Architecture of a Poem
- Chapter Three: Sound
- Chapter Four: Inspiration and Risk
- Chapter Five: Endings and Beginnings
- Chapter Six: Figurative Language
- Chapter Seven: Forms, Forms, Forms
- Chapter Eight: Go to the Image
- Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings
Creative Nonfiction
- Chapter One: Creative Nonfiction and the Essay
- Chapter Two: Truth and Memory, Truth in Memory
- Chapter Three: Research and History
- Chapter Four: Writing Environments
- Chapter Five: Notes on Style
- Chapter Seven: Imagery and the Senses
- Chapter Eight: Writing the Body
- Chapter Nine: Forms
Back Matter
- Contributors
- North American Review Staff
Ancillary Material
- University of Northern Iowa
About the Book
This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.
About the Contributors
J.D. Schraffenberger is a professor of English at the University of Northern Iowa. He is the author of two books of poems, Saint Joe's Passion and The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of The Necessary Poetics of Atheism . His other work has appeared in Best of Brevity , Best Creative Nonfiction , Notre Dame Review , Poetry East , Prairie Schooner , and elsewhere.
Rachel Morgan is an instructor of English at the University of Northern Iowa. She is the author of the chapbook Honey & Blood , Blood & Honey . Her work is included in the anthology Fracture: Essays, Poems, and Stories on Fracking in American and has appeared in the Journal of American Medical Association , Boulevard , Prairie Schooner , and elsewhere.
Grant Tracey author of three novels in the Hayden Fuller Mysteries ; the chapbook Winsome featuring cab driver Eddie Sands; and the story collection Final Stanzas , is fiction editor of the North American Review and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.
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As it was in the last edition, we have set first page as "A" and started "Title page" from "i".
Why is there a space here?
indent title on the second line so it's clear...
This should also be added under Nonfiction as well, the Hixson piece.
insert Hixson
change to "themes of the fourth edition" to avoid repeating "new" twice
The Fiction section is not appearing here... I'm not sure where it went.
I don't think we want his name here!!
AU: \(Global\) Please check if all such headings should \ be set in title case as given in the chapters.
Hyphen added here.
changed to lowercase
hyphen added here
semi colon added here
AU: Perhaps "creative"?
colon added here
AU: Please check if "The" sho\ uld be deleted as it is not a part of the name of university.
35 spelled out here
We have set first page as "A" and started "Title page" from "i". Accordingly page reference for Preface and About the Author is listed here.
AU: This style of this component of cha\ pters is given inconsistently in the contents. Please confirm one style that can be followed consistently throughout.
Content in Chapter 12 were removed at the later phase of the project, accordingly the TOC entries are removed here.
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Creative Writing Handbook - Becoming a Complete Writer in all Genres
This book is for and about amazing you. It contains three main parts beyond this section. The next, ‘Creatives’ and ‘Control’ explores each notion separately. Part three examines the all-important G-forces: Grail and Grails. Discussions in this chapter underpin the thematic title and core pursuit of this book – aiding writers to identify and tightly define the core goal or goals that they desire to realize from their textual quests and conquests. Part four explores 17 popular writing genres and provides an original example of each. Four of these illustrations are first-time attempts by this writer to compose a script in a foreign discipline that is outside his comfort zone and areas of interest. May these modest, raw offerings embolden you to likewise experiment at becoming a complete writer. The penultimate chapter, Part five, explores six topics that may aid writers to answer the holy grail writer’s question, as defined by this author. These topics in order are: Spelling, scripts, styles, solo writing, champions (i.e., role models) and circulation. This book does not aim to teach readers how to develop most technical skills required of competent writers. Open-access and commercial literature available on these topics are mature. Engaging these topics are best served by a medley of resources such as handbooks, video presentations, college curricula and years of dedicated writing practice. Part I Publishers’ edition © Jericho 15 The concluding part of most sections and each chapter is titled ‘Further reading’. These parts offer one or two open-access resources that explore material discussed in that section/chapter in further detail. The principal pursuit of this book aims to help you to identify the core goal/s that may motivate you to be the best writer possible in your chosen fields. There is a dearth of literature that unravels this all-important journey. This book is suitable for informal educational settings and structured teaching environments. It may support writers of all skill levels who thrive from learning solo, in groups or a mixture thereof. It may also guide Creative Writing Professors who teach applied education courses at all levels – from certificate to Graduate-level coursework. Creative writing author authors authorship publication publishing self-publishing self-publication writing creativity Creative Writing 101
The Creative Writing Handbook
Techniques for New Writers
- © 1996
- John Singleton ,
- Mary Luckhurst
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Table of contents (10 chapters)
Front matter, making a mark.
- John Singleton, Mary Luckhurst
The Workshop Way
Words words words.
- John Singleton, Geoff Sutton
Writing the Self
The short story.
- John Singleton
Innovative Fiction and the Novel
- Elizabeth Baines
Writing to Form — Verse
- John Lennard
Writing for Performance: Stage, Screen and Radio
Journalistic writing.
- Mary Luckhurst, Betty Princep
Editing and Rewriting
- Liz Cashdan, Mary Luckhurst, John Singleton
Back Matter
- creative writing
About this book
Bibliographic information.
Book Title : The Creative Writing Handbook
Book Subtitle : Techniques for New Writers
Editors : John Singleton, Mary Luckhurst
DOI : https://doi.org/10.1007/978-1-349-13814-2
Publisher : Red Globe Press London
eBook Packages : Palgrave Literature & Performing Arts Collection , Literature, Cultural and Media Studies (R0)
Copyright Information : Macmillan Publishers Limited 1996
Edition Number : 1
Number of Pages : VIII, 284
Additional Information : Previously published under the imprint Palgrave
Topics : Creative Writing
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The creative writing coursebook : forty writers share advice and exercises for poetry and prose
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Creative Writing Handbook
Published on 23 April 2021 1914 Downloads
- Creative Writing
IMAGES
VIDEO
COMMENTS
Creative Writing Fundamentals _____ 1 Creative Writing is a very subjective discipline and mode of writing. However, there are some universal elements to consider and strengthen, no matter what genre you wish to write in. This guide will briefly go over images, voice, setting and story, which are central to any kind of Creative Writing you wish ...
Creative Writing Instructor's Manual Prepared by the author of The Bloomsbury Introduction to Creative Writing, Dr Tara Mokhtari 9781472578440_txt_online.indd 1 03/10/2014 14:36. ... ENG310/Didion.pdf> 2.3. Chapter 3: Poetics and Poetry Composition The intention behind the exercises in this chapter are threefold: first, to begin to link ...
The Handbook of Creative Writing ... Download Free PDF. Download Free PDF. The Handbook of Creative Writing. The Handbook of Creative Writing. Rozina Bibi. See Full PDF Download PDF. See Full PDF Download PDF. Related Papers. The Student's Guide to Writing. 1999 • Martin Coyle.
This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States.
Print and Digital Options for The Practice of Creative Writing: A Guide for Students, 4e. Choose the format that works best for your course, and ask about our pack-aging options that offer savings for students. To order the fourth edition, use ISBN 978-1-319-21595-8. Achieve Writer's Help.
Download Free PDF. Creative Writing Handbook - Becoming a Complete Writer in all Genres. Creative Writing Handbook - Becoming a Complete Writer in all Genres. ... It may also guide Creative Writing Professors who teach applied education courses at all levels - from certificate to Graduate-level coursework. Creative writing author authors ...
This pioneering book introduces students to the practice and art of creative writing and creative reading. It offers a fresh, distinctive and beautifully written synthesis of the discipline. David Morley discusses where creative writing comes from, the various forms and camouflages it has taken, and why we teach and learn the arts of fiction ...
Creative Writing Guide _____ 1 Creative Writing is a subjective discipline and covers many forms. This guide is a (very) brief introduction to some key elements that are often addressed in fiction writing courses. Links to references about particular topics and creative writing as a whole are provided throughout so you can extend your learning.
978--521-76849-8 - The Cambridge Companion to Creative Writing Edited by David Morley and Philip Neilsen Frontmatter More information 8. Creative writing and new media hazel smith 102 9. Creative translation fiona sampson 118 10. Life writing philip neilsen 133 part ii topics 151 11. Serious play: creative writing and science david morley 153 12.
creative writing in higher education; there are fine examples available in print (Dawson, 2005; Myers, 1995). The first five chapters explore principles and procedures of creative writing that apply generally to the writing and techniques of fiction, creative nonfic-
In Creative Writing: A Beginner's Manual, the authors provide numerous and exciting exercises, classroom tutorials, activities, workshops, case studies, and interviews with creative writers from different fields. The book guides the reader through every stage of the writing process. The authors demonstrate the flexibility of English that allows it to express a multitude of cultural ...
ISBN 978-9949-81-251-6 (pdf) Contents CREATIVE WRITING 4 THE TOOLKIT 5 CREATIVE LEARNING COOKBOOK 7 ABOUT THE AUTHORS 9 SOME TIPS FOR FACILITATING CREATIVE WRITING SESSIONS 10 How to Use SCAMPER in Text Editing 13 BREAKING WRITER'S BLOCK 14 Unfinished Sentences 17 The Sadness of the Blue Rabbit 18 ...
2. The Evaluation of Creative Writing at MA Level (UK) Jenny Newman 24 3. The Creative Writing MFA Stephanie Vanderslice 37 4. Creative Writing and Critical Theory Lauri Ramey 42 5. Literary Genres David Rain 54 6. The Writer as Artist Steven Earnshaw 65 7. The Future of Creative Writing Paul Dawson 78 Section Two. The Craft of Writing Prose 8.
genre includes poetry, fiction (novels, short stories), scripts, screenplays, and creative non-fiction. Elements1 Voice: An author's unique style and way of saying things. You should be able to recognize an author's written voice the way you recognize a person's spoken voice. In creative writing, one goal is to develop your written voice.
About this book. The Creative Writing Handbook is a new kind of textbook which will prove an indispensable guide for anyone who wants to develop and improve their writing. Written by professional writers and teachers it covers all aspects of the writing process, from drafting first thoughts to shaping them into polished and publishable work.
The creative writing coursebook : forty writers share advice and exercises for poetry and prose. Publication date 2001 Topics Creative writing, Authorship -- Technique, Rhetoric ... Pdf_module_version 0.0.17 Ppi 360 Rcs_key 24143 Republisher_date 20220129101144 Republisher_operator [email protected] ...
This unique and comprehensive text offers an original approach to teaching creative writing by exploring ideas, giving advice, and explaining workshop activities and has many contributors from some of today's most popular children's authors including: Jacqueline Wilson, Roger McGough, Philip Pullman, Malorie Blackman and David Almond.Creating Writers is a practical writing manual for teachers ...
Index. Download. XML. 'An invaluable guide for anyone thinking of teaching creative writing, at any level…It's really nice to come across a book that's so thoughtfull...
Creative Writing Handbook. Published on 23 April 2021 1904 Downloads. Download ( pdf , 365.87 KB ) Creative Writing. View. Bookmark. u3a is a UK-wide movement of locally-run groups providing a wide range of opportunities to come together to learn for fun exploring new ideas skills & interests.
13. Be sure you have followed the 4-H CREATIVE WRITING PROJECT GUIDELINES listed in Section II of this manual. Poetry is the only category in Creative Writing that allows you to exhibit more than one written piece. Small poems may be exhibited on one page, or separate pages. The poems you write may be all the same type, or different types.
This unique and comprehensive text offers an original approach to teaching creative writing by exploring ideas, giving advice, and explaining workshop activities and has many contributors from some of today's most popular children's authors including: Jacqueline Wilson, Roger McGough, Philip Pullman, Malorie Blackman and David Almond.Creating Writers is a practical writing manual for teachers ...
Pens and paper. Instructions. Stage 1 - For one minute ask the class to be conscious of their own bodies, and to think about ent parts of their bodies, their insides, fer the dif , their eyes. They can close their skin, their hair their eyes to help them hear the sounds of their eathing, your pulse, own bodies.
The information in this manual describes the procedures you need to follow as you work towards your online Master of Fine Arts degree in Creative Writing at Liberty University. In the