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What is phantom power, and does your microphone need it.

And do you need it to power your microphone?

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What is phantom power, do condenser mics need phantom power, do dynamic mics need phantom power, can phantom power cause damage, key takeaways.

Phantom power is a way of carrying electric current to power microphones without using a separate power supply. It's typically used to power condenser microphones and the 48V DC power itself is supplied by most mixers, audio interfaces, and preamps.

If you're shopping for a microphone or audio interface, you've probably seen the term phantom power. But what exactly is phantom power, where does it come from, and do you need it to power your microphone?

Phantom power is a method of providing power to a microphone without an external power supply or battery. While some microphones don't require phantom power, other, more sensitive microphones do.

Phantom power works by carrying DC electric current over an XLR cable that plugs into your microphone. This way, a single cable carries power to the microphone as well as the audio signal from it.

The official standard for phantom power specifies that it can carry anywhere from 11 to 52 volts of DC power. Studio microphones most often run at 48 volts, so you'll see phantom power referred to as +48v.

The power needs to come from somewhere, and in most cases it comes from a mixer or audio interface . While most audio interfaces feature phantom power, not all of them do. You can tell by looking for buttons labeled +48v or similar, usually near the gain controls.

Phantom power isn't the only way to provide power to a microphone. Lavaliere mics, for example, typically rely on internal batteries for power. Larger vacuum tube microphones also require more power, so they use their own bespoke power supplies.

Every condenser microphone requires power, due to the way this type of microphone operates. In the majority of cases, this is phantom power. There are only two cases where condenser microphones use other power sources, which we'll look at in a moment.

Condenser microphones are very sensitive, with a conductive diaphragm next to a solid metal plate. As the diaphragm vibrates, the distance between it and the metal plate creates changes in capacitance.

This signal requires a built-in preamp to lower the impedance and amplify it. This is why condenser microphones require power, and, in most cases, this is phantom power.

The first of the two exceptions is tube condenser mics, which, as mentioned above, use their own power supplies, so they don't require phantom power. The other exception is USB microphones , which get their power from the USB connection.

Dynamic microphones don't require phantom power because they work differently from condenser microphones.

A dynamic mic essentially works like a speaker in reverse. Instead of sending a sound through a speaker, which vibrates and makes noise, dynamic microphones vibrate from noise in the air. This signal then travels through a circuit in the mic and to your XLR cables.

These signals are high enough in volume that the signal can go directly to your mixer, preamp, or audio interface. The only issue is that some dynamic microphones, like the Shure SM7B , have very low output.

For these mics, you can use an inline preamp to boost the signal. These inline preamps sometimes use phantom power instead of an external power supply. In this case, it's the preamp that is using phantom power, not the microphone.

While it's possible to damage microphones with phantom power, it's not common or likely.

One type of mic more prone to damage from phantom power than others are ribbon microphones. There are two types: active ribbon microphones, which actually require phantom power, and passive ribbon microphones.

Passive ribbon microphones used to be more prone to damage from phantom power running to them. These days, these microphones have circuitry built in to avoid this type of damage. The only way you'll likely damage a ribbon microphone with phantom power these days is from an XLR cable with faulty wiring.

The only other way to damage a ribbon microphone is a mistake you should avoid with any type of microphone when using phantom power, and that's forgetting to ensure it's off before plugging or unplugging cables. Never plug in a microphone with phantom power enabled. Switch it off, make the connection, then switch it on.

Follow the above, and you shouldn't ever have to worry about damaging anything with phantom power.

Related: What Is Audio Distortion, and What Causes It?

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Microphone Phantom Adapters

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  • 2 XLR inputs
  • 2 XLR outputs

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  • For phantom powering of microphones and DI boxes
  • Switchable output voltage of 12 V / 48 V
  • Low-noise design provides power supply without background noise

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  • 12 V / 48 V switchable

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  • For DPA systems
  • With belt clip

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  • From EW connector to XLR, for example, for E 908 B EW
  • Robust metal chassis
  • Switchable gain (0/-12dB)

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  • Balanced XLR output
  • 2 three-pole TQG male inputs
  • Both inputs adjustable

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  • With 4-pin Mini XLR male -> 3-pin XLR male on the output side
  • Compatible with Shure
  • Suitable spare/replacement part for Art.#439959# the t.bone Ovid System CC 100 RC Shure

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  • TRS Mini jack socket (3.5 mm) to XLR 3M
  • Integrated voltage transformer from phantom power (12 - 48 V) to plug-in power (4V)
  • For connecting VideoMic, VideoMic GO, VideoMicro, VideoMic Pro, VideoMic Pro+, and VideoMic ...

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  • With 3-Pin mini XLR female output and 3-pin XLR male connector
  • Replacement part for Art.#270447 and Art.#439952#

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  • For electret microphones
  • Mini-XLR 3-pin on XLR-male
  • Suitable for ADX40, ADX60, MicroD, HT5

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  • Suitable for condenser microphones and active DI boxes
  • Fixed power cord

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  • For DPA 4099 instrument series
  • With fixed 80 Hz LowCut filter
  • Includes belt clip

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  • Selectable +12 / +48 V phantom power voltage
  • Suitable for all condenser microphones
  • XLR Female input (mic input) and XLR male output (mic thru)

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  • Compatible with Sennheiser EW track
  • Replacement part for the t.bone Ovid System CC 100 RC EW (Art.#439961#)
  • With screwable mini jack socket

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  • For Beta series (for ex. Beta 53)
  • XLR Male on TQG 4 pin male

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  • From 3-in Lemo connector to XLR for example, MKE 2-4-3

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  • Battery powered
  • Supplies up to two condenser microphones with 48V phantom power
  • Noise and distortion-free circuit

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  • 2 x XLR female input
  • 2 x XLR male output

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  • Allows operation of OKM microphones at XLR input of a recorder
  • 3.5 mm mini jack (for OKM microphone) to 2x XLR male connectors
  • Operating with phantom power

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  • Phantom adapter
  • Suitable for Audio-Technica AT831R, U853R, U875R and PRO35

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  • For Audio Technica wireless microphones with 4-pin connection

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  • TRS Mini-jack (3.5 mm) to XLR 3M
  • Integrated voltage converter from phantom power (12 - 48 V) to plug-in power (3 - 5 V)
  • Allows operation of Rode HS2, VideoMic GO and VideoMicro on professional XLR microphone inputs with phantom power

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  • For up to 6 condensation microphones with 48 volt phantom power
  • Perfect for multi-track recording equipment
  • 6 XLR inputs

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  • For all Superlux microphones with 3 Pin TQG connectors
  • Operates directly with the mixing console such as Stagebox

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Uši phantom adapter

Uši phantom adapter

Adapter for connecting older (non-modular) versions of Uši or other plug-in powered microphones to phantom powered (48V) XLR inputs. The output is balanced, which allows for long cable runs.

Phantom powered XLR adapter for plug-in powered microphones Operating voltage : 24-48V Cable : 15 cm (for each connector) with 2.5 mm diameter Output : XLR-3M balanced, transformer-less, floating Output impedance : 30-50 Ω Power consumption : ~3mA per pin Plug-in power voltage : 8 V

Specifications are subject to change without notice.

Uši accesories

Uši (minijack) cable

Uši (minijack) cable

Uši Pro (XLR) cable

Uši Pro (XLR) cable

Uši Windbubbles

Uši Windbubbles

Ucho Windbubble (single)

Ucho Windbubble (single)

Uši mount (single)

Uši mount (single)

Magnetic microphone mount

Magnetic microphone mount

Uši magnetic clip (single)

Uši magnetic clip (single)

Uši basic mount (single)

Uši basic mount (single)

Uši clip (single)

Uši clip (single)

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The E-MU 0404 USB interface was first introduced at Musikmesse 2006 and at that very moment became nearly the most anticipated product of the year. I'll say! It was claimed to offer features record for any external audio interface, including top-end converters, good capabilities - all that at some very affordable price of $199. This fall the novelty reached Moscow. And despite being overpriced, the first stock was sold out within 24 hours.

The name "0404 USB" implies the quantity of mono-channels and the USB bus. Onboard there are 2 A-class mic/guitar/line pre-amplifiers, headphone pre-amplifier, coaxial/optical SPDIF switchable to AES/EBU, MIDI I/O and, of course, the 2x2 analog interface based on AKM's high-end DAC/ADC.

As you can see, most controls are located on the device itself. It's surely more comfortable to use hardware controllers, than software sliders. Note the analog output signal level control. It enables to connect the device directly to active acoustic systems without being afraid of dynamic range losses due to digital level reduction.

Technical specifications

0404 USB is one of the first products utilizing the newest AKM AK4396 DAC, which is a dual-channel 24-bit 192 kHz converter tailored for the high-end market and professional equipment. This DAC belongs to the AKM 439X top-end series and is a further development of AKM's advanced multi-bit architecture. The SNR within 20 kHz band is rated 114-120 dBA. The noise spectrum doesn't raise until 80 kHz allowing to avoid problems with intermodulation of good signal as well as modulator noise-shaped signal. THD+N is rated -90..100 dB.

On the front you can see (left to right): 2 combined Neutrik XLR-TRS connectors - mic/line/guitar input (1.5 kiloohm mic and 1 megaohm Hi-Z); SPDIF/AES coaxial I/O; below is optical TOSLINK; rightmost is ¼" TRS headphones output.

On the back: ¼" TRS-balanced output dubbed by unbalanced mini-jack (1/8" TRS, standard for connecting active PC acoustic systems) for more comfortable connection to consumer audio devices; MIDI I/O; power switch; USB2.0 B connector; power connector.

Prima facie, the non-USB power feed seems surprising. But it becomes obvious when you consider that the card consumes current of up to 1 ampere, while a single USB port is limited to 500 mA (even less in real devices). Since noone likes that greyish-white smoke and distinctive smell, the vendor decided to play it safe and implement the main power feed. (Enthusiasts might want to accept responsibility and try feeding the card from 2-3 USB ports. Since the supply voltage is 5V, perhaps, the first engineering samples were bus-powered.)

For that we get a bonus: the interface can work without a PC as an external pre-amplifier. However, to make us completely happy, vendor could add the standalone DAC mode with external clocking.) By the way, we found out that some users still succeeded in making the device work as a standalone external DAC.

The only criticism to the design is that phantom power is enabled on both XLR inputs simultaneously. When using a dynamic mic, you are to make sure it has balanced interface and XLR-XLR cable with a correct pinout. In that case phantom power, when enabled, won't cause any problems ( see explanations of Mackie's specialists ).

On the bottom we can find 2 miniature ground-lift switches, which are very useful for negating sneak ground circuits occuring when you connect a large number of equipment (usually it's 50 Hz noise pickup with multiple harmonics, can also be cracking, etc.)

Though it's rather traditional to supply unnecessary applications as a bonus, this time the software package is rather useful, allowing to start working right away. On the other hand, they could limit it to drivers and reduce the price even further.

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DJI Phantom 4 - Part 9 100W Battery Charger + Part 12 Power Adaptor Cable(USA & CA)

Purchase options and add-ons, about this item.

  • Phantom 4 series battery charger for connecting to a power outlet to charge the Phantom 4 intelligent flight battery and remote control
  • Voltage: 17.4V, Power Rating: 100W
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  • What you get: Phantom 4 Pro - 100W Battery Charger and Part 12 Power Adaptor Cable × 1
  • The manufacturer does not provide a warranty for this product. Sold as is

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Product Dimensions:6 x 4 x 4 inches Item Weight:1.15 pounds

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  1. What Is Phantom Power, and Does Your Microphone Need It?

    Phantom power is a method of providing power to a microphone without an external power supply or battery. While some microphones don't require phantom power, other, more sensitive microphones do. Phantom power works by carrying DC electric current over an XLR cable that plugs into your microphone.

  2. Amazon.com: Phantom Power Adapter

    Amazon.com: Phantom Power Adapter 1-48 of 107 results for "phantom power adapter" Results Price and other details may vary based on product size and color. Neewer 1-Channel 48V Phantom Power Supply with Adapter, BONUS+XLR 3 Pin Microphone Cable for Any Condenser Microphone Music Recording Equipment (8 feet) 6,421 400+ bought in past month $2899

  3. Amazon.com: 48v Phantom Power Adapter

    Results Neewer 1-Channel 48V Phantom Power Supply with Adapter, BONUS+XLR 3 Pin Microphone Cable for Any Condenser Microphone Music Recording Equipment (8 feet) 6,407 400+ bought in past month $2899 Join Prime to buy this item at $20.99 FREE delivery Tue, Dec 12 on $35 of items shipped by Amazon Overall Pick

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    Phantom Power Supplies Get More at Sweetwater Dedicated Sales Engineer Fast, Free Shipping Free Sweetwater Support Free 2-year Warranty 18 Products Xvive P1 Portable Phantom Power Supply Portable Phantom Power Supply, with 220mA/3.7V Rechargeable Lithium-ion Battery $49.99 Or $3.00/month§ with 24 month financing* i (15) Compare

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  6. Amazon.com: Microphone Phantom Power Supplies

    Neewer 1-Channel 48V Phantom Power Supply with Adapter, BONUS+XLR 3 Pin Microphone Cable for Any Condenser Microphone Music Recording Equipment (8 feet) 6,421 400+ bought in past month $2899 Join Prime to buy this item at $20.99 FREE delivery Fri, Jan 5 on $35 of items shipped by Amazon More Buying Choices $24.16 (5 used & new offers) Overall Pick

  7. Amazon Best Sellers: Best Microphone Phantom Power Supplies

    Best Sellers in Microphone Phantom Power Supplies #1 Shure X2u XLR-to-USB Signal Adapter with Headphone Jack, Integrated Pre-amp with Mic Gain Control, Zero-Latency Monitoring, +48V Phantom Power for Condenser Microphones, 3m USB Cable and Storage Pouch 651 7 offers from $79.00 #2

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    Phantom adapter; Suitable for Audio-Technica AT831R, U853R, U875R and PRO35; Soundman A3 XLR Power Supply Adapter. 9. Allows operation of OKM microphones at XLR input of a recorder; 3.5 mm mini jack (for OKM microphone) to 2x XLR male connectors; Operating with phantom power; Rolls RPB 486. 3.

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    $59.99 In Stock Add to Cart Audix APS910 Preamplifier Phantom Power Adapter $44.00 List Price: $59.00 You Save 25% Special Order item usually ships in 11-20 business days. Add to Cart Rolls PB23 Phantom Power Supply $59.00 List Price: $79.00 You Save 25% In Stock Add to Cart RDL STMPA24 2-Channel Microphone 48 V Phantom Adapter

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  12. Uši phantom adapter

    Adapter for connecting older (non-modular) versions of Uši or other plug-in powered microphones to phantom powered (48V) XLR inputs. The output is balanced, which allows for long cable runs. Tech specs Phantom powered XLR adapter for plug-in powered microphones Operating voltage: 24-48V Cable: 15 cm (for each connector

  13. Rolls PB23 Mic Power I 48V Phantom Power Adapter

    High-quality Phantom Power. The Rolls PB23 provides you with high-quality phantom power for your condenser microphone. This phantom power adapter employs a 100kHz switching power supply for super-low noise. What's more, a switching regulator ensures stable voltage performance. Here at Sweetwater, we appreciate the rock-solid reliability of ...

  14. Phantom Adapters May Prevent Your Adapter from Teaming

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  18. iXBT Labs

    Technical specifications. 0404 USB is one of the first products utilizing the newest AKM AK4396 DAC, which is a dual-channel 24-bit 192 kHz converter tailored for the high-end market and professional equipment. This DAC belongs to the AKM 439X top-end series and is a further development of AKM's advanced multi-bit architecture.

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